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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 172 21 it is the complementary color RGB 112 83 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 172 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 172 21 shade: RGB 148 172 16, RGB 165 190 35, RGB 182 208 54, RGB 199 226 73 and RGB 216 244 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 172 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 126 154 2, RGB 109 136 0, RGB 92 118 0 and RGB 75 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 172 160 21, RGB 172 119 21, RGB 172 79 21 and RGB 172 38 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 102 172 21, RGB 61 172 21, RGB 21 172 21 and RGB 21 172 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 172 21 shade matches the following richer shades: RGB 143 172 21 and RGB 153 188 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 133 156 36, RGB 124 141 52, RGB 114 125 68 and RGB 104 109 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 172 21 shade: RGB 172 119 21, RGB 172 159 21, RGB 144 172 21, RGB 104 172 21 and RGB 64 172 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 172 21 shade: RGB 82 99 12, RGB 112 135 16, RGB 143 172 21, RGB 174 209 25 and RGB 194 229 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 21 172 79 and RGB 139 21 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 21 144 172 and RGB 172 21 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 21 172 79, RGB 49 21 172 and RGB 172 21 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 172 21 shade: RGB 143 172 21, RGB 21 172 124, RGB 49 21 172 and RGB 172 21 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

Complementary color

CMYK 52 / 65 / 0 / 8

HEX #7053EA

RGB 112 83 234

HSL 251.52, 0.78%, 0.62%

LAB 46.41, 49.76, -72.53

 

CMYK 14 / 0 / 91 / 33

HEX #94AC10

RGB 148 172 16

HSL 69.23, 0.83%, 0.37%

LAB 66.4, -26.23, 66.03

 

CMYK 13 / 0 / 82 / 25

HEX #A5BE23

RGB 165 190 35

HSL 69.68, 0.69%, 0.44%

LAB 72.86, -27.26, 67.85

 

CMYK 13 / 0 / 74 / 18

HEX #B6D036

RGB 182 208 54

HSL 70.13, 0.62%, 0.51%

LAB 79.23, -28.08, 68.49

 

CMYK 12 / 0 / 68 / 11

HEX #C7E249

RGB 199 226 73

HSL 70.59, 0.73%, 0.59%

LAB 85.51, -28.74, 68.39

 

CMYK 11 / 0 / 62 / 4

HEX #D8F45C

RGB 216 244 92

HSL 71.05, 0.87%, 0.66%

LAB 91.72, -29.27, 67.86

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 18 / 0 / 99 / 40

HEX #7E9A02

RGB 126 154 2

HSL 71.05, 0.97%, 0.31%

LAB 59.48, -27.11, 61.97

 

CMYK 20 / 0 / 100 / 47

HEX #6D8800

RGB 109 136 0

HSL 71.91, 1%, 0.27%

LAB 52.8, -25.67, 56.7

 

CMYK 22 / 0 / 100 / 54

HEX #5C7600

RGB 92 118 0

HSL 73.22, 1%, 0.23%

LAB 45.95, -24.17, 51

 

CMYK 25 / 0 / 100 / 61

HEX #4B6400

RGB 75 100 0

HSL 75, 1%, 0.2%

LAB 38.92, -22.64, 45.14

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 0 / 7 / 88 / 33

HEX #ACA015

RGB 172 160 21

HSL 55.23, 0.78%, 0.38%

LAB 64.94, -9.49, 64.73

 

CMYK 0 / 31 / 88 / 33

HEX #AC7715

RGB 172 119 21

HSL 38.94, 0.78%, 0.38%

LAB 54.05, 12.98, 55.94

 

CMYK 0 / 54 / 88 / 33

HEX #AC4F15

RGB 172 79 21

HSL 23.05, 0.78%, 0.38%

LAB 44.82, 34.94, 48.48

 

CMYK 0 / 78 / 88 / 33

HEX #AC2615

RGB 172 38 21

HSL 6.75, 0.78%, 0.38%

LAB 38.22, 52.59, 43.1

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 41 / 0 / 88 / 33

HEX #66AC15

RGB 102 172 21

HSL 87.81, 0.78%, 0.38%

LAB 63.66, -44.15, 61.72

 

CMYK 65 / 0 / 88 / 33

HEX #3DAC15

RGB 61 172 21

HSL 104.11, 0.78%, 0.38%

LAB 62.13, -56.08, 59.8

 

CMYK 88 / 0 / 88 / 33

HEX #15AC15

RGB 21 172 21

HSL 120, 0.78%, 0.38%

LAB 61.41, -62.29, 58.89

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 19 / 0 / 97 / 26

HEX #99BC05

RGB 153 188 5

HSL 71.48, 0.95%, 0.38%

LAB 71.38, -31.94, 71.49

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 15 / 0 / 77 / 39

HEX #859C24

RGB 133 156 36

HSL 71.5, 0.63%, 0.38%

LAB 60.69, -24.1, 55.72

 

