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Color name
RGB 142 99 112

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 99 112 it is the complementary color RGB 113 156 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 99 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 99 112 shade: RGB 147 99 107, RGB 164 117 126, RGB 181 135 145, RGB 198 153 164 and RGB 215 171 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 99 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 99 112 shade: RGB 142 99 112, RGB 125 81 93, RGB 108 63 74, RGB 91 45 55 and RGB 74 27 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 99 112 shade: RGB 141 98 111, RGB 141 98 99 and RGB 141 98 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 99 112 shade: RGB 141 98 111, RGB 141 98 122, RGB 141 98 134, RGB 136 98 141 and RGB 124 98 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 99 112 shade matches the following richer shades: RGB 141 98 111, RGB 160 78 103, RGB 180 59 95, RGB 199 40 88 and RGB 218 20 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 99 112 shade: RGB 141 98 111, RGB 122 117 118, RGB 102 137 126, RGB 83 156 134 and RGB 63 175 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 99 112 shade: RGB 141 98 134, RGB 141 98 123, RGB 141 98 111, RGB 141 98 100 and RGB 141 107 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 99 112 shade: RGB 92 64 72, RGB 117 81 92, RGB 141 98 111, RGB 161 119 132 and RGB 178 144 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 99 112 shade: RGB 142 99 112, RGB 141 136 98 and RGB 98 129 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 99 112 shade: RGB 142 99 112, RGB 111 141 98 and RGB 98 111 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 99 112 shade: RGB 142 99 112, RGB 141 136 98, RGB 98 141 127 and RGB 98 103 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 99 112 shade: RGB 142 99 112, RGB 133 141 98, RGB 98 141 127 and RGB 106 98 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

Complementary color

CMYK 28 / 0 / 8 / 39

HEX #719C8F

RGB 113 156 143

HSL 161.86, 0.18%, 0.53%

LAB 61.02, -17.47, 2.09

 

CMYK 0 / 33 / 27 / 42

HEX #93636B

RGB 147 99 107

HSL 350, 0.2%, 0.48%

LAB 47.22, 20.61, 3.41

 

CMYK 0 / 29 / 23 / 36

HEX #A4757E

RGB 164 117 126

HSL 348.51, 0.21%, 0.55%

LAB 54.16, 19.82, 2.42

 

CMYK 0 / 25 / 20 / 29

HEX #B58791

RGB 181 135 145

HSL 346.96, 0.24%, 0.62%

LAB 60.95, 19.12, 1.54

 

CMYK 0 / 23 / 17 / 22

HEX #C699A4

RGB 198 153 164

HSL 345.33, 0.28%, 0.69%

LAB 67.63, 18.5, 0.74

 

CMYK 0 / 20 / 15 / 16

HEX #D7ABB7

RGB 215 171 183

HSL 343.64, 0.35%, 0.76%

LAB 74.18, 17.93, -0.01

 

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

CMYK 0 / 35 / 26 / 51

HEX #7D515D

RGB 125 81 93

HSL 343.64, 0.21%, 0.4%

LAB 39.64, 20.25, 0.63

 

CMYK 0 / 42 / 31 / 58

HEX #6C3F4A

RGB 108 63 74

HSL 345.33, 0.26%, 0.34%

LAB 32.34, 21.19, 1.76

 

CMYK 0 / 51 / 40 / 64

HEX #5B2D37

RGB 91 45 55

HSL 346.96, 0.34%, 0.27%

LAB 24.88, 22.24, 3.2

 

CMYK 0 / 64 / 51 / 71

HEX #4A1B24

RGB 74 27 36

HSL 348.51, 0.47%, 0.2%

LAB 17.31, 23.33, 5.19

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 30 / 30 / 45

HEX #8D6263

RGB 141 98 99

HSL 358.6, 0.18%, 0.47%

LAB 46.04, 17.59, 6.43

 

CMYK 0 / 30 / 30 / 45

HEX #8D6262

RGB 141 98 98

HSL 0, 0.18%, 0.47%

LAB 46.02, 17.45, 7

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 30 / 13 / 45

HEX #8D627A

RGB 141 98 122

HSL 326.51, 0.18%, 0.47%

LAB 46.72, 21.34, -6.44

 

CMYK 0 / 30 / 5 / 45

HEX #8D6286

RGB 141 98 134

HSL 309.77, 0.18%, 0.47%

LAB 47.13, 23.56, -13.01

 

CMYK 4 / 30 / 0 / 45

HEX #88628D

RGB 136 98 141

HSL 293.02, 0.18%, 0.47%

LAB 46.83, 23.2, -17.7

 

CMYK 12 / 30 / 0 / 45

HEX #7C628D

RGB 124 98 141

HSL 276.28, 0.18%, 0.47%

LAB 45.56, 19.05, -19.77

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 51 / 36 / 37

HEX #A04E67

RGB 160 78 103

HSL 341.71, 0.34%, 0.47%

LAB 44.09, 36.73, 1.52

 

CMYK 0 / 67 / 47 / 29

HEX #B43B5F

RGB 180 59 95

HSL 342.15, 0.51%, 0.47%

LAB 43.74, 51.59, 6.37

 

