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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 140 15 it is the complementary color RGB 109 115 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 140 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 140 15 shade: RGB 151 140 10, RGB 168 158 29, RGB 185 176 48, RGB 202 194 67 and RGB 219 212 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 140 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 140 15 shade: RGB 146 140 15, RGB 129 122 0, RGB 112 104 0, RGB 95 86 0 and RGB 78 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 140 15 shade: RGB 147 141 15, RGB 147 105 15, RGB 147 70 15, RGB 147 34 15 and RGB 147 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 140 15 shade: RGB 147 141 15, RGB 118 147 15, RGB 82 147 15, RGB 46 147 15 and RGB 15 147 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 140 15 shade matches the following richer shades: RGB 147 141 15 and RGB 160 153 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 140 15 shade: RGB 147 141 15, RGB 134 129 28, RGB 121 117 41, RGB 108 105 55 and RGB 94 93 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 140 15 shade: RGB 147 70 15, RGB 147 105 15, RGB 147 141 15, RGB 119 147 15 and RGB 83 147 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 140 15 shade: RGB 73 70 7, RGB 110 105 11, RGB 147 141 15, RGB 185 177 19 and RGB 222 213 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 140 15 shade: RGB 146 140 15, RGB 15 147 35 and RGB 88 15 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 140 15 shade: RGB 146 140 15, RGB 15 147 141 and RGB 141 15 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 140 15 shade: RGB 146 140 15, RGB 15 147 35, RGB 15 22 147 and RGB 147 15 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 140 15 shade: RGB 146 140 15, RGB 15 147 74, RGB 15 22 147 and RGB 147 15 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

Complementary color

CMYK 55 / 52 / 0 / 6

HEX #6D73F0

RGB 109 115 240

HSL 237.25, 0.81%, 0.68%

LAB 53.82, 32.41, -63.9

 

CMYK 0 / 7 / 93 / 41

HEX #978C0A

RGB 151 140 10

HSL 55.32, 0.88%, 0.32%

LAB 57.42, -8.57, 60.04

 

CMYK 0 / 6 / 83 / 34

HEX #A89E1D

RGB 168 158 29

HSL 55.68, 0.71%, 0.39%

LAB 64.05, -10.02, 61.92

 

CMYK 0 / 5 / 74 / 27

HEX #B9B030

RGB 185 176 48

HSL 56.06, 0.59%, 0.46%

LAB 70.58, -11.2, 62.41

 

CMYK 0 / 4 / 67 / 21

HEX #CAC243

RGB 202 194 67

HSL 56.44, 0.56%, 0.53%

LAB 77.01, -12.18, 62.12

 

CMYK 0 / 3 / 61 / 14

HEX #DBD456

RGB 219 212 86

HSL 56.84, 0.65%, 0.6%

LAB 83.35, -12.99, 61.4

 

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

CMYK 0 / 5 / 100 / 49

HEX #817A00

RGB 129 122 0

HSL 56.74, 1%, 0.25%

LAB 50.2, -9.19, 55.5

 

CMYK 0 / 7 / 100 / 56

HEX #706800

RGB 112 104 0

HSL 55.71, 1%, 0.22%

LAB 43.28, -7.27, 49.76

 

CMYK 0 / 9 / 100 / 63

HEX #5F5600

RGB 95 86 0

HSL 54.32, 1%, 0.19%

LAB 36.15, -5.25, 43.86

 

CMYK 0 / 13 / 100 / 69

HEX #4E4400

RGB 78 68 0

HSL 52.31, 1%, 0.15%

LAB 28.78, -3.11, 37.67

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 0 / 29 / 90 / 42

HEX #93690F

RGB 147 105 15

HSL 40.91, 0.81%, 0.32%

LAB 47.42, 9.3, 51.01

 

CMYK 0 / 52 / 90 / 42

HEX #93460F

RGB 147 70 15

HSL 25, 0.81%, 0.32%

LAB 38.93, 29.22, 44.26

 

CMYK 0 / 77 / 90 / 42

HEX #93220F

RGB 147 34 15

HSL 8.64, 0.81%, 0.32%

LAB 32.66, 45.81, 39.29

 

CMYK 0 / 90 / 90 / 42

HEX #930F0F

RGB 147 15 15

HSL 0, 0.81%, 0.32%

LAB 30.83, 50.99, 37.85

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 20 / 0 / 90 / 42

HEX #76930F

RGB 118 147 15

HSL 73.18, 0.81%, 0.32%

LAB 56.83, -26.86, 57.57

 

CMYK 44 / 0 / 90 / 42

HEX #52930F

RGB 82 147 15

HSL 89.55, 0.81%, 0.32%

LAB 54.76, -40.93, 54.99

 

CMYK 69 / 0 / 90 / 42

HEX #2E930F

RGB 46 147 15

HSL 105.91, 0.81%, 0.32%

LAB 53.47, -51.11, 53.38

 

