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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 129 60 it is the complementary color RGB 112 126 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 129 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 129 60 shade: RGB 148 129 55, RGB 165 147 74, RGB 182 165 93, RGB 199 183 112 and RGB 216 201 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 129 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 126 111 41, RGB 109 93 22, RGB 92 75 3 and RGB 75 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 143 107 60, RGB 143 84 60, RGB 143 62 60 and RGB 143 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 135 143 60, RGB 112 143 60, RGB 90 143 60 and RGB 67 143 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 129 60 shade matches the following richer shades: RGB 143 129 60, RGB 160 140 43, RGB 176 151 27 and RGB 193 162 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 127 118 76, RGB 110 107 93, RGB 94 96 109 and RGB 77 85 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 129 60 shade: RGB 143 83 60, RGB 143 106 60, RGB 143 128 60, RGB 136 143 60 and RGB 114 143 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 129 60 shade: RGB 85 77 35, RGB 114 103 48, RGB 143 129 60, RGB 172 155 72 and RGB 189 173 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 60 143 61 and RGB 95 60 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 60 143 128 and RGB 128 60 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 60 143 61, RGB 60 75 143 and RGB 143 60 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 129 60 shade: RGB 143 129 60, RGB 60 143 86, RGB 60 75 143 and RGB 143 60 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

Complementary color

CMYK 43 / 35 / 0 / 24

HEX #707EC3

RGB 112 126 195

HSL 229.88, 0.41%, 0.6%

LAB 54.35, 12.76, -37.67

 

CMYK 0 / 13 / 63 / 42

HEX #948137

RGB 148 129 55

HSL 47.74, 0.46%, 0.4%

LAB 54.31, -2, 41.81

 

CMYK 0 / 11 / 55 / 35

HEX #A5934A

RGB 165 147 74

HSL 48.13, 0.38%, 0.47%

LAB 61.1, -2.88, 40.6

 

CMYK 0 / 9 / 49 / 29

HEX #B6A55D

RGB 182 165 93

HSL 48.54, 0.38%, 0.54%

LAB 67.76, -3.6, 39.33

 

CMYK 0 / 8 / 44 / 22

HEX #C7B770

RGB 199 183 112

HSL 48.97, 0.44%, 0.61%

LAB 74.3, -4.18, 38.08

 

CMYK 0 / 7 / 39 / 15

HEX #D8C983

RGB 216 201 131

HSL 49.41, 0.52%, 0.68%

LAB 80.74, -4.68, 36.86

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 0 / 12 / 67 / 51

HEX #7E6F29

RGB 126 111 41

HSL 49.41, 0.51%, 0.33%

LAB 46.93, -2.92, 39.84

 

CMYK 0 / 15 / 80 / 57

HEX #6D5D16

RGB 109 93 22

HSL 48.97, 0.66%, 0.26%

LAB 39.81, -1.68, 40.44

 

CMYK 0 / 18 / 97 / 64

HEX #5C4B03

RGB 92 75 3

HSL 48.54, 0.94%, 0.19%

LAB 32.51, -0.06, 39.99

 

CMYK 0 / 24 / 100 / 71

HEX #4B3900

RGB 75 57 0

HSL 45.6, 1%, 0.15%

LAB 25.02, 2.24, 34.22

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 0 / 25 / 58 / 44

HEX #8F6B3C

RGB 143 107 60

HSL 33.98, 0.41%, 0.4%

LAB 47.86, 8.67, 31.62

 

CMYK 0 / 41 / 58 / 44

HEX #8F543C

RGB 143 84 60

HSL 17.35, 0.41%, 0.4%

LAB 42.01, 22.03, 24.41

 

CMYK 0 / 57 / 58 / 44

HEX #8F3E3C

RGB 143 62 60

HSL 1.45, 0.41%, 0.4%

LAB 37.14, 34.18, 18.13

 

CMYK 0 / 58 / 58 / 44

HEX #8F3C3C

RGB 143 60 60

HSL 0, 0.41%, 0.4%

LAB 36.74, 35.21, 17.61

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 6 / 0 / 58 / 44

HEX #878F3C

RGB 135 143 60

HSL 65.78, 0.41%, 0.4%

LAB 57.19, -15.01, 42.3

 

CMYK 22 / 0 / 58 / 44

HEX #708F3C

RGB 112 143 60

HSL 82.41, 0.41%, 0.4%

LAB 55.5, -24.71, 39.92

 

CMYK 37 / 0 / 58 / 44

HEX #5A8F3C

RGB 90 143 60

HSL 98.31, 0.41%, 0.4%

LAB 54.18, -33.18, 38.06

 

CMYK 53 / 0 / 58 / 44

HEX #438F3C

RGB 67 143 60

HSL 114.94, 0.41%, 0.4%

LAB 53.13, -40.67, 36.56

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 0 / 13 / 73 / 37

HEX #A08C2B

RGB 160 140 43

HSL 49.74, 0.58%, 0.4%

LAB 58.42, -3.38, 51.78

 

CMYK 0 / 14 / 85 / 31

HEX #B0971B

RGB 176 151 27

HSL 49.93, 0.73%, 0.4%

LAB 62.88, -2.74, 61.76

 

