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Color name
RGB 144 90 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 90 19 it is the complementary color RGB 111 165 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 90 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 90 19 shade: RGB 149 90 14, RGB 166 108 33, RGB 183 126 52, RGB 200 144 71 and RGB 217 162 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 90 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 90 19 shade: RGB 144 90 19, RGB 127 72 0, RGB 110 54 0, RGB 93 36 0 and RGB 76 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 90 19 shade: RGB 144 90 18, RGB 144 56 18, RGB 144 22 18 and RGB 144 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 90 19 shade: RGB 144 90 18, RGB 144 124 18, RGB 130 144 18, RGB 97 144 18 and RGB 63 144 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 90 19 shade matches the following richer shades: RGB 144 90 18 and RGB 157 91 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 90 19 shade: RGB 144 90 18, RGB 131 88 31, RGB 118 86 45, RGB 104 84 58 and RGB 91 82 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 90 19 shade: RGB 144 22 18, RGB 144 56 18, RGB 144 89 18, RGB 144 123 18 and RGB 131 144 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 90 19 shade: RGB 71 44 9, RGB 107 67 14, RGB 144 90 18, RGB 180 112 23 and RGB 217 135 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 90 19 shade: RGB 144 90 19, RGB 48 144 18 and RGB 39 18 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 90 19 shade: RGB 144 90 19, RGB 18 144 89 and RGB 89 18 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 90 19 shade: RGB 144 90 19, RGB 48 144 18, RGB 18 73 144 and RGB 115 18 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 90 19 shade: RGB 144 90 19, RGB 18 144 27, RGB 18 73 144 and RGB 144 18 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

Complementary color

CMYK 53 / 30 / 0 / 7

HEX #6FA5EC

RGB 111 165 236

HSL 214.08, 0.77%, 0.68%

LAB 66.78, 2.07, -41.08

 

CMYK 0 / 40 / 91 / 42

HEX #955A0E

RGB 149 90 14

HSL 33.78, 0.83%, 0.32%

LAB 43.85, 18.85, 48.58

 

CMYK 0 / 35 / 80 / 35

HEX #A66C21

RGB 166 108 33

HSL 33.83, 0.67%, 0.39%

LAB 50.62, 16.85, 48.55

 

CMYK 0 / 31 / 72 / 28

HEX #B77E34

RGB 183 126 52

HSL 33.89, 0.56%, 0.46%

LAB 57.31, 15.17, 47.57

 

CMYK 0 / 28 / 65 / 22

HEX #C89047

RGB 200 144 71

HSL 33.95, 0.54%, 0.53%

LAB 63.9, 13.74, 46.26

 

CMYK 0 / 25 / 59 / 15

HEX #D9A25A

RGB 217 162 90

HSL 34.02, 0.63%, 0.6%

LAB 70.41, 12.52, 44.85

 

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

CMYK 0 / 43 / 100 / 50

HEX #7F4800

RGB 127 72 0

HSL 34.02, 1%, 0.25%

LAB 36.27, 18.89, 45.83

 

CMYK 0 / 51 / 100 / 57

HEX #6E3600

RGB 110 54 0

HSL 29.45, 1%, 0.22%

LAB 29.29, 21.58, 39.91

 

CMYK 0 / 61 / 100 / 64

HEX #5D2400

RGB 93 36 0

HSL 23.23, 1%, 0.18%

LAB 22.26, 24.22, 32.35

 

CMYK 0 / 76 / 100 / 70

HEX #4C1200

RGB 76 18 0

HSL 14.21, 1%, 0.15%

LAB 15.32, 26.38, 23.39

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 0 / 61 / 88 / 44

HEX #903812

RGB 144 56 18

HSL 18.1, 0.78%, 0.32%

LAB 35.6, 35.37, 40.13

 

CMYK 0 / 85 / 88 / 44

HEX #901612

RGB 144 22 18

HSL 1.9, 0.78%, 0.32%

LAB 30.75, 48.6, 35.99

 

CMYK 0 / 88 / 88 / 44

HEX #901212

RGB 144 18 18

HSL 0, 0.78%, 0.32%

LAB 30.41, 49.56, 35.7

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 0 / 14 / 88 / 44

HEX #907C12

RGB 144 124 18

HSL 50.48, 0.78%, 0.32%

LAB 52.27, -2.86, 54.03

 

CMYK 10 / 0 / 88 / 44

HEX #829012

RGB 130 144 18

HSL 66.67, 0.78%, 0.32%

LAB 56.82, -20.04, 57.28

 

CMYK 33 / 0 / 88 / 44

HEX #619012

RGB 97 144 18

HSL 82.38, 0.78%, 0.32%

LAB 54.59, -33.98, 54.5

 

CMYK 56 / 0 / 88 / 44

HEX #3F9012

RGB 63 144 18

HSL 98.57, 0.78%, 0.32%

LAB 53, -45.67, 52.51

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 0 / 42 / 97 / 38

HEX #9D5B05

RGB 157 91 5

HSL 33.95, 0.94%, 0.32%

LAB 45.17, 21.73, 52.32

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 0 / 33 / 76 / 49

HEX #83581F

RGB 131 88 31

HSL 34.2, 0.62%, 0.32%

LAB 41.06, 12.3, 38.63

 

