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Color name
RGB 143 104 38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 104 38 it is the complementary color RGB 112 151 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 104 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 104 38 shade: RGB 148 104 33, RGB 165 122 52, RGB 182 140 71, RGB 199 158 90 and RGB 216 176 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 104 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 104 38 shade: RGB 143 104 38, RGB 126 86 19, RGB 109 68 0, RGB 92 50 0 and RGB 75 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 104 38 shade: RGB 141 102 37, RGB 141 74 37, RGB 141 46 37 and RGB 141 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 104 38 shade: RGB 141 102 37, RGB 141 130 37, RGB 123 141 37, RGB 95 141 37 and RGB 67 141 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 104 38 shade matches the following richer shades: RGB 141 102 37, RGB 155 106 23 and RGB 169 109 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 104 38 shade: RGB 141 102 37, RGB 126 98 51, RGB 112 95 66, RGB 97 91 80 and RGB 83 87 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 104 38 shade: RGB 141 46 37, RGB 141 73 37, RGB 141 101 37, RGB 141 128 37 and RGB 125 141 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 104 38 shade: RGB 75 55 20, RGB 108 78 28, RGB 141 102 37, RGB 173 126 46 and RGB 202 149 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 104 38 shade: RGB 143 104 38, RGB 56 141 37 and RGB 59 37 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 104 38 shade: RGB 143 104 38, RGB 37 141 101 and RGB 101 37 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 104 38 shade: RGB 143 104 38, RGB 56 141 37, RGB 37 77 141 and RGB 122 37 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 104 38 shade: RGB 143 104 38, RGB 37 141 49, RGB 37 77 141 and RGB 141 37 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

Complementary color

CMYK 48 / 30 / 0 / 15

HEX #7097D9

RGB 112 151 217

HSL 217.71, 0.58%, 0.65%

LAB 62.16, 4.57, -37.82

 

CMYK 0 / 30 / 78 / 42

HEX #946821

RGB 148 104 33

HSL 37.04, 0.64%, 0.35%

LAB 47.37, 10.95, 44.68

 

CMYK 0 / 26 / 68 / 35

HEX #A57A34

RGB 165 122 52

HSL 37.17, 0.52%, 0.43%

LAB 54.2, 9.41, 43.64

 

CMYK 0 / 23 / 61 / 29

HEX #B68C47

RGB 182 140 71

HSL 37.3, 0.44%, 0.5%

LAB 60.92, 8.15, 42.33

 

CMYK 0 / 21 / 55 / 22

HEX #C79E5A

RGB 199 158 90

HSL 37.43, 0.49%, 0.57%

LAB 67.53, 7.1, 40.96

 

CMYK 0 / 19 / 50 / 15

HEX #D8B06D

RGB 216 176 109

HSL 37.57, 0.58%, 0.64%

LAB 74.03, 6.21, 39.61

 

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

CMYK 0 / 32 / 85 / 51

HEX #7E5613

RGB 126 86 19

HSL 37.57, 0.74%, 0.28%

LAB 39.81, 10.61, 42.33

 

CMYK 0 / 38 / 100 / 57

HEX #6D4400

RGB 109 68 0

HSL 37.43, 1%, 0.21%

LAB 32.67, 12.7, 42.25

 

CMYK 0 / 46 / 100 / 64

HEX #5C3200

RGB 92 50 0

HSL 32.61, 1%, 0.18%

LAB 25.43, 15.44, 35.46

 

CMYK 0 / 57 / 100 / 71

HEX #4B2000

RGB 75 32 0

HSL 25.6, 1%, 0.15%

LAB 18.05, 18.28, 26.71

 

CMYK 0 / 28 / 74 / 45

HEX #8D6625

RGB 141 102 37

HSL 37.5, 0.58%, 0.35%

LAB 46.04, 9.06, 41.29

 

CMYK 0 / 48 / 74 / 45

HEX #8D4A25

RGB 141 74 37

HSL 21.35, 0.58%, 0.35%

LAB 39.06, 25.26, 33.93

 

CMYK 0 / 67 / 74 / 45

HEX #8D2E25

RGB 141 46 37

HSL 5.19, 0.58%, 0.35%

LAB 33.46, 39.7, 27.69

 

CMYK 0 / 74 / 74 / 45

HEX #8D2525

RGB 141 37 37

HSL 0, 0.58%, 0.35%

LAB 32.08, 43.46, 26.1

 

CMYK 0 / 28 / 74 / 45

HEX #8D6625

RGB 141 102 37

HSL 37.5, 0.58%, 0.35%

LAB 46.04, 9.06, 41.29

 

CMYK 0 / 8 / 74 / 45

HEX #8D8225

RGB 141 130 37

HSL 53.65, 0.58%, 0.35%

LAB 53.77, -6.86, 49

 

CMYK 13 / 0 / 74 / 45

HEX #7B8D25

RGB 123 141 37

HSL 70.38, 0.58%, 0.35%

LAB 55.48, -20.81, 50.14

 

CMYK 33 / 0 / 74 / 45

HEX #5F8D25

RGB 95 141 37

HSL 86.54, 0.58%, 0.35%

LAB 53.62, -32.43, 47.68

 

CMYK 52 / 0 / 74 / 45

HEX #438D25

RGB 67 141 37

HSL 102.69, 0.58%, 0.35%

LAB 52.26, -42.19, 45.87

 

CMYK 0 / 28 / 74 / 45

HEX #8D6625

RGB 141 102 37

HSL 37.5, 0.58%, 0.35%

LAB 46.04, 9.06, 41.29

 

