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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 82 136 it is the complementary color RGB 110 173 119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 82 136. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 82 136 shade: RGB 150 82 131, RGB 167 100 150, RGB 184 118 169, RGB 201 136 188 and RGB 218 154 207

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 82 136. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 82 136 shade: RGB 145 82 136, RGB 128 64 117, RGB 111 46 98, RGB 94 28 79 and RGB 77 10 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 82 136 shade: RGB 146 82 137, RGB 146 82 120, RGB 146 82 103, RGB 146 82 85 and RGB 146 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 82 136 shade: RGB 146 82 137, RGB 138 82 146, RGB 121 82 146, RGB 104 82 146 and RGB 86 82 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 82 136 shade matches the following richer shades: RGB 146 82 137, RGB 165 64 150, RGB 184 45 164, RGB 202 26 177 and RGB 221 8 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 82 136 shade: RGB 146 82 137, RGB 128 101 124, RGB 109 119 111, RGB 91 138 97 and RGB 72 156 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 82 136 shade: RGB 121 82 146, RGB 138 82 146, RGB 146 82 138, RGB 146 82 121 and RGB 146 82 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 82 136 shade: RGB 94 52 88, RGB 120 67 112, RGB 146 82 137, RGB 168 101 159 and RGB 183 128 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 82 136 shade: RGB 145 82 136, RGB 146 104 82 and RGB 82 146 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 82 136 shade: RGB 145 82 136, RGB 138 146 82 and RGB 82 138 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 82 136 shade: RGB 145 82 136, RGB 146 104 82, RGB 82 146 91 and RGB 82 125 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 82 136 shade: RGB 145 82 136, RGB 146 123 82, RGB 82 146 91 and RGB 82 106 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

Complementary color

CMYK 36 / 0 / 31 / 32

HEX #6EAD77

RGB 110 173 119

HSL 128.57, 0.28%, 0.55%

LAB 65.38, -31.71, 21.52

 

CMYK 0 / 45 / 13 / 41

HEX #965283

RGB 150 82 131

HSL 316.76, 0.29%, 0.45%

LAB 44.46, 35.27, -15.16

 

CMYK 0 / 40 / 10 / 35

HEX #A76496

RGB 167 100 150

HSL 315.22, 0.28%, 0.52%

LAB 51.3, 34.47, -15.89

 

CMYK 0 / 36 / 8 / 28

HEX #B876A9

RGB 184 118 169

HSL 313.64, 0.32%, 0.59%

LAB 58.05, 33.69, -16.51

 

CMYK 0 / 32 / 6 / 21

HEX #C988BC

RGB 201 136 188

HSL 312, 0.38%, 0.66%

LAB 64.69, 32.95, -17.07

 

CMYK 0 / 29 / 5 / 15

HEX #DA9ACF

RGB 218 154 207

HSL 310.31, 0.46%, 0.73%

LAB 71.23, 32.25, -17.59

 

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

CMYK 0 / 50 / 9 / 50

HEX #804075

RGB 128 64 117

HSL 310.31, 0.33%, 0.38%

LAB 37, 35.25, -18.25

 

CMYK 0 / 59 / 12 / 56

HEX #6F2E62

RGB 111 46 98

HSL 312, 0.41%, 0.31%

LAB 29.95, 35.9, -17.31

 

CMYK 0 / 70 / 16 / 63

HEX #5E1C4F

RGB 94 28 79

HSL 313.64, 0.54%, 0.24%

LAB 22.91, 36.14, -15.92

 

CMYK 0 / 87 / 22 / 70

HEX #4D0A3C

RGB 77 10 60

HSL 315.22, 0.77%, 0.17%

LAB 16.11, 35.29, -13.65

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 0 / 44 / 18 / 43

HEX #925278

RGB 146 82 120

HSL 324.38, 0.28%, 0.45%

LAB 43.51, 32.01, -9.96

 

CMYK 0 / 44 / 29 / 43

HEX #925267

RGB 146 82 103

HSL 340.31, 0.28%, 0.45%

LAB 42.95, 29.37, -0.38

 

CMYK 0 / 44 / 42 / 43

HEX #925255

RGB 146 82 85

HSL 357.19, 0.28%, 0.45%

LAB 42.46, 26.99, 9.98

 

CMYK 0 / 44 / 44 / 43

HEX #925252

RGB 146 82 82

HSL 0, 0.28%, 0.45%

LAB 42.39, 26.64, 11.72

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 5 / 44 / 0 / 43

HEX #8A5292

RGB 138 82 146

HSL 292.5, 0.28%, 0.45%

LAB 43.53, 34.16, -25.78

 

CMYK 17 / 44 / 0 / 43

HEX #795292

RGB 121 82 146

HSL 276.56, 0.28%, 0.45%

LAB 41.49, 28.78, -29.1

 

CMYK 29 / 44 / 0 / 43

HEX #685292

RGB 104 82 146

HSL 260.63, 0.28%, 0.45%

LAB 39.67, 23.56, -32.09

 

CMYK 41 / 44 / 0 / 43

HEX #565292

RGB 86 82 146

HSL 243.75, 0.28%, 0.45%

LAB 38, 18.37, -34.84

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 0 / 61 / 9 / 35

HEX #A54096

RGB 165 64 150

HSL 308.91, 0.44%, 0.45%

LAB 44.04, 52.12, -27.09

 

