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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 180 240 it is the complementary color RGB 111 75 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 180 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 180 240 shade: RGB 149 180 235, RGB 166 198 254, RGB 183 216 255, RGB 200 234 255 and RGB 217 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 180 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 180 240 shade: RGB 144 180 240, RGB 127 162 221, RGB 110 144 202, RGB 93 126 183 and RGB 76 108 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 180 240 shade: RGB 142 179 239, RGB 142 153 239, RGB 158 142 239, RGB 184 142 239 and RGB 210 142 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 180 240 shade: RGB 142 179 239, RGB 142 153 239 and RGB 142 142 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 180 240 shade matches the following richer shades: RGB 142 179 239 and RGB 132 176 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 180 240 shade: RGB 142 179 239, RGB 153 181 229, RGB 163 184 219, RGB 173 186 208 and RGB 184 189 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 180 240 shade: RGB 142 231 239, RGB 142 205 239, RGB 142 179 239, RGB 142 154 239 and RGB 157 142 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 180 240 shade: RGB 70 130 229, RGB 106 154 234, RGB 142 179 239, RGB 179 203 244 and RGB 215 228 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 180 240 shade: RGB 144 180 240, RGB 221 142 239 and RGB 218 239 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 180 240 shade: RGB 144 180 240, RGB 239 142 179 and RGB 179 239 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 180 240 shade: RGB 144 180 240, RGB 221 142 239, RGB 239 202 142 and RGB 160 239 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 180 240 shade: RGB 144 180 240, RGB 239 142 228, RGB 239 202 142 and RGB 142 239 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

Complementary color

CMYK 0 / 32 / 86 / 56

HEX #6F4B0F

RGB 111 75 15

HSL 37.5, 0.76%, 0.25%

LAB 34.9, 9.85, 38.77

 

CMYK 37 / 23 / 0 / 8

HEX #95B4EB

RGB 149 180 235

HSL 218.37, 0.68%, 0.75%

LAB 72.91, 2.7, -30.85

 

CMYK 35 / 22 / 0 / 0

HEX #A6C6FE

RGB 166 198 254

HSL 218.18, 0.98%, 0.82%

LAB 79.41, 2.36, -30.98

 

CMYK 28 / 15 / 0 / 0

HEX #B7D8FF

RGB 183 216 255

HSL 212.5, 1%, 0.86%

LAB 85.2, -2.26, -22.58

 

CMYK 22 / 8 / 0 / 0

HEX #C8EAFF

RGB 200 234 255

HSL 202.91, 1%, 0.89%

LAB 90.94, -6.64, -13.83

 

CMYK 15 / 1 / 0 / 0

HEX #D9FCFF

RGB 217 252 255

HSL 184.74, 1%, 0.93%

LAB 96.65, -10.61, -5.22

 

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

CMYK 43 / 27 / 0 / 13

HEX #7FA2DD

RGB 127 162 221

HSL 217.66, 0.58%, 0.68%

LAB 66.19, 3.16, -33.69

 

CMYK 46 / 29 / 0 / 21

HEX #6E90CA

RGB 110 144 202

HSL 217.83, 0.46%, 0.61%

LAB 59.46, 3.7, -33.65

 

CMYK 49 / 31 / 0 / 28

HEX #5D7EB7

RGB 93 126 183

HSL 218, 0.38%, 0.54%

LAB 52.58, 4.34, -33.66

 

CMYK 54 / 34 / 0 / 36

HEX #4C6CA4

RGB 76 108 164

HSL 218.18, 0.37%, 0.47%

LAB 45.55, 5.14, -33.7

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 41 / 36 / 0 / 6

HEX #8E99EF

RGB 142 153 239

HSL 233.2, 0.75%, 0.75%

LAB 65.57, 17.18, -44.5

 

CMYK 34 / 41 / 0 / 6

HEX #9E8EEF

RGB 158 142 239

HSL 249.9, 0.75%, 0.75%

LAB 64.04, 27.68, -46.83

 

CMYK 23 / 41 / 0 / 6

HEX #B88EEF

RGB 184 142 239

HSL 265.98, 0.75%, 0.75%

LAB 66.34, 34.83, -43.04

 

CMYK 12 / 41 / 0 / 6

HEX #D28EEF

RGB 210 142 239

HSL 282.06, 0.75%, 0.75%

LAB 68.95, 42.32, -38.77

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 41 / 36 / 0 / 6

HEX #8E99EF

RGB 142 153 239

HSL 233.2, 0.75%, 0.75%

LAB 65.57, 17.18, -44.5

 

CMYK 41 / 41 / 0 / 6

HEX #8E8EEF

RGB 142 142 239

HSL 240, 0.75%, 0.75%

LAB 62.78, 23.54, -48.89

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 47 / 30 / 0 / 2

HEX #84B0FA

RGB 132 176 250

HSL 217.63, 0.92%, 0.75%

LAB 71.46, 4.75, -41.31

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 33 / 21 / 0 / 10

HEX #99B5E5

RGB 153 181 229

HSL 217.89, 0.59%, 0.75%

LAB 73.21, 1.71, -27.12

 

