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Color name
RGB 144 126 17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 126 17 it is the complementary color RGB 111 129 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 126 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 126 17 shade: RGB 149 126 12, RGB 166 144 31, RGB 183 162 50, RGB 200 180 69 and RGB 217 198 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 126 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 126 17 shade: RGB 144 126 17, RGB 127 108 0, RGB 110 90 0, RGB 93 72 0 and RGB 76 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 126 17 shade: RGB 146 127 17, RGB 146 93 17, RGB 146 58 17, RGB 146 23 17 and RGB 146 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 126 17 shade: RGB 146 127 17, RGB 129 146 17, RGB 94 146 17, RGB 60 146 17 and RGB 25 146 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 126 17 shade matches the following richer shades: RGB 146 127 17 and RGB 159 137 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 126 17 shade: RGB 146 127 17, RGB 132 118 30, RGB 119 108 43, RGB 106 99 56 and RGB 93 89 69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 126 17 shade: RGB 146 57 17, RGB 146 92 17, RGB 146 126 17, RGB 131 146 17 and RGB 96 146 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 126 17 shade: RGB 72 63 8, RGB 109 95 12, RGB 146 127 17, RGB 182 160 21 and RGB 219 192 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 126 17 shade: RGB 144 126 17, RGB 17 146 23 and RGB 75 17 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 126 17 shade: RGB 144 126 17, RGB 17 146 126 and RGB 126 17 146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 126 17 shade: RGB 144 126 17, RGB 17 146 23, RGB 17 36 146 and RGB 146 17 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 126 17 shade: RGB 144 126 17, RGB 17 146 62, RGB 17 36 146 and RGB 146 17 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

Complementary color

CMYK 53 / 46 / 0 / 7

HEX #6F81EE

RGB 111 129 238

HSL 231.5, 0.79%, 0.68%

LAB 57.32, 23.78, -57.15

 

CMYK 0 / 15 / 92 / 42

HEX #957E0C

RGB 149 126 12

HSL 49.93, 0.85%, 0.32%

LAB 53.32, -1.77, 56.43

 

CMYK 0 / 13 / 81 / 35

HEX #A6901F

RGB 166 144 31

HSL 50.22, 0.69%, 0.39%

LAB 60.03, -3.35, 57.77

 

CMYK 0 / 11 / 73 / 28

HEX #B7A232

RGB 183 162 50

HSL 50.53, 0.57%, 0.46%

LAB 66.63, -4.64, 57.82

 

CMYK 0 / 10 / 66 / 22

HEX #C8B445

RGB 200 180 69

HSL 50.84, 0.54%, 0.53%

LAB 73.12, -5.7, 57.21

 

CMYK 0 / 9 / 59 / 15

HEX #D9C658

RGB 217 198 88

HSL 51.16, 0.63%, 0.6%

LAB 79.53, -6.59, 56.28

 

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

CMYK 0 / 15 / 100 / 50

HEX #7F6C00

RGB 127 108 0

HSL 51.02, 1%, 0.25%

LAB 45.96, -2.28, 52.37

 

CMYK 0 / 18 / 100 / 57

HEX #6E5A00

RGB 110 90 0

HSL 49.09, 1%, 0.22%

LAB 38.95, -0.11, 46.58

 

CMYK 0 / 23 / 100 / 64

HEX #5D4800

RGB 93 72 0

HSL 46.45, 1%, 0.18%

LAB 31.72, 2.2, 40.62

 

CMYK 0 / 29 / 100 / 70

HEX #4C3600

RGB 76 54 0

HSL 42.63, 1%, 0.15%

LAB 24.24, 4.7, 33.51

 

CMYK 0 / 13 / 88 / 43

HEX #927F11

RGB 146 127 17

HSL 51.16, 0.79%, 0.32%

LAB 53.31, -3.63, 55.2

 

CMYK 0 / 36 / 88 / 43

HEX #925D11

RGB 146 93 17

HSL 35.35, 0.79%, 0.32%

LAB 44.2, 15.82, 47.78

 

CMYK 0 / 60 / 88 / 43

HEX #923A11

RGB 146 58 17

HSL 19.07, 0.79%, 0.32%

LAB 36.32, 35.14, 41.31

 

CMYK 0 / 84 / 88 / 43

HEX #921711

RGB 146 23 17

HSL 2.79, 0.79%, 0.32%

LAB 31.26, 48.92, 37.11

 

CMYK 0 / 88 / 88 / 43

HEX #921111

RGB 146 17 17

HSL 0, 0.79%, 0.32%

LAB 30.77, 50.34, 36.69

 

CMYK 0 / 13 / 88 / 43

HEX #927F11

RGB 146 127 17

HSL 51.16, 0.79%, 0.32%

LAB 53.31, -3.63, 55.2

 

CMYK 12 / 0 / 88 / 43

HEX #819211

RGB 129 146 17

HSL 67.91, 0.79%, 0.32%

LAB 57.33, -21.53, 57.89

 

CMYK 36 / 0 / 88 / 43

HEX #5E9211

RGB 94 146 17

HSL 84.19, 0.79%, 0.32%

LAB 55.05, -36.07, 55.06

 

CMYK 59 / 0 / 88 / 43

HEX #3C9211

RGB 60 146 17

HSL 100, 0.79%, 0.32%

LAB 53.56, -47.29, 53.18

 

CMYK 83 / 0 / 88 / 43

HEX #199211

RGB 25 146 17

HSL 116.28, 0.79%, 0.32%

LAB 52.74, -54.24, 52.15

 

