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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 46 80 it is the complementary color RGB 112 209 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 46 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 46 80 shade: RGB 148 46 75, RGB 165 64 94, RGB 182 82 113, RGB 199 100 132 and RGB 216 118 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 46 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 46 80 shade: RGB 143 46 80, RGB 126 28 61, RGB 109 10 42, RGB 92 0 23 and RGB 75 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 46 80 shade: RGB 142 46 79, RGB 142 46 54 and RGB 142 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 46 80 shade: RGB 142 46 79, RGB 142 46 105, RGB 142 46 131, RGB 127 46 142 and RGB 101 46 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 46 80 shade matches the following richer shades: RGB 142 46 79, RGB 157 30 75, RGB 173 15 70 and RGB 188 0 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 46 80 shade: RGB 142 46 79, RGB 127 61 84, RGB 111 76 89, RGB 96 92 93 and RGB 81 107 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 46 80 shade: RGB 142 46 132, RGB 142 46 107, RGB 142 46 81, RGB 142 46 55 and RGB 142 62 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 46 80 shade: RGB 80 26 44, RGB 111 36 62, RGB 142 46 79, RGB 173 56 97 and RGB 196 74 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 46 80 shade: RGB 143 46 80, RGB 142 126 46 and RGB 46 120 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 46 80 shade: RGB 143 46 80, RGB 81 142 46 and RGB 46 81 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 46 80 shade: RGB 143 46 80, RGB 142 126 46, RGB 46 142 107 and RGB 46 62 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 46 80 shade: RGB 143 46 80, RGB 129 142 46, RGB 46 142 107 and RGB 59 46 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

Complementary color

CMYK 46 / 0 / 16 / 18

HEX #70D1AF

RGB 112 209 175

HSL 158.97, 0.51%, 0.63%

LAB 77.36, -36.63, 8.06

 

CMYK 0 / 69 / 49 / 42

HEX #942E4B

RGB 148 46 75

HSL 342.94, 0.53%, 0.38%

LAB 35.51, 44.87, 6.52

 

CMYK 0 / 61 / 43 / 35

HEX #A5405E

RGB 165 64 94

HSL 342.18, 0.44%, 0.45%

LAB 41.96, 44.41, 4.1

 

CMYK 0 / 55 / 38 / 29

HEX #B65271

RGB 182 82 113

HSL 341.4, 0.41%, 0.52%

LAB 48.48, 43.68, 2.21

 

CMYK 0 / 50 / 34 / 22

HEX #C76484

RGB 199 100 132

HSL 340.61, 0.47%, 0.59%

LAB 54.99, 42.83, 0.67

 

CMYK 0 / 45 / 30 / 15

HEX #D87697

RGB 216 118 151

HSL 339.8, 0.56%, 0.65%

LAB 61.47, 41.95, -0.63

 

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

CMYK 0 / 78 / 52 / 51

HEX #7E1C3D

RGB 126 28 61

HSL 339.8, 0.64%, 0.3%

LAB 28.39, 43.62, 5.02

 

CMYK 0 / 91 / 61 / 57

HEX #6D0A2A

RGB 109 10 42

HSL 340.61, 0.83%, 0.23%

LAB 22.43, 42.27, 9.17

 

CMYK 0 / 100 / 75 / 64

HEX #5C0017

RGB 92 0 23

HSL 345, 1%, 0.18%

LAB 17.17, 38.84, 15.01

 

CMYK 0 / 100 / 95 / 71

HEX #4B0004

RGB 75 0 4

HSL 356.8, 1%, 0.15%

LAB 12.64, 33.22, 18.2

 

CMYK 0 / 68 / 44 / 44

HEX #8E2E4F

RGB 142 46 79

HSL 339.38, 0.51%, 0.37%

LAB 34.54, 43.32, 2.4

 

CMYK 0 / 68 / 62 / 44

HEX #8E2E36

RGB 142 46 54

HSL 355, 0.51%, 0.37%

LAB 33.92, 41.09, 17.68

 

CMYK 0 / 68 / 68 / 44

HEX #8E2E2E

RGB 142 46 46

HSL 0, 0.51%, 0.37%

LAB 33.78, 40.56, 22.57

 

CMYK 0 / 68 / 44 / 44

HEX #8E2E4F

RGB 142 46 79

HSL 339.38, 0.51%, 0.37%

LAB 34.54, 43.32, 2.4

 

CMYK 0 / 68 / 26 / 44

HEX #8E2E69

RGB 142 46 105

HSL 323.13, 0.51%, 0.37%

LAB 35.45, 46.52, -12.9

 

CMYK 0 / 68 / 8 / 44

HEX #8E2E83

RGB 142 46 131

HSL 306.88, 0.51%, 0.37%

LAB 36.64, 50.5, -27.35

 

CMYK 11 / 68 / 0 / 44

HEX #7F2E8E

RGB 127 46 142

HSL 290.63, 0.51%, 0.37%

LAB 34.84, 48.71, -37.13

 

CMYK 29 / 68 / 0 / 44

HEX #652E8E

RGB 101 46 142

HSL 274.38, 0.51%, 0.37%

LAB 31.05, 42.51, -43.41

 

CMYK 0 / 68 / 44 / 44

HEX #8E2E4F

RGB 142 46 79

HSL 339.38, 0.51%, 0.37%

LAB 34.54, 43.32, 2.4

 

CMYK 0 / 81 / 52 / 38

HEX #9D1E4B

RGB 157 30 75

HSL 338.74, 0.68%, 0.37%

LAB 35.21, 53.24, 6.34

 

