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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 14 194 it is the complementary color RGB 109 241 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 14 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 14 194 shade: RGB 151 14 189, RGB 168 32 208, RGB 185 50 227, RGB 202 68 246 and RGB 219 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 14 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 14 194 shade: RGB 146 14 194, RGB 129 0 175, RGB 112 0 156, RGB 95 0 137 and RGB 78 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 14 194 shade: RGB 146 13 195, RGB 195 13 194, RGB 195 13 145, RGB 195 13 96 and RGB 195 13 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 14 194 shade: RGB 146 13 195, RGB 97 13 195, RGB 48 13 195 and RGB 13 13 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 14 194 shade matches the following richer shades: RGB 146 13 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 14 194 shade: RGB 146 13 195, RGB 139 30 178, RGB 131 47 161, RGB 123 64 144 and RGB 115 81 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 14 194 shade: RGB 49 13 195, RGB 98 13 195, RGB 146 13 195, RGB 195 13 195 and RGB 195 13 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 14 194 shade: RGB 88 8 118, RGB 117 10 156, RGB 146 13 195, RGB 176 16 234 and RGB 190 50 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 14 194 shade: RGB 146 14 194, RGB 195 13 25 and RGB 13 195 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 14 194 shade: RGB 146 14 194, RGB 195 146 13 and RGB 13 195 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 14 194 shade: RGB 146 14 194, RGB 195 13 25, RGB 62 195 13 and RGB 13 195 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 14 194 shade: RGB 146 14 194, RGB 195 56 13, RGB 62 195 13 and RGB 13 153 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

Complementary color

CMYK 55 / 0 / 75 / 5

HEX #6DF13D

RGB 109 241 61

HSL 104, 0.87%, 0.59%

LAB 85.25, -66.14, 70.78

 

CMYK 20 / 93 / 0 / 26

HEX #970EBD

RGB 151 14 189

HSL 286.97, 0.86%, 0.4%

LAB 38.84, 71.09, -58.73

 

CMYK 19 / 85 / 0 / 18

HEX #A820D0

RGB 168 32 208

HSL 286.36, 0.73%, 0.47%

LAB 44.11, 73.81, -61.14

 

CMYK 19 / 78 / 0 / 11

HEX #B932E3

RGB 185 50 227

HSL 285.76, 0.76%, 0.54%

LAB 49.67, 75.38, -62.88

 

CMYK 18 / 72 / 0 / 4

HEX #CA44F6

RGB 202 68 246

HSL 285.17, 0.91%, 0.62%

LAB 55.43, 76.14, -64.15

 

CMYK 14 / 66 / 0 / 0

HEX #DB56FF

RGB 219 86 255

HSL 287.22, 1%, 0.67%

LAB 60.72, 74.5, -60.51

 

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

CMYK 26 / 100 / 0 / 31

HEX #8100AF

RGB 129 0 175

HSL 284.23, 1%, 0.34%

LAB 33.48, 67.27, -59.31

 

CMYK 28 / 100 / 0 / 39

HEX #70009C

RGB 112 0 156

HSL 283.08, 1%, 0.31%

LAB 29.02, 61.46, -55.23

 

CMYK 31 / 100 / 0 / 46

HEX #5F0089

RGB 95 0 137

HSL 281.61, 1%, 0.27%

LAB 24.45, 55.52, -51.08

 

CMYK 34 / 100 / 0 / 54

HEX #4E0076

RGB 78 0 118

HSL 279.66, 1%, 0.23%

LAB 19.75, 49.44, -46.82

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 0 / 93 / 1 / 24

HEX #C30DC2

RGB 195 13 194

HSL 300.33, 0.88%, 0.41%

LAB 46.69, 79.01, -48.62

 

CMYK 0 / 93 / 26 / 24

HEX #C30D91

RGB 195 13 145

HSL 316.48, 0.88%, 0.41%

LAB 44.14, 72.52, -23.52

 

CMYK 0 / 93 / 51 / 24

HEX #C30D60

RGB 195 13 96

HSL 332.64, 0.88%, 0.41%

LAB 42.36, 67.78, 4.15

 

CMYK 0 / 93 / 76 / 24

HEX #C30D2F

RGB 195 13 47

HSL 348.79, 0.88%, 0.41%

LAB 41.37, 65.04, 33.53

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 50 / 93 / 0 / 24

HEX #610DC3

RGB 97 13 195

HSL 267.69, 0.88%, 0.41%

LAB 31.28, 65.97, -74.97

 

CMYK 75 / 93 / 0 / 24

HEX #300DC3

RGB 48 13 195

HSL 251.54, 0.88%, 0.41%

LAB 26.32, 62.81, -83.34

 