CMYK 0 / 27 / 62 / 54

HEX #76562D

RGB 118 86 45

HSL 33.7, 0.45%, 0.32%

LAB 39.06, 8.31, 28.71

 

CMYK 0 / 19 / 44 / 59

HEX #68543A

RGB 104 84 58

HSL 33.91, 0.28%, 0.32%

LAB 37.09, 4.34, 18.31

 

CMYK 0 / 10 / 22 / 64

HEX #5B5247

RGB 91 82 71

HSL 33, 0.12%, 0.32%

LAB 35.43, 1.66, 7.8

 

CMYK 0 / 85 / 88 / 44

HEX #901612

RGB 144 22 18

HSL 1.9, 0.78%, 0.32%

LAB 30.75, 48.6, 35.99

 

CMYK 0 / 61 / 88 / 44

HEX #903812

RGB 144 56 18

HSL 18.1, 0.78%, 0.32%

LAB 35.6, 35.37, 40.13

 

CMYK 0 / 38 / 88 / 44

HEX #905912

RGB 144 89 18

HSL 33.81, 0.78%, 0.32%

LAB 42.94, 17.24, 46.3

 

CMYK 0 / 15 / 88 / 44

HEX #907B12

RGB 144 123 18

HSL 50, 0.78%, 0.32%

LAB 51.99, -2.3, 53.8

 

CMYK 9 / 0 / 88 / 44

HEX #839012

RGB 131 144 18

HSL 66.19, 0.78%, 0.32%

LAB 56.9, -19.6, 57.38

 

CMYK 0 / 38 / 87 / 72

HEX #472C09

RGB 71 44 9

HSL 33.87, 0.78%, 0.16%

LAB 20.68, 9.02, 25.9

 

CMYK 0 / 37 / 87 / 58

HEX #6B430E

RGB 107 67 14

HSL 34.19, 0.77%, 0.24%

LAB 32.19, 12.75, 36.57

 

CMYK 0 / 38 / 88 / 44

HEX #905A12

RGB 144 90 18

HSL 34.29, 0.78%, 0.32%

LAB 43.19, 16.67, 46.51

 

CMYK 0 / 38 / 87 / 29

HEX #B47017

RGB 180 112 23

HSL 34.01, 0.77%, 0.4%

LAB 53.33, 20.52, 55.19

 

CMYK 0 / 38 / 87 / 15

HEX #D9871C

RGB 217 135 28

HSL 33.97, 0.77%, 0.48%

LAB 63.48, 24.11, 63.86

 

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

CMYK 67 / 0 / 88 / 44

HEX #309012

RGB 48 144 18

HSL 105.71, 0.78%, 0.32%

LAB 52.53, -49.52, 51.91

 

CMYK 73 / 88 / 0 / 44

HEX #271290

RGB 39 18 144

HSL 250, 0.78%, 0.32%

LAB 19.55, 46.83, -63.77

 

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

CMYK 88 / 0 / 38 / 44

HEX #129059

RGB 18 144 89

HSL 153.81, 0.78%, 0.32%

LAB 52.73, -45.22, 20.44

 

CMYK 38 / 88 / 0 / 44

HEX #591290

RGB 89 18 144

HSL 273.81, 0.78%, 0.32%

LAB 25.47, 52.22, -53.79

 

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

CMYK 67 / 0 / 88 / 44

HEX #309012

RGB 48 144 18

HSL 105.71, 0.78%, 0.32%

LAB 52.53, -49.52, 51.91

 

CMYK 88 / 49 / 0 / 44

HEX #124990

RGB 18 73 144

HSL 213.81, 0.78%, 0.32%

LAB 31.59, 10.88, -44.08

 

CMYK 20 / 88 / 0 / 44

HEX #731290

RGB 115 18 144

HSL 286.19, 0.78%, 0.32%

LAB 29.64, 56.32, -46.82

 

CMYK 0 / 38 / 87 / 44

HEX #905A13

RGB 144 90 19

HSL 34.08, 0.77%, 0.32%

LAB 43.19, 16.69, 46.17

 

CMYK 88 / 0 / 81 / 44

HEX #12901B

RGB 18 144 27

HSL 124.29, 0.78%, 0.32%

LAB 52.01, -53.85, 48.74

 

CMYK 88 / 49 / 0 / 44

HEX #124990

RGB 18 73 144

HSL 213.81, 0.78%, 0.32%

LAB 31.59, 10.88, -44.08

 

CMYK 0 / 88 / 6 / 44

HEX #901288

RGB 144 18 136

HSL 303.81, 0.78%, 0.32%

LAB 34.27, 60.32, -34.16

 

Description

Color code: RGB 144 90 19 | qconv.com Color code: RGB 144 90 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 90 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 90 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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