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Color name
RGB 145 249 105

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 249 105 it is the complementary color RGB 110 6 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 249 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 249 105 shade: RGB 150 249 100, RGB 167 255 119, RGB 184 255 138, RGB 201 255 157 and RGB 218 255 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 249 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 249 105 shade: RGB 145 249 105, RGB 128 231 86, RGB 111 213 67, RGB 94 195 48 and RGB 77 177 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 249 105 shade: RGB 143 248 103, RGB 182 248 103, RGB 222 248 103, RGB 248 236 103 and RGB 248 196 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 249 105 shade: RGB 143 248 103, RGB 104 248 103, RGB 103 248 141, RGB 103 248 180 and RGB 103 248 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 249 105 shade matches the following richer shades: RGB 143 248 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 249 105 shade: RGB 143 248 103, RGB 149 235 116, RGB 155 223 128, RGB 160 210 141 and RGB 166 197 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 249 105 shade: RGB 222 248 103, RGB 183 248 103, RGB 144 248 103, RGB 105 248 103 and RGB 103 248 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 249 105 shade: RGB 85 245 24, RGB 114 247 63, RGB 143 248 103, RGB 172 250 142 and RGB 201 251 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 249 105 shade: RGB 145 249 105, RGB 103 248 236 and RGB 248 103 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 249 105 shade: RGB 145 249 105, RGB 103 144 248 and RGB 248 103 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 249 105 shade: RGB 145 249 105, RGB 103 248 236, RGB 207 103 248 and RGB 248 103 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 249 105 shade: RGB 145 249 105, RGB 103 217 248, RGB 207 103 248 and RGB 248 134 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

Complementary color

CMYK 27 / 96 / 0 / 41

HEX #6E0696

RGB 110 6 150

HSL 283.33, 0.92%, 0.31%

LAB 28.5, 59.01, -52.41

 

CMYK 40 / 0 / 60 / 2

HEX #96F964

RGB 150 249 100

HSL 99.87, 0.93%, 0.68%

LAB 89.47, -54.35, 61.04

 

CMYK 35 / 0 / 53 / 0

HEX #A7FF77

RGB 167 255 119

HSL 98.82, 1%, 0.73%

LAB 92.16, -49.49, 56.05

 

CMYK 28 / 0 / 46 / 0

HEX #B8FF8A

RGB 184 255 138

HSL 96.41, 1%, 0.77%

LAB 93.25, -41.73, 48.8

 

CMYK 21 / 0 / 38 / 0

HEX #C9FF9D

RGB 201 255 157

HSL 93.06, 1%, 0.81%

LAB 94.47, -33.55, 41.39

 

CMYK 15 / 0 / 31 / 0

HEX #DAFFB0

RGB 218 255 176

HSL 88.1, 1%, 0.85%

LAB 95.81, -25.09, 33.95

 

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

CMYK 45 / 0 / 63 / 9

HEX #80E756

RGB 128 231 86

HSL 102.62, 0.75%, 0.62%

LAB 83.13, -55.25, 59.57

 

CMYK 48 / 0 / 69 / 16

HEX #6FD543

RGB 111 213 67

HSL 101.92, 0.63%, 0.55%

LAB 76.9, -54.94, 60.27

 

CMYK 52 / 0 / 75 / 24

HEX #5EC330

RGB 94 195 48

HSL 101.22, 0.6%, 0.48%

LAB 70.61, -54.4, 60.53

 

CMYK 56 / 0 / 84 / 31

HEX #4DB11D

RGB 77 177 29

HSL 100.54, 0.72%, 0.4%

LAB 64.25, -53.53, 59.99

 

CMYK 42 / 0 / 58 / 3

HEX #8FF867

RGB 143 248 103

HSL 103.45, 0.91%, 0.69%

LAB 88.9, -55.81, 59.03

 

CMYK 27 / 0 / 58 / 3

HEX #B6F867

RGB 182 248 103

HSL 87.31, 0.91%, 0.69%

LAB 90.81, -42.94, 61.71

 

CMYK 10 / 0 / 58 / 3

HEX #DEF867

RGB 222 248 103

HSL 70.76, 0.91%, 0.69%

LAB 93.3, -28.03, 65.18

 

CMYK 0 / 5 / 58 / 3

HEX #F8EC67

RGB 248 236 103

HSL 55.03, 0.91%, 0.69%

LAB 92.1, -11.94, 64.4

 

CMYK 0 / 21 / 58 / 3

HEX #F8C467

RGB 248 196 103

HSL 38.48, 0.91%, 0.69%

LAB 82.06, 8.36, 53

 

CMYK 42 / 0 / 58 / 3

HEX #8FF867

RGB 143 248 103

HSL 103.45, 0.91%, 0.69%

LAB 88.9, -55.81, 59.03

 

CMYK 58 / 0 / 58 / 3

HEX #68F867

RGB 104 248 103

HSL 119.59, 0.91%, 0.69%

LAB 87.51, -66.17, 57.08

 

CMYK 58 / 0 / 43 / 3

HEX #67F88D

RGB 103 248 141

HSL 135.72, 0.91%, 0.69%

LAB 87.94, -61.32, 39.93

 

CMYK 58 / 0 / 27 / 3

HEX #67F8B4

RGB 103 248 180

HSL 151.86, 0.91%, 0.69%

LAB 88.6, -54.35, 21.22

 

CMYK 58 / 0 / 12 / 3

HEX #67F8DB

RGB 103 248 219

HSL 168, 0.91%, 0.69%

LAB 89.46, -45.75, 2.27

 

