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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 140 231 it is the complementary color RGB 109 115 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 140 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 140 231 shade: RGB 151 140 226, RGB 168 158 245, RGB 185 176 255, RGB 202 194 255 and RGB 219 212 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 140 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 140 231 shade: RGB 146 140 231, RGB 129 122 212, RGB 112 104 193, RGB 95 86 174 and RGB 78 68 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 140 231 shade: RGB 147 141 230, RGB 171 141 230, RGB 195 141 230, RGB 219 141 230 and RGB 230 141 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 140 231 shade: RGB 147 141 230 and RGB 141 141 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 140 231 shade matches the following richer shades: RGB 147 141 230, RGB 137 130 242 and RGB 127 119 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 140 231 shade: RGB 147 141 230, RGB 156 152 219, RGB 166 163 208, RGB 176 174 197 and RGB 185 185 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 140 231 shade: RGB 141 184 230, RGB 141 160 230, RGB 145 141 230, RGB 169 141 230 and RGB 193 141 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 140 231 shade: RGB 82 73 216, RGB 115 107 223, RGB 147 141 230, RGB 179 175 238 and RGB 211 209 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 140 231 shade: RGB 146 140 231, RGB 230 141 208 and RGB 172 230 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 140 231 shade: RGB 146 140 231, RGB 230 145 141 and RGB 141 230 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 140 231 shade: RGB 146 140 231, RGB 230 141 208, RGB 226 230 141 and RGB 141 230 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 140 231 shade: RGB 146 140 231, RGB 230 141 181, RGB 226 230 141 and RGB 141 230 190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

Complementary color

CMYK 5 / 0 / 79 / 55

HEX #6D7318

RGB 109 115 24

HSL 63.96, 0.65%, 0.27%

LAB 46.42, -14.08, 45.85

 

CMYK 33 / 38 / 0 / 11

HEX #978CE2

RGB 151 140 226

HSL 247.67, 0.6%, 0.72%

LAB 62.36, 23.56, -42.31

 

CMYK 31 / 36 / 0 / 4

HEX #A89EF5

RGB 168 158 245

HSL 246.9, 0.81%, 0.79%

LAB 69.02, 22.82, -42.23

 

CMYK 27 / 31 / 0 / 0

HEX #B9B0FF

RGB 185 176 255

HSL 246.84, 1%, 0.85%

LAB 75.19, 19.98, -37.93

 

CMYK 21 / 24 / 0 / 0

HEX #CAC2FF

RGB 202 194 255

HSL 247.87, 1%, 0.88%

LAB 80.94, 15.09, -28.95

 

CMYK 14 / 17 / 0 / 0

HEX #DBD4FF

RGB 219 212 255

HSL 249.77, 1%, 0.92%

LAB 86.69, 10.65, -20.09

 

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

CMYK 39 / 42 / 0 / 17

HEX #817AD4

RGB 129 122 212

HSL 244.67, 0.51%, 0.65%

LAB 55.42, 24.44, -45.54

 

CMYK 42 / 46 / 0 / 24

HEX #7068C1

RGB 112 104 193

HSL 245.39, 0.42%, 0.58%

LAB 48.51, 25.46, -45.76

 

CMYK 45 / 51 / 0 / 32

HEX #5F56AE

RGB 95 86 174

HSL 246.14, 0.35%, 0.51%

LAB 41.44, 26.66, -46.04

 

CMYK 50 / 56 / 0 / 39

HEX #4E449B

RGB 78 68 155

HSL 246.9, 0.39%, 0.44%

LAB 34.23, 28.06, -46.35

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 26 / 39 / 0 / 10

HEX #AB8DE6

RGB 171 141 230

HSL 260.22, 0.64%, 0.73%

LAB 64.5, 29.58, -41.05

 

CMYK 15 / 39 / 0 / 10

HEX #C38DE6

RGB 195 141 230

HSL 276.4, 0.64%, 0.73%

LAB 66.8, 36.57, -37.29

 

CMYK 5 / 39 / 0 / 10

HEX #DB8DE6

RGB 219 141 230

HSL 292.58, 0.64%, 0.73%

LAB 69.34, 43.74, -33.14

 

CMYK 0 / 39 / 6 / 10

HEX #E68DD9

RGB 230 141 217

HSL 308.76, 0.64%, 0.73%

LAB 70.09, 44.76, -24.71

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 39 / 39 / 0 / 10

HEX #8D8DE6

RGB 141 141 230

HSL 240, 0.64%, 0.73%

LAB 62.02, 21.38, -45.12

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 43 / 46 / 0 / 5

HEX #8982F2

RGB 137 130 242

HSL 243.75, 0.81%, 0.73%

LAB 59.61, 30.16, -55.61

 

CMYK 50 / 53 / 0 / 1

HEX #7F77FD

RGB 127 119 253

HSL 243.58, 0.97%, 0.73%

LAB 56.88, 37.57, -66.11

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 29 / 31 / 0 / 14

HEX #9C98DB

RGB 156 152 219

HSL 243.58, 0.48%, 0.73%

LAB 65.47, 16.3, -33.55

 

