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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 145 100 112 it is the complementary color RGB 110 155 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 145 100 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 145 100 112 shade: RGB 150 100 107, RGB 167 118 126, RGB 184 136 145, RGB 201 154 164 and RGB 218 172 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 145 100 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 145 100 112 shade: RGB 145 100 112, RGB 128 82 93, RGB 111 64 74, RGB 94 46 55 and RGB 77 28 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 145 100 112 shade: RGB 144 100 112 and RGB 144 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 145 100 112 shade: RGB 144 100 112, RGB 144 100 124, RGB 144 100 135, RGB 141 100 144 and RGB 129 100 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 145 100 112 shade matches the following richer shades: RGB 144 100 112, RGB 164 80 102, RGB 184 60 93, RGB 203 40 84 and RGB 223 21 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 145 100 112 shade: RGB 144 100 112, RGB 124 120 121, RGB 104 139 130, RGB 85 159 139 and RGB 65 179 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 145 100 112 shade: RGB 144 100 135, RGB 144 100 123, RGB 144 100 112, RGB 144 100 100 and RGB 144 112 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 145 100 112 shade: RGB 95 66 74, RGB 120 83 93, RGB 144 100 112, RGB 163 122 133 and RGB 180 147 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 145 100 112 shade: RGB 145 100 112, RGB 144 141 100 and RGB 100 129 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 145 100 112 shade: RGB 145 100 112, RGB 112 144 100 and RGB 100 112 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 145 100 112 shade: RGB 145 100 112, RGB 144 141 100, RGB 100 144 132 and RGB 100 103 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 145 100 112 shade: RGB 145 100 112, RGB 134 144 100, RGB 100 144 132 and RGB 110 100 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

Complementary color

CMYK 29 / 0 / 8 / 39

HEX #6E9B8F

RGB 110 155 143

HSL 164, 0.18%, 0.52%

LAB 60.55, -17.89, 1.39

 

CMYK 0 / 33 / 29 / 41

HEX #96646B

RGB 150 100 107

HSL 351.6, 0.2%, 0.49%

LAB 47.83, 21.22, 4.33

 

CMYK 0 / 29 / 25 / 35

HEX #A7767E

RGB 167 118 126

HSL 350.2, 0.22%, 0.56%

LAB 54.74, 20.41, 3.31

 

CMYK 0 / 26 / 21 / 28

HEX #B88891

RGB 184 136 145

HSL 348.75, 0.25%, 0.63%

LAB 61.52, 19.7, 2.4

 

CMYK 0 / 23 / 18 / 21

HEX #C99AA4

RGB 201 154 164

HSL 347.23, 0.3%, 0.7%

LAB 68.17, 19.05, 1.57

 

CMYK 0 / 21 / 16 / 15

HEX #DAACB7

RGB 218 172 183

HSL 345.65, 0.38%, 0.76%

LAB 74.72, 18.47, 0.8

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 0 / 36 / 27 / 50

HEX #80525D

RGB 128 82 93

HSL 345.65, 0.22%, 0.41%

LAB 40.27, 20.86, 1.59

 

CMYK 0 / 42 / 33 / 56

HEX #6F404A

RGB 111 64 74

HSL 347.23, 0.27%, 0.34%

LAB 33.01, 21.82, 2.78

 

CMYK 0 / 51 / 41 / 63

HEX #5E2E37

RGB 94 46 55

HSL 348.75, 0.34%, 0.27%

LAB 25.59, 22.89, 4.28

 

CMYK 0 / 64 / 53 / 70

HEX #4D1C24

RGB 77 28 36

HSL 350.2, 0.47%, 0.21%

LAB 18.08, 23.99, 6.35

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 31 / 31 / 44

HEX #906464

RGB 144 100 100

HSL 0, 0.18%, 0.48%

LAB 46.93, 17.79, 7.14

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 31 / 14 / 44

HEX #90647C

RGB 144 100 124

HSL 327.27, 0.18%, 0.48%

LAB 47.62, 21.65, -6.25

 

CMYK 0 / 31 / 6 / 44

HEX #906487

RGB 144 100 135

HSL 312.27, 0.18%, 0.48%

LAB 48, 23.67, -12.27

 

CMYK 2 / 31 / 0 / 44

HEX #8D6490

RGB 141 100 144

HSL 295.91, 0.18%, 0.48%

LAB 48, 24.38, -17.66

 

CMYK 10 / 31 / 0 / 44

HEX #816490

RGB 129 100 144

HSL 279.55, 0.18%, 0.48%

LAB 46.7, 20.24, -19.75

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 51 / 38 / 36

HEX #A45066

RGB 164 80 102

HSL 344.29, 0.34%, 0.48%

LAB 45.07, 37.01, 3.62

 

CMYK 0 / 67 / 49 / 28

HEX #B83C5D

RGB 184 60 93

HSL 344.03, 0.51%, 0.48%

LAB 44.54, 52.26, 8.84

 

