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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 146 106 164 it is the complementary color RGB 109 149 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 146 106 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 146 106 164 shade: RGB 151 106 159, RGB 168 124 178, RGB 185 142 197, RGB 202 160 216 and RGB 219 178 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 146 106 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 146 106 164 shade: RGB 146 106 164, RGB 129 88 145, RGB 112 70 126, RGB 95 52 107 and RGB 78 34 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 146 106 164 shade: RGB 146 106 163, RGB 161 106 163, RGB 163 106 150, RGB 163 106 135 and RGB 163 106 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 146 106 164 shade: RGB 146 106 163, RGB 130 106 163, RGB 115 106 163 and RGB 106 106 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 146 106 164 shade matches the following richer shades: RGB 146 106 163, RGB 153 86 183, RGB 160 67 202, RGB 168 48 222 and RGB 175 28 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 146 106 164 shade: RGB 146 106 163, RGB 138 125 144, RGB 131 145 125, RGB 123 164 105 and RGB 116 183 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 146 106 164 shade: RGB 115 106 163, RGB 130 106 163, RGB 145 106 163, RGB 161 106 163 and RGB 163 106 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 146 106 164 shade: RGB 102 71 116, RGB 124 87 142, RGB 146 106 163, RGB 164 131 179 and RGB 183 157 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 146 106 164 shade: RGB 146 106 164, RGB 163 106 113 and RGB 106 163 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 146 106 164 shade: RGB 146 106 164, RGB 163 145 106 and RGB 106 163 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 146 106 164 shade: RGB 146 106 164, RGB 163 106 113, RGB 124 163 106 and RGB 106 163 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 146 106 164 shade: RGB 146 106 164, RGB 163 116 106, RGB 124 163 106 and RGB 106 153 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

Complementary color

CMYK 27 / 0 / 39 / 42

HEX #6D955B

RGB 109 149 91

HSL 101.38, 0.24%, 0.47%

LAB 57.56, -25.01, 26.31

 

CMYK 5 / 33 / 0 / 38

HEX #976A9F

RGB 151 106 159

HSL 290.94, 0.22%, 0.52%

LAB 51.14, 27.39, -21.59

 

CMYK 6 / 30 / 0 / 30

HEX #A87CB2

RGB 168 124 178

HSL 288.89, 0.26%, 0.59%

LAB 57.99, 26.68, -21.92

 

CMYK 6 / 28 / 0 / 23

HEX #B98EC5

RGB 185 142 197

HSL 286.91, 0.32%, 0.66%

LAB 64.72, 26.02, -22.24

 

CMYK 6 / 26 / 0 / 15

HEX #CAA0D8

RGB 202 160 216

HSL 285, 0.42%, 0.74%

LAB 71.32, 25.41, -22.55

 

CMYK 7 / 24 / 0 / 8

HEX #DBB2EB

RGB 219 178 235

HSL 283.16, 0.59%, 0.81%

LAB 77.82, 24.85, -22.86

 

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

CMYK 11 / 39 / 0 / 43

HEX #815891

RGB 129 88 145

HSL 283.16, 0.24%, 0.46%

LAB 43.79, 27.58, -24.86

 

CMYK 11 / 44 / 0 / 51

HEX #70467E

RGB 112 70 126

HSL 285, 0.29%, 0.38%

LAB 36.61, 28.41, -24.61

 

CMYK 11 / 51 / 0 / 58

HEX #5F346B

RGB 95 52 107

HSL 286.91, 0.35%, 0.31%

LAB 29.29, 29.28, -24.3

 

CMYK 11 / 61 / 0 / 65

HEX #4E2258

RGB 78 34 88

HSL 288.89, 0.44%, 0.24%

LAB 21.83, 30.05, -23.83

 

CMYK 10 / 35 / 0 / 36

HEX #926AA3

RGB 146 106 163

HSL 282.11, 0.24%, 0.53%

LAB 50.76, 26.58, -24.57

 