CMYK 26 / 16 / 0 / 14

HEX #A3B8DB

RGB 163 184 219

HSL 217.5, 0.44%, 0.75%

LAB 74.31, 0.54, -19.94

 

CMYK 17 / 11 / 0 / 18

HEX #ADBAD0

RGB 173 186 208

HSL 217.71, 0.27%, 0.75%

LAB 75.17, 0.08, -12.59

 

CMYK 7 / 5 / 0 / 22

HEX #B8BDC6

RGB 184 189 198

HSL 218.57, 0.11%, 0.75%

LAB 76.47, 0.01, -5.14

 

CMYK 41 / 3 / 0 / 6

HEX #8EE7EF

RGB 142 231 239

HSL 184.95, 0.75%, 0.75%

LAB 86.57, -24.67, -12.29

 

CMYK 41 / 14 / 0 / 6

HEX #8ECDEF

RGB 142 205 239

HSL 201.03, 0.75%, 0.75%

LAB 79.41, -11.52, -23.08

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 41 / 36 / 0 / 6

HEX #8E9AEF

RGB 142 154 239

HSL 232.58, 0.75%, 0.75%

LAB 65.82, 16.6, -44.1

 

CMYK 34 / 41 / 0 / 6

HEX #9D8EEF

RGB 157 142 239

HSL 249.28, 0.75%, 0.75%

LAB 63.95, 27.41, -46.96

 

CMYK 69 / 43 / 0 / 10

HEX #4682E5

RGB 70 130 229

HSL 217.36, 0.75%, 0.59%

LAB 54.99, 12.85, -55.98

 

CMYK 55 / 34 / 0 / 8

HEX #6A9AEA

RGB 106 154 234

HSL 217.5, 0.75%, 0.67%

LAB 63.44, 6.69, -45.25

 

CMYK 41 / 25 / 0 / 6

HEX #8EB3EF

RGB 142 179 239

HSL 217.11, 0.75%, 0.75%

LAB 72.38, 2.47, -33.88

 

CMYK 27 / 17 / 0 / 4

HEX #B3CBF4

RGB 179 203 244

HSL 217.85, 0.75%, 0.83%

LAB 81.2, 0.9, -22.84

 

CMYK 14 / 8 / 0 / 2

HEX #D7E4F9

RGB 215 228 249

HSL 217.06, 0.74%, 0.91%

LAB 90.22, -0.22, -11.66

 

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

CMYK 8 / 41 / 0 / 6

HEX #DD8EEF

RGB 221 142 239

HSL 288.87, 0.75%, 0.75%

LAB 70.14, 45.54, -36.83

 

CMYK 9 / 0 / 41 / 6

HEX #DAEF8E

RGB 218 239 142

HSL 72.99, 0.75%, 0.75%

LAB 91.05, -21.67, 44.56

 

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

CMYK 0 / 41 / 25 / 6

HEX #EF8EB3

RGB 239 142 179

HSL 337.11, 0.75%, 0.75%

LAB 70.14, 41.29, -3.42

 

CMYK 25 / 0 / 41 / 6

HEX #B3EF8E

RGB 179 239 142

HSL 97.11, 0.75%, 0.75%

LAB 88.58, -35.78, 40.9

 

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

CMYK 8 / 41 / 0 / 6

HEX #DD8EEF

RGB 221 142 239

HSL 288.87, 0.75%, 0.75%

LAB 70.14, 45.54, -36.83

 

CMYK 0 / 15 / 41 / 6

HEX #EFCA8E

RGB 239 202 142

HSL 37.11, 0.75%, 0.75%

LAB 83.2, 5.1, 34.8

 

CMYK 33 / 0 / 41 / 6

HEX #A0EF8E

RGB 160 239 142

HSL 108.87, 0.75%, 0.75%

LAB 87.56, -42.1, 39.4

 

CMYK 40 / 25 / 0 / 6

HEX #90B4F0

RGB 144 180 240

HSL 217.5, 0.76%, 0.75%

LAB 72.8, 2.7, -33.75

 

CMYK 0 / 41 / 5 / 6

HEX #EF8EE4

RGB 239 142 228

HSL 306.8, 0.75%, 0.75%

LAB 71.76, 48.92, -28.13

 

CMYK 0 / 15 / 41 / 6

HEX #EFCA8E

RGB 239 202 142

HSL 37.11, 0.75%, 0.75%

LAB 83.2, 5.1, 34.8

 

CMYK 41 / 0 / 36 / 6

HEX #8EEF9A

RGB 142 239 154

HSL 127.42, 0.75%, 0.75%

LAB 86.91, -45.79, 32.39

 

Description

Color code: RGB 144 180 240 | qconv.com Color code: RGB 144 180 240 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 180 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 180 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 25 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 25% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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