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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 171 235 it is the complementary color RGB 111 84 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 171 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 171 235 shade: RGB 149 171 230, RGB 166 189 249, RGB 183 207 255, RGB 200 225 255 and RGB 217 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 171 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 171 235 shade: RGB 144 171 235, RGB 127 153 216, RGB 110 135 197, RGB 93 117 178 and RGB 76 99 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 171 235 shade: RGB 142 170 234, RGB 142 145 234, RGB 165 142 234, RGB 189 142 234 and RGB 214 142 234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 171 235 shade: RGB 142 170 234, RGB 142 145 234 and RGB 142 142 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 171 235 shade matches the following richer shades: RGB 142 170 234 and RGB 132 165 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 171 235 shade: RGB 142 170 234, RGB 153 174 223, RGB 164 178 212, RGB 175 183 202 and RGB 185 187 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 171 235 shade: RGB 142 219 234, RGB 142 194 234, RGB 142 170 234, RGB 142 146 234 and RGB 164 142 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 171 235 shade: RGB 73 117 221, RGB 108 143 228, RGB 142 170 234, RGB 177 196 240 and RGB 212 222 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 171 235 shade: RGB 144 171 235, RGB 225 142 234 and RGB 206 234 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 171 235 shade: RGB 144 171 235, RGB 234 142 170 and RGB 170 234 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 171 235 shade: RGB 144 171 235, RGB 225 142 234, RGB 234 206 142 and RGB 152 234 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 171 235 shade: RGB 144 171 235, RGB 234 142 216, RGB 234 206 142 and RGB 142 234 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

Complementary color

CMYK 0 / 24 / 82 / 56

HEX #6F5414

RGB 111 84 20

HSL 42.2, 0.69%, 0.26%

LAB 37.43, 4.58, 39.1

 

CMYK 35 / 26 / 0 / 10

HEX #95ABE6

RGB 149 171 230

HSL 223.7, 0.62%, 0.74%

LAB 70.34, 6.39, -32.1

 

CMYK 33 / 24 / 0 / 2

HEX #A6BDF9

RGB 166 189 249

HSL 223.37, 0.87%, 0.81%

LAB 76.89, 5.99, -32.19

 

CMYK 28 / 19 / 0 / 0

HEX #B7CFFF

RGB 183 207 255

HSL 220, 1%, 0.86%

LAB 82.87, 2.51, -26.13

 

CMYK 22 / 12 / 0 / 0

HEX #C8E1FF

RGB 200 225 255

HSL 212.73, 1%, 0.89%

LAB 88.61, -2, -17.31

 

CMYK 15 / 5 / 0 / 0

HEX #D9F3FF

RGB 217 243 255

HSL 198.95, 1%, 0.93%

LAB 94.34, -6.07, -8.64

 

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

CMYK 41 / 29 / 0 / 15

HEX #7F99D8

RGB 127 153 216

HSL 222.47, 0.53%, 0.67%

LAB 63.55, 6.88, -35.03

 

CMYK 44 / 31 / 0 / 23

HEX #6E87C5

RGB 110 135 197

HSL 222.76, 0.43%, 0.6%

LAB 56.76, 7.49, -35.05

 

CMYK 48 / 34 / 0 / 30

HEX #5D75B2

RGB 93 117 178

HSL 223.06, 0.36%, 0.53%

LAB 49.81, 8.21, -35.11

 

CMYK 52 / 38 / 0 / 38

HEX #4C639F

RGB 76 99 159

HSL 223.37, 0.35%, 0.46%

LAB 42.71, 9.11, -35.23

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 39 / 38 / 0 / 8

HEX #8E91EA

RGB 142 145 234

HSL 238.04, 0.69%, 0.74%

LAB 63.29, 20.42, -45.32

 

CMYK 29 / 39 / 0 / 8

HEX #A58EEA

RGB 165 142 234

HSL 255, 0.69%, 0.74%

LAB 64.39, 28.31, -43.47

 

CMYK 19 / 39 / 0 / 8

HEX #BD8EEA

RGB 189 142 234

HSL 270.65, 0.69%, 0.74%

LAB 66.6, 35.13, -39.85

 

CMYK 9 / 39 / 0 / 8

HEX #D68EEA

RGB 214 142 234

HSL 286.96, 0.69%, 0.74%

LAB 69.17, 42.49, -35.65

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 39 / 38 / 0 / 8

HEX #8E91EA

RGB 142 145 234

HSL 238.04, 0.69%, 0.74%

LAB 63.29, 20.42, -45.32

 

CMYK 39 / 39 / 0 / 8

HEX #8E8EEA

RGB 142 142 234

HSL 240, 0.69%, 0.74%

LAB 62.54, 22.16, -46.51

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 46 / 33 / 0 / 4

HEX #84A5F5

RGB 132 165 245

HSL 222.48, 0.85%, 0.74%

LAB 68.32, 9.53, -43.51

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 31 / 22 / 0 / 13

HEX #99AEDF

RGB 153 174 223

HSL 222, 0.52%, 0.74%

LAB 71.13, 4.06, -27.04

 

