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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 4 214 it is the complementary color RGB 112 251 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 4 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 4 214 shade: RGB 148 4 209, RGB 165 22 228, RGB 182 40 247, RGB 199 58 255 and RGB 216 76 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 4 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 126 0 195, RGB 109 0 176, RGB 92 0 157 and RGB 75 0 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 200 4 214, RGB 214 4 172, RGB 214 4 115 and RGB 214 4 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 86 4 214, RGB 30 4 214 and RGB 4 4 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 4 214 shade matches the following richer shades: RGB 143 4 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 137 22 197, RGB 132 39 179, RGB 126 57 161 and RGB 120 75 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 4 214 shade: RGB 28 4 214, RGB 85 4 214, RGB 141 4 214, RGB 197 4 214 and RGB 214 4 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 4 214 shade: RGB 89 2 134, RGB 116 3 174, RGB 143 4 214, RGB 169 10 250 and RGB 183 50 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 214 4 35 and RGB 4 214 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 214 141 4 and RGB 4 214 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 214 4 35, RGB 78 214 4 and RGB 4 214 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 4 214 shade: RGB 143 4 214, RGB 214 35 4, RGB 78 214 4 and RGB 4 183 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

Complementary color

CMYK 55 / 0 / 84 / 2

HEX #70FB29

RGB 112 251 41

HSL 99.71, 0.96%, 0.57%

LAB 88.26, -69.82, 79

 

CMYK 29 / 98 / 0 / 18

HEX #9404D1

RGB 148 4 209

HSL 282.15, 0.96%, 0.42%

LAB 39.56, 75.52, -69.26

 

CMYK 28 / 90 / 0 / 11

HEX #A516E4

RGB 165 22 228

HSL 281.65, 0.82%, 0.49%

LAB 44.48, 79, -72.01

 

CMYK 26 / 84 / 0 / 3

HEX #B628F7

RGB 182 40 247

HSL 281.16, 0.93%, 0.56%

LAB 49.71, 81.31, -74.1

 

CMYK 22 / 77 / 0 / 0

HEX #C73AFF

RGB 199 58 255

HSL 282.94, 1%, 0.61%

LAB 54.44, 80.58, -70.77

 

CMYK 15 / 70 / 0 / 0

HEX #D84CFF

RGB 216 76 255

HSL 286.93, 1%, 0.65%

LAB 58.96, 77.67, -63.35

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 35 / 100 / 0 / 24

HEX #7E00C3

RGB 126 0 195

HSL 278.77, 1%, 0.38%

LAB 34.75, 70.76, -69.1

 

CMYK 38 / 100 / 0 / 31

HEX #6D00B0

RGB 109 0 176

HSL 277.16, 1%, 0.35%

LAB 30.37, 65.1, -65.14

 

CMYK 41 / 100 / 0 / 38

HEX #5C009D

RGB 92 0 157

HSL 275.16, 1%, 0.31%

LAB 25.89, 59.34, -61.1

 

CMYK 46 / 100 / 0 / 46

HEX #4B008A

RGB 75 0 138

HSL 272.61, 1%, 0.27%

LAB 21.32, 53.48, -56.95

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 7 / 98 / 0 / 16

HEX #C804D6

RGB 200 4 214

HSL 296, 0.96%, 0.43%

LAB 48.54, 83.59, -57.17

 

CMYK 0 / 98 / 20 / 16

HEX #D604AC

RGB 214 4 172

HSL 312, 0.96%, 0.43%

LAB 48.71, 80.2, -32.29

 

CMYK 0 / 98 / 46 / 16

HEX #D60473

RGB 214 4 115

HSL 328.29, 0.96%, 0.43%

LAB 46.47, 74.41, -1.25

 

CMYK 0 / 98 / 72 / 16

HEX #D6043B

RGB 214 4 59

HSL 344.29, 0.96%, 0.43%

LAB 45.22, 71.04, 31.76

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 60 / 98 / 0 / 16

HEX #5604D6

RGB 86 4 214

HSL 263.43, 0.96%, 0.43%

LAB 31.62, 70.91, -85.52

 

CMYK 86 / 98 / 0 / 16

HEX #1E04D6

RGB 30 4 214

HSL 247.43, 0.96%, 0.43%

LAB 27.35, 68.89, -92.76

 

CMYK 98 / 98 / 0 / 16

HEX #0404D6

RGB 4 4 214

HSL 240, 0.96%, 0.43%

LAB 26.64, 68.63, -93.95

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 30 / 89 / 0 / 23

HEX #8916C5

RGB 137 22 197

HSL 279.43, 0.8%, 0.43%

LAB 37.7, 69.25, -65.37

 

