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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 131 46 it is the complementary color RGB 112 124 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 131 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 131 46 shade: RGB 148 131 41, RGB 165 149 60, RGB 182 167 79, RGB 199 185 98 and RGB 216 203 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 131 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 131 46 shade: RGB 143 131 46, RGB 126 113 27, RGB 109 95 8, RGB 92 77 0 and RGB 75 59 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 131 46 shade: RGB 142 130 46, RGB 142 104 46, RGB 142 78 46, RGB 142 52 46 and RGB 142 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 131 46 shade: RGB 142 130 46, RGB 128 142 46, RGB 102 142 46, RGB 76 142 46 and RGB 50 142 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 131 46 shade matches the following richer shades: RGB 142 130 46, RGB 157 142 30, RGB 173 153 15 and RGB 188 165 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 131 46 shade: RGB 142 130 46, RGB 127 119 61, RGB 111 107 76, RGB 96 96 92 and RGB 81 84 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 131 46 shade: RGB 142 78 46, RGB 142 103 46, RGB 142 129 46, RGB 129 142 46 and RGB 103 142 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 131 46 shade: RGB 80 73 26, RGB 111 102 36, RGB 142 130 46, RGB 173 159 56 and RGB 196 181 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 131 46 shade: RGB 143 131 46, RGB 46 142 52 and RGB 91 46 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 131 46 shade: RGB 143 131 46, RGB 46 142 129 and RGB 129 46 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 131 46 shade: RGB 143 131 46, RGB 46 142 52, RGB 46 59 142 and RGB 142 46 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 131 46 shade: RGB 143 131 46, RGB 46 142 81, RGB 46 59 142 and RGB 142 46 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

Complementary color

CMYK 46 / 41 / 0 / 18

HEX #707CD1

RGB 112 124 209

HSL 232.58, 0.51%, 0.63%

LAB 54.52, 18.11, -45.36

 

CMYK 0 / 11 / 72 / 42

HEX #948329

RGB 148 131 41

HSL 50.47, 0.57%, 0.37%

LAB 54.75, -3.99, 48.57

 

CMYK 0 / 10 / 64 / 35

HEX #A5953C

RGB 165 149 60

HSL 50.86, 0.47%, 0.44%

LAB 61.5, -5.04, 47.8

 

CMYK 0 / 8 / 57 / 29

HEX #B6A74F

RGB 182 167 79

HSL 51.26, 0.41%, 0.51%

LAB 68.13, -5.88, 46.72

 

CMYK 0 / 7 / 51 / 22

HEX #C7B962

RGB 199 185 98

HSL 51.68, 0.47%, 0.58%

LAB 74.65, -6.57, 45.53

 

CMYK 0 / 6 / 46 / 15

HEX #D8CB75

RGB 216 203 117

HSL 52.12, 0.56%, 0.65%

LAB 81.07, -7.15, 44.32

 

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

CMYK 0 / 10 / 79 / 51

HEX #7E711B

RGB 126 113 27

HSL 52.12, 0.65%, 0.3%

LAB 47.4, -4.84, 46.25

 

CMYK 0 / 13 / 93 / 57

HEX #6D5F08

RGB 109 95 8

HSL 51.68, 0.86%, 0.23%

LAB 40.33, -3.34, 45.34

 

CMYK 0 / 16 / 100 / 64

HEX #5C4D00

RGB 92 77 0

HSL 50.22, 1%, 0.18%

LAB 33.1, -1.38, 41.53

 

CMYK 0 / 21 / 100 / 71

HEX #4B3B00

RGB 75 59 0

HSL 47.2, 1%, 0.15%

LAB 25.63, 0.96, 34.8

 

CMYK 0 / 8 / 68 / 44

HEX #8E822E

RGB 142 130 46

HSL 52.5, 0.51%, 0.37%

LAB 53.93, -5.89, 45.41

 

