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Color name
RGB 146 108 52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 108 52 it is the complementary color RGB 109 147 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 108 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 108 52 shade: RGB 151 108 47, RGB 168 126 66, RGB 185 144 85, RGB 202 162 104 and RGB 219 180 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 108 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 129 90 33, RGB 112 72 14, RGB 95 54 0 and RGB 78 36 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 146 83 52, RGB 146 57 52 and RGB 146 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 146 133 52, RGB 133 146 52, RGB 108 146 52 and RGB 83 146 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 108 52 shade matches the following richer shades: RGB 146 108 52, RGB 162 111 36, RGB 178 114 20 and RGB 194 117 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 130 105 68, RGB 114 102 84, RGB 97 99 100 and RGB 81 96 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 108 52 shade: RGB 146 57 52, RGB 146 82 52, RGB 146 107 52, RGB 146 132 52 and RGB 135 146 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 108 52 shade: RGB 85 63 30, RGB 115 85 41, RGB 146 108 52, RGB 176 130 63 and RGB 194 150 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 72 146 52 and RGB 69 52 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 52 146 107 and RGB 107 52 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 72 146 52, RGB 52 91 146 and RGB 125 52 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 108 52 shade: RGB 146 108 52, RGB 52 146 60, RGB 52 91 146 and RGB 146 52 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

Complementary color

CMYK 46 / 28 / 0 / 20

HEX #6D93CB

RGB 109 147 203

HSL 215.74, 0.47%, 0.61%

LAB 60.28, 2.01, -32.95

 

CMYK 0 / 28 / 69 / 41

HEX #976C2F

RGB 151 108 47

HSL 35.19, 0.53%, 0.39%

LAB 48.9, 10.76, 39.86

 

CMYK 0 / 25 / 61 / 34

HEX #A87E42

RGB 168 126 66

HSL 35.29, 0.44%, 0.46%

LAB 55.73, 9.45, 38.45

 

CMYK 0 / 22 / 54 / 27

HEX #B99055

RGB 185 144 85

HSL 35.4, 0.42%, 0.53%

LAB 62.44, 8.36, 37.02

 

CMYK 0 / 20 / 49 / 21

HEX #CAA268

RGB 202 162 104

HSL 35.51, 0.48%, 0.6%

LAB 69.04, 7.45, 35.64

 

CMYK 0 / 18 / 44 / 14

HEX #DBB47B

RGB 219 180 123

HSL 35.63, 0.57%, 0.67%

LAB 75.53, 6.68, 34.32

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 30 / 74 / 49

HEX #815A21

RGB 129 90 33

HSL 35.63, 0.59%, 0.32%

LAB 41.36, 10.28, 37.9

 

CMYK 0 / 36 / 88 / 56

HEX #70480E

RGB 112 72 14

HSL 35.51, 0.78%, 0.25%

LAB 34.21, 12.12, 38.6

 

CMYK 0 / 43 / 100 / 63

HEX #5F3600

RGB 95 54 0

HSL 34.11, 1%, 0.19%

LAB 26.94, 14.44, 36.99

 

CMYK 0 / 54 / 100 / 69

HEX #4E2400

RGB 78 36 0

HSL 27.69, 1%, 0.15%

LAB 19.56, 17.27, 28.62

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 43 / 64 / 43

HEX #925334

RGB 146 83 52

HSL 19.79, 0.47%, 0.39%

LAB 42.07, 23.26, 29.23

 

CMYK 0 / 61 / 64 / 43

HEX #923934

RGB 146 57 52

HSL 3.19, 0.47%, 0.39%

LAB 36.53, 37.25, 22.42

 

CMYK 0 / 64 / 64 / 43

HEX #923434

RGB 146 52 52

HSL 0, 0.47%, 0.39%

LAB 35.63, 39.65, 21.28

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 9 / 64 / 43

HEX #928534

RGB 146 133 52

HSL 51.7, 0.47%, 0.39%

LAB 55.21, -5.34, 44.15

 

CMYK 9 / 0 / 64 / 43

HEX #859234

RGB 133 146 52

HSL 68.3, 0.47%, 0.39%

LAB 57.84, -18.07, 46.65

 

CMYK 26 / 0 / 64 / 43

HEX #6C9234

RGB 108 146 52

HSL 84.26, 0.47%, 0.39%

LAB 56.08, -28.53, 44.24

 

CMYK 43 / 0 / 64 / 43

HEX #539234

RGB 83 146 52

HSL 100.21, 0.47%, 0.39%

LAB 54.7, -37.8, 42.33

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 31 / 78 / 36

HEX #A26F24

RGB 162 111 36

HSL 35.71, 0.64%, 0.39%

LAB 50.89, 13.47, 47.39

 

CMYK 0 / 36 / 89 / 30

HEX #B27214

RGB 178 114 20

HSL 35.7, 0.8%, 0.39%

LAB 53.55, 18.46, 56.14

 

