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Color name
RGB 146 111 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 111 21 it is the complementary color RGB 109 144 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 111 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 111 21 shade: RGB 151 111 16, RGB 168 129 35, RGB 185 147 54, RGB 202 165 73 and RGB 219 183 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 111 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 111 21 shade: RGB 146 111 21, RGB 129 93 2, RGB 112 75 0, RGB 95 57 0 and RGB 78 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 111 21 shade: RGB 147 111 21, RGB 147 77 21, RGB 147 43 21 and RGB 147 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 111 21 shade: RGB 147 111 21, RGB 147 145 21, RGB 114 147 21, RGB 80 147 21 and RGB 46 147 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 111 21 shade matches the following richer shades: RGB 147 111 21 and RGB 160 117 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 111 21 shade: RGB 147 111 21, RGB 133 105 34, RGB 120 99 48, RGB 106 93 61 and RGB 92 87 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 111 21 shade: RGB 147 44 21, RGB 147 77 21, RGB 147 111 21, RGB 147 145 21 and RGB 115 147 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 111 21 shade: RGB 75 57 10, RGB 111 84 15, RGB 147 111 21, RGB 183 139 26 and RGB 219 166 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 111 21 shade: RGB 146 111 21, RGB 31 147 21 and RGB 61 21 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 111 21 shade: RGB 146 111 21, RGB 21 147 111 and RGB 111 21 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 111 21 shade: RGB 146 111 21, RGB 31 147 21, RGB 21 56 147 and RGB 136 21 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 111 21 shade: RGB 146 111 21, RGB 21 147 48, RGB 21 56 147 and RGB 147 21 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

Complementary color

CMYK 53 / 38 / 0 / 8

HEX #6D90EA

RGB 109 144 234

HSL 223.2, 0.75%, 0.67%

LAB 60.9, 13.18, -49.24

 

CMYK 0 / 26 / 89 / 41

HEX #976F10

RGB 151 111 16

HSL 42.22, 0.81%, 0.33%

LAB 49.48, 7.74, 52.59

 

CMYK 0 / 23 / 79 / 34

HEX #A88123

RGB 168 129 35

HSL 42.41, 0.66%, 0.4%

LAB 56.23, 5.99, 53.07

 

CMYK 0 / 21 / 71 / 27

HEX #B99336

RGB 185 147 54

HSL 42.6, 0.55%, 0.47%

LAB 62.88, 4.55, 52.52

 

CMYK 0 / 18 / 64 / 21

HEX #CAA549

RGB 202 165 73

HSL 42.79, 0.55%, 0.54%

LAB 69.43, 3.35, 51.52

 

CMYK 0 / 16 / 58 / 14

HEX #DBB75C

RGB 219 183 92

HSL 42.99, 0.64%, 0.61%

LAB 75.88, 2.34, 50.34

 

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

CMYK 0 / 28 / 98 / 49

HEX #815D02

RGB 129 93 2

HSL 42.99, 0.97%, 0.26%

LAB 42, 7.47, 49.18

 

CMYK 0 / 33 / 100 / 56

HEX #704B00

RGB 112 75 0

HSL 40.18, 1%, 0.22%

LAB 34.96, 9.92, 43.96

 

CMYK 0 / 40 / 100 / 63

HEX #5F3900

RGB 95 57 0

HSL 36, 1%, 0.19%

LAB 27.73, 12.57, 37.68

 

CMYK 0 / 50 / 100 / 69

HEX #4E2700

RGB 78 39 0

HSL 30, 1%, 0.15%

LAB 20.33, 15.4, 29.48

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 48 / 86 / 42

HEX #934D15

RGB 147 77 21

HSL 26.67, 0.75%, 0.33%

LAB 40.52, 25.52, 43.3

 

CMYK 0 / 71 / 86 / 42

HEX #932B15

RGB 147 43 21

HSL 10.48, 0.75%, 0.33%

LAB 33.95, 42.52, 37.51

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 1 / 86 / 42

HEX #939115

RGB 147 145 21

HSL 59.05, 0.75%, 0.33%

LAB 58.52, -12.84, 58.56

 

CMYK 22 / 0 / 86 / 42

HEX #729315

RGB 114 147 21

HSL 75.71, 0.75%, 0.33%

LAB 56.58, -28.37, 55.92

 

CMYK 46 / 0 / 86 / 42

HEX #509315

RGB 80 147 21

HSL 91.9, 0.75%, 0.33%

LAB 54.69, -41.4, 53.52

 

CMYK 69 / 0 / 86 / 42

HEX #2E9315

RGB 46 147 21

HSL 108.1, 0.75%, 0.33%

LAB 53.5, -50.85, 52.01

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 27 / 96 / 37

HEX #A07507

RGB 160 117 7

HSL 43.14, 0.92%, 0.33%

LAB 52.08, 8.35, 56.96

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 21 / 74 / 48

HEX #856922

RGB 133 105 34

HSL 43.03, 0.59%, 0.33%

LAB 45.91, 3.41, 42.22

 

