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Color name
RGB 145 91 7

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 91 7 it is the complementary color RGB 110 164 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 91 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 91 7 shade: RGB 150 91 2, RGB 167 109 21, RGB 184 127 40, RGB 201 145 59 and RGB 218 163 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 91 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 91 7 shade: RGB 145 91 7, RGB 128 73 0, RGB 111 55 0, RGB 94 37 0 and RGB 77 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 91 7 shade: RGB 146 91 6, RGB 146 54 6, RGB 146 16 6 and RGB 146 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 91 7 shade: RGB 146 91 6, RGB 146 129 6, RGB 125 146 6, RGB 87 146 6 and RGB 50 146 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 91 7 shade matches the following richer shades: RGB 146 91 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 91 7 shade: RGB 146 91 6, RGB 133 88 19, RGB 121 86 31, RGB 108 83 44 and RGB 96 80 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 91 7 shade: RGB 146 16 6, RGB 146 53 6, RGB 146 90 6, RGB 146 127 6 and RGB 127 146 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 91 7 shade: RGB 67 42 3, RGB 106 66 5, RGB 146 91 6, RGB 185 116 8 and RGB 224 141 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 91 7 shade: RGB 145 91 7, RGB 34 146 6 and RGB 34 6 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 91 7 shade: RGB 145 91 7, RGB 6 146 90 and RGB 90 6 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 91 7 shade: RGB 145 91 7, RGB 34 146 6, RGB 6 62 146 and RGB 118 6 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 91 7 shade: RGB 145 91 7, RGB 6 146 20, RGB 6 62 146 and RGB 146 6 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

Complementary color

CMYK 56 / 34 / 0 / 3

HEX #6EA4F8

RGB 110 164 248

HSL 216.52, 0.91%, 0.7%

LAB 67.01, 6.13, -47.28

 

CMYK 0 / 39 / 99 / 41

HEX #965B02

RGB 150 91 2

HSL 36.08, 0.97%, 0.3%

LAB 44.19, 18.52, 51.96

 

CMYK 0 / 35 / 87 / 35

HEX #A76D15

RGB 167 109 21

HSL 36.16, 0.78%, 0.37%

LAB 50.93, 16.36, 53.15

 

CMYK 0 / 31 / 78 / 28

HEX #B87F28

RGB 184 127 40

HSL 36.25, 0.64%, 0.44%

LAB 57.58, 14.5, 53.06

 

CMYK 0 / 28 / 71 / 21

HEX #C9913B

RGB 201 145 59

HSL 36.34, 0.57%, 0.51%

LAB 64.15, 12.92, 52.18

 

CMYK 0 / 25 / 64 / 15

HEX #DAA34E

RGB 218 163 78

HSL 36.43, 0.65%, 0.58%

LAB 70.63, 11.58, 50.98

 

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

CMYK 0 / 43 / 100 / 50

HEX #804900

RGB 128 73 0

HSL 34.22, 1%, 0.25%

LAB 36.66, 18.77, 46.15

 

CMYK 0 / 50 / 100 / 56

HEX #6F3700

RGB 111 55 0

HSL 29.73, 1%, 0.22%

LAB 29.69, 21.45, 40.29

 

CMYK 0 / 61 / 100 / 63

HEX #5E2500

RGB 94 37 0

HSL 23.62, 1%, 0.18%

LAB 22.66, 24.1, 32.83

 

CMYK 0 / 75 / 100 / 70

HEX #4D1300

RGB 77 19 0

HSL 14.81, 1%, 0.15%

LAB 15.71, 26.31, 23.93

 

CMYK 0 / 38 / 96 / 43

HEX #925B06

RGB 146 91 6

HSL 36.43, 0.92%, 0.3%

LAB 43.66, 16.75, 50.32

 

CMYK 0 / 63 / 96 / 43

HEX #923606

RGB 146 54 6

HSL 20.57, 0.92%, 0.3%

LAB 35.52, 36.89, 44.73

 

CMYK 0 / 89 / 96 / 43

HEX #921006

RGB 146 16 6

HSL 4.29, 0.92%, 0.3%

LAB 30.63, 50.35, 41.51

 

CMYK 0 / 96 / 96 / 43

HEX #920606

RGB 146 6 6

HSL 0, 0.92%, 0.3%

LAB 30.05, 52.03, 41.08

 

CMYK 0 / 38 / 96 / 43

HEX #925B06

RGB 146 91 6

HSL 36.43, 0.92%, 0.3%

LAB 43.66, 16.75, 50.32

 

CMYK 0 / 12 / 96 / 43

HEX #928106

RGB 146 129 6

HSL 52.71, 0.92%, 0.3%

LAB 53.84, -4.95, 57.78

 

CMYK 14 / 0 / 96 / 43

HEX #7D9206

RGB 125 146 6

HSL 69, 0.92%, 0.3%

LAB 57.01, -23.52, 59.42

 

CMYK 40 / 0 / 96 / 43

HEX #579206

RGB 87 146 6

HSL 85.29, 0.92%, 0.3%

LAB 54.65, -38.97, 56.56

 

CMYK 66 / 0 / 96 / 43

HEX #329206

RGB 50 146 6

HSL 101.14, 0.92%, 0.3%

LAB 53.22, -50.16, 54.79

 