CMYK 23 / 16 / 0 / 17

HEX #A4B2D4

RGB 164 178 212

HSL 222.5, 0.36%, 0.74%

LAB 72.55, 2.48, -18.78

 

CMYK 13 / 9 / 0 / 21

HEX #AFB7CA

RGB 175 183 202

HSL 222.22, 0.2%, 0.74%

LAB 74.35, 1.06, -10.54

 

CMYK 3 / 2 / 0 / 25

HEX #B9BBBF

RGB 185 187 191

HSL 220, 0.04%, 0.74%

LAB 75.83, 0.06, -2.27

 

CMYK 39 / 6 / 0 / 8

HEX #8EDBEA

RGB 142 219 234

HSL 189.78, 0.69%, 0.74%

LAB 83.1, -19.97, -14.85

 

CMYK 39 / 17 / 0 / 8

HEX #8EC2EA

RGB 142 194 234

HSL 206.09, 0.69%, 0.74%

LAB 76.24, -7.02, -25.24

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 39 / 38 / 0 / 8

HEX #8E92EA

RGB 142 146 234

HSL 237.39, 0.69%, 0.74%

LAB 63.55, 19.84, -44.92

 

CMYK 30 / 39 / 0 / 8

HEX #A48EEA

RGB 164 142 234

HSL 254.35, 0.69%, 0.74%

LAB 64.31, 28.03, -43.61

 

CMYK 67 / 47 / 0 / 13

HEX #4975DD

RGB 73 117 221

HSL 222.16, 0.69%, 0.58%

LAB 51.11, 18.49, -57.71

 

CMYK 53 / 37 / 0 / 11

HEX #6C8FE4

RGB 108 143 228

HSL 222.5, 0.69%, 0.66%

LAB 60.28, 11.68, -46.91

 

CMYK 39 / 27 / 0 / 8

HEX #8EAAEA

RGB 142 170 234

HSL 221.74, 0.69%, 0.74%

LAB 69.78, 6.13, -35.18

 

CMYK 26 / 18 / 0 / 6

HEX #B1C4F0

RGB 177 196 240

HSL 221.9, 0.68%, 0.82%

LAB 79.11, 3.14, -23.89

 

CMYK 14 / 10 / 0 / 3

HEX #D4DEF7

RGB 212 222 247

HSL 222.86, 0.69%, 0.9%

LAB 88.43, 1.55, -13.31

 

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

CMYK 4 / 39 / 0 / 8

HEX #E18EEA

RGB 225 142 234

HSL 294.13, 0.69%, 0.74%

LAB 70.38, 45.77, -33.68

 

CMYK 12 / 0 / 39 / 8

HEX #CEEA8E

RGB 206 234 142

HSL 78.26, 0.69%, 0.74%

LAB 88.88, -23.75, 41.64

 

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

CMYK 0 / 39 / 27 / 8

HEX #EA8EAA

RGB 234 142 170

HSL 341.74, 0.69%, 0.74%

LAB 69.28, 38.32, 0.28

 

CMYK 27 / 0 / 39 / 8

HEX #AAEA8E

RGB 170 234 142

HSL 101.74, 0.69%, 0.74%

LAB 86.67, -36.57, 38.35

 

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

CMYK 4 / 39 / 0 / 8

HEX #E18EEA

RGB 225 142 234

HSL 294.13, 0.69%, 0.74%

LAB 70.38, 45.77, -33.68

 

CMYK 0 / 12 / 39 / 8

HEX #EACE8E

RGB 234 206 142

HSL 41.74, 0.69%, 0.74%

LAB 83.75, 1.06, 35.43

 

CMYK 35 / 0 / 39 / 8

HEX #98EA8E

RGB 152 234 142

HSL 113.48, 0.69%, 0.74%

LAB 85.74, -42.45, 36.96

 

CMYK 39 / 27 / 0 / 8

HEX #90ABEB

RGB 144 171 235

HSL 222.2, 0.69%, 0.74%

LAB 70.21, 6.37, -35.05

 

CMYK 0 / 39 / 8 / 8

HEX #EA8ED8

RGB 234 142 216

HSL 311.74, 0.69%, 0.74%

LAB 70.73, 45.33, -23.15

 

CMYK 0 / 12 / 39 / 8

HEX #EACE8E

RGB 234 206 142

HSL 41.74, 0.69%, 0.74%

LAB 83.75, 1.06, 35.43

 

CMYK 39 / 0 / 31 / 8

HEX #8EEAA1

RGB 142 234 161

HSL 132.39, 0.69%, 0.74%

LAB 85.59, -42.47, 27.06

 

Description

Color code: RGB 144 171 235 | qconv.com Color code: RGB 144 171 235 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 171 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 171 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 27 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 27% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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