CMYK 0 / 18 / 60 / 53

HEX #786330

RGB 120 99 48

HSL 42.5, 0.43%, 0.33%

LAB 42.96, 1.76, 31.7

 

CMYK 0 / 12 / 42 / 58

HEX #6A5D3D

RGB 106 93 61

HSL 42.67, 0.27%, 0.33%

LAB 39.96, 0.2, 20.31

 

CMYK 0 / 5 / 18 / 64

HEX #5C574B

RGB 92 87 75

HSL 42.35, 0.1%, 0.33%

LAB 37.11, -0.27, 7.7

 

CMYK 0 / 70 / 86 / 42

HEX #932C15

RGB 147 44 21

HSL 10.95, 0.75%, 0.33%

LAB 34.1, 42.1, 37.64

 

CMYK 0 / 48 / 86 / 42

HEX #934D15

RGB 147 77 21

HSL 26.67, 0.75%, 0.33%

LAB 40.52, 25.52, 43.3

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 1 / 86 / 42

HEX #939115

RGB 147 145 21

HSL 59.05, 0.75%, 0.33%

LAB 58.52, -12.84, 58.56

 

CMYK 22 / 0 / 86 / 42

HEX #739315

RGB 115 147 21

HSL 75.24, 0.75%, 0.33%

LAB 56.65, -27.95, 56

 

CMYK 0 / 24 / 87 / 71

HEX #4B390A

RGB 75 57 10

HSL 43.38, 0.76%, 0.17%

LAB 25.09, 2.69, 30.21

 

CMYK 0 / 24 / 86 / 56

HEX #6F540F

RGB 111 84 15

HSL 43.13, 0.76%, 0.25%

LAB 37.4, 4.39, 40.95

 

CMYK 0 / 24 / 86 / 42

HEX #936F15

RGB 147 111 21

HSL 42.86, 0.75%, 0.33%

LAB 49.04, 6, 50.61

 

CMYK 0 / 24 / 86 / 28

HEX #B78B1A

RGB 183 139 26

HSL 43.18, 0.75%, 0.41%

LAB 60.43, 6.95, 60.29

 

CMYK 0 / 24 / 86 / 14

HEX #DBA61F

RGB 219 166 31

HSL 43.09, 0.75%, 0.49%

LAB 71.17, 8.4, 69.36

 

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

CMYK 79 / 0 / 86 / 42

HEX #1F9315

RGB 31 147 21

HSL 115.24, 0.75%, 0.33%

LAB 53.18, -53.55, 51.61

 

CMYK 59 / 86 / 0 / 42

HEX #3D1593

RGB 61 21 147

HSL 259.05, 0.75%, 0.33%

LAB 22.43, 48.44, -60.8

 

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

CMYK 86 / 0 / 24 / 42

HEX #15936F

RGB 21 147 111

HSL 162.86, 0.75%, 0.33%

LAB 54.21, -41.04, 10.08

 

CMYK 24 / 86 / 0 / 42

HEX #6F1593

RGB 111 21 147

HSL 282.86, 0.75%, 0.33%

LAB 29.47, 55.47, -48.98

 

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

CMYK 79 / 0 / 86 / 42

HEX #1F9315

RGB 31 147 21

HSL 115.24, 0.75%, 0.33%

LAB 53.18, -53.55, 51.61

 

CMYK 86 / 62 / 0 / 42

HEX #153893

RGB 21 56 147

HSL 223.33, 0.75%, 0.33%

LAB 27, 24.13, -53.37

 

CMYK 7 / 86 / 0 / 42

HEX #881593

RGB 136 21 147

HSL 294.76, 0.75%, 0.33%

LAB 33.73, 59.94, -41.9

 

CMYK 0 / 24 / 86 / 43

HEX #926F15

RGB 146 111 21

HSL 43.2, 0.75%, 0.33%

LAB 48.93, 5.53, 50.46

 

CMYK 86 / 0 / 67 / 42

HEX #159330

RGB 21 147 48

HSL 132.86, 0.75%, 0.33%

LAB 53.21, -52.64, 41.97

 

CMYK 86 / 62 / 0 / 42

HEX #153893

RGB 21 56 147

HSL 223.33, 0.75%, 0.33%

LAB 27, 24.13, -53.37

 

CMYK 0 / 86 / 19 / 42

HEX #931577

RGB 147 21 119

HSL 313.33, 0.75%, 0.33%

LAB 34.13, 57.85, -23.71

 

Description

Color code: RGB 146 111 21 | qconv.com Color code: RGB 146 111 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 111 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 111 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 86% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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