CMYK 0 / 16 / 95 / 24

HEX #C1A20A

RGB 193 162 10

HSL 49.84, 0.9%, 0.4%

LAB 67.43, -1.33, 69.35

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 0 / 7 / 40 / 50

HEX #7F764C

RGB 127 118 76

HSL 49.41, 0.25%, 0.4%

LAB 49.48, -3.14, 24.39

 

CMYK 0 / 3 / 15 / 57

HEX #6E6B5D

RGB 110 107 93

HSL 49.41, 0.08%, 0.4%

LAB 45.11, -1.48, 8.27

 

CMYK 14 / 12 / 0 / 57

HEX #5E606D

RGB 94 96 109

HSL 232, 0.07%, 0.4%

LAB 40.98, 2.14, -7.63

 

CMYK 39 / 33 / 0 / 51

HEX #4D557E

RGB 77 85 126

HSL 230.2, 0.24%, 0.4%

LAB 37.08, 7.84, -24.14

 

CMYK 0 / 42 / 58 / 44

HEX #8F533C

RGB 143 83 60

HSL 16.63, 0.41%, 0.4%

LAB 41.77, 22.6, 24.11

 

CMYK 0 / 26 / 58 / 44

HEX #8F6A3C

RGB 143 106 60

HSL 33.25, 0.41%, 0.4%

LAB 47.59, 9.25, 31.3

 

CMYK 0 / 10 / 58 / 44

HEX #8F803C

RGB 143 128 60

HSL 49.16, 0.41%, 0.4%

LAB 53.6, -3.31, 38.4

 

CMYK 5 / 0 / 58 / 44

HEX #888F3C

RGB 136 143 60

HSL 65.06, 0.41%, 0.4%

LAB 57.28, -14.57, 42.41

 

CMYK 20 / 0 / 58 / 44

HEX #728F3C

RGB 114 143 60

HSL 80.96, 0.41%, 0.4%

LAB 55.63, -23.9, 40.11

 

CMYK 0 / 9 / 59 / 67

HEX #554D23

RGB 85 77 35

HSL 50.4, 0.42%, 0.24%

LAB 32.61, -2.96, 25.8

 

CMYK 0 / 10 / 58 / 55

HEX #726730

RGB 114 103 48

HSL 50, 0.41%, 0.32%

LAB 43.49, -3.38, 32.17

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 0 / 10 / 58 / 33

HEX #AC9B48

RGB 172 155 72

HSL 49.8, 0.41%, 0.48%

LAB 63.9, -4.33, 45

 

CMYK 0 / 8 / 49 / 26

HEX #BDAD61

RGB 189 173 97

HSL 49.57, 0.41%, 0.56%

LAB 70.57, -4.53, 40.89

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 58 / 0 / 57 / 44

HEX #3C8F3D

RGB 60 143 61

HSL 120.72, 0.41%, 0.4%

LAB 52.89, -42.46, 35.72

 

CMYK 34 / 58 / 0 / 44

HEX #5F3C8F

RGB 95 60 143

HSL 265.3, 0.41%, 0.4%

LAB 33.24, 33.57, -40.55

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 58 / 0 / 10 / 44

HEX #3C8F80

RGB 60 143 128

HSL 169.16, 0.41%, 0.4%

LAB 54.2, -28.94, 0.43

 

CMYK 10 / 58 / 0 / 44

HEX #803C8F

RGB 128 60 143

HSL 289.16, 0.41%, 0.4%

LAB 37.49, 42.48, -33.53

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 58 / 0 / 57 / 44

HEX #3C8F3D

RGB 60 143 61

HSL 120.72, 0.41%, 0.4%

LAB 52.89, -42.46, 35.72

 

CMYK 58 / 48 / 0 / 44

HEX #3C4B8F

RGB 60 75 143

HSL 229.16, 0.41%, 0.4%

LAB 33.93, 15.48, -39.61

 

CMYK 0 / 58 / 1 / 44

HEX #8F3C8E

RGB 143 60 142

HSL 300.72, 0.41%, 0.4%

LAB 39.62, 46.46, -29.41

 

CMYK 0 / 10 / 58 / 44

HEX #8F813C

RGB 143 129 60

HSL 49.88, 0.41%, 0.4%

LAB 53.88, -3.87, 38.72

 

CMYK 58 / 0 / 40 / 44

HEX #3C8F56

RGB 60 143 86

HSL 138.8, 0.41%, 0.4%

LAB 53.25, -38.49, 22.96

 

CMYK 58 / 48 / 0 / 44

HEX #3C4B8F

RGB 60 75 143

HSL 229.16, 0.41%, 0.4%

LAB 33.93, 15.48, -39.61

 

CMYK 0 / 58 / 18 / 44

HEX #8F3C75

RGB 143 60 117

HSL 318.8, 0.41%, 0.4%

LAB 38.47, 42.16, -15.8

 

Description

Color code: RGB 143 129 60 | qconv.com Color code: RGB 143 129 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 129 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 129 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 58 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 58% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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