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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 30 23 it is the complementary color RGB 112 225 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 30 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 30 23 shade: RGB 148 30 18, RGB 165 48 37, RGB 182 66 56, RGB 199 84 75 and RGB 216 102 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 30 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 30 23 shade: RGB 143 30 23, RGB 126 12 4, RGB 109 0 0, RGB 92 0 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 30 23 shade: RGB 144 30 23 and RGB 144 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 30 23 shade: RGB 144 30 23, RGB 144 63 23, RGB 144 95 23, RGB 144 128 23 and RGB 128 144 23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 30 23 shade matches the following richer shades: RGB 144 30 23 and RGB 158 18 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 30 23 shade: RGB 144 30 23, RGB 131 42 37, RGB 117 54 50, RGB 103 66 64 and RGB 90 78 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 30 23 shade: RGB 144 23 82, RGB 144 23 49, RGB 144 29 23, RGB 144 61 23 and RGB 144 94 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 30 23 shade: RGB 73 15 12, RGB 109 23 17, RGB 144 30 23, RGB 180 38 29 and RGB 215 45 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 30 23 shade: RGB 143 30 23, RGB 114 144 23 and RGB 23 65 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 30 23 shade: RGB 143 30 23, RGB 23 144 29 and RGB 29 23 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 30 23 shade: RGB 143 30 23, RGB 114 144 23, RGB 23 138 144 and RGB 53 23 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 30 23 shade: RGB 143 30 23, RGB 78 144 23, RGB 23 138 144 and RGB 90 23 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

Complementary color

CMYK 52 / 3 / 0 / 9

HEX #70E1E8

RGB 112 225 232

HSL 183.5, 0.72%, 0.67%

LAB 83.51, -30.26, -13.3

 

CMYK 0 / 80 / 88 / 42

HEX #941E12

RGB 148 30 18

HSL 5.54, 0.78%, 0.33%

LAB 32.41, 47.53, 37.74

 

CMYK 0 / 71 / 78 / 35

HEX #A53025

RGB 165 48 37

HSL 5.16, 0.63%, 0.4%

LAB 38.28, 47.23, 34.3

 

CMYK 0 / 64 / 69 / 29

HEX #B64238

RGB 182 66 56

HSL 4.76, 0.53%, 0.47%

LAB 44.41, 46.37, 31.09

 

CMYK 0 / 58 / 62 / 22

HEX #C7544B

RGB 199 84 75

HSL 4.35, 0.53%, 0.54%

LAB 50.68, 45.27, 28.34

 

CMYK 0 / 53 / 56 / 15

HEX #D8665E

RGB 216 102 94

HSL 3.93, 0.61%, 0.61%

LAB 56.99, 44.09, 25.99

 

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

CMYK 0 / 90 / 97 / 51

HEX #7E0C04

RGB 126 12 4

HSL 3.93, 0.94%, 0.25%

LAB 25.88, 45.3, 36.59

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 79 / 84 / 44

HEX #901E17

RGB 144 30 23

HSL 3.47, 0.72%, 0.33%

LAB 31.62, 46.4, 34.09

 

CMYK 0 / 84 / 84 / 44

HEX #901717

RGB 144 23 23

HSL 0, 0.72%, 0.33%

LAB 30.89, 48.47, 33.38

 

CMYK 0 / 79 / 84 / 44

HEX #901E17

RGB 144 30 23

HSL 3.47, 0.72%, 0.33%

LAB 31.62, 46.4, 34.09

 

CMYK 0 / 56 / 84 / 44

HEX #903F17

RGB 144 63 23

HSL 19.83, 0.72%, 0.33%

LAB 37.02, 31.94, 39.12

 

CMYK 0 / 34 / 84 / 44

HEX #905F17

RGB 144 95 23

HSL 35.7, 0.72%, 0.33%

LAB 44.48, 13.92, 45.84

 

CMYK 0 / 11 / 84 / 44

HEX #908017

RGB 144 128 23

HSL 52.07, 0.72%, 0.33%

LAB 53.42, -4.94, 53.61

 

CMYK 11 / 0 / 84 / 44

HEX #809017

RGB 128 144 23

HSL 67.93, 0.72%, 0.33%

LAB 56.68, -20.77, 55.88

 

CMYK 0 / 79 / 84 / 44

HEX #901E17

RGB 144 30 23

HSL 3.47, 0.72%, 0.33%

LAB 31.62, 46.4, 34.09

 

CMYK 0 / 89 / 94 / 38

HEX #9E1209

RGB 158 18 9

HSL 3.62, 0.89%, 0.33%

LAB 33.4, 53.43, 43.4

 

CMYK 0 / 79 / 84 / 44

HEX #901E17

RGB 144 30 23

HSL 3.47, 0.72%, 0.33%

LAB 31.62, 46.4, 34.09

 