CMYK 90 / 0 / 87 / 42

HEX #0F9313

RGB 15 147 19

HSL 121.82, 0.81%, 0.32%

LAB 52.97, -55.48, 51.84

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 0 / 4 / 99 / 37

HEX #A09902

RGB 160 153 2

HSL 57.34, 0.98%, 0.32%

LAB 61.88, -11.53, 64.95

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 0 / 4 / 79 / 47

HEX #86811C

RGB 134 129 28

HSL 57.17, 0.65%, 0.32%

LAB 52.79, -9.95, 51.13

 

CMYK 0 / 3 / 66 / 53

HEX #797529

RGB 121 117 41

HSL 57, 0.49%, 0.32%

LAB 48.19, -8.64, 41.04

 

CMYK 0 / 3 / 49 / 58

HEX #6C6937

RGB 108 105 55

HSL 56.6, 0.33%, 0.32%

LAB 43.61, -6.61, 28.37

 

CMYK 0 / 1 / 28 / 63

HEX #5E5D44

RGB 94 93 68

HSL 57.69, 0.16%, 0.32%

LAB 38.94, -4.18, 14.55

 

CMYK 0 / 52 / 90 / 42

HEX #93460F

RGB 147 70 15

HSL 25, 0.81%, 0.32%

LAB 38.93, 29.22, 44.26

 

CMYK 0 / 29 / 90 / 42

HEX #93690F

RGB 147 105 15

HSL 40.91, 0.81%, 0.32%

LAB 47.42, 9.3, 51.01

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 19 / 0 / 90 / 42

HEX #77930F

RGB 119 147 15

HSL 72.73, 0.81%, 0.32%

LAB 56.9, -26.43, 57.65

 

CMYK 44 / 0 / 90 / 42

HEX #53930F

RGB 83 147 15

HSL 89.09, 0.81%, 0.32%

LAB 54.8, -40.59, 55.05

 

CMYK 0 / 4 / 90 / 71

HEX #494607

RGB 73 70 7

HSL 57.27, 0.83%, 0.16%

LAB 28.93, -6.63, 34.76

 

CMYK 0 / 5 / 90 / 57

HEX #6E690B

RGB 110 105 11

HSL 56.97, 0.82%, 0.24%

LAB 43.42, -8.53, 47.14

 

CMYK 0 / 4 / 90 / 42

HEX #938D0F

RGB 147 141 15

HSL 57.27, 0.81%, 0.32%

LAB 57.35, -10.85, 58.94

 

CMYK 0 / 4 / 90 / 27

HEX #B9B113

RGB 185 177 19

HSL 57.11, 0.81%, 0.4%

LAB 70.74, -12.61, 70.21

 

CMYK 0 / 4 / 90 / 13

HEX #DED517

RGB 222 213 23

HSL 57.29, 0.81%, 0.48%

LAB 83.54, -14.74, 80.91

 

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

CMYK 90 / 0 / 76 / 42

HEX #0F9323

RGB 15 147 35

HSL 129.09, 0.81%, 0.32%

LAB 53.05, -54.45, 47.03

 

CMYK 40 / 90 / 0 / 42

HEX #580F93

RGB 88 15 147

HSL 273.18, 0.81%, 0.32%

LAB 25.33, 53.58, -55.89

 

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

CMYK 90 / 0 / 4 / 42

HEX #0F938D

RGB 15 147 141

HSL 177.27, 0.81%, 0.32%

LAB 54.96, -33.06, -6.04

 

CMYK 4 / 90 / 0 / 42

HEX #8D0F93

RGB 141 15 147

HSL 297.27, 0.81%, 0.32%

LAB 34.21, 62.05, -41.07

 

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

CMYK 90 / 0 / 76 / 42

HEX #0F9323

RGB 15 147 35

HSL 129.09, 0.81%, 0.32%

LAB 53.05, -54.45, 47.03

 

CMYK 90 / 85 / 0 / 42

HEX #0F1693

RGB 15 22 147

HSL 236.82, 0.81%, 0.32%

LAB 19.15, 44.78, -66.34

 

CMYK 0 / 90 / 14 / 42

HEX #930F7F

RGB 147 15 127

HSL 309.09, 0.81%, 0.32%

LAB 34.14, 60.14, -28.72

 

CMYK 0 / 4 / 90 / 43

HEX #928C0F

RGB 146 140 15

HSL 57.25, 0.81%, 0.32%

LAB 56.98, -10.78, 58.6

 

CMYK 90 / 0 / 50 / 42

HEX #0F934A

RGB 15 147 74

HSL 146.82, 0.81%, 0.32%

LAB 53.45, -49.47, 29.52

 

CMYK 90 / 85 / 0 / 42

HEX #0F1693

RGB 15 22 147

HSL 236.82, 0.81%, 0.32%

LAB 19.15, 44.78, -66.34

 

CMYK 0 / 90 / 40 / 42

HEX #930F58

RGB 147 15 88

HSL 326.82, 0.81%, 0.32%

LAB 32.37, 55.36, -6.53

 

Description

Color code: RGB 146 140 15 | qconv.com Color code: RGB 146 140 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 140 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 140 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 90 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 90% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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