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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 29 175 it is the complementary color RGB 112 226 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 29 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 29 175 shade: RGB 148 29 170, RGB 165 47 189, RGB 182 65 208, RGB 199 83 227 and RGB 216 101 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 29 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 29 175 shade: RGB 143 29 175, RGB 126 11 156, RGB 109 0 137, RGB 92 0 118 and RGB 75 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 29 175 shade: RGB 143 28 175, RGB 175 28 168, RGB 175 28 128, RGB 175 28 88 and RGB 175 28 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 29 175 shade: RGB 143 28 175, RGB 103 28 175, RGB 64 28 175 and RGB 28 28 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 29 175 shade matches the following richer shades: RGB 143 28 175 and RGB 152 12 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 29 175 shade: RGB 143 28 175, RGB 133 45 158, RGB 124 61 142, RGB 115 78 125 and RGB 106 94 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 29 175 shade: RGB 62 28 175, RGB 102 28 175, RGB 141 28 175, RGB 175 28 170 and RGB 175 28 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 29 175 shade: RGB 85 17 104, RGB 114 22 139, RGB 143 28 175, RGB 172 34 210 and RGB 188 62 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 29 175 shade: RGB 143 29 175, RGB 175 28 33 and RGB 28 175 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 29 175 shade: RGB 143 29 175, RGB 175 141 28 and RGB 28 175 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 29 175 shade: RGB 143 29 175, RGB 175 28 33, RGB 62 175 28 and RGB 28 175 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 29 175 shade: RGB 143 29 175, RGB 175 67 28, RGB 62 175 28 and RGB 28 136 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

Complementary color

CMYK 50 / 0 / 65 / 11

HEX #70E250

RGB 112 226 80

HSL 106.85, 0.72%, 0.6%

LAB 80.97, -58.48, 59.49

 

CMYK 13 / 83 / 0 / 33

HEX #941DAA

RGB 148 29 170

HSL 290.64, 0.71%, 0.39%

LAB 37.98, 64.26, -48.88

 

CMYK 13 / 75 / 0 / 26

HEX #A52FBD

RGB 165 47 189

HSL 289.86, 0.6%, 0.46%

LAB 43.81, 65.6, -50.6

 

CMYK 13 / 69 / 0 / 18

HEX #B641D0

RGB 182 65 208

HSL 289.09, 0.6%, 0.54%

LAB 49.83, 66.11, -51.81

 

CMYK 12 / 63 / 0 / 11

HEX #C753E3

RGB 199 83 227

HSL 288.33, 0.72%, 0.61%

LAB 55.96, 66.1, -52.67

 

CMYK 12 / 59 / 0 / 4

HEX #D865F6

RGB 216 101 246

HSL 287.59, 0.89%, 0.68%

LAB 62.13, 65.78, -53.31

 

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

CMYK 19 / 93 / 0 / 39

HEX #7E0B9C

RGB 126 11 156

HSL 287.59, 0.87%, 0.33%

LAB 31.98, 61.74, -50.31

 

CMYK 20 / 100 / 0 / 46

HEX #6D0089

RGB 109 0 137

HSL 287.74, 1%, 0.27%

LAB 26.9, 57.44, -46.97

 

CMYK 22 / 100 / 0 / 54

HEX #5C0076

RGB 92 0 118

HSL 286.78, 1%, 0.23%

LAB 22.24, 51.35, -42.65

 

CMYK 24 / 100 / 0 / 61

HEX #4B0063

RGB 75 0 99

HSL 285.45, 1%, 0.19%

LAB 17.44, 45.09, -38.21

 

CMYK 18 / 84 / 0 / 31

HEX #8F1CAF

RGB 143 28 175

HSL 286.94, 0.72%, 0.4%

LAB 37.42, 64.55, -52.81

 

CMYK 0 / 84 / 4 / 31

HEX #AF1CA8

RGB 175 28 168

HSL 302.86, 0.72%, 0.4%

LAB 42.42, 69.25, -40.32

 

CMYK 0 / 84 / 27 / 31

HEX #AF1C80

RGB 175 28 128

HSL 319.18, 0.72%, 0.4%

LAB 40.42, 63.78, -19.17

 

CMYK 0 / 84 / 50 / 31

HEX #AF1C58

RGB 175 28 88

HSL 335.51, 0.72%, 0.4%

LAB 38.98, 59.68, 3.84

 

CMYK 0 / 84 / 72 / 31

HEX #AF1C31

RGB 175 28 49

HSL 351.43, 0.72%, 0.4%

LAB 38.14, 57.18, 27.5

 

CMYK 18 / 84 / 0 / 31

HEX #8F1CAF

RGB 143 28 175

HSL 286.94, 0.72%, 0.4%

LAB 37.42, 64.55, -52.81

 

CMYK 41 / 84 / 0 / 31

HEX #671CAF

RGB 103 28 175

HSL 270.61, 0.72%, 0.4%

LAB 31.37, 58.28, -62.93

 

CMYK 63 / 84 / 0 / 31

HEX #401CAF

RGB 64 28 175

HSL 254.69, 0.72%, 0.4%

LAB 26.78, 53.74, -70.65

 

CMYK 84 / 84 / 0 / 31

HEX #1C1CAF

RGB 28 28 175

HSL 240, 0.72%, 0.4%

LAB 24.23, 51.33, -74.95

 

CMYK 18 / 84 / 0 / 31

HEX #8F1CAF

RGB 143 28 175

HSL 286.94, 0.72%, 0.4%

LAB 37.42, 64.55, -52.81

 

