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Color name
RGB 145 65 46

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 65 46 it is the complementary color RGB 110 190 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 65 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 65 46 shade: RGB 150 65 41, RGB 167 83 60, RGB 184 101 79, RGB 201 119 98 and RGB 218 137 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 65 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 65 46 shade: RGB 145 65 46, RGB 128 47 27, RGB 111 29 8, RGB 94 11 0 and RGB 77 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 65 46 shade: RGB 143 64 45 and RGB 143 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 65 46 shade: RGB 143 64 45, RGB 143 90 45, RGB 143 117 45, RGB 143 143 45 and RGB 116 143 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 65 46 shade matches the following richer shades: RGB 143 64 45, RGB 158 54 30 and RGB 173 45 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 65 46 shade: RGB 143 64 45, RGB 128 73 60, RGB 112 82 75, RGB 97 92 91 and RGB 82 101 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 65 46 shade: RGB 143 45 79, RGB 143 45 53, RGB 143 63 45, RGB 143 89 45 and RGB 143 115 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 65 46 shade: RGB 80 36 25, RGB 112 50 35, RGB 143 64 45, RGB 174 78 55 and RGB 197 97 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 65 46 shade: RGB 145 65 46, RGB 105 143 45 and RGB 45 66 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 65 46 shade: RGB 145 65 46, RGB 45 143 63 and RGB 63 45 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 65 46 shade: RGB 145 65 46, RGB 105 143 45, RGB 45 125 143 and RGB 82 45 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 65 46 shade: RGB 145 65 46, RGB 76 143 45, RGB 45 125 143 and RGB 112 45 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

Complementary color

CMYK 47 / 9 / 0 / 18

HEX #6EBED1

RGB 110 190 209

HSL 191.52, 0.52%, 0.63%

LAB 72.72, -19.49, -17.18

 

CMYK 0 / 57 / 73 / 41

HEX #964129

RGB 150 65 41

HSL 13.21, 0.57%, 0.37%

LAB 38.59, 34.09, 31.61

 

CMYK 0 / 50 / 64 / 35

HEX #A7533C

RGB 167 83 60

HSL 12.9, 0.47%, 0.45%

LAB 45.26, 32.58, 29.21

 

CMYK 0 / 45 / 57 / 28

HEX #B8654F

RGB 184 101 79

HSL 12.57, 0.43%, 0.52%

LAB 51.91, 31.17, 27.12

 

CMYK 0 / 41 / 51 / 21

HEX #C97762

RGB 201 119 98

HSL 12.23, 0.49%, 0.59%

LAB 58.5, 29.9, 25.31

 

CMYK 0 / 37 / 46 / 15

HEX #DA8975

RGB 218 137 117

HSL 11.88, 0.58%, 0.66%

LAB 65.03, 28.75, 23.7

 

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

CMYK 0 / 63 / 79 / 50

HEX #802F1B

RGB 128 47 27

HSL 11.88, 0.65%, 0.3%

LAB 31.12, 33.86, 30.31

 

CMYK 0 / 74 / 93 / 56

HEX #6F1D08

RGB 111 29 8

HSL 12.23, 0.87%, 0.23%

LAB 24.56, 35.13, 32.57

 

CMYK 0 / 88 / 100 / 63

HEX #5E0B00

RGB 94 11 0

HSL 7.02, 1%, 0.18%

LAB 18.45, 35.5, 28.15

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 69 / 69 / 44

HEX #8F2D2D

RGB 143 45 45

HSL 0, 0.52%, 0.37%

LAB 33.79, 41.29, 23.25

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 37 / 69 / 44

HEX #8F5A2D

RGB 143 90 45

HSL 27.55, 0.52%, 0.37%

LAB 43.27, 17.43, 34.39

 

CMYK 0 / 18 / 69 / 44

HEX #8F752D

RGB 143 117 45

HSL 44.08, 0.52%, 0.37%

LAB 50.4, 1.81, 42.17

 

CMYK 0 / 0 / 69 / 44

HEX #8F8F2D

RGB 143 143 45

HSL 60, 0.52%, 0.37%

LAB 57.73, -12.55, 49.77

 

CMYK 19 / 0 / 69 / 44

HEX #748F2D

RGB 116 143 45

HSL 76.53, 0.52%, 0.37%

LAB 55.63, -24.32, 46.95

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 66 / 81 / 38

HEX #9E361E

RGB 158 54 30

HSL 11.25, 0.68%, 0.37%

LAB 37.84, 41.98, 37.28

 

CMYK 0 / 74 / 92 / 32

HEX #AD2D0E

RGB 173 45 14

HSL 11.7, 0.85%, 0.37%

LAB 39.23, 50.4, 46.89

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 43 / 53 / 50

HEX #80493C

RGB 128 73 60

HSL 11.47, 0.36%, 0.37%

LAB 37.26, 21.95, 17.88

 