CMYK 0 / 27 / 68 / 44

HEX #8E682E

RGB 142 104 46

HSL 36.25, 0.51%, 0.37%

LAB 46.78, 8.9, 37.73

 

CMYK 0 / 45 / 68 / 44

HEX #8E4E2E

RGB 142 78 46

HSL 20, 0.51%, 0.37%

LAB 40.24, 23.96, 30.33

 

CMYK 0 / 63 / 68 / 44

HEX #8E342E

RGB 142 52 46

HSL 3.75, 0.51%, 0.37%

LAB 34.81, 37.79, 23.84

 

CMYK 0 / 68 / 68 / 44

HEX #8E2E2E

RGB 142 46 46

HSL 0, 0.51%, 0.37%

LAB 33.78, 40.56, 22.57

 

CMYK 0 / 8 / 68 / 44

HEX #8E822E

RGB 142 130 46

HSL 52.5, 0.51%, 0.37%

LAB 53.93, -5.89, 45.41

 

CMYK 10 / 0 / 68 / 44

HEX #808E2E

RGB 128 142 46

HSL 68.75, 0.51%, 0.37%

LAB 56.22, -18.59, 47.42

 

CMYK 28 / 0 / 68 / 44

HEX #668E2E

RGB 102 142 46

HSL 85, 0.51%, 0.37%

LAB 54.42, -29.49, 44.97

 

CMYK 46 / 0 / 68 / 44

HEX #4C8E2E

RGB 76 142 46

HSL 101.25, 0.51%, 0.37%

LAB 53.04, -38.99, 43.09

 

CMYK 65 / 0 / 68 / 44

HEX #328E2E

RGB 50 142 46

HSL 117.5, 0.51%, 0.37%

LAB 52.09, -46.31, 41.78

 

CMYK 0 / 8 / 68 / 44

HEX #8E822E

RGB 142 130 46

HSL 52.5, 0.51%, 0.37%

LAB 53.93, -5.89, 45.41

 

CMYK 0 / 10 / 81 / 38

HEX #9D8E1E

RGB 157 142 30

HSL 52.91, 0.68%, 0.37%

LAB 58.61, -6.39, 56.5

 

CMYK 0 / 12 / 91 / 32

HEX #AD990F

RGB 173 153 15

HSL 52.41, 0.84%, 0.37%

LAB 63.1, -5.44, 64.48

 

CMYK 0 / 12 / 100 / 26

HEX #BCA500

RGB 188 165 0

HSL 52.66, 1%, 0.37%

LAB 67.73, -5.28, 70.62

 

CMYK 0 / 8 / 68 / 44

HEX #8E822E

RGB 142 130 46

HSL 52.5, 0.51%, 0.37%

LAB 53.93, -5.89, 45.41

 

CMYK 0 / 6 / 52 / 50

HEX #7F773D

RGB 127 119 61

HSL 52.73, 0.35%, 0.37%

LAB 49.55, -5.36, 32.73

 

CMYK 0 / 4 / 32 / 56

HEX #6F6B4C

RGB 111 107 76

HSL 53.14, 0.19%, 0.37%

LAB 44.82, -3.78, 17.98

 

CMYK 0 / 0 / 4 / 62

HEX #60605C

RGB 96 96 92

HSL 60, 0.02%, 0.37%

LAB 40.61, -0.82, 2.28

 

CMYK 24 / 21 / 0 / 58

HEX #51546B

RGB 81 84 107

HSL 233.08, 0.14%, 0.37%

LAB 36.27, 4.4, -13.6

 

CMYK 0 / 45 / 68 / 44

HEX #8E4E2E

RGB 142 78 46

HSL 20, 0.51%, 0.37%

LAB 40.24, 23.96, 30.33

 

CMYK 0 / 27 / 68 / 44

HEX #8E672E

RGB 142 103 46

HSL 35.63, 0.51%, 0.37%

LAB 46.51, 9.48, 37.44

 