CMYK 0 / 40 / 98 / 24

HEX #C27504

RGB 194 117 4

HSL 35.68, 0.96%, 0.39%

LAB 56.29, 23.59, 62.42

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 19 / 48 / 49

HEX #826944

RGB 130 105 68

HSL 35.81, 0.31%, 0.39%

LAB 46, 4.77, 24.51

 

CMYK 0 / 11 / 26 / 55

HEX #726654

RGB 114 102 84

HSL 36, 0.15%, 0.39%

LAB 43.83, 1.64, 11.92

 

CMYK 3 / 1 / 0 / 61

HEX #616364

RGB 97 99 100

HSL 200, 0.02%, 0.39%

LAB 41.82, -0.56, -0.84

 

CMYK 31 / 18 / 0 / 54

HEX #516075

RGB 81 96 117

HSL 215, 0.18%, 0.39%

LAB 40.25, -0.36, -13.72

 

CMYK 0 / 61 / 64 / 43

HEX #923934

RGB 146 57 52

HSL 3.19, 0.47%, 0.39%

LAB 36.53, 37.25, 22.42

 

CMYK 0 / 44 / 64 / 43

HEX #925234

RGB 146 82 52

HSL 19.15, 0.47%, 0.39%

LAB 41.83, 23.83, 28.94

 

CMYK 0 / 27 / 64 / 43

HEX #926B34

RGB 146 107 52

HSL 35.11, 0.47%, 0.39%

LAB 48.1, 9.4, 36.27

 

CMYK 0 / 10 / 64 / 43

HEX #928434

RGB 146 132 52

HSL 51.06, 0.47%, 0.39%

LAB 54.93, -4.78, 43.85

 

CMYK 8 / 0 / 64 / 43

HEX #879234

RGB 135 146 52

HSL 67.02, 0.47%, 0.39%

LAB 58, -17.2, 46.86

 

CMYK 0 / 26 / 65 / 67

HEX #553F1E

RGB 85 63 30

HSL 36, 0.48%, 0.23%

LAB 28.33, 5.31, 23.64

 

CMYK 0 / 26 / 64 / 55

HEX #735529

RGB 115 85 41

HSL 35.68, 0.47%, 0.31%

LAB 38.38, 7.18, 30.04

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 0 / 26 / 64 / 31

HEX #B0823F

RGB 176 130 63

HSL 35.58, 0.47%, 0.47%

LAB 57.61, 10.52, 42.38

 

CMYK 0 / 23 / 56 / 24

HEX #C29656

RGB 194 150 86

HSL 35.56, 0.47%, 0.55%

LAB 64.93, 9, 39.74

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 51 / 0 / 64 / 43

HEX #489234

RGB 72 146 52

HSL 107.23, 0.47%, 0.39%

LAB 54.22, -41.34, 41.66

 

CMYK 53 / 64 / 0 / 43

HEX #453492

RGB 69 52 146

HSL 250.85, 0.47%, 0.39%

LAB 28.89, 33.29, -49.55

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 64 / 0 / 27 / 43

HEX #34926B

RGB 52 146 107

HSL 155.11, 0.47%, 0.39%

LAB 54.4, -37.2, 12.7

 

CMYK 27 / 64 / 0 / 43

HEX #6B3492

RGB 107 52 146

HSL 275.11, 0.47%, 0.39%

LAB 33.26, 41.81, -42.28

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 51 / 0 / 64 / 43

HEX #489234

RGB 72 146 52

HSL 107.23, 0.47%, 0.39%

LAB 54.22, -41.34, 41.66

 

CMYK 64 / 38 / 0 / 43

HEX #345B92

RGB 52 91 146

HSL 215.11, 0.47%, 0.39%

LAB 38.35, 4.45, -34.42

 

CMYK 14 / 64 / 0 / 43

HEX #7D3492

RGB 125 52 146

HSL 286.6, 0.47%, 0.39%

LAB 35.77, 46.28, -38.11

 

CMYK 0 / 26 / 64 / 43

HEX #926C34

RGB 146 108 52

HSL 35.74, 0.47%, 0.39%

LAB 48.37, 8.82, 36.57

 

CMYK 64 / 0 / 59 / 43

HEX #34923C

RGB 52 146 60

HSL 125.11, 0.47%, 0.39%

LAB 53.62, -45.72, 37.01

 

CMYK 64 / 38 / 0 / 43

HEX #345B92

RGB 52 91 146

HSL 215.11, 0.47%, 0.39%

LAB 38.35, 4.45, -34.42

 

CMYK 0 / 64 / 5 / 43

HEX #92348A

RGB 146 52 138

HSL 305.11, 0.47%, 0.39%

LAB 38.55, 50.22, -28.61

 

Description

Color code: RGB 146 108 52 | qconv.com Color code: RGB 146 108 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 108 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 108 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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