CMYK 0 / 76 / 11 / 28

HEX #B82DA4

RGB 184 45 164

HSL 308.63, 0.61%, 0.45%

LAB 45.29, 66.16, -33.3

 

CMYK 0 / 87 / 12 / 21

HEX #CA1AB1

RGB 202 26 177

HSL 308.52, 0.77%, 0.45%

LAB 47.58, 76.15, -37.17

 

CMYK 0 / 96 / 14 / 13

HEX #DD08BE

RGB 221 8 190

HSL 308.73, 0.93%, 0.45%

LAB 50.99, 83.41, -39.17

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 0 / 21 / 3 / 50

HEX #80657C

RGB 128 101 124

HSL 308.89, 0.12%, 0.45%

LAB 46.11, 15.05, -8.69

 

CMYK 8 / 0 / 7 / 53

HEX #6D776F

RGB 109 119 111

HSL 132, 0.04%, 0.45%

LAB 49, -5.4, 3.11

 

CMYK 34 / 0 / 30 / 46

HEX #5B8A61

RGB 91 138 97

HSL 127.66, 0.21%, 0.45%

LAB 53.24, -24.91, 17.02

 

CMYK 54 / 0 / 46 / 39

HEX #489C54

RGB 72 156 84

HSL 128.57, 0.37%, 0.45%

LAB 57.84, -41.28, 30.07

 

CMYK 17 / 44 / 0 / 43

HEX #795292

RGB 121 82 146

HSL 276.56, 0.28%, 0.45%

LAB 41.49, 28.78, -29.1

 

CMYK 5 / 44 / 0 / 43

HEX #8A5292

RGB 138 82 146

HSL 292.5, 0.28%, 0.45%

LAB 43.53, 34.16, -25.78

 

CMYK 0 / 44 / 5 / 43

HEX #92528A

RGB 146 82 138

HSL 307.5, 0.28%, 0.45%

LAB 44.21, 35.18, -19.83

 

CMYK 0 / 44 / 17 / 43

HEX #925279

RGB 146 82 121

HSL 323.44, 0.28%, 0.45%

LAB 43.55, 32.18, -10.52

 

CMYK 0 / 44 / 29 / 43

HEX #925268

RGB 146 82 104

HSL 339.38, 0.28%, 0.45%

LAB 42.98, 29.51, -0.95

 

CMYK 0 / 45 / 6 / 63

HEX #5E3458

RGB 94 52 88

HSL 308.57, 0.29%, 0.29%

LAB 28.22, 24.85, -13.69

 

CMYK 0 / 44 / 7 / 53

HEX #784370

RGB 120 67 112

HSL 309.06, 0.28%, 0.37%

LAB 36.32, 29.94, -16.27

 

CMYK 0 / 44 / 6 / 43

HEX #925289

RGB 146 82 137

HSL 308.44, 0.28%, 0.45%

LAB 44.16, 35, -19.29

 

CMYK 0 / 40 / 5 / 34

HEX #A8659F

RGB 168 101 159

HSL 308.06, 0.28%, 0.53%

LAB 51.99, 35.87, -20.12

 

CMYK 0 / 30 / 4 / 28

HEX #B780AF

RGB 183 128 175

HSL 308.73, 0.28%, 0.61%

LAB 60.43, 28.9, -16.35

 

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

CMYK 0 / 29 / 44 / 43

HEX #926852

RGB 146 104 82

HSL 20.63, 0.28%, 0.45%

LAB 47.78, 13.95, 19.06

 

CMYK 44 / 0 / 12 / 43

HEX #529281

RGB 82 146 129

HSL 164.06, 0.28%, 0.45%

LAB 56.02, -24.81, 2.61

 

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

CMYK 5 / 0 / 44 / 43

HEX #8A9252

RGB 138 146 82

HSL 67.5, 0.28%, 0.45%

LAB 58.57, -13.14, 32.86

 

CMYK 44 / 5 / 0 / 43

HEX #528A92

RGB 82 138 146

HSL 187.5, 0.28%, 0.45%

LAB 54.08, -16.22, -10.06

 

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

CMYK 0 / 29 / 44 / 43

HEX #926852

RGB 146 104 82

HSL 20.63, 0.28%, 0.45%

LAB 47.78, 13.95, 19.06

 

CMYK 44 / 0 / 38 / 43

HEX #52925B

RGB 82 146 91

HSL 128.44, 0.28%, 0.45%

LAB 55.18, -32.79, 22.92

 

CMYK 44 / 14 / 0 / 43

HEX #527D92

RGB 82 125 146

HSL 199.69, 0.28%, 0.45%

LAB 50.14, -9, -16

 

CMYK 0 / 43 / 6 / 43

HEX #915288

RGB 145 82 136

HSL 308.57, 0.28%, 0.45%

LAB 43.99, 34.48, -18.96

 

CMYK 0 / 16 / 44 / 43

HEX #927B52

RGB 146 123 82

HSL 38.44, 0.28%, 0.45%

LAB 52.82, 3, 25.7

 

CMYK 44 / 0 / 38 / 43

HEX #52925B

RGB 82 146 91

HSL 128.44, 0.28%, 0.45%

LAB 55.18, -32.79, 22.92

 

CMYK 44 / 27 / 0 / 43

HEX #526A92

RGB 82 106 146

HSL 217.5, 0.28%, 0.45%

LAB 44.49, 2.22, -24.69

 

Description

Color code: RGB 145 82 136 | qconv.com Color code: RGB 145 82 136 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 82 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 82 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 6 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 6% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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