CMYK 0 / 32 / 85 / 39

HEX #9B6A17

RGB 155 106 23

HSL 37.73, 0.74%, 0.35%

LAB 48.68, 12.65, 50.03

 

CMYK 0 / 36 / 95 / 34

HEX #A96D08

RGB 169 109 8

HSL 37.64, 0.91%, 0.35%

LAB 51.14, 17.01, 56.59

 

CMYK 0 / 28 / 74 / 45

HEX #8D6625

RGB 141 102 37

HSL 37.5, 0.58%, 0.35%

LAB 46.04, 9.06, 41.29

 

CMYK 0 / 22 / 60 / 51

HEX #7E6233

RGB 126 98 51

HSL 37.6, 0.42%, 0.35%

LAB 43.37, 5.4, 30.73

 

CMYK 0 / 15 / 41 / 56

HEX #705F42

RGB 112 95 66

HSL 37.83, 0.26%, 0.35%

LAB 41.25, 2.36, 19.15

 

CMYK 0 / 6 / 18 / 62

HEX #615B50

RGB 97 91 80

HSL 38.82, 0.1%, 0.35%

LAB 38.9, 0.32, 7.21

 

CMYK 13 / 8 / 0 / 63

HEX #53575F

RGB 83 87 95

HSL 220, 0.07%, 0.35%

LAB 36.9, 0.24, -5.17

 

CMYK 0 / 67 / 74 / 45

HEX #8D2E25

RGB 141 46 37

HSL 5.19, 0.58%, 0.35%

LAB 33.46, 39.7, 27.69

 

CMYK 0 / 48 / 74 / 45

HEX #8D4925

RGB 141 73 37

HSL 20.77, 0.58%, 0.35%

LAB 38.83, 25.82, 33.69

 

CMYK 0 / 28 / 74 / 45

HEX #8D6525

RGB 141 101 37

HSL 36.92, 0.58%, 0.35%

LAB 45.78, 9.64, 41.02

 

CMYK 0 / 9 / 74 / 45

HEX #8D8025

RGB 141 128 37

HSL 52.5, 0.58%, 0.35%

LAB 53.21, -5.75, 48.44

 

CMYK 11 / 0 / 74 / 45

HEX #7D8D25

RGB 125 141 37

HSL 69.23, 0.58%, 0.35%

LAB 55.63, -19.94, 50.34

 

CMYK 0 / 27 / 73 / 71

HEX #4B3714

RGB 75 55 20

HSL 38.18, 0.58%, 0.19%

LAB 24.57, 4.57, 24.76

 

CMYK 0 / 28 / 74 / 58

HEX #6C4E1C

RGB 108 78 28

HSL 37.5, 0.59%, 0.27%

LAB 35.44, 7.16, 33.39

 

CMYK 0 / 28 / 74 / 45

HEX #8D6625

RGB 141 102 37

HSL 37.5, 0.58%, 0.35%

LAB 46.04, 9.06, 41.29

 

CMYK 0 / 27 / 73 / 32

HEX #AD7E2E

RGB 173 126 46

HSL 37.8, 0.58%, 0.43%

LAB 56.09, 10.42, 48.65

 

CMYK 0 / 26 / 71 / 21

HEX #CA953A

RGB 202 149 58

HSL 37.92, 0.58%, 0.51%

LAB 65.24, 11.13, 53.79

 

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

CMYK 60 / 0 / 74 / 45

HEX #388D25

RGB 56 141 37

HSL 109.04, 0.58%, 0.35%

LAB 51.86, -45.29, 45.34

 

CMYK 58 / 74 / 0 / 45

HEX #3B258D

RGB 59 37 141

HSL 252.69, 0.58%, 0.35%

LAB 24.25, 38.8, -54.09

 

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

CMYK 74 / 0 / 28 / 45

HEX #258D65

RGB 37 141 101

HSL 156.92, 0.58%, 0.35%

LAB 52.27, -39.06, 13.09

 

CMYK 28 / 74 / 0 / 45

HEX #65258D

RGB 101 37 141

HSL 276.92, 0.58%, 0.35%

LAB 29.45, 46.56, -45.39

 

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

CMYK 60 / 0 / 74 / 45

HEX #388D25

RGB 56 141 37

HSL 109.04, 0.58%, 0.35%

LAB 51.86, -45.29, 45.34

 

CMYK 74 / 45 / 0 / 45

HEX #254D8D

RGB 37 77 141

HSL 216.92, 0.58%, 0.35%

LAB 33.19, 9.14, -39.65

 

CMYK 13 / 74 / 0 / 45

HEX #7A258D

RGB 122 37 141

HSL 289.04, 0.58%, 0.35%

LAB 32.67, 51.08, -40.04

 

CMYK 0 / 27 / 73 / 44

HEX #8F6826

RGB 143 104 38

HSL 37.71, 0.58%, 0.35%

LAB 46.82, 8.88, 41.69

 

CMYK 74 / 0 / 65 / 45

HEX #258D31

RGB 37 141 49

HSL 126.92, 0.58%, 0.35%

LAB 51.46, -48.27, 39.65

 

CMYK 74 / 45 / 0 / 45

HEX #254D8D

RGB 37 77 141

HSL 216.92, 0.58%, 0.35%

LAB 33.19, 9.14, -39.65

 

CMYK 0 / 74 / 9 / 45

HEX #8D2580

RGB 141 37 128

HSL 307.5, 0.58%, 0.35%

LAB 35.09, 53.2, -27.92

 

Description

Color code: RGB 143 104 38 | qconv.com Color code: RGB 143 104 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 104 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 104 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 73 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 73% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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