CMYK 0 / 27 / 33 / 56

HEX #70524B

RGB 112 82 75

HSL 11.35, 0.2%, 0.37%

LAB 37.82, 11.45, 9

 

CMYK 0 / 5 / 6 / 62

HEX #615C5B

RGB 97 92 91

HSL 10, 0.03%, 0.37%

LAB 39.5, 1.8, 1.28

 

CMYK 23 / 5 / 0 / 58

HEX #52656A

RGB 82 101 106

HSL 192.5, 0.13%, 0.37%

LAB 41.44, -5.9, -5.2

 

CMYK 0 / 69 / 45 / 44

HEX #8F2D4F

RGB 143 45 79

HSL 339.18, 0.52%, 0.37%

LAB 34.56, 44.08, 2.46

 

CMYK 0 / 69 / 63 / 44

HEX #8F2D35

RGB 143 45 53

HSL 355.1, 0.52%, 0.37%

LAB 33.93, 41.81, 18.36

 

CMYK 0 / 56 / 69 / 44

HEX #8F3F2D

RGB 143 63 45

HSL 11.02, 0.52%, 0.37%

LAB 37.09, 32.57, 27.24

 

CMYK 0 / 38 / 69 / 44

HEX #8F592D

RGB 143 89 45

HSL 26.94, 0.52%, 0.37%

LAB 43.02, 18.01, 34.11

 

CMYK 0 / 20 / 69 / 44

HEX #8F732D

RGB 143 115 45

HSL 42.86, 0.52%, 0.37%

LAB 49.85, 2.95, 41.59

 

CMYK 0 / 55 / 69 / 69

HEX #502419

RGB 80 36 25

HSL 12, 0.52%, 0.21%

LAB 20.19, 19.56, 16.82

 

CMYK 0 / 55 / 69 / 56

HEX #703223

RGB 112 50 35

HSL 11.69, 0.52%, 0.29%

LAB 29.02, 26.2, 22.42

 

CMYK 0 / 55 / 69 / 44

HEX #8F402D

RGB 143 64 45

HSL 11.63, 0.52%, 0.37%

LAB 37.29, 32.04, 27.48

 

CMYK 0 / 55 / 68 / 32

HEX #AE4E37

RGB 174 78 55

HSL 11.6, 0.52%, 0.45%

LAB 45.25, 37.62, 32.33

 

CMYK 0 / 51 / 63 / 23

HEX #C56149

RGB 197 97 73

HSL 11.61, 0.52%, 0.53%

LAB 52.84, 37.95, 32.1

 

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

CMYK 27 / 0 / 69 / 44

HEX #698F2D

RGB 105 143 45

HSL 83.27, 0.52%, 0.37%

LAB 54.9, -28.85, 45.97

 

CMYK 69 / 54 / 0 / 44

HEX #2D428F

RGB 45 66 143

HSL 227.14, 0.52%, 0.37%

LAB 30.49, 18.63, -45.2

 

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

CMYK 69 / 0 / 56 / 44

HEX #2D8F3F

RGB 45 143 63

HSL 131.02, 0.52%, 0.37%

LAB 52.47, -45.67, 34.11

 

CMYK 56 / 69 / 0 / 44

HEX #3F2D8F

RGB 63 45 143

HSL 251.02, 0.52%, 0.37%

LAB 26.5, 35.46, -51.63

 

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

CMYK 27 / 0 / 69 / 44

HEX #698F2D

RGB 105 143 45

HSL 83.27, 0.52%, 0.37%

LAB 54.9, -28.85, 45.97

 

CMYK 69 / 13 / 0 / 44

HEX #2D7D8F

RGB 45 125 143

HSL 191.02, 0.52%, 0.37%

LAB 48.52, -18.05, -16.85

 

CMYK 43 / 69 / 0 / 44

HEX #522D8F

RGB 82 45 143

HSL 262.65, 0.52%, 0.37%

LAB 28.52, 39.12, -48.24

 

CMYK 0 / 55 / 68 / 43

HEX #91412E

RGB 145 65 46

HSL 11.52, 0.52%, 0.37%

LAB 37.84, 32.38, 27.62

 

CMYK 47 / 0 / 69 / 44

HEX #4C8F2D

RGB 76 143 45

HSL 101.02, 0.52%, 0.37%

LAB 53.35, -39.51, 43.86

 

CMYK 69 / 13 / 0 / 44

HEX #2D7D8F

RGB 45 125 143

HSL 191.02, 0.52%, 0.37%

LAB 48.52, -18.05, -16.85

 

CMYK 22 / 69 / 0 / 44

HEX #702D8F

RGB 112 45 143

HSL 281.02, 0.52%, 0.37%

LAB 32.49, 45.79, -41.63

 

Description

Color code: RGB 145 65 46 | qconv.com Color code: RGB 145 65 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 65 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 65 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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