CMYK 26 / 78 / 0 / 30

HEX #8427B3

RGB 132 39 179

HSL 279.86, 0.64%, 0.43%

LAB 37.14, 60.1, -55.73

 

CMYK 22 / 65 / 0 / 37

HEX #7E39A1

RGB 126 57 161

HSL 279.81, 0.48%, 0.43%

LAB 37.73, 47.35, -44.07

 

CMYK 16 / 48 / 0 / 44

HEX #784B8F

RGB 120 75 143

HSL 279.71, 0.31%, 0.43%

LAB 39.59, 31.88, -30.28

 

CMYK 87 / 98 / 0 / 16

HEX #1C04D6

RGB 28 4 214

HSL 246.86, 0.96%, 0.43%

LAB 27.27, 68.86, -92.9

 

CMYK 60 / 98 / 0 / 16

HEX #5504D6

RGB 85 4 214

HSL 263.14, 0.96%, 0.43%

LAB 31.52, 70.85, -85.7

 

CMYK 34 / 98 / 0 / 16

HEX #8D04D6

RGB 141 4 214

HSL 279.14, 0.96%, 0.43%

LAB 38.91, 75.66, -73.25

 

CMYK 8 / 98 / 0 / 16

HEX #C504D6

RGB 197 4 214

HSL 295.14, 0.96%, 0.43%

LAB 48.02, 83.13, -58.03

 

CMYK 0 / 98 / 18 / 16

HEX #D604B0

RGB 214 4 176

HSL 310.86, 0.96%, 0.43%

LAB 48.91, 80.69, -34.35

 

CMYK 34 / 99 / 0 / 47

HEX #590286

RGB 89 2 134

HSL 279.55, 0.97%, 0.27%

LAB 23.3, 53.72, -51.11

 

CMYK 33 / 98 / 0 / 32

HEX #7403AE

RGB 116 3 174

HSL 279.65, 0.97%, 0.35%

LAB 31.43, 65.03, -62.16

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 32 / 96 / 0 / 2

HEX #A90AFA

RGB 169 10 250

HSL 279.75, 0.96%, 0.51%

LAB 46.38, 85.08, -81.29

 

CMYK 27 / 80 / 0 / 2

HEX #B732FA

RGB 183 50 250

HSL 279.9, 0.95%, 0.59%

LAB 50.98, 79.39, -73.71

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 0 / 98 / 84 / 16

HEX #D60423

RGB 214 4 35

HSL 351.14, 0.96%, 0.43%

LAB 44.95, 70.3, 45.29

 

CMYK 98 / 0 / 73 / 16

HEX #04D639

RGB 4 214 57

HSL 135.14, 0.96%, 0.43%

LAB 75.09, -72.96, 61.4

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 0 / 34 / 98 / 16

HEX #D68D04

RGB 214 141 4

HSL 39.14, 0.96%, 0.43%

LAB 64.45, 19.24, 69.1

 

CMYK 98 / 0 / 34 / 16

HEX #04D68D

RGB 4 214 141

HSL 159.14, 0.96%, 0.43%

LAB 76.1, -60.72, 23.99

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 0 / 98 / 84 / 16

HEX #D60423

RGB 214 4 35

HSL 351.14, 0.96%, 0.43%

LAB 44.95, 70.3, 45.29

 

CMYK 64 / 0 / 98 / 16

HEX #4ED604

RGB 78 214 4

HSL 98.86, 0.96%, 0.43%

LAB 75.9, -66.58, 73.72

 

CMYK 98 / 0 / 14 / 16

HEX #04D6B7

RGB 4 214 183

HSL 171.14, 0.96%, 0.43%

LAB 77, -50.72, 3

 

CMYK 33 / 98 / 0 / 16

HEX #8F04D6

RGB 143 4 214

HSL 279.71, 0.96%, 0.43%

LAB 39.21, 75.88, -72.75

 

CMYK 0 / 84 / 98 / 16

HEX #D62304

RGB 214 35 4

HSL 8.86, 0.96%, 0.43%

LAB 46.32, 65.47, 58.32

 

CMYK 64 / 0 / 98 / 16

HEX #4ED604

RGB 78 214 4

HSL 98.86, 0.96%, 0.43%

LAB 75.9, -66.58, 73.72

 

CMYK 98 / 14 / 0 / 16

HEX #04B7D6

RGB 4 183 214

HSL 188.86, 0.96%, 0.43%

LAB 68.57, -27.44, -26.45

 

Description

Color code: RGB 143 4 214 | qconv.com Color code: RGB 143 4 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 4 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 4 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 98 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 98% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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