CMYK 42 / 0 / 58 / 3

HEX #8FF867

RGB 143 248 103

HSL 103.45, 0.91%, 0.69%

LAB 88.9, -55.81, 59.03

 

CMYK 42 / 0 / 58 / 3

HEX #8FF867

RGB 143 248 103

HSL 103.45, 0.91%, 0.69%

LAB 88.9, -55.81, 59.03

 

CMYK 37 / 0 / 51 / 8

HEX #95EB74

RGB 149 235 116

HSL 103.36, 0.75%, 0.69%

LAB 85.54, -47.23, 49.29

 

CMYK 30 / 0 / 43 / 13

HEX #9BDF80

RGB 155 223 128

HSL 102.95, 0.6%, 0.69%

LAB 82.54, -38.54, 39.83

 

CMYK 24 / 0 / 33 / 18

HEX #A0D28D

RGB 160 210 141

HSL 103.48, 0.43%, 0.69%

LAB 79.32, -28.98, 29.09

 

CMYK 16 / 0 / 22 / 23

HEX #A6C59A

RGB 166 197 154

HSL 103.26, 0.27%, 0.69%

LAB 76.3, -18.44, 18.19

 

CMYK 10 / 0 / 58 / 3

HEX #DEF867

RGB 222 248 103

HSL 70.76, 0.91%, 0.69%

LAB 93.3, -28.03, 65.18

 

CMYK 26 / 0 / 58 / 3

HEX #B7F867

RGB 183 248 103

HSL 86.9, 0.91%, 0.69%

LAB 90.86, -42.59, 61.79

 

CMYK 42 / 0 / 58 / 3

HEX #90F867

RGB 144 248 103

HSL 103.03, 0.91%, 0.69%

LAB 88.94, -55.51, 59.09

 

CMYK 58 / 0 / 58 / 3

HEX #69F867

RGB 105 248 103

HSL 119.17, 0.91%, 0.69%

LAB 87.54, -65.94, 57.12

 

CMYK 58 / 0 / 44 / 3

HEX #67F88B

RGB 103 248 139

HSL 134.9, 0.91%, 0.69%

LAB 87.91, -61.63, 40.87

 

CMYK 65 / 0 / 90 / 4

HEX #55F518

RGB 85 245 24

HSL 103.44, 0.92%, 0.53%

LAB 85.66, -74.53, 79.57

 

CMYK 54 / 0 / 74 / 3

HEX #72F73F

RGB 114 247 63

HSL 103.37, 0.92%, 0.61%

LAB 87.22, -66.83, 72.13

 

CMYK 42 / 0 / 58 / 3

HEX #8FF867

RGB 143 248 103

HSL 103.45, 0.91%, 0.69%

LAB 88.9, -55.81, 59.03

 

CMYK 31 / 0 / 43 / 2

HEX #ACFA8E

RGB 172 250 142

HSL 103.33, 0.92%, 0.77%

LAB 91.28, -43.03, 44.27

 

CMYK 20 / 0 / 27 / 2

HEX #C9FBB6

RGB 201 251 182

HSL 103.48, 0.9%, 0.85%

LAB 93.79, -28.19, 28.02

 

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

CMYK 58 / 0 / 5 / 3

HEX #67F8EC

RGB 103 248 236

HSL 175.03, 0.91%, 0.69%

LAB 89.89, -41.55, -5.94

 

CMYK 0 / 58 / 19 / 3

HEX #F867CA

RGB 248 103 202

HSL 319.03, 0.91%, 0.69%

LAB 64.9, 65.98, -24.09

 

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

CMYK 58 / 42 / 0 / 3

HEX #6790F8

RGB 103 144 248

HSL 223.03, 0.91%, 0.69%

LAB 61.31, 16.42, -56.33

 

CMYK 0 / 58 / 42 / 3

HEX #F86790

RGB 248 103 144

HSL 343.03, 0.91%, 0.69%

LAB 63.07, 59, 6.28

 

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

CMYK 58 / 0 / 5 / 3

HEX #67F8EC

RGB 103 248 236

HSL 175.03, 0.91%, 0.69%

LAB 89.89, -41.55, -5.94

 

CMYK 17 / 58 / 0 / 3

HEX #CF67F8

RGB 207 103 248

HSL 283.03, 0.91%, 0.69%

LAB 61.43, 63.1, -55.6

 

CMYK 0 / 58 / 54 / 3

HEX #F86773

RGB 248 103 115

HSL 355.03, 0.91%, 0.69%

LAB 62.42, 56.41, 22.04

 

CMYK 42 / 0 / 58 / 2

HEX #91F969

RGB 145 249 105

HSL 103.33, 0.92%, 0.69%

LAB 89.3, -55.4, 58.64

 

CMYK 58 / 13 / 0 / 3

HEX #67D9F8

RGB 103 217 248

HSL 192.83, 0.91%, 0.69%

LAB 81.45, -23.67, -24.92

 

CMYK 17 / 58 / 0 / 3

HEX #CF67F8

RGB 207 103 248

HSL 283.03, 0.91%, 0.69%

LAB 61.43, 63.1, -55.6

 

CMYK 0 / 46 / 58 / 3

HEX #F88667

RGB 248 134 103

HSL 12.83, 0.91%, 0.69%

LAB 68.01, 40.66, 36.01

 

Description

Color code: RGB 145 249 105 | qconv.com Color code: RGB 145 249 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 249 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 249 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 58 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 58% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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