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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 24 194 it is the complementary color RGB 110 231 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 24 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 24 194 shade: RGB 150 24 189, RGB 167 42 208, RGB 184 60 227, RGB 201 78 246 and RGB 218 96 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 24 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 24 194 shade: RGB 145 24 194, RGB 128 6 175, RGB 111 0 156, RGB 94 0 137 and RGB 77 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 24 194 shade: RGB 145 24 195, RGB 192 24 195, RGB 195 24 152, RGB 195 24 106 and RGB 195 24 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 24 194 shade: RGB 145 24 195, RGB 99 24 195, RGB 53 24 195 and RGB 24 24 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 24 194 shade matches the following richer shades: RGB 145 24 195 and RGB 153 6 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 24 194 shade: RGB 145 24 195, RGB 138 41 177, RGB 130 59 159, RGB 123 77 141 and RGB 115 95 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 24 194 shade: RGB 52 24 195, RGB 98 24 195, RGB 143 24 195, RGB 189 24 195 and RGB 195 24 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 24 194 shade: RGB 90 15 121, RGB 118 19 158, RGB 145 24 195, RGB 171 32 227 and RGB 185 69 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 24 194 shade: RGB 145 24 194, RGB 195 24 41 and RGB 24 195 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 24 194 shade: RGB 145 24 194, RGB 195 143 24 and RGB 24 195 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 24 194 shade: RGB 145 24 194, RGB 195 24 41, RGB 75 195 24 and RGB 24 195 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 24 194 shade: RGB 145 24 194, RGB 195 58 24, RGB 75 195 24 and RGB 24 160 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

Complementary color

CMYK 52 / 0 / 74 / 9

HEX #6EE73D

RGB 110 231 61

HSL 102.71, 0.78%, 0.57%

LAB 82.27, -62.34, 67.87

 

CMYK 21 / 87 / 0 / 26

HEX #9618BD

RGB 150 24 189

HSL 285.82, 0.77%, 0.42%

LAB 39.26, 69.22, -58.06

 

CMYK 20 / 80 / 0 / 18

HEX #A72AD0

RGB 167 42 208

HSL 285.18, 0.66%, 0.49%

LAB 44.84, 71.05, -59.96

 

CMYK 19 / 74 / 0 / 11

HEX #B83CE3

RGB 184 60 227

HSL 284.55, 0.75%, 0.56%

LAB 50.65, 71.94, -61.3

 

CMYK 18 / 68 / 0 / 4

HEX #C94EF6

RGB 201 78 246

HSL 283.93, 0.9%, 0.64%

LAB 56.6, 72.21, -62.26

 

CMYK 15 / 62 / 0 / 0

HEX #DA60FF

RGB 218 96 255

HSL 286.04, 1%, 0.69%

LAB 62.08, 70.16, -58.35

 

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

CMYK 27 / 97 / 0 / 31

HEX #8006AF

RGB 128 6 175

HSL 283.31, 0.93%, 0.35%

LAB 33.59, 66.31, -59.13

 

CMYK 29 / 100 / 0 / 39

HEX #6F009C

RGB 111 0 156

HSL 282.69, 1%, 0.31%

LAB 28.85, 61.33, -55.51

 

CMYK 31 / 100 / 0 / 46

HEX #5E0089

RGB 94 0 137

HSL 281.17, 1%, 0.27%

LAB 24.28, 55.4, -51.36

 

CMYK 35 / 100 / 0 / 54

HEX #4D0076

RGB 77 0 118

HSL 279.15, 1%, 0.23%

LAB 19.58, 49.31, -47.11

 

CMYK 26 / 88 / 0 / 24

HEX #9118C3

RGB 145 24 195

HSL 282.46, 0.78%, 0.43%

LAB 38.92, 69.59, -62.16

 

CMYK 2 / 88 / 0 / 24

HEX #C018C3

RGB 192 24 195

HSL 298.95, 0.78%, 0.43%

LAB 46.71, 77.22, -49.2

 

CMYK 0 / 88 / 22 / 24

HEX #C31898

RGB 195 24 152

HSL 315.09, 0.78%, 0.43%

LAB 44.97, 71.85, -26.46

 

CMYK 0 / 88 / 46 / 24

HEX #C3186A

RGB 195 24 106

HSL 331.23, 0.78%, 0.43%

LAB 43.21, 67, -0.9

 

CMYK 0 / 88 / 70 / 24

HEX #C3183B

RGB 195 24 59

HSL 347.72, 0.78%, 0.43%

LAB 42.11, 63.89, 27.08

 

CMYK 26 / 88 / 0 / 24

HEX #9118C3

RGB 145 24 195

HSL 282.46, 0.78%, 0.43%

LAB 38.92, 69.59, -62.16

 

CMYK 49 / 88 / 0 / 24

HEX #6318C3

RGB 99 24 195

HSL 266.32, 0.78%, 0.43%

LAB 32.36, 63.67, -73.17

 

CMYK 73 / 88 / 0 / 24

HEX #3518C3

RGB 53 24 195

HSL 250.18, 0.78%, 0.43%

LAB 27.71, 59.93, -81.02

 

CMYK 88 / 88 / 0 / 24

HEX #1818C3

RGB 24 24 195

HSL 240, 0.78%, 0.43%

LAB 26.12, 58.77, -83.71

 

CMYK 26 / 88 / 0 / 24

HEX #9118C3

RGB 145 24 195

HSL 282.46, 0.78%, 0.43%

LAB 38.92, 69.59, -62.16

 

