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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 244 76 it is the complementary color RGB 110 11 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 244 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 244 76 shade: RGB 150 244 71, RGB 167 255 90, RGB 184 255 109, RGB 201 255 128 and RGB 218 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 244 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 244 76 shade: RGB 145 244 76, RGB 128 226 57, RGB 111 208 38, RGB 94 190 19 and RGB 77 172 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 244 76 shade: RGB 145 243 77, RGB 190 243 77, RGB 235 243 77, RGB 243 207 77 and RGB 243 162 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 244 76 shade: RGB 145 243 77, RGB 101 243 77, RGB 77 243 98, RGB 77 243 143 and RGB 77 243 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 244 76 shade matches the following richer shades: RGB 145 243 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 244 76 shade: RGB 145 243 77, RGB 148 228 92, RGB 151 213 108, RGB 153 197 123 and RGB 156 182 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 244 76 shade: RGB 235 243 77, RGB 191 243 77, RGB 146 243 77, RGB 102 243 77 and RGB 77 243 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 244 76 shade: RGB 100 224 14, RGB 121 241 38, RGB 145 243 77, RGB 169 246 116 and RGB 193 248 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 244 76 shade: RGB 145 244 76, RGB 77 243 207 and RGB 243 77 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 244 76 shade: RGB 145 244 76, RGB 77 146 243 and RGB 243 77 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 244 76 shade: RGB 145 244 76, RGB 77 243 207, RGB 174 77 243 and RGB 243 77 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 244 76 shade: RGB 145 244 76, RGB 77 229 243, RGB 174 77 243 and RGB 243 91 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

Complementary color

CMYK 39 / 94 / 0 / 30

HEX #6E0BB3

RGB 110 11 179

HSL 275.36, 0.88%, 0.37%

LAB 31.37, 64.13, -65.28

 

CMYK 39 / 0 / 71 / 4

HEX #96F447

RGB 150 244 71

HSL 92.6, 0.89%, 0.62%

LAB 87.8, -54.64, 70.51

 

CMYK 35 / 0 / 65 / 0

HEX #A7FF5A

RGB 167 255 90

HSL 92, 1%, 0.68%

LAB 91.9, -52.13, 67.99

 

CMYK 28 / 0 / 57 / 0

HEX #B8FF6D

RGB 184 255 109

HSL 89.18, 1%, 0.71%

LAB 92.93, -44.74, 61.58

 

CMYK 21 / 0 / 50 / 0

HEX #C9FF80

RGB 201 255 128

HSL 85.51, 1%, 0.75%

LAB 94.1, -36.89, 54.72

 

CMYK 15 / 0 / 42 / 0

HEX #DAFF93

RGB 218 255 147

HSL 80.56, 1%, 0.79%

LAB 95.38, -28.7, 47.61

 

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

CMYK 43 / 0 / 75 / 11

HEX #80E239

RGB 128 226 57

HSL 94.79, 0.74%, 0.55%

LAB 81.44, -55.47, 68.6

 

CMYK 47 / 0 / 82 / 18

HEX #6FD026

RGB 111 208 38

HSL 94.24, 0.69%, 0.48%

LAB 75.22, -54.81, 68.05

 

CMYK 51 / 0 / 90 / 25

HEX #5EBE13

RGB 94 190 19

HSL 93.68, 0.82%, 0.41%

LAB 68.93, -53.86, 66.42

 

CMYK 55 / 0 / 100 / 33

HEX #4DAC00

RGB 77 172 0

HSL 93.14, 1%, 0.34%

LAB 62.58, -52.56, 63.57

 

CMYK 40 / 0 / 68 / 5

HEX #91F34D

RGB 145 243 77

HSL 95.42, 0.87%, 0.63%

LAB 87.32, -55.44, 67.79

 

CMYK 22 / 0 / 68 / 5

HEX #BEF34D

RGB 190 243 77

HSL 79.16, 0.87%, 0.63%

LAB 89.67, -39.75, 70.95

 

CMYK 3 / 0 / 68 / 5

HEX #EBF34D

RGB 235 243 77

HSL 62.89, 0.87%, 0.63%

LAB 92.71, -22.14, 75

 

CMYK 0 / 15 / 68 / 5

HEX #F3CF4D

RGB 243 207 77

HSL 46.99, 0.87%, 0.63%

LAB 84.08, -0.99, 66.52

 

CMYK 0 / 33 / 68 / 5

HEX #F3A24D

RGB 243 162 77

HSL 30.72, 0.87%, 0.63%

LAB 73.17, 22.51, 55.04

 

CMYK 40 / 0 / 68 / 5

HEX #91F34D

RGB 145 243 77

HSL 95.42, 0.87%, 0.63%

LAB 87.32, -55.44, 67.79

 

CMYK 58 / 0 / 68 / 5

HEX #65F34D

RGB 101 243 77

HSL 111.33, 0.87%, 0.63%

LAB 85.71, -67.62, 65.61

 

CMYK 68 / 0 / 60 / 5

HEX #4DF362

RGB 77 243 98

HSL 127.59, 0.87%, 0.63%

LAB 85.28, -70.44, 56.49

 

CMYK 68 / 0 / 41 / 5

HEX #4DF38F

RGB 77 243 143

HSL 143.86, 0.87%, 0.63%

LAB 85.84, -64.04, 36.1

 

CMYK 68 / 0 / 23 / 5

HEX #4DF3BC

RGB 77 243 188

HSL 160.12, 0.87%, 0.63%

LAB 86.66, -55.15, 14.29

 