CMYK 0 / 80 / 59 / 20

HEX #CB2854

RGB 203 40 84

HSL 343.8, 0.67%, 0.48%

LAB 45.43, 63.83, 16.19

 

CMYK 0 / 91 / 66 / 13

HEX #DF154B

RGB 223 21 75

HSL 343.96, 0.83%, 0.48%

LAB 47.92, 72.2, 25.74

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 3 / 2 / 51

HEX #7C7879

RGB 124 120 121

HSL 345, 0.02%, 0.48%

LAB 50.8, 1.72, -0.01

 

CMYK 25 / 0 / 6 / 45

HEX #688B82

RGB 104 139 130

HSL 164.57, 0.14%, 0.48%

LAB 55.09, -14.23, 0.82

 

CMYK 47 / 0 / 13 / 38

HEX #559F8B

RGB 85 159 139

HSL 163.78, 0.3%, 0.48%

LAB 60.42, -28.06, 3.3

 

CMYK 64 / 0 / 17 / 30

HEX #41B395

RGB 65 179 149

HSL 164.21, 0.47%, 0.48%

LAB 66.16, -39.33, 5.92

 

CMYK 0 / 31 / 6 / 44

HEX #906487

RGB 144 100 135

HSL 312.27, 0.18%, 0.48%

LAB 48, 23.67, -12.27

 

CMYK 0 / 31 / 15 / 44

HEX #90647B

RGB 144 100 123

HSL 328.64, 0.18%, 0.48%

LAB 47.59, 21.47, -5.7

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 31 / 31 / 44

HEX #906464

RGB 144 100 100

HSL 0, 0.18%, 0.48%

LAB 46.93, 17.79, 7.14

 

CMYK 0 / 22 / 31 / 44

HEX #907064

RGB 144 112 100

HSL 16.36, 0.18%, 0.48%

LAB 50.02, 10.8, 11.51

 

CMYK 0 / 31 / 22 / 63

HEX #5F424A

RGB 95 66 74

HSL 343.45, 0.18%, 0.32%

LAB 31.4, 13.92, 0.19

 

CMYK 0 / 31 / 23 / 53

HEX #78535D

RGB 120 83 93

HSL 343.78, 0.18%, 0.4%

LAB 39.53, 17.03, 0.39

 

CMYK 0 / 31 / 22 / 44

HEX #906470

RGB 144 100 112

HSL 343.64, 0.18%, 0.48%

LAB 47.25, 19.62, 0.4

 

CMYK 0 / 25 / 18 / 36

HEX #A37A85

RGB 163 122 133

HSL 343.9, 0.18%, 0.56%

LAB 55.48, 17.7, 0.25

 

CMYK 0 / 18 / 14 / 29

HEX #B4939B

RGB 180 147 155

HSL 345.45, 0.18%, 0.64%

LAB 64.11, 13.67, 0.45

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 0 / 2 / 31 / 44

HEX #908D64

RGB 144 141 100

HSL 55.91, 0.18%, 0.48%

LAB 57.94, -5.67, 22.33

 

CMYK 31 / 10 / 0 / 44

HEX #648190

RGB 100 129 144

HSL 200.45, 0.18%, 0.48%

LAB 52.31, -6.58, -11.45

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 22 / 0 / 31 / 44

HEX #709064

RGB 112 144 100

HSL 103.64, 0.18%, 0.48%

LAB 56.4, -19.94, 19.84

 

CMYK 31 / 22 / 0 / 44

HEX #647090

RGB 100 112 144

HSL 223.64, 0.18%, 0.48%

LAB 47.38, 3.37, -18.94

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 0 / 2 / 31 / 44

HEX #908D64

RGB 144 141 100

HSL 55.91, 0.18%, 0.48%

LAB 57.94, -5.67, 22.33

 

CMYK 31 / 0 / 8 / 44

HEX #649084

RGB 100 144 132

HSL 163.64, 0.18%, 0.48%

LAB 56.41, -17.75, 1.56

 

CMYK 31 / 28 / 0 / 44

HEX #646790

RGB 100 103 144

HSL 235.91, 0.18%, 0.48%

LAB 44.83, 8.82, -22.86

 

CMYK 0 / 31 / 23 / 43

HEX #916470

RGB 145 100 112

HSL 344, 0.18%, 0.48%

LAB 47.37, 20.02, 0.59

 

CMYK 7 / 0 / 31 / 44

HEX #869064

RGB 134 144 100

HSL 73.64, 0.18%, 0.48%

LAB 57.98, -11.38, 22.23

 

CMYK 31 / 0 / 8 / 44

HEX #649084

RGB 100 144 132

HSL 163.64, 0.18%, 0.48%

LAB 56.41, -17.75, 1.56

 

CMYK 24 / 31 / 0 / 44

HEX #6E6490

RGB 110 100 144

HSL 253.64, 0.18%, 0.48%

LAB 44.86, 13.87, -22.75

 

Description

Color code: RGB 145 100 112 | qconv.com Color code: RGB 145 100 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 100 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 100 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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