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Color name
RGB 144 253 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 253 197 it is the complementary color RGB 111 2 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 253 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 253 197 shade: RGB 149 253 192, RGB 166 255 211, RGB 183 255 230, RGB 200 255 249 and RGB 217 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 253 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 253 197 shade: RGB 144 253 197, RGB 127 235 178, RGB 110 217 159, RGB 93 199 140 and RGB 76 181 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 253 197 shade: RGB 145 252 197, RGB 145 252 168, RGB 150 252 145, RGB 179 252 145 and RGB 208 252 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 253 197 shade: RGB 145 252 197, RGB 145 252 226, RGB 145 250 252, RGB 145 220 252 and RGB 145 191 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 253 197 shade matches the following richer shades: RGB 145 252 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 253 197 shade: RGB 145 252 197, RGB 154 243 197, RGB 163 234 197, RGB 172 225 198 and RGB 181 216 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 253 197 shade: RGB 150 252 145, RGB 145 252 168, RGB 145 252 197, RGB 145 252 225 and RGB 145 250 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 253 197 shade: RGB 64 251 155, RGB 104 251 176, RGB 145 252 197, RGB 185 253 218 and RGB 225 254 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 253 197 shade: RGB 144 253 197, RGB 145 179 252 and RGB 252 154 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 253 197 shade: RGB 144 253 197, RGB 197 145 252 and RGB 252 197 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 253 197 shade: RGB 144 253 197, RGB 145 179 252, RGB 252 145 200 and RGB 252 218 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 253 197 shade: RGB 144 253 197, RGB 145 146 252, RGB 252 145 200 and RGB 252 250 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

Complementary color

CMYK 0 / 98 / 48 / 56

HEX #6F023A

RGB 111 2 58

HSL 329.17, 0.96%, 0.22%

LAB 22.75, 45.9, -1.48

 

CMYK 41 / 0 / 24 / 1

HEX #95FDC0

RGB 149 253 192

HSL 144.81, 0.96%, 0.79%

LAB 91.88, -43.29, 19.89

 

CMYK 35 / 0 / 17 / 0

HEX #A6FFD3

RGB 166 255 211

HSL 150.34, 1%, 0.83%

LAB 93.59, -35.87, 12.66

 

CMYK 28 / 0 / 10 / 0

HEX #B7FFE6

RGB 183 255 230

HSL 159.17, 1%, 0.86%

LAB 94.87, -27.26, 4.82

 

CMYK 22 / 0 / 2 / 0

HEX #C8FFF9

RGB 200 255 249

HSL 173.45, 1%, 0.89%

LAB 96.26, -18.43, -2.83

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

CMYK 46 / 0 / 24 / 8

HEX #7FEBB2

RGB 127 235 178

HSL 148.33, 0.73%, 0.71%

LAB 85.58, -43.86, 18.17

 

CMYK 49 / 0 / 27 / 15

HEX #6ED99F

RGB 110 217 159

HSL 147.48, 0.58%, 0.64%

LAB 79.3, -44.04, 19.27

 

CMYK 53 / 0 / 30 / 22

HEX #5DC78C

RGB 93 199 140

HSL 146.6, 0.49%, 0.57%

LAB 72.94, -44.16, 20.44

 

CMYK 58 / 0 / 33 / 29

HEX #4CB579

RGB 76 181 121

HSL 145.71, 0.42%, 0.5%

LAB 66.49, -44.2, 21.72

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 33 / 1

HEX #91FCA8

RGB 145 252 168

HSL 132.9, 0.95%, 0.78%

LAB 90.99, -48.2, 30.82

 

CMYK 40 / 0 / 42 / 1

HEX #96FC91

RGB 150 252 145

HSL 117.2, 0.95%, 0.78%

LAB 90.85, -50.31, 42.06

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 17 / 0 / 42 / 1

HEX #D0FC91

RGB 208 252 145

HSL 84.67, 0.95%, 0.78%

LAB 93.92, -31.16, 46.59

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 10 / 1

HEX #91FCE2

RGB 145 252 226

HSL 165.42, 0.95%, 0.78%

LAB 92.19, -36.91, 2.79

 

CMYK 42 / 1 / 0 / 1

HEX #91FAFC

RGB 145 250 252

HSL 181.12, 0.95%, 0.78%

LAB 92.32, -29.94, -10.5

 

CMYK 42 / 13 / 0 / 1

HEX #91DCFC

RGB 145 220 252

HSL 197.94, 0.95%, 0.78%

LAB 84.09, -15.16, -22.87

 