CMYK 0 / 80 / 56 / 22

HEX #C72858

RGB 199 40 88

HSL 341.89, 0.67%, 0.47%

LAB 44.75, 63.02, 12.65

 

CMYK 0 / 91 / 63 / 15

HEX #DA1450

RGB 218 20 80

HSL 341.82, 0.83%, 0.47%

LAB 46.95, 71.37, 21.22

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 4 / 3 / 52

HEX #7A7576

RGB 122 117 118

HSL 348, 0.02%, 0.47%

LAB 49.7, 2.11, 0.13

 

CMYK 26 / 0 / 8 / 46

HEX #66897E

RGB 102 137 126

HSL 161.14, 0.15%, 0.47%

LAB 54.26, -14.71, 1.91

 

CMYK 47 / 0 / 14 / 39

HEX #539C86

RGB 83 156 134

HSL 161.92, 0.31%, 0.47%

LAB 59.29, -28.31, 4.48

 

CMYK 64 / 0 / 19 / 31

HEX #3FAF8D

RGB 63 175 141

HSL 161.79, 0.47%, 0.47%

LAB 64.68, -39.87, 8.2

 

CMYK 0 / 30 / 5 / 45

HEX #8D6286

RGB 141 98 134

HSL 309.77, 0.18%, 0.47%

LAB 47.13, 23.56, -13.01

 

CMYK 0 / 30 / 13 / 45

HEX #8D627B

RGB 141 98 123

HSL 325.12, 0.18%, 0.47%

LAB 46.75, 21.51, -6.99

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 30 / 29 / 45

HEX #8D6264

RGB 141 98 100

HSL 357.21, 0.18%, 0.47%

LAB 46.07, 17.74, 5.87

 

CMYK 0 / 24 / 30 / 45

HEX #8D6B62

RGB 141 107 98

HSL 12.56, 0.18%, 0.47%

LAB 48.34, 12.18, 10.28

 

CMYK 0 / 30 / 22 / 64

HEX #5C4048

RGB 92 64 72

HSL 342.86, 0.18%, 0.31%

LAB 30.42, 13.56, 0.01

 

CMYK 0 / 31 / 21 / 54

HEX #75515C

RGB 117 81 92

HSL 341.67, 0.18%, 0.39%

LAB 38.62, 16.86, -0.36

 

CMYK 0 / 30 / 21 / 45

HEX #8D626F

RGB 141 98 111

HSL 341.86, 0.18%, 0.47%

LAB 46.37, 19.46, -0.32

 

CMYK 0 / 26 / 18 / 37

HEX #A17784

RGB 161 119 132

HSL 341.43, 0.18%, 0.55%

LAB 54.49, 18.49, -0.64

 

CMYK 0 / 19 / 13 / 30

HEX #B2909A

RGB 178 144 154

HSL 342.35, 0.18%, 0.63%

LAB 63.13, 14.43, -0.44

 

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

CMYK 0 / 4 / 30 / 45

HEX #8D8862

RGB 141 136 98

HSL 53.02, 0.18%, 0.47%

LAB 56.24, -4.42, 21.13

 

CMYK 30 / 9 / 0 / 45

HEX #62818D

RGB 98 129 141

HSL 196.74, 0.18%, 0.47%

LAB 52.09, -7.97, -10.05

 

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

CMYK 21 / 0 / 30 / 45

HEX #6F8D62

RGB 111 141 98

HSL 101.86, 0.18%, 0.47%

LAB 55.39, -19.08, 19.59

 

CMYK 30 / 21 / 0 / 45

HEX #626F8D

RGB 98 111 141

HSL 221.86, 0.18%, 0.47%

LAB 46.83, 2.53, -18.02

 

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

CMYK 0 / 4 / 30 / 45

HEX #8D8862

RGB 141 136 98

HSL 53.02, 0.18%, 0.47%

LAB 56.24, -4.42, 21.13

 

CMYK 30 / 0 / 10 / 45

HEX #628D7F

RGB 98 141 127

HSL 160.47, 0.18%, 0.47%

LAB 55.26, -17.93, 2.75

 

CMYK 30 / 27 / 0 / 45

HEX #62678D

RGB 98 103 141

HSL 233.02, 0.18%, 0.47%

LAB 44.55, 7.38, -21.52

 

CMYK 0 / 30 / 21 / 44

HEX #8E6370

RGB 142 99 112

HSL 341.86, 0.18%, 0.47%

LAB 46.77, 19.43, -0.33

 

CMYK 6 / 0 / 30 / 45

HEX #858D62

RGB 133 141 98

HSL 71.16, 0.18%, 0.47%

LAB 57, -10.45, 22.02

 

CMYK 30 / 0 / 10 / 45

HEX #628D7F

RGB 98 141 127

HSL 160.47, 0.18%, 0.47%

LAB 55.26, -17.93, 2.75

 

CMYK 25 / 30 / 0 / 45

HEX #6A628D

RGB 106 98 141

HSL 251.16, 0.18%, 0.47%

LAB 43.83, 13.02, -22.57

 

Description

Color code: RGB 142 99 112 | qconv.com Color code: RGB 142 99 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 99 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 99 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 21 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 21% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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