CMYK 0 / 9 / 68 / 44

HEX #8E812E

RGB 142 129 46

HSL 51.88, 0.51%, 0.37%

LAB 53.65, -5.34, 45.12

 

CMYK 9 / 0 / 68 / 44

HEX #818E2E

RGB 129 142 46

HSL 68.13, 0.51%, 0.37%

LAB 56.3, -18.15, 47.52

 

CMYK 27 / 0 / 68 / 44

HEX #678E2E

RGB 103 142 46

HSL 84.38, 0.51%, 0.37%

LAB 54.48, -29.09, 45.06

 

CMYK 0 / 9 / 68 / 69

HEX #50491A

RGB 80 73 26

HSL 52.22, 0.51%, 0.21%

LAB 30.75, -3.78, 28.45

 

CMYK 0 / 8 / 68 / 56

HEX #6F6624

RGB 111 102 36

HSL 52.8, 0.51%, 0.29%

LAB 42.78, -5.16, 37.34

 

CMYK 0 / 8 / 68 / 44

HEX #8E822E

RGB 142 130 46

HSL 52.5, 0.51%, 0.37%

LAB 53.93, -5.89, 45.41

 

CMYK 0 / 8 / 68 / 32

HEX #AD9F38

RGB 173 159 56

HSL 52.82, 0.51%, 0.45%

LAB 64.94, -7.13, 53.41

 

CMYK 0 / 8 / 62 / 23

HEX #C4B54A

RGB 196 181 74

HSL 52.62, 0.51%, 0.53%

LAB 73.07, -7.62, 54.89

 

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

CMYK 68 / 0 / 63 / 44

HEX #2E8E34

RGB 46 142 52

HSL 123.75, 0.51%, 0.37%

LAB 52.03, -46.53, 38.97

 

CMYK 36 / 68 / 0 / 44

HEX #5B2E8E

RGB 91 46 142

HSL 268.13, 0.51%, 0.37%

LAB 29.74, 40.24, -45.59

 

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

CMYK 68 / 0 / 9 / 44

HEX #2E8E81

RGB 46 142 129

HSL 171.88, 0.51%, 0.37%

LAB 53.51, -30.83, -1.22

 

CMYK 9 / 68 / 0 / 44

HEX #812E8E

RGB 129 46 142

HSL 291.88, 0.51%, 0.37%

LAB 35.15, 49.2, -36.62

 

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

CMYK 68 / 0 / 63 / 44

HEX #2E8E34

RGB 46 142 52

HSL 123.75, 0.51%, 0.37%

LAB 52.03, -46.53, 38.97

 

CMYK 68 / 58 / 0 / 44

HEX #2E3B8E

RGB 46 59 142

HSL 231.88, 0.51%, 0.37%

LAB 28.54, 23.16, -47.73

 

CMYK 0 / 68 / 4 / 44

HEX #8E2E88

RGB 142 46 136

HSL 303.75, 0.51%, 0.37%

LAB 36.9, 51.35, -30.03

 

CMYK 0 / 8 / 68 / 44

HEX #8F832E

RGB 143 131 46

HSL 52.58, 0.51%, 0.37%

LAB 54.31, -5.98, 45.84

 

CMYK 68 / 0 / 43 / 44

HEX #2E8E51

RGB 46 142 81

HSL 141.88, 0.51%, 0.37%

LAB 52.42, -42.12, 24.54

 

CMYK 68 / 58 / 0 / 44

HEX #2E3B8E

RGB 46 59 142

HSL 231.88, 0.51%, 0.37%

LAB 28.54, 23.16, -47.73

 

CMYK 0 / 68 / 25 / 44

HEX #8E2E6B

RGB 142 46 107

HSL 321.88, 0.51%, 0.37%

LAB 35.53, 46.8, -14.04

 

Description

Color code: RGB 143 131 46 | qconv.com Color code: RGB 143 131 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 131 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 131 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 68 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 68% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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