CMYK 40 / 0 / 68 / 5

HEX #91F34D

RGB 145 243 77

HSL 95.42, 0.87%, 0.63%

LAB 87.32, -55.44, 67.79

 

CMYK 40 / 0 / 68 / 5

HEX #91F34D

RGB 145 243 77

HSL 95.42, 0.87%, 0.63%

LAB 87.32, -55.44, 67.79

 

CMYK 35 / 0 / 60 / 11

HEX #94E45C

RGB 148 228 92

HSL 95.29, 0.72%, 0.63%

LAB 83.21, -47.12, 57.37

 

CMYK 29 / 0 / 49 / 16

HEX #97D56C

RGB 151 213 108

HSL 95.43, 0.56%, 0.63%

LAB 79.19, -37.9, 45.38

 

CMYK 22 / 0 / 38 / 23

HEX #99C57B

RGB 153 197 123

HSL 95.68, 0.39%, 0.63%

LAB 74.91, -27.83, 32.51

 

CMYK 14 / 0 / 24 / 29

HEX #9CB68A

RGB 156 182 138

HSL 95.45, 0.23%, 0.63%

LAB 71.12, -17.04, 19.52

 

CMYK 3 / 0 / 68 / 5

HEX #EBF34D

RGB 235 243 77

HSL 62.89, 0.87%, 0.63%

LAB 92.71, -22.14, 75

 

CMYK 21 / 0 / 68 / 5

HEX #BFF34D

RGB 191 243 77

HSL 78.8, 0.87%, 0.63%

LAB 89.73, -39.37, 71.03

 

CMYK 40 / 0 / 68 / 5

HEX #92F34D

RGB 146 243 77

HSL 95.06, 0.87%, 0.63%

LAB 87.36, -55.13, 67.85

 

CMYK 58 / 0 / 68 / 5

HEX #66F34D

RGB 102 243 77

HSL 110.96, 0.87%, 0.63%

LAB 85.74, -67.39, 65.65

 

CMYK 68 / 0 / 60 / 5

HEX #4DF360

RGB 77 243 96

HSL 126.87, 0.87%, 0.63%

LAB 85.26, -70.66, 57.33

 

CMYK 55 / 0 / 94 / 12

HEX #64E00E

RGB 100 224 14

HSL 95.43, 0.88%, 0.47%

LAB 79.64, -64.46, 76.05

 

CMYK 50 / 0 / 84 / 5

HEX #79F126

RGB 121 241 38

HSL 95.47, 0.88%, 0.55%

LAB 85.56, -64.04, 77.4

 

CMYK 40 / 0 / 68 / 5

HEX #91F34D

RGB 145 243 77

HSL 95.42, 0.87%, 0.63%

LAB 87.32, -55.44, 67.79

 

CMYK 31 / 0 / 53 / 4

HEX #A9F674

RGB 169 246 116

HSL 95.54, 0.88%, 0.71%

LAB 89.68, -45.34, 54.49

 

CMYK 22 / 0 / 38 / 3

HEX #C1F89B

RGB 193 248 155

HSL 95.48, 0.87%, 0.79%

LAB 92.06, -33.37, 39.15

 

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

CMYK 68 / 0 / 15 / 5

HEX #4DF3CF

RGB 77 243 207

HSL 166.99, 0.87%, 0.63%

LAB 87.09, -50.72, 5.01

 

CMYK 0 / 68 / 12 / 5

HEX #F34DD5

RGB 243 77 213

HSL 310.84, 0.87%, 0.63%

LAB 60.93, 76.37, -36.51

 

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

CMYK 68 / 40 / 0 / 5

HEX #4D92F3

RGB 77 146 243

HSL 215.06, 0.87%, 0.63%

LAB 60.43, 9.14, -55.05

 

CMYK 0 / 68 / 40 / 5

HEX #F34D92

RGB 243 77 146

HSL 335.06, 0.87%, 0.63%

LAB 58.45, 68.23, -1.69

 

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

CMYK 68 / 0 / 15 / 5

HEX #4DF3CF

RGB 77 243 207

HSL 166.99, 0.87%, 0.63%

LAB 87.09, -50.72, 5.01

 

CMYK 28 / 68 / 0 / 5

HEX #AE4DF3

RGB 174 77 243

HSL 275.06, 0.87%, 0.63%

LAB 52.71, 66.58, -67.05

 

CMYK 0 / 68 / 53 / 5

HEX #F34D71

RGB 243 77 113

HSL 346.99, 0.87%, 0.63%

LAB 57.61, 65.34, 16.52

 

CMYK 41 / 0 / 69 / 4

HEX #91F44C

RGB 145 244 76

HSL 95.36, 0.88%, 0.63%

LAB 87.6, -55.91, 68.46

 

CMYK 68 / 6 / 0 / 5

HEX #4DE5F3

RGB 77 229 243

HSL 185.06, 0.87%, 0.63%

LAB 84.01, -34.97, -18.46

 

CMYK 28 / 68 / 0 / 5

HEX #AE4DF3

RGB 174 77 243

HSL 275.06, 0.87%, 0.63%

LAB 52.71, 66.58, -67.05

 

CMYK 0 / 63 / 68 / 5

HEX #F35B4D

RGB 243 91 77

HSL 5.06, 0.87%, 0.63%

LAB 59.04, 57.51, 39.05

 

Description

Color code: RGB 145 244 76 | qconv.com Color code: RGB 145 244 76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 244 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 244 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 69 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 69% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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