CMYK 1 / 35 / 0 / 36

HEX #A16AA3

RGB 161 106 163

HSL 297.89, 0.24%, 0.53%

LAB 52.43, 31.53, -21.86

 

CMYK 0 / 35 / 8 / 36

HEX #A36A96

RGB 163 106 150

HSL 313.68, 0.24%, 0.53%

LAB 52.17, 29.75, -14.62

 

CMYK 0 / 35 / 17 / 36

HEX #A36A87

RGB 163 106 135

HSL 329.47, 0.24%, 0.53%

LAB 51.66, 27.14, -6.55

 

CMYK 0 / 35 / 27 / 36

HEX #A36A77

RGB 163 106 119

HSL 346.32, 0.24%, 0.53%

LAB 51.18, 24.63, 2.22

 

CMYK 10 / 35 / 0 / 36

HEX #926AA3

RGB 146 106 163

HSL 282.11, 0.24%, 0.53%

LAB 50.76, 26.58, -24.57

 

CMYK 20 / 35 / 0 / 36

HEX #826AA3

RGB 130 106 163

HSL 265.26, 0.24%, 0.53%

LAB 49.13, 21.41, -27.23

 

CMYK 29 / 35 / 0 / 36

HEX #736AA3

RGB 115 106 163

HSL 249.47, 0.24%, 0.53%

LAB 47.75, 16.73, -29.48

 

CMYK 35 / 35 / 0 / 36

HEX #6A6AA3

RGB 106 106 163

HSL 240, 0.24%, 0.53%

LAB 47, 14.04, -30.71

 

CMYK 10 / 35 / 0 / 36

HEX #926AA3

RGB 146 106 163

HSL 282.11, 0.24%, 0.53%

LAB 50.76, 26.58, -24.57

 

CMYK 16 / 53 / 0 / 28

HEX #9956B7

RGB 153 86 183

HSL 281.44, 0.4%, 0.53%

LAB 48.07, 44.26, -40.4

 

CMYK 21 / 67 / 0 / 21

HEX #A043CA

RGB 160 67 202

HSL 281.33, 0.56%, 0.53%

LAB 46.65, 59.32, -53.63

 

CMYK 24 / 78 / 0 / 13

HEX #A830DE

RGB 168 48 222

HSL 281.38, 0.73%, 0.53%

LAB 46.6, 72.1, -65.13

 

CMYK 27 / 88 / 0 / 5

HEX #AF1CF1

RGB 175 28 241

HSL 281.41, 0.88%, 0.53%

LAB 47.36, 81.74, -74.61

 

CMYK 10 / 35 / 0 / 36

HEX #926AA3

RGB 146 106 163

HSL 282.11, 0.24%, 0.53%

LAB 50.76, 26.58, -24.57

 

CMYK 4 / 13 / 0 / 44

HEX #8A7D90

RGB 138 125 144

HSL 281.05, 0.08%, 0.53%

LAB 54.12, 8.67, -8.44

 

CMYK 10 / 0 / 14 / 43

HEX #83917D

RGB 131 145 125

HSL 102, 0.08%, 0.53%

LAB 58.56, -8.97, 8.92

 

CMYK 25 / 0 / 36 / 36

HEX #7BA469

RGB 123 164 105

HSL 101.69, 0.24%, 0.53%

LAB 63.16, -25.21, 26.25

 

CMYK 37 / 0 / 53 / 28

HEX #74B756

RGB 116 183 86

HSL 101.44, 0.4%, 0.53%

LAB 68.21, -39.15, 42.29

 

CMYK 29 / 35 / 0 / 36

HEX #736AA3

RGB 115 106 163

HSL 249.47, 0.24%, 0.53%

LAB 47.75, 16.73, -29.48

 

CMYK 20 / 35 / 0 / 36

HEX #826AA3

RGB 130 106 163

HSL 265.26, 0.24%, 0.53%

LAB 49.13, 21.41, -27.23

 

