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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 15 158 it is the complementary color RGB 112 240 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 15 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 15 158 shade: RGB 148 15 153, RGB 165 33 172, RGB 182 51 191, RGB 199 69 210 and RGB 216 87 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 15 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 15 158 shade: RGB 143 15 158, RGB 126 0 139, RGB 109 0 120, RGB 92 0 101 and RGB 75 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 15 158 shade: RGB 143 14 158, RGB 158 14 134, RGB 158 14 96, RGB 158 14 57 and RGB 158 14 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 15 158 shade: RGB 143 14 158, RGB 104 14 158, RGB 65 14 158, RGB 27 14 158 and RGB 14 14 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 15 158 shade matches the following richer shades: RGB 143 14 158 and RGB 154 0 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 15 158 shade: RGB 143 14 158, RGB 132 28 144, RGB 121 42 130, RGB 110 56 116 and RGB 99 70 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 15 158 shade: RGB 65 14 158, RGB 103 14 158, RGB 141 14 158, RGB 158 14 137 and RGB 158 14 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 15 158 shade: RGB 75 7 83, RGB 109 11 120, RGB 143 14 158, RGB 177 18 196 and RGB 211 22 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 15 158 shade: RGB 143 15 158, RGB 158 26 14 and RGB 14 158 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 15 158 shade: RGB 143 15 158, RGB 158 141 14 and RGB 14 158 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 15 158 shade: RGB 143 15 158, RGB 158 26 14, RGB 31 158 14 and RGB 14 146 158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 15 158 shade: RGB 143 15 158, RGB 158 69 14, RGB 31 158 14 and RGB 14 103 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

Complementary color

CMYK 53 / 0 / 60 / 6

HEX #70F061

RGB 112 240 97

HSL 113.71, 0.83%, 0.66%

LAB 85.32, -62.01, 57.21

 

CMYK 3 / 90 / 0 / 40

HEX #940F99

RGB 148 15 153

HSL 297.83, 0.82%, 0.33%

LAB 35.86, 64.29, -42.02

 

CMYK 4 / 81 / 0 / 33

HEX #A521AC

RGB 165 33 172

HSL 296.98, 0.68%, 0.4%

LAB 41.32, 66.78, -44.55

 

CMYK 5 / 73 / 0 / 25

HEX #B633BF

RGB 182 51 191

HSL 296.14, 0.58%, 0.47%

LAB 47.07, 68.11, -46.39

 

CMYK 5 / 67 / 0 / 18

HEX #C745D2

RGB 199 69 210

HSL 295.32, 0.61%, 0.55%

LAB 53.01, 68.67, -47.74

 

CMYK 6 / 62 / 0 / 10

HEX #D857E5

RGB 216 87 229

HSL 294.51, 0.73%, 0.62%

LAB 59.04, 68.74, -48.76

 

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

CMYK 9 / 100 / 0 / 45

HEX #7E008B

RGB 126 0 139

HSL 294.39, 1%, 0.27%

LAB 30.16, 60.4, -42.8

 

CMYK 9 / 100 / 0 / 53

HEX #6D0078

RGB 109 0 120

HSL 294.5, 1%, 0.24%

LAB 25.59, 54.39, -38.37

 

CMYK 9 / 100 / 0 / 60

HEX #5C0065

RGB 92 0 101

HSL 294.65, 1%, 0.2%

LAB 20.88, 48.2, -33.81

 

CMYK 9 / 100 / 0 / 68

HEX #4B0052

RGB 75 0 82

HSL 294.88, 1%, 0.16%

LAB 16.03, 41.81, -29.08

 

CMYK 9 / 91 / 0 / 38

HEX #8F0E9E

RGB 143 14 158

HSL 293.75, 0.84%, 0.34%

LAB 35.25, 64.4, -46.1

 

CMYK 0 / 91 / 15 / 38

HEX #9E0E86

RGB 158 14 134

HSL 310, 0.84%, 0.34%

LAB 36.56, 63.51, -29.12

 

CMYK 0 / 91 / 39 / 38

HEX #9E0E60

RGB 158 14 96

HSL 325.83, 0.84%, 0.34%

LAB 34.86, 58.97, -7.75

 

CMYK 0 / 91 / 64 / 38

HEX #9E0E39

RGB 158 14 57

HSL 342.08, 0.84%, 0.34%

LAB 33.73, 55.83, 16.08

 

CMYK 0 / 91 / 89 / 38

HEX #9E0E12

RGB 158 14 18

HSL 358.33, 0.84%, 0.34%

LAB 33.19, 54.3, 39.26

 

CMYK 9 / 91 / 0 / 38

HEX #8F0E9E

RGB 143 14 158

HSL 293.75, 0.84%, 0.34%

LAB 35.25, 64.4, -46.1

 

CMYK 34 / 91 / 0 / 38

HEX #680E9E

RGB 104 14 158

HSL 277.5, 0.84%, 0.34%

LAB 28.71, 58.38, -57.01

 

CMYK 59 / 91 / 0 / 38

HEX #410E9E

RGB 65 14 158

HSL 261.25, 0.84%, 0.34%

LAB 23.36, 54.02, -66.01

 

CMYK 83 / 91 / 0 / 38

HEX #1B0E9E

RGB 27 14 158

HSL 245.42, 0.84%, 0.34%

LAB 20.11, 51.74, -71.51

 

CMYK 91 / 91 / 0 / 38

HEX #0E0E9E

RGB 14 14 158

HSL 240, 0.84%, 0.34%

LAB 19.54, 51.38, -72.47

 

