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Color name
RGB 145 73 191

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 73 191 it is the complementary color RGB 110 182 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 73 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 73 191 shade: RGB 150 73 186, RGB 167 91 205, RGB 184 109 224, RGB 201 127 243 and RGB 218 145 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 73 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 128 55 172, RGB 111 37 153, RGB 94 19 134 and RGB 77 1 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 177 73 191, RGB 191 73 173, RGB 191 73 142 and RGB 191 73 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 113 73 191, RGB 82 73 191 and RGB 73 73 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 73 191 shade matches the following richer shades: RGB 145 73 191, RGB 149 54 211, RGB 154 34 230 and RGB 158 14 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 141 93 171, RGB 136 113 151, RGB 132 133 131 and RGB 128 153 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 73 191 shade: RGB 81 73 191, RGB 113 73 191, RGB 144 73 191, RGB 175 73 191 and RGB 191 73 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 73 191 shade: RGB 101 47 135, RGB 123 58 165, RGB 145 73 191, RGB 163 104 202 and RGB 182 134 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 191 73 97 and RGB 73 191 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 191 144 73 and RGB 73 191 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 191 73 97, RGB 120 191 73 and RGB 73 191 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 73 191 shade: RGB 145 73 191, RGB 191 85 73, RGB 120 191 73 and RGB 73 179 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

Complementary color

CMYK 40 / 0 / 65 / 29

HEX #6EB640

RGB 110 182 64

HSL 96.61, 0.48%, 0.48%

LAB 67.38, -43.01, 51.33

 

CMYK 19 / 61 / 0 / 27

HEX #9649BA

RGB 150 73 186

HSL 280.88, 0.45%, 0.51%

LAB 45.35, 50.81, -46.49

 

CMYK 19 / 56 / 0 / 20

HEX #A75BCD

RGB 167 91 205

HSL 280, 0.53%, 0.58%

LAB 51.96, 50.13, -46.82

 

CMYK 18 / 51 / 0 / 12

HEX #B86DE0

RGB 184 109 224

HSL 279.13, 0.65%, 0.65%

LAB 58.52, 49.36, -47.04

 

CMYK 17 / 48 / 0 / 5

HEX #C97FF3

RGB 201 127 243

HSL 278.28, 0.83%, 0.73%

LAB 65.02, 48.56, -47.21

 

CMYK 15 / 43 / 0 / 0

HEX #DA91FF

RGB 218 145 255

HSL 279.82, 1%, 0.78%

LAB 71.13, 46.31, -44.04

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 26 / 68 / 0 / 33

HEX #8037AC

RGB 128 55 172

HSL 277.44, 0.52%, 0.45%

LAB 38.38, 51.23, -49.59

 

CMYK 27 / 76 / 0 / 40

HEX #6F2599

RGB 111 37 153

HSL 278.28, 0.61%, 0.37%

LAB 31.81, 51.31, -48.86

 

CMYK 30 / 86 / 0 / 47

HEX #5E1386

RGB 94 19 134

HSL 279.13, 0.75%, 0.3%

LAB 25.46, 50.45, -47.54

 

CMYK 33 / 99 / 0 / 55

HEX #4D0173

RGB 77 1 115

HSL 280, 0.98%, 0.23%

LAB 19.38, 48.4, -45.5

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 7 / 62 / 0 / 25

HEX #B149BF

RGB 177 73 191

HSL 292.88, 0.48%, 0.52%

LAB 49.34, 58.47, -42.83

 

CMYK 0 / 62 / 9 / 25

HEX #BF49AD

RGB 191 73 173

HSL 309.15, 0.48%, 0.52%

LAB 50.52, 58.96, -30.34

 

CMYK 0 / 62 / 26 / 25

HEX #BF498E

RGB 191 73 142

HSL 324.92, 0.48%, 0.52%

LAB 49.25, 54.41, -13.94

 

CMYK 0 / 62 / 42 / 25

HEX #BF496E

RGB 191 73 110

HSL 341.19, 0.48%, 0.52%

LAB 48.22, 50.59, 3.83

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 41 / 62 / 0 / 25

HEX #7149BF

RGB 113 73 191

HSL 260.34, 0.48%, 0.52%

LAB 41.28, 43.39, -56.2

 

CMYK 57 / 62 / 0 / 25

HEX #5249BF

RGB 82 73 191

HSL 244.58, 0.48%, 0.52%

LAB 38.41, 37.26, -60.98

 

CMYK 62 / 62 / 0 / 25

HEX #4949BF

RGB 73 73 191

HSL 240, 0.48%, 0.52%

LAB 37.74, 35.74, -62.1

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 29 / 74 / 0 / 17

HEX #9536D3

RGB 149 54 211

HSL 276.31, 0.64%, 0.52%

LAB 43.84, 64.41, -63.42

 

CMYK 33 / 85 / 0 / 10

HEX #9A22E6

RGB 154 34 230

HSL 276.73, 0.8%, 0.52%

LAB 43.84, 75.48, -74.26

 