CMYK 28 / 97 / 0 / 17

HEX #9906D4

RGB 153 6 212

HSL 282.82, 0.94%, 0.43%

LAB 40.66, 76.48, -69.15

 

CMYK 26 / 88 / 0 / 24

HEX #9118C3

RGB 145 24 195

HSL 282.46, 0.78%, 0.43%

LAB 38.92, 69.59, -62.16

 

CMYK 22 / 77 / 0 / 31

HEX #8A29B1

RGB 138 41 177

HSL 282.79, 0.62%, 0.43%

LAB 38.13, 60.09, -52.88

 

CMYK 18 / 63 / 0 / 38

HEX #823B9F

RGB 130 59 159

HSL 282.6, 0.46%, 0.43%

LAB 38.51, 46.91, -41.58

 

CMYK 13 / 45 / 0 / 45

HEX #7B4D8D

RGB 123 77 141

HSL 283.13, 0.29%, 0.43%

LAB 40.31, 31.2, -27.91

 

CMYK 7 / 23 / 0 / 51

HEX #735F7C

RGB 115 95 124

HSL 281.38, 0.13%, 0.43%

LAB 43.19, 13.87, -13.23

 

CMYK 73 / 88 / 0 / 24

HEX #3418C3

RGB 52 24 195

HSL 249.82, 0.78%, 0.43%

LAB 27.64, 59.87, -81.14

 

CMYK 50 / 88 / 0 / 24

HEX #6218C3

RGB 98 24 195

HSL 265.96, 0.78%, 0.43%

LAB 32.24, 63.57, -73.38

 

CMYK 27 / 88 / 0 / 24

HEX #8F18C3

RGB 143 24 195

HSL 281.75, 0.78%, 0.43%

LAB 38.61, 69.29, -62.69

 

CMYK 3 / 88 / 0 / 24

HEX #BD18C3

RGB 189 24 195

HSL 297.89, 0.78%, 0.43%

LAB 46.19, 76.7, -50.06

 

CMYK 0 / 88 / 21 / 24

HEX #C3189B

RGB 195 24 155

HSL 314.04, 0.78%, 0.43%

LAB 45.11, 72.22, -28.04

 

CMYK 26 / 88 / 0 / 53

HEX #5A0F79

RGB 90 15 121

HSL 282.45, 0.78%, 0.27%

LAB 23.32, 48.14, -42.83

 

CMYK 25 / 88 / 0 / 38

HEX #76139E

RGB 118 19 158

HSL 282.73, 0.79%, 0.35%

LAB 31.31, 59.33, -52.67

 

CMYK 26 / 88 / 0 / 24

HEX #9118C3

RGB 145 24 195

HSL 282.46, 0.78%, 0.43%

LAB 38.92, 69.59, -62.16

 

CMYK 25 / 86 / 0 / 11

HEX #AB20E3

RGB 171 32 227

HSL 282.77, 0.78%, 0.51%

LAB 45.96, 77.77, -69

 

CMYK 20 / 70 / 0 / 9

HEX #B945E8

RGB 185 69 232

HSL 282.7, 0.78%, 0.59%

LAB 52.28, 69.77, -61.49

 

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

CMYK 0 / 88 / 79 / 24

HEX #C31829

RGB 195 24 41

HSL 354.04, 0.78%, 0.43%

LAB 41.87, 63.19, 37.61

 

CMYK 88 / 0 / 62 / 24

HEX #18C34B

RGB 24 195 75

HSL 137.89, 0.78%, 0.43%

LAB 69.28, -64.53, 48.02

 

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

CMYK 0 / 27 / 88 / 24

HEX #C38F18

RGB 195 143 24

HSL 41.75, 0.78%, 0.43%

LAB 62.77, 10.08, 63.27

 

CMYK 88 / 0 / 27 / 24

HEX #18C38F

RGB 24 195 143

HSL 161.75, 0.78%, 0.43%

LAB 70.32, -52.36, 14.99

 

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

CMYK 0 / 88 / 79 / 24

HEX #C31829

RGB 195 24 41

HSL 354.04, 0.78%, 0.43%

LAB 41.87, 63.19, 37.61

 

CMYK 62 / 0 / 88 / 24

HEX #4BC318

RGB 75 195 24

HSL 102.11, 0.78%, 0.43%

LAB 69.89, -60.53, 66.07

 

CMYK 88 / 0 / 9 / 24

HEX #18C3B2

RGB 24 195 178

HSL 174.04, 0.78%, 0.43%

LAB 71.17, -43.34, -2.8

 

CMYK 25 / 88 / 0 / 24

HEX #9118C2

RGB 145 24 194

HSL 282.71, 0.78%, 0.43%

LAB 38.84, 69.39, -61.71

 

CMYK 0 / 70 / 88 / 24

HEX #C33A18

RGB 195 58 24

HSL 11.93, 0.78%, 0.43%

LAB 45.21, 52.99, 49.26

 

CMYK 62 / 0 / 88 / 24

HEX #4BC318

RGB 75 195 24

HSL 102.11, 0.78%, 0.43%

LAB 69.89, -60.53, 66.07

 

CMYK 88 / 18 / 0 / 24

HEX #18A0C3

RGB 24 160 195

HSL 192.28, 0.78%, 0.43%

LAB 61.02, -21.34, -27.52

 

Description

Color code: RGB 145 24 194 | qconv.com Color code: RGB 145 24 194 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 24 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 24 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 88 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 88% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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