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Color name
RGB 145 212 41

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 212 41 it is the complementary color RGB 110 43 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 212 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 212 41 shade: RGB 150 212 36, RGB 167 230 55, RGB 184 248 74, RGB 201 255 93 and RGB 218 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 212 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 212 41 shade: RGB 145 212 41, RGB 128 194 22, RGB 111 176 3, RGB 94 158 0 and RGB 77 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 212 41 shade: RGB 146 214 40, RGB 193 214 40, RGB 214 188 40, RGB 214 141 40 and RGB 214 95 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 212 41 shade: RGB 146 214 40, RGB 99 214 40, RGB 52 214 40, RGB 40 214 75 and RGB 40 214 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 212 41 shade matches the following richer shades: RGB 146 214 40 and RGB 150 234 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 212 41 shade: RGB 146 214 40, RGB 141 193 61, RGB 137 172 82, RGB 132 152 102 and RGB 128 131 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 212 41 shade: RGB 214 188 40, RGB 193 214 40, RGB 147 214 40, RGB 101 214 40 and RGB 55 214 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 212 41 shade: RGB 98 144 27, RGB 122 179 34, RGB 146 214 40, RGB 163 220 75 and RGB 181 227 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 212 41 shade: RGB 145 212 41, RGB 40 214 141 and RGB 211 40 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 212 41 shade: RGB 145 212 41, RGB 40 147 214 and RGB 214 40 147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 212 41 shade: RGB 145 212 41, RGB 40 214 141, RGB 107 40 214 and RGB 214 40 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 212 41 shade: RGB 145 212 41, RGB 40 214 193, RGB 107 40 214 and RGB 214 40 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

Complementary color

CMYK 49 / 80 / 0 / 16

HEX #6E2BD6

RGB 110 43 214

HSL 263.51, 0.68%, 0.5%

LAB 37.66, 63.27, -75.46

 

CMYK 29 / 0 / 83 / 17

HEX #96D424

RGB 150 212 36

HSL 81.14, 0.71%, 0.49%

LAB 78.29, -43.17, 71.99

 

CMYK 27 / 0 / 76 / 10

HEX #A7E637

RGB 167 230 55

HSL 81.6, 0.78%, 0.56%

LAB 84.53, -43.83, 72.84

 

CMYK 26 / 0 / 70 / 3

HEX #B8F84A

RGB 184 248 74

HSL 82.07, 0.93%, 0.63%

LAB 90.7, -44.33, 72.94

 

CMYK 21 / 0 / 64 / 0

HEX #C9FF5D

RGB 201 255 93

HSL 80, 1%, 0.68%

LAB 93.77, -39.91, 69.37

 

CMYK 15 / 0 / 56 / 0

HEX #DAFF70

RGB 218 255 112

HSL 75.52, 1%, 0.72%

LAB 94.99, -32.1, 63.17

 

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

CMYK 34 / 0 / 89 / 24

HEX #80C216

RGB 128 194 22

HSL 83.02, 0.8%, 0.42%

LAB 71.71, -44.04, 68.84

 

CMYK 37 / 0 / 98 / 31

HEX #6FB003

RGB 111 176 3

HSL 82.54, 0.97%, 0.35%

LAB 65.31, -43.02, 65.95

 

CMYK 41 / 0 / 100 / 38

HEX #5E9E00

RGB 94 158 0

HSL 84.3, 1%, 0.31%

LAB 58.82, -41.66, 60.94

 

CMYK 45 / 0 / 100 / 45

HEX #4D8C00

RGB 77 140 0

HSL 87, 1%, 0.27%

LAB 52.21, -40.17, 55.45

 

CMYK 32 / 0 / 81 / 16

HEX #92D628

RGB 146 214 40

HSL 83.45, 0.69%, 0.5%

LAB 78.67, -45.35, 71.26

 

CMYK 10 / 0 / 81 / 16

HEX #C1D628

RGB 193 214 40

HSL 67.24, 0.69%, 0.5%

LAB 81.61, -26.98, 74.97

 

CMYK 0 / 12 / 81 / 16

HEX #D6BC28

RGB 214 188 40

HSL 51.03, 0.69%, 0.5%

LAB 76.32, -5.11, 71.07

 

CMYK 0 / 34 / 81 / 16

HEX #D68D28

RGB 214 141 40

HSL 34.83, 0.69%, 0.5%

LAB 64.56, 19.92, 60.78

 

CMYK 0 / 56 / 81 / 16

HEX #D65F28

RGB 214 95 40

HSL 18.97, 0.69%, 0.5%

LAB 54.69, 43.87, 51.83

 

CMYK 32 / 0 / 81 / 16

HEX #92D628

RGB 146 214 40

HSL 83.45, 0.69%, 0.5%

LAB 78.67, -45.35, 71.26

 

CMYK 54 / 0 / 81 / 16

HEX #63D628

RGB 99 214 40

HSL 99.66, 0.69%, 0.5%

LAB 76.62, -60.4, 68.64

 

CMYK 76 / 0 / 81 / 16

HEX #34D628

RGB 52 214 40

HSL 115.86, 0.69%, 0.5%

LAB 75.44, -70.19, 67.12

 

CMYK 81 / 0 / 65 / 16

HEX #28D64B

RGB 40 214 75

HSL 132.07, 0.69%, 0.5%

LAB 75.48, -68.96, 55.03

 

CMYK 81 / 0 / 43 / 16

HEX #28D67A

RGB 40 214 122

HSL 148.28, 0.69%, 0.5%

LAB 76.04, -62.31, 33.73

 