CMYK 9 / 91 / 0 / 38

HEX #8F0E9E

RGB 143 14 158

HSL 293.75, 0.84%, 0.34%

LAB 35.25, 64.4, -46.1

 

CMYK 10 / 100 / 0 / 33

HEX #9A00AC

RGB 154 0 172

HSL 293.72, 1%, 0.34%

LAB 37.57, 70.28, -50.68

 

CMYK 9 / 91 / 0 / 38

HEX #8F0E9E

RGB 143 14 158

HSL 293.75, 0.84%, 0.34%

LAB 35.25, 64.4, -46.1

 

CMYK 8 / 81 / 0 / 44

HEX #841C90

RGB 132 28 144

HSL 293.79, 0.67%, 0.34%

LAB 33.46, 56.82, -40.53

 

CMYK 7 / 68 / 0 / 49

HEX #792A82

RGB 121 42 130

HSL 293.86, 0.51%, 0.34%

LAB 32.55, 46.62, -33.4

 

CMYK 5 / 52 / 0 / 55

HEX #6E3874

RGB 110 56 116

HSL 294, 0.35%, 0.34%

LAB 32.71, 33.68, -24.49

 

CMYK 3 / 31 / 0 / 60

HEX #634666

RGB 99 70 102

HSL 294.38, 0.19%, 0.34%

LAB 33.97, 18.56, -13.82

 

CMYK 59 / 91 / 0 / 38

HEX #410E9E

RGB 65 14 158

HSL 261.25, 0.84%, 0.34%

LAB 23.36, 54.02, -66.01

 

CMYK 35 / 91 / 0 / 38

HEX #670E9E

RGB 103 14 158

HSL 277.08, 0.84%, 0.34%

LAB 28.55, 58.24, -57.27

 

CMYK 11 / 91 / 0 / 38

HEX #8D0E9E

RGB 141 14 158

HSL 292.92, 0.84%, 0.34%

LAB 34.89, 64.06, -46.68

 

CMYK 0 / 91 / 13 / 38

HEX #9E0E89

RGB 158 14 137

HSL 308.75, 0.84%, 0.34%

LAB 36.72, 63.93, -30.73

 

CMYK 0 / 91 / 38 / 38

HEX #9E0E62

RGB 158 14 98

HSL 325, 0.84%, 0.34%

LAB 34.93, 59.17, -8.92

 

CMYK 10 / 92 / 0 / 67

HEX #4B0753

RGB 75 7 83

HSL 293.68, 0.84%, 0.18%

LAB 16.86, 39.78, -28.43

 

CMYK 9 / 91 / 0 / 53

HEX #6D0B78

RGB 109 11 120

HSL 293.94, 0.83%, 0.26%

LAB 26.29, 52.29, -37.23

 

CMYK 9 / 91 / 0 / 38

HEX #8F0E9E

RGB 143 14 158

HSL 293.75, 0.84%, 0.34%

LAB 35.25, 64.4, -46.1

 

CMYK 10 / 91 / 0 / 23

HEX #B112C4

RGB 177 18 196

HSL 293.6, 0.83%, 0.42%

LAB 43.89, 75.76, -54.44

 

CMYK 9 / 91 / 0 / 9

HEX #D316E9

RGB 211 22 233

HSL 293.74, 0.83%, 0.5%

LAB 52.18, 86.53, -62.01

 

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

CMYK 0 / 84 / 91 / 38

HEX #9E1A0E

RGB 158 26 14

HSL 5, 0.84%, 0.34%

LAB 34.07, 51.67, 41.81

 

CMYK 91 / 0 / 47 / 38

HEX #0E9E54

RGB 14 158 84

HSL 149.17, 0.84%, 0.34%

LAB 57.26, -51.65, 29.07

 

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

CMYK 0 / 11 / 91 / 38

HEX #9E8D0E

RGB 158 141 14

HSL 52.92, 0.84%, 0.34%

LAB 58.37, -5.83, 60.37

 

CMYK 91 / 0 / 11 / 38

HEX #0E9E8D

RGB 14 158 141

HSL 172.92, 0.84%, 0.34%

LAB 58.48, -38.14, -0.86

 

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

CMYK 0 / 84 / 91 / 38

HEX #9E1A0E

RGB 158 26 14

HSL 5, 0.84%, 0.34%

LAB 34.07, 51.67, 41.81

 

CMYK 80 / 0 / 91 / 38

HEX #1F9E0E

RGB 31 158 14

HSL 112.92, 0.84%, 0.34%

LAB 56.86, -57.28, 56.37

 

CMYK 91 / 8 / 0 / 38

HEX #0E929E

RGB 14 146 158

HSL 185, 0.84%, 0.34%

LAB 55.2, -27.21, -15.46

 

CMYK 9 / 91 / 0 / 38

HEX #8F0F9E

RGB 143 15 158

HSL 293.71, 0.83%, 0.34%

LAB 35.3, 64.24, -46.01

 

CMYK 0 / 56 / 91 / 38

HEX #9E450E

RGB 158 69 14

HSL 22.92, 0.84%, 0.34%

LAB 40.5, 34.29, 46.6

 

CMYK 80 / 0 / 91 / 38

HEX #1F9E0E

RGB 31 158 14

HSL 112.92, 0.84%, 0.34%

LAB 56.86, -57.28, 56.37

 

CMYK 91 / 35 / 0 / 38

HEX #0E679E

RGB 14 103 158

HSL 202.92, 0.84%, 0.34%

LAB 41.63, -3.26, -36.49

 

Description

Color code: RGB 143 15 158 | qconv.com Color code: RGB 143 15 158 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 15 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 15 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 91 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 91% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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