CMYK 20 / 22 / 0 / 18

HEX #A6A3D0

RGB 166 163 208

HSL 244, 0.32%, 0.73%

LAB 68.65, 10.49, -22.51

 

CMYK 11 / 12 / 0 / 23

HEX #B0AEC5

RGB 176 174 197

HSL 245.22, 0.17%, 0.73%

LAB 71.92, 5.24, -11.43

 

CMYK 1 / 1 / 0 / 27

HEX #B9B9BA

RGB 185 185 186

HSL 240, 0.01%, 0.73%

LAB 75.18, 0.19, -0.51

 

CMYK 39 / 20 / 0 / 10

HEX #8DB8E6

RGB 141 184 230

HSL 211.01, 0.64%, 0.73%

LAB 73.32, -2.94, -27.54

 

CMYK 39 / 30 / 0 / 10

HEX #8DA0E6

RGB 141 160 230

HSL 227.19, 0.64%, 0.73%

LAB 66.91, 10.43, -37.45

 

CMYK 37 / 39 / 0 / 10

HEX #918DE6

RGB 145 141 230

HSL 242.7, 0.64%, 0.73%

LAB 62.32, 22.43, -44.62

 

CMYK 27 / 39 / 0 / 10

HEX #A98DE6

RGB 169 141 230

HSL 258.88, 0.64%, 0.73%

LAB 64.32, 29.01, -41.35

 

CMYK 16 / 39 / 0 / 10

HEX #C18DE6

RGB 193 141 230

HSL 275.06, 0.64%, 0.73%

LAB 66.6, 35.97, -37.62

 

CMYK 62 / 66 / 0 / 15

HEX #5249D8

RGB 82 73 216

HSL 243.78, 0.65%, 0.57%

LAB 40.44, 45.23, -72.15

 

CMYK 48 / 52 / 0 / 13

HEX #736BDF

RGB 115 107 223

HSL 244.14, 0.64%, 0.65%

LAB 51.25, 33.22, -58.47

 

CMYK 36 / 39 / 0 / 10

HEX #938DE6

RGB 147 141 230

HSL 244.04, 0.64%, 0.73%

LAB 62.48, 22.96, -44.37

 

CMYK 25 / 26 / 0 / 7

HEX #B3AFEE

RGB 179 175 238

HSL 243.81, 0.65%, 0.81%

LAB 73.82, 14.74, -30.91

 

CMYK 14 / 15 / 0 / 4

HEX #D3D1F5

RGB 211 209 245

HSL 243.33, 0.64%, 0.89%

LAB 85.02, 7.67, -17.37

 

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

CMYK 0 / 39 / 10 / 10

HEX #E68DD0

RGB 230 141 208

HSL 314.83, 0.64%, 0.73%

LAB 69.77, 43.24, -20.22

 

CMYK 25 / 0 / 39 / 10

HEX #ACE68D

RGB 172 230 141

HSL 99.1, 0.64%, 0.73%

LAB 85.65, -34.2, 37.54

 

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

CMYK 0 / 37 / 39 / 10

HEX #E6918D

RGB 230 145 141

HSL 2.7, 0.64%, 0.73%

LAB 68.75, 31.67, 15.66

 

CMYK 39 / 0 / 37 / 10

HEX #8DE691

RGB 141 230 145

HSL 122.7, 0.64%, 0.73%

LAB 84.12, -43.63, 33.24

 

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

CMYK 0 / 39 / 10 / 10

HEX #E68DD0

RGB 230 141 208

HSL 314.83, 0.64%, 0.73%

LAB 69.77, 43.24, -20.22

 

CMYK 2 / 0 / 39 / 10

HEX #E2E68D

RGB 226 230 141

HSL 62.7, 0.64%, 0.73%

LAB 89.25, -14.33, 42.88

 

CMYK 39 / 0 / 29 / 10

HEX #8DE6A3

RGB 141 230 163

HSL 134.83, 0.64%, 0.73%

LAB 84.43, -40.64, 24.45

 

CMYK 37 / 39 / 0 / 9

HEX #928CE7

RGB 146 140 231

HSL 243.96, 0.65%, 0.73%

LAB 62.2, 23.54, -45.37

 

CMYK 0 / 39 / 21 / 10

HEX #E68DB5

RGB 230 141 181

HSL 333.03, 0.64%, 0.73%

LAB 68.9, 39.01, -6.49

 

CMYK 2 / 0 / 39 / 10

HEX #E2E68D

RGB 226 230 141

HSL 62.7, 0.64%, 0.73%

LAB 89.25, -14.33, 42.88

 

CMYK 39 / 0 / 17 / 10

HEX #8DE6BE

RGB 141 230 190

HSL 153.03, 0.64%, 0.73%

LAB 84.98, -35.51, 11.16

 

Description

Color code: RGB 146 140 231 | qconv.com Color code: RGB 146 140 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 140 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 140 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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