CMYK 0 / 13 / 88 / 43

HEX #927F11

RGB 146 127 17

HSL 51.16, 0.79%, 0.32%

LAB 53.31, -3.63, 55.2

 

CMYK 0 / 14 / 98 / 38

HEX #9F8903

RGB 159 137 3

HSL 51.54, 0.96%, 0.32%

LAB 57.34, -3.36, 61.44

 

CMYK 0 / 13 / 88 / 43

HEX #927F11

RGB 146 127 17

HSL 51.16, 0.79%, 0.32%

LAB 53.31, -3.63, 55.2

 

CMYK 0 / 11 / 77 / 48

HEX #84761E

RGB 132 118 30

HSL 51.76, 0.63%, 0.32%

LAB 49.44, -4.7, 47.25

 

CMYK 0 / 9 / 64 / 53

HEX #776C2B

RGB 119 108 43

HSL 51.32, 0.47%, 0.32%

LAB 45.39, -4.33, 37

 

CMYK 0 / 7 / 47 / 58

HEX #6A6338

RGB 106 99 56

HSL 51.6, 0.31%, 0.32%

LAB 41.65, -3.94, 25.35

 

CMYK 0 / 4 / 26 / 64

HEX #5D5945

RGB 93 89 69

HSL 50, 0.15%, 0.32%

LAB 37.67, -2.07, 12.18

 

CMYK 0 / 61 / 88 / 43

HEX #923911

RGB 146 57 17

HSL 18.6, 0.79%, 0.32%

LAB 36.13, 35.64, 41.15

 

CMYK 0 / 37 / 88 / 43

HEX #925C11

RGB 146 92 17

HSL 34.88, 0.79%, 0.32%

LAB 43.95, 16.4, 47.58

 

CMYK 0 / 14 / 88 / 43

HEX #927E11

RGB 146 126 17

HSL 50.7, 0.79%, 0.32%

LAB 53.03, -3.07, 54.98

 

CMYK 10 / 0 / 88 / 43

HEX #839211

RGB 131 146 17

HSL 66.98, 0.79%, 0.32%

LAB 57.49, -20.65, 58.08

 

CMYK 34 / 0 / 88 / 43

HEX #609211

RGB 96 146 17

HSL 83.26, 0.79%, 0.32%

LAB 55.16, -35.3, 55.19

 

CMYK 0 / 13 / 89 / 72

HEX #483F08

RGB 72 63 8

HSL 51.56, 0.8%, 0.16%

LAB 26.59, -2.79, 32.28

 

CMYK 0 / 13 / 89 / 57

HEX #6D5F0C

RGB 109 95 12

HSL 51.34, 0.8%, 0.24%

LAB 40.35, -3.23, 44.31

 

CMYK 0 / 13 / 88 / 43

HEX #927F11

RGB 146 127 17

HSL 51.16, 0.79%, 0.32%

LAB 53.31, -3.63, 55.2

 

CMYK 0 / 12 / 88 / 29

HEX #B6A015

RGB 182 160 21

HSL 51.8, 0.79%, 0.4%

LAB 65.86, -5.01, 65.86

 

CMYK 0 / 12 / 89 / 14

HEX #DBC019

RGB 219 192 25

HSL 51.65, 0.8%, 0.48%

LAB 77.77, -5.37, 75.95

 

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

CMYK 88 / 0 / 84 / 43

HEX #119217

RGB 17 146 23

HSL 122.79, 0.79%, 0.32%

LAB 52.66, -54.8, 50.53

 

CMYK 49 / 88 / 0 / 43

HEX #4B1192

RGB 75 17 146

HSL 266.98, 0.79%, 0.32%

LAB 23.58, 51.14, -58.22

 

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

CMYK 88 / 0 / 14 / 43

HEX #11927E

RGB 17 146 126

HSL 170.7, 0.79%, 0.32%

LAB 54.22, -36.89, 1.5

 

CMYK 14 / 88 / 0 / 43

HEX #7E1192

RGB 126 17 146

HSL 290.7, 0.79%, 0.32%

LAB 31.61, 58.82, -44.79

 

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

CMYK 88 / 0 / 84 / 43

HEX #119217

RGB 17 146 23

HSL 122.79, 0.79%, 0.32%

LAB 52.66, -54.8, 50.53

 

CMYK 88 / 75 / 0 / 43

HEX #112492

RGB 17 36 146

HSL 231.16, 0.79%, 0.32%

LAB 21.79, 36.77, -61.34

 

CMYK 0 / 88 / 5 / 43

HEX #92118B

RGB 146 17 139

HSL 303.26, 0.79%, 0.32%

LAB 34.75, 61.36, -35.23

 

CMYK 0 / 13 / 88 / 44

HEX #907E11

RGB 144 126 17

HSL 51.5, 0.79%, 0.32%

LAB 52.83, -4, 54.73

 

CMYK 88 / 0 / 58 / 43

HEX #11923E

RGB 17 146 62

HSL 140.93, 0.79%, 0.32%

LAB 52.98, -50.88, 35.1

 

CMYK 88 / 75 / 0 / 43

HEX #112492

RGB 17 36 146

HSL 231.16, 0.79%, 0.32%

LAB 21.79, 36.77, -61.34

 

CMYK 0 / 88 / 32 / 43

HEX #921164

RGB 146 17 100

HSL 321.4, 0.79%, 0.32%

LAB 32.77, 56.05, -13.72

 

Description

Color code: RGB 144 126 17 | qconv.com Color code: RGB 144 126 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 126 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 126 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 88 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 88% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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