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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 84 125 it is the complementary color RGB 110 171 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 84 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 84 125 shade: RGB 150 84 120, RGB 167 102 139, RGB 184 120 158, RGB 201 138 177 and RGB 218 156 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 84 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 84 125 shade: RGB 145 84 125, RGB 128 66 106, RGB 111 48 87, RGB 94 30 68 and RGB 77 12 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 84 125 shade: RGB 145 83 125, RGB 145 83 108, RGB 145 83 91 and RGB 145 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 84 125 shade: RGB 145 83 125, RGB 145 83 142, RGB 132 83 145, RGB 115 83 145 and RGB 99 83 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 84 125 shade matches the following richer shades: RGB 145 83 125, RGB 164 65 131, RGB 182 46 138, RGB 201 28 144 and RGB 219 9 150

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 84 125 shade: RGB 145 83 125, RGB 127 102 119, RGB 108 120 112, RGB 90 139 106 and RGB 71 158 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 84 125 shade: RGB 132 83 145, RGB 145 83 142, RGB 145 83 126, RGB 145 83 109 and RGB 145 83 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 84 125 shade: RGB 93 53 80, RGB 119 68 102, RGB 145 83 125, RGB 167 103 146 and RGB 182 129 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 84 125 shade: RGB 145 84 125, RGB 145 115 83 and RGB 83 145 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 84 125 shade: RGB 145 84 125, RGB 126 145 83 and RGB 83 126 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 84 125 shade: RGB 145 84 125, RGB 145 115 83, RGB 83 145 103 and RGB 83 113 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 84 125 shade: RGB 145 84 125, RGB 145 134 83, RGB 83 145 103 and RGB 83 95 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

Complementary color

CMYK 36 / 0 / 24 / 33

HEX #6EAB82

RGB 110 171 130

HSL 139.67, 0.27%, 0.55%

LAB 65, -28.7, 14.99

 

CMYK 0 / 44 / 20 / 41

HEX #965478

RGB 150 84 120

HSL 327.27, 0.28%, 0.46%

LAB 44.49, 32.32, -8.43

 

CMYK 0 / 39 / 17 / 35

HEX #A7668B

RGB 167 102 139

HSL 325.85, 0.27%, 0.53%

LAB 51.36, 31.49, -9.31

 

CMYK 0 / 35 / 14 / 28

HEX #B8789E

RGB 184 120 158

HSL 324.38, 0.31%, 0.6%

LAB 58.12, 30.69, -10.06

 

CMYK 0 / 31 / 12 / 21

HEX #C98AB1

RGB 201 138 177

HSL 322.86, 0.37%, 0.66%

LAB 64.78, 29.95, -10.74

 

CMYK 0 / 28 / 10 / 15

HEX #DA9CC4

RGB 218 156 196

HSL 321.29, 0.46%, 0.73%

LAB 71.33, 29.26, -11.36

 

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

CMYK 0 / 48 / 17 / 50

HEX #80426A

RGB 128 66 106

HSL 321.29, 0.32%, 0.38%

LAB 36.98, 32.21, -11.41

 

CMYK 0 / 57 / 22 / 56

HEX #6F3057

RGB 111 48 87

HSL 322.86, 0.4%, 0.31%

LAB 29.87, 32.97, -10.3

 

CMYK 0 / 68 / 28 / 63

HEX #5E1E44

RGB 94 30 68

HSL 324.38, 0.52%, 0.24%

LAB 22.74, 33.45, -8.74

 

CMYK 0 / 84 / 36 / 70

HEX #4D0C31

RGB 77 12 49

HSL 325.85, 0.73%, 0.17%

LAB 15.81, 33.04, -6.26

 

CMYK 0 / 43 / 14 / 43

HEX #91537D

RGB 145 83 125

HSL 319.35, 0.27%, 0.45%

LAB 43.78, 31.95, -12.61

 

CMYK 0 / 43 / 26 / 43

HEX #91536C

RGB 145 83 108

HSL 335.81, 0.27%, 0.45%

LAB 43.2, 29.17, -3.11

 

CMYK 0 / 43 / 37 / 43

HEX #91535B

RGB 145 83 91

HSL 352.26, 0.27%, 0.45%

LAB 42.71, 26.77, 6.62

 

CMYK 0 / 43 / 43 / 43

HEX #915353

RGB 145 83 83

HSL 0, 0.27%, 0.45%

LAB 42.51, 25.79, 11.25

 

CMYK 0 / 43 / 14 / 43

HEX #91537D

RGB 145 83 125

HSL 319.35, 0.27%, 0.45%

LAB 43.78, 31.95, -12.61

 

CMYK 0 / 43 / 2 / 43

HEX #91538E

RGB 145 83 142

HSL 302.9, 0.27%, 0.45%

LAB 44.46, 35.06, -21.85

 

CMYK 9 / 43 / 0 / 43

HEX #845391

RGB 132 83 145

HSL 287.42, 0.27%, 0.45%

LAB 42.97, 31.46, -26.1

 

CMYK 21 / 43 / 0 / 43

HEX #735391

RGB 115 83 145

HSL 270.97, 0.27%, 0.45%

LAB 41.02, 26.07, -29.29

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 0 / 43 / 14 / 43

HEX #91537D

RGB 145 83 125

HSL 319.35, 0.27%, 0.45%

LAB 43.78, 31.95, -12.61

 

CMYK 0 / 60 / 20 / 36

HEX #A44183

RGB 164 65 131

HSL 320, 0.43%, 0.45%

LAB 43.23, 48.39, -16.85

 