CMYK 42 / 24 / 0 / 1

HEX #91BFFC

RGB 145 191 252

HSL 214.21, 0.95%, 0.78%

LAB 76.26, 0.17, -34.87

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 37 / 0 / 19 / 5

HEX #9AF3C5

RGB 154 243 197

HSL 148.99, 0.79%, 0.78%

LAB 89.39, -36.48, 13.85

 

CMYK 30 / 0 / 16 / 8

HEX #A3EAC5

RGB 163 234 197

HSL 148.73, 0.63%, 0.78%

LAB 87.32, -29.69, 10.97

 

CMYK 24 / 0 / 12 / 12

HEX #ACE1C6

RGB 172 225 198

HSL 149.43, 0.47%, 0.78%

LAB 85.35, -22.41, 7.69

 

CMYK 16 / 0 / 8 / 15

HEX #B5D8C6

RGB 181 216 198

HSL 149.14, 0.31%, 0.78%

LAB 83.45, -15.04, 5.03

 

CMYK 40 / 0 / 42 / 1

HEX #96FC91

RGB 150 252 145

HSL 117.2, 0.95%, 0.78%

LAB 90.85, -50.31, 42.06

 

CMYK 42 / 0 / 33 / 1

HEX #91FCA8

RGB 145 252 168

HSL 132.9, 0.95%, 0.78%

LAB 90.99, -48.2, 30.82

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 42 / 0 / 11 / 1

HEX #91FCE1

RGB 145 252 225

HSL 164.86, 0.95%, 0.78%

LAB 92.17, -37.13, 3.27

 

CMYK 42 / 1 / 0 / 1

HEX #91FAFC

RGB 145 250 252

HSL 181.12, 0.95%, 0.78%

LAB 92.32, -29.94, -10.5

 

CMYK 75 / 0 / 38 / 2

HEX #40FB9B

RGB 64 251 155

HSL 149.2, 0.96%, 0.62%

LAB 88.19, -66.65, 33.18

 

CMYK 59 / 0 / 30 / 2

HEX #68FBB0

RGB 104 251 176

HSL 149.39, 0.95%, 0.7%

LAB 89.43, -56.14, 24.41

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 27 / 0 / 14 / 1

HEX #B9FDDA

RGB 185 253 218

HSL 149.12, 0.94%, 0.86%

LAB 94.15, -28.07, 9.99

 

CMYK 11 / 0 / 6 / 0

HEX #E1FEEF

RGB 225 254 239

HSL 148.97, 0.94%, 0.94%

LAB 97.28, -12.14, 3.99

 

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

CMYK 42 / 29 / 0 / 1

HEX #91B3FC

RGB 145 179 252

HSL 220.93, 0.95%, 0.78%

LAB 73.08, 6.79, -39.81

 

CMYK 0 / 39 / 42 / 1

HEX #FC9A91

RGB 252 154 145

HSL 5.05, 0.95%, 0.78%

LAB 73.45, 35.63, 20.36

 

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

CMYK 22 / 42 / 0 / 1

HEX #C591FC

RGB 197 145 252

HSL 269.16, 0.95%, 0.78%

LAB 68.86, 39.79, -46.12

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

CMYK 42 / 29 / 0 / 1

HEX #91B3FC

RGB 145 179 252

HSL 220.93, 0.95%, 0.78%

LAB 73.08, 6.79, -39.81

 

CMYK 0 / 42 / 21 / 1

HEX #FC91C8

RGB 252 145 200

HSL 329.16, 0.95%, 0.78%

LAB 72.97, 47.08, -10.71

 

CMYK 0 / 13 / 42 / 1

HEX #FCDA91

RGB 252 218 145

HSL 40.93, 0.95%, 0.78%

LAB 88.39, 2.27, 40.23

 

CMYK 43 / 0 / 22 / 1

HEX #90FDC5

RGB 144 253 197

HSL 149.17, 0.96%, 0.78%

LAB 91.78, -43.65, 17.15

 

CMYK 42 / 42 / 0 / 1

HEX #9192FC

RGB 145 146 252

HSL 239.44, 0.95%, 0.78%

LAB 64.65, 25.59, -53.06

 

CMYK 0 / 42 / 21 / 1

HEX #FC91C8

RGB 252 145 200

HSL 329.16, 0.95%, 0.78%

LAB 72.97, 47.08, -10.71

 

CMYK 0 / 1 / 42 / 1

HEX #FCFA91

RGB 252 250 145

HSL 58.88, 0.95%, 0.78%

LAB 96.46, -13.74, 50.43

 

Description

Color code: RGB 144 253 197 | qconv.com Color code: RGB 144 253 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 253 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 253 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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