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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 19 229 it is the complementary color RGB 111 236 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 19 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 19 229 shade: RGB 149 19 224, RGB 166 37 243, RGB 183 55 255, RGB 200 73 255 and RGB 217 91 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 19 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 19 229 shade: RGB 144 19 229, RGB 127 1 210, RGB 110 0 191, RGB 93 0 172 and RGB 76 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 19 229 shade: RGB 145 18 231, RGB 202 18 231, RGB 231 18 202, RGB 231 18 145 and RGB 231 18 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 19 229 shade: RGB 145 18 231, RGB 87 18 231, RGB 30 18 231 and RGB 18 18 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 19 229 shade matches the following richer shades: RGB 145 18 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 19 229 shade: RGB 145 18 231, RGB 141 38 210, RGB 137 59 190, RGB 133 79 170 and RGB 129 99 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 19 229 shade: RGB 29 18 231, RGB 86 18 231, RGB 142 18 231, RGB 199 18 231 and RGB 231 18 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 19 229 shade: RGB 97 12 154, RGB 121 15 192, RGB 145 18 231, RGB 163 52 238 and RGB 180 90 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 19 229 shade: RGB 144 19 229, RGB 231 18 64 and RGB 18 231 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 19 229 shade: RGB 144 19 229, RGB 231 142 18 and RGB 18 231 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 19 229 shade: RGB 144 19 229, RGB 231 18 64, RGB 107 231 18 and RGB 18 231 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 19 229 shade: RGB 144 19 229, RGB 231 36 18, RGB 107 231 18 and RGB 18 213 231

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

Complementary color

CMYK 53 / 0 / 89 / 7

HEX #6FEC1A

RGB 111 236 26

HSL 95.71, 0.85%, 0.51%

LAB 83.68, -65.42, 77.9

 

CMYK 33 / 92 / 0 / 12

HEX #9513E0

RGB 149 19 224

HSL 278.05, 0.84%, 0.48%

LAB 41.59, 76.68, -74.55

 

CMYK 32 / 85 / 0 / 5

HEX #A625F3

RGB 166 37 243

HSL 277.57, 0.9%, 0.55%

LAB 46.84, 78.99, -76.63

 

CMYK 28 / 78 / 0 / 0

HEX #B737FF

RGB 183 55 255

HSL 278.4, 1%, 0.61%

LAB 51.86, 78.87, -75.06

 

CMYK 22 / 71 / 0 / 0

HEX #C849FF

RGB 200 73 255

HSL 281.87, 1%, 0.64%

LAB 56.35, 75.67, -67.67

 

CMYK 15 / 64 / 0 / 0

HEX #D95BFF

RGB 217 91 255

HSL 286.1, 1%, 0.68%

LAB 61.18, 72.04, -59.79

 

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

CMYK 40 / 100 / 0 / 18

HEX #7F01D2

RGB 127 1 210

HSL 276.17, 0.99%, 0.41%

LAB 36.34, 73.74, -75.23

 

CMYK 42 / 100 / 0 / 25

HEX #6E00BF

RGB 110 0 191

HSL 274.55, 1%, 0.37%

LAB 31.98, 68.31, -71.39

 

CMYK 46 / 100 / 0 / 33

HEX #5D00AC

RGB 93 0 172

HSL 272.44, 1%, 0.34%

LAB 27.59, 62.68, -67.4

 

CMYK 50 / 100 / 0 / 40

HEX #4C0099

RGB 76 0 153

HSL 269.8, 1%, 0.3%

LAB 23.12, 56.96, -63.29

 

CMYK 37 / 92 / 0 / 9

HEX #9112E7

RGB 145 18 231

HSL 275.77, 0.86%, 0.49%

LAB 41.57, 77.76, -78.6

 

CMYK 13 / 92 / 0 / 9

HEX #CA12E7

RGB 202 18 231

HSL 291.83, 0.86%, 0.49%

LAB 50.4, 85.31, -63.83

 

CMYK 0 / 92 / 13 / 9

HEX #E712CA

RGB 231 18 202

HSL 308.17, 0.86%, 0.49%

LAB 53.69, 85.9, -41.74

 

CMYK 0 / 92 / 37 / 9

HEX #E71291

RGB 231 18 145

HSL 324.23, 0.86%, 0.49%

LAB 51.23, 79.48, -12.07

 

CMYK 0 / 92 / 62 / 9

HEX #E71258

RGB 231 18 88

HSL 340.28, 0.86%, 0.49%

LAB 49.65, 75.18, 20.35

 

CMYK 37 / 92 / 0 / 9

HEX #9112E7

RGB 145 18 231

HSL 275.77, 0.86%, 0.49%

LAB 41.57, 77.76, -78.6

 

CMYK 62 / 92 / 0 / 9

HEX #5712E7

RGB 87 18 231

HSL 259.44, 0.86%, 0.49%

LAB 34.45, 72.66, -90.59

 

CMYK 87 / 92 / 0 / 9

HEX #1E12E7

RGB 30 18 231

HSL 243.38, 0.86%, 0.49%

LAB 30.59, 70.44, -97.13

 

CMYK 92 / 92 / 0 / 9

HEX #1212E7

RGB 18 18 231

HSL 240, 0.86%, 0.49%

LAB 30.23, 70.26, -97.73

 

