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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 152 71 it is the complementary color RGB 109 103 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 152 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 152 71 shade: RGB 151 152 66, RGB 168 170 85, RGB 185 188 104, RGB 202 206 123 and RGB 219 224 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 152 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 129 134 52, RGB 112 116 33, RGB 95 98 14 and RGB 78 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 152 136 71, RGB 152 115 71, RGB 152 93 71 and RGB 152 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 124 152 71, RGB 103 152 71, RGB 81 152 71 and RGB 71 152 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 152 71 shade matches the following richer shades: RGB 146 152 71, RGB 162 170 53, RGB 177 188 35 and RGB 193 207 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 131 134 89, RGB 115 116 108, RGB 100 98 126 and RGB 84 79 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 152 71 shade: RGB 152 114 71, RGB 152 136 71, RGB 147 152 71, RGB 125 152 71 and RGB 104 152 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 152 71 shade: RGB 92 96 45, RGB 119 124 58, RGB 146 152 71, RGB 170 176 88 and RGB 184 190 116

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 71 152 93 and RGB 125 71 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 71 147 152 and RGB 152 71 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 71 152 93, RGB 77 71 152 and RGB 152 71 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 152 71 shade: RGB 146 152 71, RGB 71 152 117, RGB 77 71 152 and RGB 152 71 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

Complementary color

CMYK 41 / 44 / 0 / 28

HEX #6D67B8

RGB 109 103 184

HSL 244.44, 0.36%, 0.56%

LAB 47.51, 22.69, -42.15

 

CMYK 1 / 0 / 57 / 40

HEX #979842

RGB 151 152 66

HSL 60.7, 0.39%, 0.43%

LAB 61.16, -12.33, 44.27

 

CMYK 1 / 0 / 50 / 33

HEX #A8AA55

RGB 168 170 85

HSL 61.41, 0.33%, 0.5%

LAB 67.82, -12.87, 43.14

 

CMYK 2 / 0 / 45 / 26

HEX #B9BC68

RGB 185 188 104

HSL 62.14, 0.39%, 0.57%

LAB 74.37, -13.3, 41.95

 

CMYK 2 / 0 / 40 / 19

HEX #CACE7B

RGB 202 206 123

HSL 62.89, 0.46%, 0.65%

LAB 80.81, -13.65, 40.76

 

CMYK 2 / 0 / 37 / 12

HEX #DBE08E

RGB 219 224 142

HSL 63.66, 0.57%, 0.72%

LAB 87.16, -13.94, 39.61

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 4 / 0 / 61 / 47

HEX #818634

RGB 129 134 52

HSL 63.66, 0.44%, 0.36%

LAB 53.99, -13.5, 42.39

 

CMYK 3 / 0 / 72 / 55

HEX #707421

RGB 112 116 33

HSL 62.89, 0.56%, 0.29%

LAB 47.03, -12.76, 43.09

 

CMYK 3 / 0 / 86 / 62

HEX #5F620E

RGB 95 98 14

HSL 62.14, 0.75%, 0.22%

LAB 39.92, -11.72, 42.82

 

CMYK 2 / 0 / 100 / 69

HEX #4E5000

RGB 78 80 0

HSL 61.5, 1%, 0.16%

LAB 32.61, -10.31, 40.53

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 0 / 11 / 53 / 40

HEX #988847

RGB 152 136 71

HSL 48.15, 0.36%, 0.44%

LAB 56.82, -2.8, 36.75

 

CMYK 0 / 24 / 53 / 40

HEX #987347

RGB 152 115 71

HSL 32.59, 0.36%, 0.44%

LAB 51.14, 9.06, 29.82

 

CMYK 0 / 39 / 53 / 40

HEX #985D47

RGB 152 93 71

HSL 16.3, 0.36%, 0.44%

LAB 45.58, 21.71, 22.75

 

CMYK 0 / 53 / 53 / 40

HEX #984747

RGB 152 71 71

HSL 0, 0.36%, 0.44%

LAB 40.63, 33.91, 16.22

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 18 / 0 / 53 / 40

HEX #7C9847

RGB 124 152 71

HSL 80.74, 0.36%, 0.44%

LAB 59.16, -23.23, 38.98

 

CMYK 32 / 0 / 53 / 40

HEX #679847

RGB 103 152 71

HSL 96.3, 0.36%, 0.44%

LAB 57.84, -31.37, 37.1

 

CMYK 47 / 0 / 53 / 40

HEX #519847

RGB 81 152 71

HSL 112.59, 0.36%, 0.44%

LAB 56.74, -38.87, 35.51

 

CMYK 53 / 0 / 45 / 40

HEX #479854

RGB 71 152 84

HSL 129.63, 0.36%, 0.44%

LAB 56.52, -39.85, 28.38

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 5 / 0 / 69 / 33

HEX #A2AA35

RGB 162 170 53

HSL 64.1, 0.52%, 0.44%

LAB 67.04, -17.82, 56.47

 