CMYK 32 / 0 / 81 / 16

HEX #92D628

RGB 146 214 40

HSL 83.45, 0.69%, 0.5%

LAB 78.67, -45.35, 71.26

 

CMYK 36 / 0 / 91 / 8

HEX #96EA14

RGB 150 234 20

HSL 83.55, 0.84%, 0.5%

LAB 84.68, -52.74, 80.26

 

CMYK 32 / 0 / 81 / 16

HEX #92D628

RGB 146 214 40

HSL 83.45, 0.69%, 0.5%

LAB 78.67, -45.35, 71.26

 

CMYK 27 / 0 / 68 / 24

HEX #8DC13D

RGB 141 193 61

HSL 83.64, 0.52%, 0.5%

LAB 72.32, -36.91, 58.27

 

CMYK 20 / 0 / 52 / 33

HEX #89AC52

RGB 137 172 82

HSL 83.33, 0.35%, 0.5%

LAB 66.08, -26.79, 41.99

 

CMYK 13 / 0 / 33 / 40

HEX #849866

RGB 132 152 102

HSL 84, 0.2%, 0.5%

LAB 60.18, -16.13, 24.03

 

CMYK 2 / 0 / 6 / 49

HEX #80837B

RGB 128 131 123

HSL 82.5, 0.03%, 0.5%

LAB 54.29, -2.68, 3.93

 

CMYK 0 / 12 / 81 / 16

HEX #D6BC28

RGB 214 188 40

HSL 51.03, 0.69%, 0.5%

LAB 76.32, -5.11, 71.07

 

CMYK 10 / 0 / 81 / 16

HEX #C1D628

RGB 193 214 40

HSL 67.24, 0.69%, 0.5%

LAB 81.61, -26.98, 74.97

 

CMYK 31 / 0 / 81 / 16

HEX #93D628

RGB 147 214 40

HSL 83.1, 0.69%, 0.5%

LAB 78.72, -44.98, 71.32

 

CMYK 53 / 0 / 81 / 16

HEX #65D628

RGB 101 214 40

HSL 98.97, 0.69%, 0.5%

LAB 76.69, -59.85, 68.72

 

CMYK 74 / 0 / 81 / 16

HEX #37D628

RGB 55 214 40

HSL 114.83, 0.69%, 0.5%

LAB 75.49, -69.75, 67.18

 

CMYK 32 / 0 / 81 / 44

HEX #62901B

RGB 98 144 27

HSL 83.59, 0.68%, 0.34%

LAB 54.68, -33.22, 52.2

 

CMYK 32 / 0 / 81 / 30

HEX #7AB322

RGB 122 179 34

HSL 83.59, 0.68%, 0.42%

LAB 66.9, -39.38, 61.79

 

CMYK 32 / 0 / 81 / 16

HEX #92D628

RGB 146 214 40

HSL 83.45, 0.69%, 0.5%

LAB 78.67, -45.35, 71.26

 

CMYK 26 / 0 / 66 / 14

HEX #A3DC4B

RGB 163 220 75

HSL 83.59, 0.67%, 0.58%

LAB 81.56, -39.76, 62.82

 

CMYK 20 / 0 / 52 / 11

HEX #B5E36E

RGB 181 227 110

HSL 83.59, 0.68%, 0.66%

LAB 84.94, -33.24, 51.78

 

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

CMYK 81 / 0 / 34 / 16

HEX #28D68D

RGB 40 214 141

HSL 154.83, 0.69%, 0.5%

LAB 76.36, -58.68, 24.39

 

CMYK 1 / 81 / 0 / 16

HEX #D328D6

RGB 211 40 214

HSL 298.97, 0.69%, 0.5%

LAB 52.09, 80.47, -51.38

 

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

CMYK 81 / 31 / 0 / 16

HEX #2893D6

RGB 40 147 214

HSL 203.1, 0.69%, 0.5%

LAB 58.2, -6.25, -42.55

 

CMYK 0 / 81 / 31 / 16

HEX #D62893

RGB 214 40 147

HSL 323.1, 0.69%, 0.5%

LAB 49.4, 72.19, -16.34

 

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

CMYK 81 / 0 / 34 / 16

HEX #28D68D

RGB 40 214 141

HSL 154.83, 0.69%, 0.5%

LAB 76.36, -58.68, 24.39

 

CMYK 50 / 81 / 0 / 16

HEX #6B28D6

RGB 107 40 214

HSL 263.1, 0.69%, 0.5%

LAB 36.93, 64.01, -76.67

 

CMYK 0 / 81 / 47 / 16

HEX #D62871

RGB 214 40 113

HSL 334.83, 0.69%, 0.5%

LAB 48.27, 68.89, 2.59

 

CMYK 32 / 0 / 81 / 17

HEX #91D429

RGB 145 212 41

HSL 83.51, 0.68%, 0.5%

LAB 78.03, -44.82, 70.4

 

CMYK 81 / 0 / 10 / 16

HEX #28D6C1

RGB 40 214 193

HSL 172.76, 0.69%, 0.5%

LAB 77.52, -46.26, -1.58

 

CMYK 50 / 81 / 0 / 16

HEX #6B28D6

RGB 107 40 214

HSL 263.1, 0.69%, 0.5%

LAB 36.93, 64.01, -76.67

 

CMYK 0 / 81 / 71 / 16

HEX #D6283D

RGB 214 40 61

HSL 352.76, 0.69%, 0.5%

LAB 47.17, 65.6, 32.87

 

Description

Color code: RGB 145 212 41 | qconv.com Color code: RGB 145 212 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 212 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 212 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 81 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 81% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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