CMYK 37 / 92 / 0 / 9

HEX #9112E7

RGB 145 18 231

HSL 275.77, 0.86%, 0.49%

LAB 41.57, 77.76, -78.6

 

CMYK 37 / 92 / 0 / 9

HEX #9112E7

RGB 145 18 231

HSL 275.77, 0.86%, 0.49%

LAB 41.57, 77.76, -78.6

 

CMYK 33 / 82 / 0 / 18

HEX #8D26D2

RGB 141 38 210

HSL 275.93, 0.69%, 0.49%

LAB 40.74, 68.41, -67.95

 

CMYK 28 / 69 / 0 / 25

HEX #893BBE

RGB 137 59 190

HSL 275.73, 0.53%, 0.49%

LAB 41.48, 55.37, -55.15

 

CMYK 22 / 54 / 0 / 33

HEX #854FAA

RGB 133 79 170

HSL 275.6, 0.37%, 0.49%

LAB 43.48, 39.65, -40.2

 

CMYK 14 / 34 / 0 / 41

HEX #816396

RGB 129 99 150

HSL 275.29, 0.2%, 0.49%

LAB 46.7, 22.19, -23.32

 

CMYK 87 / 92 / 0 / 9

HEX #1D12E7

RGB 29 18 231

HSL 243.1, 0.86%, 0.49%

LAB 30.55, 70.42, -97.19

 

CMYK 63 / 92 / 0 / 9

HEX #5612E7

RGB 86 18 231

HSL 259.15, 0.86%, 0.49%

LAB 34.36, 72.6, -90.75

 

CMYK 39 / 92 / 0 / 9

HEX #8E12E7

RGB 142 18 231

HSL 274.93, 0.86%, 0.49%

LAB 41.14, 77.42, -79.32

 

CMYK 14 / 92 / 0 / 9

HEX #C712E7

RGB 199 18 231

HSL 290.99, 0.86%, 0.49%

LAB 49.91, 84.87, -64.65

 

CMYK 0 / 92 / 11 / 9

HEX #E712CE

RGB 231 18 206

HSL 307.04, 0.86%, 0.49%

LAB 53.9, 86.42, -43.71

 

CMYK 37 / 92 / 0 / 40

HEX #610C9A

RGB 97 12 154

HSL 275.92, 0.86%, 0.33%

LAB 27.12, 57, -57.21

 

CMYK 37 / 92 / 0 / 25

HEX #790FC0

RGB 121 15 192

HSL 275.93, 0.86%, 0.41%

LAB 34.42, 67.5, -67.91

 

CMYK 37 / 92 / 0 / 9

HEX #9112E7

RGB 145 18 231

HSL 275.77, 0.86%, 0.49%

LAB 41.57, 77.76, -78.6

 

CMYK 32 / 78 / 0 / 7

HEX #A334EE

RGB 163 52 238

HSL 275.81, 0.85%, 0.57%

LAB 47.52, 73.21, -72.74

 

CMYK 25 / 63 / 0 / 5

HEX #B45AF1

RGB 180 90 241

HSL 275.76, 0.84%, 0.65%

LAB 55.45, 61.52, -61.48

 

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

CMYK 0 / 92 / 72 / 9

HEX #E71240

RGB 231 18 64

HSL 347.04, 0.86%, 0.49%

LAB 49.24, 74.05, 34.37

 

CMYK 92 / 0 / 75 / 9

HEX #12E739

RGB 18 231 57

HSL 130.99, 0.86%, 0.49%

LAB 80.5, -77.18, 66.84

 

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

CMYK 0 / 39 / 92 / 9

HEX #E78E12

RGB 231 142 18

HSL 34.93, 0.86%, 0.49%

LAB 66.81, 26.12, 69.56

 

CMYK 92 / 0 / 39 / 9

HEX #12E78E

RGB 18 231 142

HSL 154.93, 0.86%, 0.49%

LAB 81.42, -66, 30.64

 

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

CMYK 0 / 92 / 72 / 9

HEX #E71240

RGB 231 18 64

HSL 347.04, 0.86%, 0.49%

LAB 49.24, 74.05, 34.37

 

CMYK 54 / 0 / 92 / 9

HEX #6BE712

RGB 107 231 18

HSL 94.93, 0.86%, 0.49%

LAB 82.01, -64.95, 77.61

 

CMYK 92 / 0 / 20 / 9

HEX #12E7B9

RGB 18 231 185

HSL 167.04, 0.86%, 0.49%

LAB 82.26, -56.56, 9.51

 

CMYK 37 / 92 / 0 / 10

HEX #9013E5

RGB 144 19 229

HSL 275.71, 0.85%, 0.49%

LAB 41.3, 77.09, -77.91

 

CMYK 0 / 84 / 92 / 9

HEX #E72412

RGB 231 36 18

HSL 5.07, 0.86%, 0.49%

LAB 49.85, 70.03, 58.03

 

CMYK 54 / 0 / 92 / 9

HEX #6BE712

RGB 107 231 18

HSL 94.93, 0.86%, 0.49%

LAB 82.01, -64.95, 77.61

 

CMYK 92 / 8 / 0 / 9

HEX #12D5E7

RGB 18 213 231

HSL 185.07, 0.86%, 0.49%

LAB 78.16, -36.02, -21.01

 

Description

Color code: RGB 144 19 229 | qconv.com Color code: RGB 144 19 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 19 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 19 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 92 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 92% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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