CMYK 6 / 0 / 81 / 26

HEX #B1BC23

RGB 177 188 35

HSL 64.31, 0.69%, 0.44%

LAB 73.18, -21.23, 68.48

 

CMYK 7 / 0 / 92 / 19

HEX #C1CF11

RGB 193 207 17

HSL 64.42, 0.85%, 0.44%

LAB 79.62, -24.16, 77.73

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 2 / 0 / 34 / 47

HEX #838659

RGB 131 134 89

HSL 64, 0.2%, 0.44%

LAB 54.65, -8.7, 23.91

 

CMYK 1 / 0 / 7 / 55

HEX #73746C

RGB 115 116 108

HSL 67.5, 0.04%, 0.44%

LAB 48.53, -1.96, 4.28

 

CMYK 21 / 22 / 0 / 51

HEX #64627E

RGB 100 98 126

HSL 244.29, 0.13%, 0.44%

LAB 42.69, 7.19, -15.33

 

CMYK 42 / 45 / 0 / 44

HEX #544F90

RGB 84 79 144

HSL 244.62, 0.29%, 0.44%

LAB 36.91, 19.13, -35.37

 

CMYK 0 / 25 / 53 / 40

HEX #987247

RGB 152 114 71

HSL 31.85, 0.36%, 0.44%

LAB 50.88, 9.63, 29.5

 

CMYK 0 / 11 / 53 / 40

HEX #988847

RGB 152 136 71

HSL 48.15, 0.36%, 0.44%

LAB 56.82, -2.8, 36.75

 

CMYK 3 / 0 / 53 / 40

HEX #939847

RGB 147 152 71

HSL 63.7, 0.36%, 0.44%

LAB 60.88, -13.62, 41.44

 

CMYK 18 / 0 / 53 / 40

HEX #7D9847

RGB 125 152 71

HSL 80, 0.36%, 0.44%

LAB 59.22, -22.82, 39.08

 

CMYK 32 / 0 / 53 / 40

HEX #689847

RGB 104 152 71

HSL 95.56, 0.36%, 0.44%

LAB 57.9, -31, 37.18

 

CMYK 4 / 0 / 53 / 62

HEX #5C602D

RGB 92 96 45

HSL 64.71, 0.36%, 0.28%

LAB 39.29, -9.85, 28.33

 

CMYK 4 / 0 / 53 / 51

HEX #777C3A

RGB 119 124 58

HSL 64.55, 0.36%, 0.36%

LAB 50.27, -12, 34.98

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 3 / 0 / 50 / 31

HEX #AAB058

RGB 170 176 88

HSL 64.09, 0.36%, 0.52%

LAB 69.68, -14.86, 43.92

 

CMYK 3 / 0 / 39 / 25

HEX #B8BE74

RGB 184 190 116

HSL 64.86, 0.36%, 0.6%

LAB 75, -13.43, 36.65

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 53 / 0 / 39 / 40

HEX #47985D

RGB 71 152 93

HSL 136.3, 0.36%, 0.44%

LAB 56.67, -38.3, 23.71

 

CMYK 18 / 53 / 0 / 40

HEX #7D4798

RGB 125 71 152

HSL 280, 0.36%, 0.44%

LAB 39.8, 37.7, -35.35

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 53 / 3 / 0 / 40

HEX #479398

RGB 71 147 152

HSL 183.7, 0.36%, 0.44%

LAB 56.56, -21.95, -9.84

 

CMYK 0 / 53 / 3 / 40

HEX #984793

RGB 152 71 147

HSL 303.7, 0.36%, 0.44%

LAB 43.19, 44.55, -26.75

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 53 / 0 / 39 / 40

HEX #47985D

RGB 71 152 93

HSL 136.3, 0.36%, 0.44%

LAB 56.67, -38.3, 23.71

 

CMYK 49 / 53 / 0 / 40

HEX #4D4798

RGB 77 71 152

HSL 244.44, 0.36%, 0.44%

LAB 34.7, 24.97, -43.78

 

CMYK 0 / 53 / 14 / 40

HEX #984783

RGB 152 71 131

HSL 315.56, 0.36%, 0.44%

LAB 42.49, 41.76, -18.14

 

CMYK 4 / 0 / 53 / 40

HEX #929847

RGB 146 152 71

HSL 64.44, 0.36%, 0.44%

LAB 60.8, -14.05, 41.33

 

CMYK 53 / 0 / 23 / 40

HEX #479875

RGB 71 152 117

HSL 154.07, 0.36%, 0.44%

LAB 57.15, -33.4, 10.99

 

CMYK 49 / 53 / 0 / 40

HEX #4D4798

RGB 77 71 152

HSL 244.44, 0.36%, 0.44%

LAB 34.7, 24.97, -43.78

 

CMYK 0 / 53 / 30 / 40

HEX #98476A

RGB 152 71 106

HSL 334.07, 0.36%, 0.44%

LAB 41.57, 37.95, -4.17

 

Description

Color code: RGB 146 152 71 | qconv.com Color code: RGB 146 152 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 152 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 152 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 53 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 53% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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