CMYK 37 / 94 / 0 / 2

HEX #9E0EFA

RGB 158 14 250

HSL 276.61, 0.96%, 0.52%

LAB 44.92, 83.47, -83.75

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 18 / 46 / 0 / 33

HEX #8D5DAB

RGB 141 93 171

HSL 276.92, 0.32%, 0.52%

LAB 47.54, 34.29, -34.32

 

CMYK 10 / 25 / 0 / 41

HEX #887197

RGB 136 113 151

HSL 276.32, 0.15%, 0.52%

LAB 51.01, 16.49, -17.24

 

CMYK 1 / 0 / 2 / 48

HEX #848583

RGB 132 133 131

HSL 90, 0.01%, 0.52%

LAB 55.4, -0.76, 0.94

 

CMYK 16 / 0 / 27 / 40

HEX #809970

RGB 128 153 112

HSL 96.59, 0.17%, 0.52%

LAB 60.37, -16.64, 18.73

 

CMYK 58 / 62 / 0 / 25

HEX #5149BF

RGB 81 73 191

HSL 244.07, 0.48%, 0.52%

LAB 38.33, 37.08, -61.11

 

CMYK 41 / 62 / 0 / 25

HEX #7149BF

RGB 113 73 191

HSL 260.34, 0.48%, 0.52%

LAB 41.28, 43.39, -56.2

 

CMYK 25 / 62 / 0 / 25

HEX #9049BF

RGB 144 73 191

HSL 276.1, 0.48%, 0.52%

LAB 44.88, 50.46, -50.21

 

CMYK 8 / 62 / 0 / 25

HEX #AF49BF

RGB 175 73 191

HSL 291.86, 0.48%, 0.52%

LAB 49.06, 57.98, -43.3

 

CMYK 0 / 62 / 8 / 25

HEX #BF49AF

RGB 191 73 175

HSL 308.14, 0.48%, 0.52%

LAB 50.61, 59.28, -31.37

 

CMYK 25 / 65 / 0 / 47

HEX #652F87

RGB 101 47 135

HSL 276.82, 0.48%, 0.36%

LAB 30.76, 40.31, -39.55

 

CMYK 25 / 65 / 0 / 35

HEX #7B3AA5

RGB 123 58 165

HSL 276.45, 0.48%, 0.44%

LAB 37.76, 47.05, -46.44

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 19 / 49 / 0 / 21

HEX #A368CA

RGB 163 104 202

HSL 276.12, 0.48%, 0.6%

LAB 53.98, 41.5, -41.94

 

CMYK 14 / 37 / 0 / 17

HEX #B686D4

RGB 182 134 212

HSL 276.92, 0.48%, 0.68%

LAB 63.13, 32.66, -33.1

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 0 / 62 / 49 / 25

HEX #BF4961

RGB 191 73 97

HSL 347.8, 0.48%, 0.52%

LAB 47.89, 49.31, 11.26

 

CMYK 62 / 0 / 49 / 25

HEX #49BF61

RGB 73 191 97

HSL 132.2, 0.48%, 0.52%

LAB 69.14, -53.01, 37.64

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 0 / 25 / 62 / 25

HEX #BF9049

RGB 191 144 73

HSL 36.1, 0.48%, 0.52%

LAB 62.93, 10, 43.9

 

CMYK 62 / 0 / 25 / 25

HEX #49BF90

RGB 73 191 144

HSL 156.1, 0.48%, 0.52%

LAB 69.96, -44.23, 14.07

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 0 / 62 / 49 / 25

HEX #BF4961

RGB 191 73 97

HSL 347.8, 0.48%, 0.52%

LAB 47.89, 49.31, 11.26

 

CMYK 37 / 0 / 62 / 25

HEX #78BF49

RGB 120 191 73

HSL 96.1, 0.48%, 0.52%

LAB 70.69, -42.64, 51.22

 

CMYK 62 / 0 / 13 / 25

HEX #49BFA7

RGB 73 191 167

HSL 167.8, 0.48%, 0.52%

LAB 70.5, -38.77, 2.33

 

CMYK 24 / 62 / 0 / 25

HEX #9149BF

RGB 145 73 191

HSL 276.61, 0.48%, 0.52%

LAB 45.01, 50.7, -50

 

CMYK 0 / 55 / 62 / 25

HEX #BF5549

RGB 191 85 73

HSL 6.1, 0.48%, 0.52%

LAB 49.56, 41.72, 27.83

 

CMYK 37 / 0 / 62 / 25

HEX #78BF49

RGB 120 191 73

HSL 96.1, 0.48%, 0.52%

LAB 70.69, -42.64, 51.22

 

CMYK 62 / 6 / 0 / 25

HEX #49B3BF

RGB 73 179 191

HSL 186.1, 0.48%, 0.52%

LAB 67.59, -26.53, -15.18

 

Description

Color code: RGB 145 73 191 | qconv.com Color code: RGB 145 73 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 73 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 73 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 62 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 62% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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