CMYK 0 / 75 / 24 / 29

HEX #B62E8A

RGB 182 46 138

HSL 319.41, 0.6%, 0.45%

LAB 43.85, 61.77, -19.91

 

CMYK 0 / 86 / 28 / 21

HEX #C91C90

RGB 201 28 144

HSL 319.77, 0.76%, 0.45%

LAB 45.99, 71.47, -19.96

 

CMYK 0 / 96 / 32 / 14

HEX #DB0996

RGB 219 9 150

HSL 319.71, 0.92%, 0.45%

LAB 48.83, 78.31, -18.92

 

CMYK 0 / 43 / 14 / 43

HEX #91537D

RGB 145 83 125

HSL 319.35, 0.27%, 0.45%

LAB 43.78, 31.95, -12.61

 

CMYK 0 / 20 / 6 / 50

HEX #7F6677

RGB 127 102 119

HSL 319.2, 0.11%, 0.45%

LAB 46.11, 13.09, -5.71

 

CMYK 10 / 0 / 7 / 53

HEX #6C7870

RGB 108 120 112

HSL 140, 0.05%, 0.45%

LAB 49.24, -6.14, 2.86

 

CMYK 35 / 0 / 24 / 45

HEX #5A8B6A

RGB 90 139 106

HSL 139.59, 0.21%, 0.45%

LAB 53.69, -24, 12.51

 

CMYK 55 / 0 / 37 / 38

HEX #479E63

RGB 71 158 99

HSL 139.31, 0.38%, 0.45%

LAB 58.69, -39.8, 23.11

 

CMYK 9 / 43 / 0 / 43

HEX #845391

RGB 132 83 145

HSL 287.42, 0.27%, 0.45%

LAB 42.97, 31.46, -26.1

 

CMYK 0 / 43 / 2 / 43

HEX #91538E

RGB 145 83 142

HSL 302.9, 0.27%, 0.45%

LAB 44.46, 35.06, -21.85

 

CMYK 0 / 43 / 13 / 43

HEX #91537E

RGB 145 83 126

HSL 318.39, 0.27%, 0.45%

LAB 43.82, 32.12, -13.16

 

CMYK 0 / 43 / 25 / 43

HEX #91536D

RGB 145 83 109

HSL 334.84, 0.27%, 0.45%

LAB 43.23, 29.32, -3.67

 

CMYK 0 / 43 / 36 / 43

HEX #91535D

RGB 145 83 93

HSL 350.32, 0.27%, 0.45%

LAB 42.76, 27.04, 5.47

 

CMYK 0 / 43 / 14 / 64

HEX #5D3550

RGB 93 53 80

HSL 319.5, 0.27%, 0.29%

LAB 27.99, 22.31, -8.83

 

CMYK 0 / 43 / 14 / 53

HEX #774466

RGB 119 68 102

HSL 320, 0.27%, 0.37%

LAB 36.01, 27.14, -10.48

 

CMYK 0 / 43 / 14 / 43

HEX #91537D

RGB 145 83 125

HSL 319.35, 0.27%, 0.45%

LAB 43.78, 31.95, -12.61

 

CMYK 0 / 38 / 13 / 35

HEX #A76792

RGB 167 103 146

HSL 319.69, 0.27%, 0.53%

LAB 51.83, 32.11, -12.74

 

CMYK 0 / 29 / 9 / 29

HEX #B681A5

RGB 182 129 165

HSL 319.25, 0.27%, 0.61%

LAB 60.21, 26.19, -10.97

 

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

CMYK 0 / 21 / 43 / 43

HEX #917353

RGB 145 115 83

HSL 30.97, 0.27%, 0.45%

LAB 50.58, 7.27, 22.17

 

CMYK 43 / 0 / 3 / 43

HEX #53918C

RGB 83 145 140

HSL 175.16, 0.27%, 0.45%

LAB 56.07, -21.27, -3.63

 

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

CMYK 13 / 0 / 43 / 43

HEX #7E9153

RGB 126 145 83

HSL 78.39, 0.27%, 0.45%

LAB 57.38, -17.45, 30.62

 

CMYK 43 / 13 / 0 / 43

HEX #537E91

RGB 83 126 145

HSL 198.39, 0.27%, 0.45%

LAB 50.46, -9.58, -14.93

 

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

CMYK 0 / 21 / 43 / 43

HEX #917353

RGB 145 115 83

HSL 30.97, 0.27%, 0.45%

LAB 50.58, 7.27, 22.17

 

CMYK 43 / 0 / 29 / 43

HEX #539167

RGB 83 145 103

HSL 139.35, 0.27%, 0.45%

LAB 55.14, -29.77, 16.18

 

CMYK 43 / 22 / 0 / 43

HEX #537191

RGB 83 113 145

HSL 210.97, 0.27%, 0.45%

LAB 46.57, -2.02, -20.87

 

CMYK 0 / 42 / 14 / 43

HEX #91547D

RGB 145 84 125

HSL 319.67, 0.27%, 0.45%

LAB 44, 31.38, -12.27

 

CMYK 0 / 8 / 43 / 43

HEX #918653

RGB 145 134 83

HSL 49.35, 0.27%, 0.45%

LAB 55.78, -3.51, 28.92

 

CMYK 43 / 0 / 29 / 43

HEX #539167

RGB 83 145 103

HSL 139.35, 0.27%, 0.45%

LAB 55.14, -29.77, 16.18

 

CMYK 43 / 34 / 0 / 43

HEX #535F91

RGB 83 95 145

HSL 228.39, 0.27%, 0.45%

LAB 41.32, 9, -29.02

 

Description

Color code: RGB 145 84 125 | qconv.com Color code: RGB 145 84 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 84 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 84 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 14 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 14% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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