CMYK 93 / 93 / 0 / 24

HEX #0D0DC3

RGB 13 13 195

HSL 240, 0.88%, 0.41%

LAB 24.68, 61.94, -86.12

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 22 / 83 / 0 / 30

HEX #8B1EB2

RGB 139 30 178

HSL 284.19, 0.71%, 0.41%

LAB 37.17, 63.91, -55.02

 

CMYK 19 / 71 / 0 / 37

HEX #832FA1

RGB 131 47 161

HSL 284.21, 0.55%, 0.41%

LAB 36.8, 53.06, -45.51

 

CMYK 15 / 56 / 0 / 44

HEX #7B4090

RGB 123 64 144

HSL 284.25, 0.38%, 0.41%

LAB 37.65, 39.18, -33.93

 

CMYK 9 / 36 / 0 / 50

HEX #73517F

RGB 115 81 127

HSL 284.35, 0.22%, 0.41%

LAB 39.68, 23.05, -20.43

 

CMYK 75 / 93 / 0 / 24

HEX #310DC3

RGB 49 13 195

HSL 251.87, 0.88%, 0.41%

LAB 26.39, 62.85, -83.22

 

CMYK 50 / 93 / 0 / 24

HEX #620DC3

RGB 98 13 195

HSL 268.02, 0.88%, 0.41%

LAB 31.4, 66.06, -74.75

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 0 / 93 / 0 / 24

HEX #C30DC3

RGB 195 13 195

HSL 300, 0.88%, 0.41%

LAB 46.75, 79.16, -49.11

 

CMYK 0 / 93 / 25 / 24

HEX #C30D92

RGB 195 13 146

HSL 316.15, 0.88%, 0.41%

LAB 44.18, 72.64, -24.06

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 25 / 94 / 0 / 39

HEX #750A9C

RGB 117 10 156

HSL 283.97, 0.88%, 0.33%

LAB 30.4, 60.53, -52.95

 

CMYK 25 / 93 / 0 / 24

HEX #920DC3

RGB 146 13 195

HSL 283.85, 0.88%, 0.41%

LAB 38.44, 71.62, -62.94

 

CMYK 25 / 93 / 0 / 8

HEX #B010EA

RGB 176 16 234

HSL 284.04, 0.87%, 0.49%

LAB 46.37, 82.39, -72.27

 

CMYK 21 / 79 / 0 / 6

HEX #BE32F0

RGB 190 50 240

HSL 284.21, 0.86%, 0.57%

LAB 51.29, 78.64, -67.56

 

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

CMYK 0 / 93 / 87 / 24

HEX #C30D19

RGB 195 13 25

HSL 356.04, 0.88%, 0.41%

LAB 41.15, 64.44, 45.55

 

CMYK 93 / 0 / 62 / 24

HEX #0DC34A

RGB 13 195 74

HSL 140.11, 0.88%, 0.41%

LAB 69.19, -65.33, 48.34

 

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

CMYK 0 / 25 / 93 / 24

HEX #C3920D

RGB 195 146 13

HSL 43.85, 0.88%, 0.41%

LAB 63.5, 8.25, 66.11

 

CMYK 93 / 0 / 25 / 24

HEX #0DC392

RGB 13 195 146

HSL 163.85, 0.88%, 0.41%

LAB 70.31, -52.22, 13.34

 

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

CMYK 0 / 93 / 87 / 24

HEX #C30D19

RGB 195 13 25

HSL 356.04, 0.88%, 0.41%

LAB 41.15, 64.44, 45.55

 

CMYK 68 / 0 / 93 / 24

HEX #3EC30D

RGB 62 195 13

HSL 103.85, 0.88%, 0.41%

LAB 69.53, -63.66, 67.42

 

CMYK 93 / 0 / 6 / 24

HEX #0DC3B7

RGB 13 195 183

HSL 176.04, 0.88%, 0.41%

LAB 71.24, -42.43, -5.44

 

CMYK 25 / 93 / 0 / 24

HEX #920EC2

RGB 146 14 194

HSL 284, 0.87%, 0.41%

LAB 38.41, 71.29, -62.4

 

CMYK 0 / 71 / 93 / 24

HEX #C3380D

RGB 195 56 13

HSL 14.18, 0.88%, 0.41%

LAB 44.88, 53.56, 53.03

 

CMYK 68 / 0 / 93 / 24

HEX #3EC30D

RGB 62 195 13

HSL 103.85, 0.88%, 0.41%

LAB 69.53, -63.66, 67.42

 

CMYK 93 / 22 / 0 / 24

HEX #0D99C3

RGB 13 153 195

HSL 193.85, 0.88%, 0.41%

LAB 58.8, -18.18, -30.97

 

Description

Color code: RGB 146 14 194 | qconv.com Color code: RGB 146 14 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 14 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 14 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 93 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 93% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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