CMYK 12 / 0 / 63 / 45

HEX #7C8D34

RGB 124 141 52

HSL 71.46, 0.46%, 0.38%

LAB 55.67, -19.37, 44.11

 

CMYK 9 / 0 / 46 / 51

HEX #727D44

RGB 114 125 68

HSL 71.58, 0.3%, 0.38%

LAB 50.29, -13.64, 29.61

 

CMYK 5 / 0 / 23 / 57

HEX #686D54

RGB 104 109 84

HSL 72, 0.13%, 0.38%

LAB 44.97, -6.66, 13.36

 

CMYK 0 / 31 / 88 / 33

HEX #AC7715

RGB 172 119 21

HSL 38.94, 0.78%, 0.38%

LAB 54.05, 12.98, 55.94

 

CMYK 0 / 8 / 88 / 33

HEX #AC9F15

RGB 172 159 21

HSL 54.83, 0.78%, 0.38%

LAB 64.66, -8.97, 64.51

 

CMYK 16 / 0 / 88 / 33

HEX #90AC15

RGB 144 172 21

HSL 71.13, 0.78%, 0.38%

LAB 66.13, -27.81, 64.79

 

CMYK 40 / 0 / 88 / 33

HEX #68AC15

RGB 104 172 21

HSL 87.02, 0.78%, 0.38%

LAB 63.76, -43.45, 61.84

 

CMYK 63 / 0 / 88 / 33

HEX #40AC15

RGB 64 172 21

HSL 102.91, 0.78%, 0.38%

LAB 62.21, -55.39, 59.9

 

CMYK 17 / 0 / 88 / 61

HEX #52630C

RGB 82 99 12

HSL 71.72, 0.78%, 0.22%

LAB 39.15, -18.5, 42.31

 

CMYK 17 / 0 / 88 / 47

HEX #708710

RGB 112 135 16

HSL 71.6, 0.79%, 0.3%

LAB 52.74, -23.48, 53.78

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 17 / 0 / 88 / 18

HEX #AED119

RGB 174 209 25

HSL 71.41, 0.79%, 0.46%

LAB 78.85, -32.8, 75.33

 

CMYK 15 / 0 / 79 / 10

HEX #C2E52F

RGB 194 229 47

HSL 71.54, 0.78%, 0.54%

LAB 85.86, -33.35, 76.93

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 88 / 0 / 54 / 33

HEX #15AC4F

RGB 21 172 79

HSL 143.05, 0.78%, 0.38%

LAB 61.85, -56.79, 37.38

 

CMYK 19 / 88 / 0 / 33

HEX #8B15AC

RGB 139 21 172

HSL 286.89, 0.78%, 0.38%

LAB 35.99, 64.94, -53.36

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 88 / 16 / 0 / 33

HEX #1590AC

RGB 21 144 172

HSL 191.13, 0.78%, 0.38%

LAB 55.16, -21.04, -23.53

 

CMYK 0 / 88 / 16 / 33

HEX #AC1590

RGB 172 21 144

HSL 311.13, 0.78%, 0.38%

LAB 40.12, 66.58, -29.51

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 88 / 0 / 54 / 33

HEX #15AC4F

RGB 21 172 79

HSL 143.05, 0.78%, 0.38%

LAB 61.85, -56.79, 37.38

 

CMYK 72 / 88 / 0 / 33

HEX #3115AC

RGB 49 21 172

HSL 251.13, 0.78%, 0.38%

LAB 24.22, 54.38, -73.13

 

CMYK 0 / 88 / 34 / 33

HEX #AC1572

RGB 172 21 114

HSL 323.05, 0.78%, 0.38%

LAB 38.76, 62.92, -13.02

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 88 / 0 / 28 / 33

HEX #15AC7C

RGB 21 172 124

HSL 160.93, 0.78%, 0.38%

LAB 62.61, -48.02, 14.57

 

CMYK 72 / 88 / 0 / 33

HEX #3115AC

RGB 49 21 172

HSL 251.13, 0.78%, 0.38%

LAB 24.22, 54.38, -73.13

 

CMYK 0 / 88 / 60 / 33

HEX #AC1545

RGB 172 21 69

HSL 340.93, 0.78%, 0.38%

LAB 37.37, 58.99, 13.68

 

Description

Color code: RGB 143 172 21 | qconv.com Color code: RGB 143 172 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 172 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 172 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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