CMYK 11 / 35 / 0 / 36

HEX #916AA3

RGB 145 106 163

HSL 281.05, 0.24%, 0.53%

LAB 50.65, 26.26, -24.74

 

CMYK 1 / 35 / 0 / 36

HEX #A16AA3

RGB 161 106 163

HSL 297.89, 0.24%, 0.53%

LAB 52.43, 31.53, -21.86

 

CMYK 0 / 35 / 7 / 36

HEX #A36A97

RGB 163 106 151

HSL 312.63, 0.24%, 0.53%

LAB 52.21, 29.93, -15.15

 

CMYK 12 / 39 / 0 / 55

HEX #664774

RGB 102 71 116

HSL 281.33, 0.24%, 0.37%

LAB 35.19, 22.18, -20.71

 

CMYK 13 / 39 / 0 / 44

HEX #7C578E

RGB 124 87 142

HSL 280.36, 0.24%, 0.45%

LAB 42.85, 25.86, -24.56

 

CMYK 10 / 35 / 0 / 36

HEX #926AA3

RGB 146 106 163

HSL 282.11, 0.24%, 0.53%

LAB 50.76, 26.58, -24.57

 

CMYK 8 / 27 / 0 / 30

HEX #A483B3

RGB 164 131 179

HSL 281.25, 0.24%, 0.61%

LAB 59.32, 21.57, -20.49

 

CMYK 6 / 19 / 0 / 24

HEX #B79DC3

RGB 183 157 195

HSL 281.05, 0.24%, 0.69%

LAB 68.11, 16.58, -15.99

 

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

CMYK 0 / 35 / 31 / 36

HEX #A36A71

RGB 163 106 113

HSL 352.63, 0.24%, 0.53%

LAB 51.02, 23.77, 5.54

 

CMYK 35 / 0 / 25 / 36

HEX #6AA37A

RGB 106 163 122

HSL 136.84, 0.24%, 0.53%

LAB 62.22, -27.62, 15.51

 

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

CMYK 0 / 11 / 35 / 36

HEX #A3916A

RGB 163 145 106

HSL 41.05, 0.24%, 0.53%

LAB 60.85, 0.77, 23.18

 

CMYK 35 / 0 / 11 / 36

HEX #6AA391

RGB 106 163 145

HSL 161.05, 0.24%, 0.53%

LAB 62.76, -22.8, 3.44

 

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

CMYK 0 / 35 / 31 / 36

HEX #A36A71

RGB 163 106 113

HSL 352.63, 0.24%, 0.53%

LAB 51.02, 23.77, 5.54

 

CMYK 24 / 0 / 35 / 36

HEX #7CA36A

RGB 124 163 106

HSL 101.05, 0.24%, 0.53%

LAB 62.94, -24.2, 25.43

 

CMYK 35 / 0 / 4 / 36

HEX #6AA39D

RGB 106 163 157

HSL 173.68, 0.24%, 0.53%

LAB 63.09, -20, -2.82

 

CMYK 11 / 35 / 0 / 36

HEX #926AA4

RGB 146 106 164

HSL 281.38, 0.24%, 0.53%

LAB 50.8, 26.8, -25.09

 

CMYK 0 / 29 / 35 / 36

HEX #A3746A

RGB 163 116 106

HSL 10.53, 0.24%, 0.53%

LAB 53.3, 17.13, 12.87

 

CMYK 24 / 0 / 35 / 36

HEX #7CA36A

RGB 124 163 106

HSL 101.05, 0.24%, 0.53%

LAB 62.94, -24.2, 25.43

 

CMYK 35 / 6 / 0 / 36

HEX #6A99A3

RGB 106 153 163

HSL 190.53, 0.24%, 0.53%

LAB 60.33, -13.22, -10.3

 

Description

Color code: RGB 146 106 164 | qconv.com Color code: RGB 146 106 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 106 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 106 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 35 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 35% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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