CMYK 20 / 94 / 0 / 25

HEX #980CBF

RGB 152 12 191

HSL 286.93, 0.88%, 0.4%

LAB 39.07, 71.86, -59.53

 

CMYK 18 / 84 / 0 / 31

HEX #8F1CAF

RGB 143 28 175

HSL 286.94, 0.72%, 0.4%

LAB 37.42, 64.55, -52.81

 

CMYK 16 / 72 / 0 / 38

HEX #852D9E

RGB 133 45 158

HSL 286.73, 0.56%, 0.4%

LAB 36.62, 53.72, -43.98

 

CMYK 13 / 57 / 0 / 44

HEX #7C3D8E

RGB 124 61 142

HSL 286.67, 0.4%, 0.4%

LAB 37.07, 40.63, -33.62

 

CMYK 8 / 38 / 0 / 51

HEX #734E7D

RGB 115 78 125

HSL 287.23, 0.23%, 0.4%

LAB 38.85, 24.41, -20.48

 

CMYK 3 / 14 / 0 / 57

HEX #6A5E6D

RGB 106 94 109

HSL 288, 0.07%, 0.4%

LAB 41.49, 7.86, -6.74

 

CMYK 65 / 84 / 0 / 31

HEX #3E1CAF

RGB 62 28 175

HSL 253.88, 0.72%, 0.4%

LAB 26.59, 53.55, -70.97

 

CMYK 42 / 84 / 0 / 31

HEX #661CAF

RGB 102 28 175

HSL 270.2, 0.72%, 0.4%

LAB 31.23, 58.14, -63.16

 

CMYK 19 / 84 / 0 / 31

HEX #8D1CAF

RGB 141 28 175

HSL 286.12, 0.72%, 0.4%

LAB 37.09, 64.21, -53.35

 

CMYK 0 / 84 / 3 / 31

HEX #AF1CAA

RGB 175 28 170

HSL 302.04, 0.72%, 0.4%

LAB 42.53, 69.56, -41.33

 

CMYK 0 / 84 / 25 / 31

HEX #AF1C83

RGB 175 28 131

HSL 317.96, 0.72%, 0.4%

LAB 40.55, 64.15, -20.82

 

CMYK 18 / 84 / 0 / 59

HEX #551168

RGB 85 17 104

HSL 286.9, 0.72%, 0.24%

LAB 21.33, 43.01, -35.13

 

CMYK 18 / 84 / 0 / 45

HEX #72168B

RGB 114 22 139

HSL 287.18, 0.73%, 0.32%

LAB 29.45, 54.13, -44.04

 

CMYK 18 / 84 / 0 / 31

HEX #8F1CAF

RGB 143 28 175

HSL 286.94, 0.72%, 0.4%

LAB 37.42, 64.55, -52.81

 

CMYK 18 / 84 / 0 / 18

HEX #AC22D2

RGB 172 34 210

HSL 287.05, 0.72%, 0.48%

LAB 45.04, 74.36, -60.75

 

CMYK 16 / 72 / 0 / 13

HEX #BC3EDF

RGB 188 62 223

HSL 286.96, 0.72%, 0.56%

LAB 51.23, 71.26, -58.08

 

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

CMYK 0 / 84 / 81 / 31

HEX #AF1C21

RGB 175 28 33

HSL 357.96, 0.72%, 0.4%

LAB 37.94, 56.58, 36.83

 

CMYK 84 / 0 / 53 / 31

HEX #1CAF52

RGB 28 175 82

HSL 142.04, 0.72%, 0.4%

LAB 62.94, -56.73, 37.24

 

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

CMYK 0 / 19 / 84 / 31

HEX #AF8D1C

RGB 175 141 28

HSL 46.12, 0.72%, 0.4%

LAB 60.11, 2.29, 59.1

 

CMYK 84 / 0 / 19 / 31

HEX #1CAF8D

RGB 28 175 141

HSL 166.12, 0.72%, 0.4%

LAB 64.02, -44.51, 7.18

 

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

CMYK 0 / 84 / 81 / 31

HEX #AF1C21

RGB 175 28 33

HSL 357.96, 0.72%, 0.4%

LAB 37.94, 56.58, 36.83

 

CMYK 65 / 0 / 84 / 31

HEX #3EAF1C

RGB 62 175 28

HSL 106.12, 0.72%, 0.4%

LAB 63.15, -56.58, 59.08

 

CMYK 84 / 0 / 3 / 31

HEX #1CAFAA

RGB 28 175 170

HSL 177.96, 0.72%, 0.4%

LAB 64.81, -36.45, -7.79

 

CMYK 18 / 83 / 0 / 31

HEX #8F1DAF

RGB 143 29 175

HSL 286.85, 0.72%, 0.4%

LAB 37.51, 64.29, -52.67

 

CMYK 0 / 62 / 84 / 31

HEX #AF431C

RGB 175 67 28

HSL 15.92, 0.72%, 0.4%

LAB 43.08, 42.22, 44.27

 

CMYK 65 / 0 / 84 / 31

HEX #3EAF1C

RGB 62 175 28

HSL 106.12, 0.72%, 0.4%

LAB 63.15, -56.58, 59.08

 

CMYK 84 / 22 / 0 / 31

HEX #1C88AF

RGB 28 136 175

HSL 195.92, 0.72%, 0.4%

LAB 52.9, -15.13, -28.75

 

Description

Color code: RGB 143 29 175 | qconv.com Color code: RGB 143 29 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 29 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 29 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 83 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 83% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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