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Color name
RGB 144 110 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 144 110 58 it is the complementary color RGB 111 145 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 144 110 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 144 110 58 shade: RGB 149 110 53, RGB 166 128 72, RGB 183 146 91, RGB 200 164 110 and RGB 217 182 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 144 110 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 144 110 58 shade: RGB 144 110 58, RGB 127 92 39, RGB 110 74 20, RGB 93 56 1 and RGB 76 38 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 144 110 58 shade: RGB 145 111 58, RGB 145 87 58, RGB 145 63 58 and RGB 145 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 144 110 58 shade: RGB 145 111 58, RGB 145 134 58, RGB 133 145 58, RGB 109 145 58 and RGB 85 145 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 144 110 58 shade matches the following richer shades: RGB 145 111 58, RGB 162 114 41, RGB 178 118 25 and RGB 195 121 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 144 110 58 shade: RGB 145 111 58, RGB 129 107 74, RGB 112 104 91, RGB 96 100 107 and RGB 79 97 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 144 110 58 shade: RGB 145 63 58, RGB 145 87 58, RGB 145 110 58, RGB 145 134 58 and RGB 134 145 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 144 110 58 shade: RGB 86 66 34, RGB 116 88 46, RGB 145 111 58, RGB 175 133 69 and RGB 191 153 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 144 110 58 shade: RGB 144 110 58, RGB 75 145 58 and RGB 75 58 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 144 110 58 shade: RGB 144 110 58, RGB 58 145 110 and RGB 110 58 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 144 110 58 shade: RGB 144 110 58, RGB 75 145 58, RGB 58 93 145 and RGB 128 58 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 144 110 58 shade: RGB 144 110 58, RGB 58 145 66, RGB 58 93 145 and RGB 145 58 137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

Complementary color

CMYK 44 / 26 / 0 / 23

HEX #6F91C5

RGB 111 145 197

HSL 216.28, 0.43%, 0.6%

LAB 59.58, 1.92, -30.64

 

CMYK 0 / 26 / 64 / 42

HEX #956E35

RGB 149 110 53

HSL 35.63, 0.48%, 0.4%

LAB 49.25, 9.1, 37.15

 

CMYK 0 / 23 / 57 / 35

HEX #A68048

RGB 166 128 72

HSL 35.74, 0.39%, 0.47%

LAB 56.1, 7.92, 35.7

 

CMYK 0 / 20 / 50 / 28

HEX #B7925B

RGB 183 146 91

HSL 35.87, 0.39%, 0.54%

LAB 62.83, 6.96, 34.29

 

CMYK 0 / 18 / 45 / 22

HEX #C8A46E

RGB 200 164 110

HSL 36, 0.45%, 0.61%

LAB 69.44, 6.14, 32.94

 

CMYK 0 / 16 / 41 / 15

HEX #D9B681

RGB 217 182 129

HSL 36.14, 0.54%, 0.68%

LAB 75.94, 5.45, 31.67

 

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

CMYK 0 / 28 / 69 / 50

HEX #7F5C27

RGB 127 92 39

HSL 36.14, 0.53%, 0.33%

LAB 41.71, 8.51, 35.23

 

CMYK 0 / 33 / 82 / 57

HEX #6E4A14

RGB 110 74 20

HSL 36, 0.69%, 0.25%

LAB 34.52, 10.16, 36.33

 

CMYK 0 / 40 / 99 / 64

HEX #5D3801

RGB 93 56 1

HSL 35.87, 0.98%, 0.18%

LAB 27.18, 12.23, 36.68

 

CMYK 0 / 50 / 100 / 70

HEX #4C2600

RGB 76 38 0

HSL 30, 1%, 0.15%

LAB 19.73, 15.04, 28.72

 

CMYK 0 / 23 / 60 / 43

HEX #916F3A

RGB 145 111 58

HSL 36.55, 0.43%, 0.4%

LAB 49.12, 7.09, 34.26

 

CMYK 0 / 40 / 60 / 43

HEX #91573A

RGB 145 87 58

HSL 20, 0.43%, 0.4%

LAB 42.98, 21, 26.85

 

CMYK 0 / 57 / 60 / 43

HEX #913F3A

RGB 145 63 58

HSL 3.45, 0.43%, 0.4%

LAB 37.63, 34.27, 20.08

 

CMYK 0 / 60 / 60 / 43

HEX #913A3A

RGB 145 58 58

HSL 0, 0.43%, 0.4%

LAB 36.65, 36.82, 18.82

 

CMYK 0 / 23 / 60 / 43

HEX #916F3A

RGB 145 111 58

HSL 36.55, 0.43%, 0.4%

LAB 49.12, 7.09, 34.26

 

CMYK 0 / 8 / 60 / 43

HEX #91863A

RGB 145 134 58

HSL 52.41, 0.43%, 0.4%

LAB 55.46, -5.9, 41.55

 

CMYK 8 / 0 / 60 / 43

HEX #85913A

RGB 133 145 58

HSL 68.28, 0.43%, 0.4%

LAB 57.6, -17.09, 43.66

 

CMYK 25 / 0 / 60 / 43

HEX #6D913A

RGB 109 145 58

HSL 84.83, 0.43%, 0.4%

LAB 55.89, -27.1, 41.28

 

CMYK 41 / 0 / 60 / 43

HEX #55913A

RGB 85 145 58

HSL 101.38, 0.43%, 0.4%

LAB 54.54, -36.06, 39.38

 

CMYK 0 / 23 / 60 / 43

HEX #916F3A

RGB 145 111 58

HSL 36.55, 0.43%, 0.4%

LAB 49.12, 7.09, 34.26

 