CMYK 0 / 38 / 96 / 43

HEX #925B06

RGB 146 91 6

HSL 36.43, 0.92%, 0.3%

LAB 43.66, 16.75, 50.32

 

CMYK 0 / 38 / 96 / 43

HEX #925B06

RGB 146 91 6

HSL 36.43, 0.92%, 0.3%

LAB 43.66, 16.75, 50.32

 

CMYK 0 / 34 / 86 / 48

HEX #855813

RGB 133 88 19

HSL 36.32, 0.75%, 0.3%

LAB 41.24, 12.74, 43.92

 

CMYK 0 / 29 / 74 / 53

HEX #79561F

RGB 121 86 31

HSL 36.67, 0.59%, 0.3%

LAB 39.27, 8.76, 36.4

 

CMYK 0 / 23 / 59 / 58

HEX #6C532C

RGB 108 83 44

HSL 36.56, 0.42%, 0.3%

LAB 37.03, 5.32, 26.57

 

CMYK 0 / 17 / 42 / 62

HEX #605038

RGB 96 80 56

HSL 36, 0.26%, 0.3%

LAB 35.02, 2.85, 16.63

 

CMYK 0 / 89 / 96 / 43

HEX #921006

RGB 146 16 6

HSL 4.29, 0.92%, 0.3%

LAB 30.63, 50.35, 41.51

 

CMYK 0 / 64 / 96 / 43

HEX #923506

RGB 146 53 6

HSL 20.14, 0.92%, 0.3%

LAB 35.34, 37.37, 44.61

 

CMYK 0 / 38 / 96 / 43

HEX #925A06

RGB 146 90 6

HSL 36, 0.92%, 0.3%

LAB 43.41, 17.33, 50.14

 

CMYK 0 / 13 / 96 / 43

HEX #927F06

RGB 146 127 6

HSL 51.86, 0.92%, 0.3%

LAB 53.28, -3.84, 57.36

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 0 / 37 / 96 / 74

HEX #432A03

RGB 67 42 3

HSL 36.56, 0.91%, 0.14%

LAB 19.46, 7.93, 26.81

 

CMYK 0 / 38 / 95 / 58

HEX #6A4205

RGB 106 66 5

HSL 36.24, 0.91%, 0.22%

LAB 31.74, 12.6, 39.45

 

CMYK 0 / 38 / 96 / 43

HEX #925B06

RGB 146 91 6

HSL 36.43, 0.92%, 0.3%

LAB 43.66, 16.75, 50.32

 

CMYK 0 / 37 / 96 / 27

HEX #B97408

RGB 185 116 8

HSL 36.61, 0.92%, 0.38%

LAB 54.89, 20.25, 60.19

 

CMYK 0 / 37 / 96 / 12

HEX #E08D0A

RGB 224 141 10

HSL 36.73, 0.91%, 0.46%

LAB 65.69, 23.6, 69.69

 

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

CMYK 77 / 0 / 96 / 43

HEX #229206

RGB 34 146 6

HSL 108, 0.92%, 0.3%

LAB 52.85, -53.32, 54.34

 

CMYK 77 / 96 / 0 / 43

HEX #220692

RGB 34 6 146

HSL 252, 0.92%, 0.3%

LAB 18.12, 51.04, -67.39

 

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

CMYK 96 / 0 / 38 / 43

HEX #06925A

RGB 6 146 90

HSL 156, 0.92%, 0.3%

LAB 53.31, -46.55, 20.65

 

CMYK 38 / 96 / 0 / 43

HEX #5A0692

RGB 90 6 146

HSL 276, 0.92%, 0.3%

LAB 24.89, 55.56, -55.99

 

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

CMYK 77 / 0 / 96 / 43

HEX #229206

RGB 34 146 6

HSL 108, 0.92%, 0.3%

LAB 52.85, -53.32, 54.34

 

CMYK 96 / 58 / 0 / 43

HEX #063E92

RGB 6 62 146

HSL 216, 0.92%, 0.3%

LAB 28.27, 18.62, -50.7

 

CMYK 19 / 96 / 0 / 43

HEX #760692

RGB 118 6 146

HSL 288, 0.92%, 0.3%

LAB 29.56, 59.42, -48.17

 

CMYK 0 / 37 / 95 / 43

HEX #915B07

RGB 145 91 7

HSL 36.52, 0.91%, 0.3%

LAB 43.53, 16.31, 49.91

 

CMYK 96 / 0 / 86 / 43

HEX #069214

RGB 6 146 20

HSL 126, 0.92%, 0.3%

LAB 52.56, -55.76, 51.2

 

CMYK 96 / 58 / 0 / 43

HEX #063E92

RGB 6 62 146

HSL 216, 0.92%, 0.3%

LAB 28.27, 18.62, -50.7

 

CMYK 0 / 96 / 10 / 43

HEX #920684

RGB 146 6 132

HSL 306, 0.92%, 0.3%

LAB 33.79, 61.95, -32.41

 

Description

Color code: RGB 145 91 7 | qconv.com Color code: RGB 145 91 7 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 91 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 91 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 95 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 95% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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