CMYK 0 / 68 / 72 / 49

HEX #832A25

RGB 131 42 37

HSL 3.19, 0.56%, 0.33%

LAB 30.91, 37.87, 24.25

 

CMYK 0 / 54 / 57 / 54

HEX #753632

RGB 117 54 50

HSL 3.58, 0.4%, 0.33%

LAB 31, 27.25, 15.59

 

CMYK 0 / 36 / 38 / 60

HEX #674240

RGB 103 66 64

HSL 3.08, 0.23%, 0.33%

LAB 32.15, 15.78, 7.83

 

CMYK 0 / 13 / 13 / 65

HEX #5A4E4E

RGB 90 78 78

HSL 0, 0.07%, 0.33%

LAB 34.34, 4.99, 1.83

 

CMYK 0 / 84 / 43 / 44

HEX #901752

RGB 144 23 82

HSL 330.74, 0.72%, 0.33%

LAB 32.15, 52.25, -3

 

CMYK 0 / 84 / 66 / 44

HEX #901731

RGB 144 23 49

HSL 347.11, 0.72%, 0.33%

LAB 31.26, 49.61, 17.54

 

CMYK 0 / 80 / 84 / 44

HEX #901D17

RGB 144 29 23

HSL 2.98, 0.72%, 0.33%

LAB 31.51, 46.72, 33.98

 

CMYK 0 / 58 / 84 / 44

HEX #903D17

RGB 144 61 23

HSL 18.84, 0.72%, 0.33%

LAB 36.61, 32.98, 38.75

 

CMYK 0 / 35 / 84 / 44

HEX #905E17

RGB 144 94 23

HSL 35.21, 0.72%, 0.33%

LAB 44.23, 14.5, 45.61

 

CMYK 0 / 79 / 84 / 71

HEX #490F0C

RGB 73 15 12

HSL 2.95, 0.72%, 0.17%

LAB 14.31, 27.08, 17.03

 

CMYK 0 / 79 / 84 / 57

HEX #6D1711

RGB 109 23 17

HSL 3.91, 0.73%, 0.25%

LAB 23.35, 37.07, 26.96

 

CMYK 0 / 79 / 84 / 44

HEX #901E17

RGB 144 30 23

HSL 3.47, 0.72%, 0.33%

LAB 31.62, 46.4, 34.09

 

CMYK 0 / 79 / 84 / 29

HEX #B4261D

RGB 180 38 29

HSL 3.58, 0.72%, 0.41%

LAB 39.88, 55.23, 41.22

 

CMYK 0 / 79 / 84 / 16

HEX #D72D23

RGB 215 45 35

HSL 3.33, 0.72%, 0.49%

LAB 47.55, 63.7, 47.71

 

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

CMYK 21 / 0 / 84 / 44

HEX #729017

RGB 114 144 23

HSL 74.88, 0.72%, 0.33%

LAB 55.67, -26.84, 54.61

 

CMYK 84 / 55 / 0 / 44

HEX #174190

RGB 23 65 144

HSL 219.17, 0.72%, 0.33%

LAB 29.35, 16.83, -47.7

 

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

CMYK 84 / 0 / 80 / 44

HEX #17901D

RGB 23 144 29

HSL 122.98, 0.72%, 0.33%

LAB 52.08, -53.18, 48.19

 

CMYK 80 / 84 / 0 / 44

HEX #1D1790

RGB 29 23 144

HSL 242.98, 0.72%, 0.33%

LAB 19.59, 43.98, -63.72

 

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

CMYK 21 / 0 / 84 / 44

HEX #729017

RGB 114 144 23

HSL 74.88, 0.72%, 0.33%

LAB 55.67, -26.84, 54.61

 

CMYK 84 / 4 / 0 / 44

HEX #178A90

RGB 23 138 144

HSL 182.98, 0.72%, 0.33%

LAB 52.26, -27.19, -11.81

 

CMYK 63 / 84 / 0 / 44

HEX #351790

RGB 53 23 144

HSL 254.88, 0.72%, 0.33%

LAB 21.52, 45.94, -60.47

 

CMYK 0 / 79 / 84 / 44

HEX #8F1E17

RGB 143 30 23

HSL 3.5, 0.72%, 0.33%

LAB 31.42, 46.08, 33.82

 

CMYK 46 / 0 / 84 / 44

HEX #4E9017

RGB 78 144 23

HSL 92.73, 0.72%, 0.33%

LAB 53.63, -40.74, 52.02

 

CMYK 84 / 4 / 0 / 44

HEX #178A90

RGB 23 138 144

HSL 182.98, 0.72%, 0.33%

LAB 52.26, -27.19, -11.81

 

CMYK 38 / 84 / 0 / 44

HEX #5A1790

RGB 90 23 144

HSL 273.22, 0.72%, 0.33%

LAB 26.16, 50.79, -52.67

 

Description

Color code: RGB 143 30 23 | qconv.com Color code: RGB 143 30 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 30 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 30 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 84 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 84% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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