CMYK 0 / 91 / 60 / 32

HEX #AD0F46

RGB 173 15 70

HSL 339.11, 0.84%, 0.37%

LAB 37.24, 60.34, 12.89

 

CMYK 0 / 100 / 65 / 26

HEX #BC0042

RGB 188 0 66

HSL 338.94, 1%, 0.37%

LAB 39.72, 65.51, 19.34

 

CMYK 0 / 68 / 44 / 44

HEX #8E2E4F

RGB 142 46 79

HSL 339.38, 0.51%, 0.37%

LAB 34.54, 43.32, 2.4

 

CMYK 0 / 52 / 34 / 50

HEX #7F3D54

RGB 127 61 84

HSL 339.09, 0.35%, 0.37%

LAB 34.98, 31.23, -0.47

 

CMYK 0 / 32 / 20 / 56

HEX #6F4C59

RGB 111 76 89

HSL 337.71, 0.19%, 0.37%

LAB 36.5, 16.96, -1.67

 

CMYK 0 / 4 / 3 / 62

HEX #605C5D

RGB 96 92 93

HSL 345, 0.02%, 0.37%

LAB 39.46, 1.8, -0.01

 

CMYK 24 / 0 / 8 / 58

HEX #516B62

RGB 81 107 98

HSL 159.23, 0.14%, 0.37%

LAB 42.98, -11.65, 1.92

 

CMYK 0 / 68 / 7 / 44

HEX #8E2E84

RGB 142 46 132

HSL 306.25, 0.51%, 0.37%

LAB 36.69, 50.67, -27.89

 

CMYK 0 / 68 / 25 / 44

HEX #8E2E6B

RGB 142 46 107

HSL 321.88, 0.51%, 0.37%

LAB 35.53, 46.8, -14.04

 

CMYK 0 / 68 / 43 / 44

HEX #8E2E51

RGB 142 46 81

HSL 338.13, 0.51%, 0.37%

LAB 34.6, 43.54, 1.2

 

CMYK 0 / 68 / 61 / 44

HEX #8E2E37

RGB 142 46 55

HSL 354.38, 0.51%, 0.37%

LAB 33.94, 41.16, 17.07

 

CMYK 0 / 56 / 68 / 44

HEX #8E3E2E

RGB 142 62 46

HSL 10, 0.51%, 0.37%

LAB 36.73, 32.76, 26.17

 

CMYK 0 / 68 / 45 / 69

HEX #501A2C

RGB 80 26 44

HSL 340, 0.51%, 0.21%

LAB 18.48, 27.2, 1.33

 

CMYK 0 / 68 / 44 / 56

HEX #6F243E

RGB 111 36 62

HSL 339.2, 0.51%, 0.29%

LAB 26.7, 35.56, 1.55

 

CMYK 0 / 68 / 44 / 44

HEX #8E2E4F

RGB 142 46 79

HSL 339.38, 0.51%, 0.37%

LAB 34.54, 43.32, 2.4

 

CMYK 0 / 68 / 44 / 32

HEX #AD3861

RGB 173 56 97

HSL 338.97, 0.51%, 0.45%

LAB 42.12, 50.83, 2.64

 

CMYK 0 / 62 / 40 / 23

HEX #C44A75

RGB 196 74 117

HSL 338.85, 0.51%, 0.53%

LAB 49.4, 52.49, 1.4

 

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

CMYK 0 / 11 / 68 / 44

HEX #8E7E2E

RGB 142 126 46

HSL 50, 0.51%, 0.37%

LAB 52.81, -3.67, 44.23

 

CMYK 68 / 15 / 0 / 44

HEX #2E788E

RGB 46 120 142

HSL 193.75, 0.51%, 0.37%

LAB 46.93, -15.46, -18.69

 

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

CMYK 43 / 0 / 68 / 44

HEX #518E2E

RGB 81 142 46

HSL 98.13, 0.51%, 0.37%

LAB 53.27, -37.31, 43.41

 

CMYK 68 / 43 / 0 / 44

HEX #2E518E

RGB 46 81 142

HSL 218.13, 0.51%, 0.37%

LAB 34.84, 8.35, -37.6

 

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

CMYK 0 / 11 / 68 / 44

HEX #8E7E2E

RGB 142 126 46

HSL 50, 0.51%, 0.37%

LAB 52.81, -3.67, 44.23

 

CMYK 68 / 0 / 25 / 44

HEX #2E8E6B

RGB 46 142 107

HSL 158.13, 0.51%, 0.37%

LAB 52.94, -36.56, 10.63

 

CMYK 68 / 56 / 0 / 44

HEX #2E3E8E

RGB 46 62 142

HSL 230, 0.51%, 0.37%

LAB 29.36, 21.13, -46.41

 

CMYK 0 / 68 / 44 / 44

HEX #8F2E50

RGB 143 46 80

HSL 338.97, 0.51%, 0.37%

LAB 34.75, 43.75, 2.08

 

CMYK 9 / 0 / 68 / 44

HEX #818E2E

RGB 129 142 46

HSL 68.13, 0.51%, 0.37%

LAB 56.3, -18.15, 47.52

 

CMYK 68 / 0 / 25 / 44

HEX #2E8E6B

RGB 46 142 107

HSL 158.13, 0.51%, 0.37%

LAB 52.94, -36.56, 10.63

 

CMYK 58 / 68 / 0 / 44

HEX #3B2E8E

RGB 59 46 142

HSL 248.13, 0.51%, 0.37%

LAB 26.26, 33.83, -51.4

 

Description

Color code: RGB 143 46 80 | qconv.com Color code: RGB 143 46 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 46 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 46 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 44 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 44% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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