CMYK 0 / 30 / 75 / 36

HEX #A27229

RGB 162 114 41

HSL 36.2, 0.6%, 0.4%

LAB 51.7, 11.99, 46.01

 

CMYK 0 / 34 / 86 / 30

HEX #B27619

RGB 178 118 25

HSL 36.47, 0.75%, 0.4%

LAB 54.55, 16.34, 55.46

 

CMYK 0 / 38 / 96 / 24

HEX #C37908

RGB 195 121 8

HSL 36.26, 0.92%, 0.4%

LAB 57.36, 21.89, 62.51

 

CMYK 0 / 23 / 60 / 43

HEX #916F3A

RGB 145 111 58

HSL 36.55, 0.43%, 0.4%

LAB 49.12, 7.09, 34.26

 

CMYK 0 / 17 / 43 / 49

HEX #816B4A

RGB 129 107 74

HSL 36, 0.27%, 0.4%

LAB 46.55, 3.84, 21.75

 

CMYK 0 / 7 / 19 / 56

HEX #70685B

RGB 112 104 91

HSL 37.14, 0.1%, 0.4%

LAB 44.38, 0.76, 8.46

 

CMYK 10 / 7 / 0 / 58

HEX #60646B

RGB 96 100 107

HSL 218.18, 0.05%, 0.4%

LAB 42.25, -0, -4.49

 

CMYK 36 / 22 / 0 / 51

HEX #4F617C

RGB 79 97 124

HSL 216, 0.22%, 0.4%

LAB 40.68, 0.35, -17.34

 

CMYK 0 / 57 / 60 / 43

HEX #913F3A

RGB 145 63 58

HSL 3.45, 0.43%, 0.4%

LAB 37.63, 34.27, 20.08

 

CMYK 0 / 40 / 60 / 43

HEX #91573A

RGB 145 87 58

HSL 20, 0.43%, 0.4%

LAB 42.98, 21, 26.85

 

CMYK 0 / 24 / 60 / 43

HEX #916E3A

RGB 145 110 58

HSL 35.86, 0.43%, 0.4%

LAB 48.86, 7.67, 33.95

 

CMYK 0 / 8 / 60 / 43

HEX #91863A

RGB 145 134 58

HSL 52.41, 0.43%, 0.4%

LAB 55.46, -5.9, 41.55

 

CMYK 8 / 0 / 60 / 43

HEX #86913A

RGB 134 145 58

HSL 67.59, 0.43%, 0.4%

LAB 57.68, -16.66, 43.77

 

CMYK 0 / 23 / 60 / 66

HEX #564222

RGB 86 66 34

HSL 36.92, 0.43%, 0.24%

LAB 29.39, 4.27, 22.58

 

CMYK 0 / 24 / 60 / 55

HEX #74582E

RGB 116 88 46

HSL 36, 0.43%, 0.32%

LAB 39.39, 6.26, 28.49

 

CMYK 0 / 23 / 60 / 43

HEX #916F3A

RGB 145 111 58

HSL 36.55, 0.43%, 0.4%

LAB 49.12, 7.09, 34.26

 

CMYK 0 / 24 / 61 / 31

HEX #AF8545

RGB 175 133 69

HSL 36.23, 0.43%, 0.48%

LAB 58.34, 8.83, 40.15

 

CMYK 0 / 20 / 50 / 25

HEX #BF995F

RGB 191 153 95

HSL 36.25, 0.43%, 0.56%

LAB 65.5, 6.88, 35.69

 

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

CMYK 48 / 0 / 60 / 43

HEX #4B913A

RGB 75 145 58

HSL 108.28, 0.43%, 0.4%

LAB 54.08, -39.34, 38.73

 

CMYK 48 / 60 / 0 / 43

HEX #4B3A91

RGB 75 58 145

HSL 251.72, 0.43%, 0.4%

LAB 30.8, 30.53, -45.82

 

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

CMYK 60 / 0 / 24 / 43

HEX #3A916E

RGB 58 145 110

HSL 155.86, 0.43%, 0.4%

LAB 54.32, -34.8, 10.91

 

CMYK 24 / 60 / 0 / 43

HEX #6E3A91

RGB 110 58 145

HSL 275.86, 0.43%, 0.4%

LAB 34.77, 39.12, -39.22

 

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

CMYK 48 / 0 / 60 / 43

HEX #4B913A

RGB 75 145 58

HSL 108.28, 0.43%, 0.4%

LAB 54.08, -39.34, 38.73

 

CMYK 60 / 36 / 0 / 43

HEX #3A5D91

RGB 58 93 145

HSL 215.86, 0.43%, 0.4%

LAB 39.19, 4.04, -32.47

 

CMYK 12 / 60 / 0 / 43

HEX #803A91

RGB 128 58 145

HSL 288.28, 0.43%, 0.4%

LAB 37.22, 43.91, -35.17

 

CMYK 0 / 24 / 60 / 44

HEX #906E3A

RGB 144 110 58

HSL 36.28, 0.43%, 0.4%

LAB 48.74, 7.22, 33.79

 

CMYK 60 / 0 / 54 / 43

HEX #3A9142

RGB 58 145 66

HSL 125.52, 0.43%, 0.4%

LAB 53.54, -43.09, 33.97

 

CMYK 60 / 36 / 0 / 43

HEX #3A5D91

RGB 58 93 145

HSL 215.86, 0.43%, 0.4%

LAB 39.19, 4.04, -32.47

 

CMYK 0 / 60 / 6 / 43

HEX #913A89

RGB 145 58 137

HSL 305.52, 0.43%, 0.4%

LAB 39.33, 47.07, -26.79

 

Description

Color code: RGB 144 110 58 | qconv.com Color code: RGB 144 110 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 110 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 110 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 60 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 60% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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