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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 91 129 it is the complementary color RGB 113 164 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 91 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 91 129 shade: RGB 147 91 124, RGB 164 109 143, RGB 181 127 162, RGB 198 145 181 and RGB 215 163 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 91 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 91 129 shade: RGB 142 91 129, RGB 125 73 110, RGB 108 55 91, RGB 91 37 72 and RGB 74 19 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 91 129 shade: RGB 143 91 129, RGB 143 91 116, RGB 143 91 102 and RGB 143 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 91 129 shade: RGB 143 91 129, RGB 142 91 143, RGB 128 91 143, RGB 114 91 143 and RGB 100 91 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 91 129 shade matches the following richer shades: RGB 143 91 129, RGB 162 72 139, RGB 181 53 148, RGB 200 34 157 and RGB 219 15 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 91 129 shade: RGB 143 91 129, RGB 124 110 120, RGB 105 129 111, RGB 86 148 102 and RGB 67 167 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 91 129 shade: RGB 128 91 143, RGB 142 91 143, RGB 143 91 130, RGB 143 91 116 and RGB 143 91 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 91 129 shade: RGB 92 59 84, RGB 117 75 107, RGB 143 91 129, RGB 163 112 150 and RGB 179 137 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 91 129 shade: RGB 142 91 129, RGB 143 114 91 and RGB 91 143 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 91 129 shade: RGB 142 91 129, RGB 130 143 91 and RGB 91 130 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 91 129 shade: RGB 142 91 129, RGB 143 114 91, RGB 91 143 104 and RGB 91 119 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 91 129 shade: RGB 142 91 129, RGB 143 130 91, RGB 91 143 104 and RGB 91 104 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

Complementary color

CMYK 31 / 0 / 23 / 36

HEX #71A47E

RGB 113 164 126

HSL 135.29, 0.22%, 0.54%

LAB 62.98, -25.07, 14.41

 

CMYK 0 / 38 / 16 / 42

HEX #935B7C

RGB 147 91 124

HSL 324.64, 0.24%, 0.47%

LAB 45.83, 27.96, -8.9

 

CMYK 0 / 34 / 13 / 36

HEX #A46D8F

RGB 164 109 143

HSL 322.91, 0.23%, 0.54%

LAB 52.74, 27.16, -9.63

 

CMYK 0 / 30 / 10 / 29

HEX #B57FA2

RGB 181 127 162

HSL 321.11, 0.27%, 0.6%

LAB 59.54, 26.43, -10.28

 

CMYK 0 / 27 / 9 / 22

HEX #C691B5

RGB 198 145 181

HSL 319.25, 0.32%, 0.67%

LAB 66.21, 25.75, -10.88

 

CMYK 0 / 24 / 7 / 16

HEX #D7A3C8

RGB 215 163 200

HSL 317.31, 0.39%, 0.74%

LAB 72.77, 25.13, -11.44

 

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

CMYK 0 / 42 / 12 / 51

HEX #7D496E

RGB 125 73 110

HSL 317.31, 0.26%, 0.39%

LAB 38.29, 27.86, -11.96

 

CMYK 0 / 49 / 16 / 58

HEX #6C375B

RGB 108 55 91

HSL 319.25, 0.33%, 0.32%

LAB 31.06, 28.71, -11.13

 

CMYK 0 / 59 / 21 / 64

HEX #5B2548

RGB 91 37 72

HSL 321.11, 0.42%, 0.25%

LAB 23.72, 29.47, -10.01

 

CMYK 0 / 74 / 28 / 71

HEX #4A1335

RGB 74 19 53

HSL 322.91, 0.59%, 0.18%

LAB 16.4, 29.8, -8.3

 

CMYK 0 / 36 / 10 / 44

HEX #8F5B81

RGB 143 91 129

HSL 316.15, 0.22%, 0.46%

LAB 45.51, 27.4, -12.45

 

CMYK 0 / 36 / 19 / 44

HEX #8F5B74

RGB 143 91 116

HSL 331.15, 0.22%, 0.46%

LAB 45.06, 25.12, -5.26

 

CMYK 0 / 36 / 29 / 44

HEX #8F5B66

RGB 143 91 102

HSL 347.31, 0.22%, 0.46%

LAB 44.63, 22.92, 2.63

 

CMYK 0 / 36 / 36 / 44

HEX #8F5B5B

RGB 143 91 91

HSL 0, 0.22%, 0.46%

LAB 44.34, 21.38, 8.9

 

CMYK 0 / 36 / 10 / 44

HEX #8F5B81

RGB 143 91 129

HSL 316.15, 0.22%, 0.46%

LAB 45.51, 27.4, -12.45

 

CMYK 1 / 36 / 0 / 44

HEX #8E5B8F

RGB 142 91 143

HSL 298.85, 0.22%, 0.46%

LAB 45.93, 29.74, -20.22

 

CMYK 10 / 36 / 0 / 44

HEX #805B8F

RGB 128 91 143

HSL 282.69, 0.22%, 0.46%

LAB 44.31, 25.03, -22.85

 

CMYK 20 / 36 / 0 / 44

HEX #725B8F

RGB 114 91 143

HSL 266.54, 0.22%, 0.46%

LAB 42.83, 20.41, -25.27

 

CMYK 30 / 36 / 0 / 44

HEX #645B8F

RGB 100 91 143

HSL 250.38, 0.22%, 0.46%

LAB 41.49, 15.96, -27.45

 

CMYK 0 / 36 / 10 / 44

HEX #8F5B81

RGB 143 91 129

HSL 316.15, 0.22%, 0.46%

LAB 45.51, 27.4, -12.45

 

CMYK 0 / 56 / 14 / 36

HEX #A2488B

RGB 162 72 139

HSL 315.33, 0.38%, 0.46%

LAB 44.49, 45.69, -19.8

 

CMYK 0 / 71 / 18 / 29

HEX #B53594

RGB 181 53 148

HSL 315.47, 0.55%, 0.46%

LAB 44.95, 60.49, -24.27

 

CMYK 0 / 83 / 22 / 22

HEX #C8229D

RGB 200 34 157

HSL 315.54, 0.71%, 0.46%

LAB 46.79, 71.59, -26.57

 

CMYK 0 / 93 / 24 / 14

HEX #DB0FA7

RGB 219 15 167

HSL 315.29, 0.87%, 0.46%

LAB 49.73, 79.65, -27.68

 

CMYK 0 / 36 / 10 / 44

HEX #8F5B81

RGB 143 91 129

HSL 316.15, 0.22%, 0.46%

LAB 45.51, 27.4, -12.45

 

CMYK 0 / 11 / 3 / 51

HEX #7C6E78

RGB 124 110 120

HSL 317.14, 0.06%, 0.46%

LAB 48, 7.39, -3.54

 

CMYK 19 / 0 / 14 / 49

HEX #69816F

RGB 105 129 111

HSL 135, 0.1%, 0.46%

LAB 51.67, -12.5, 6.91

 

CMYK 42 / 0 / 31 / 42

HEX #569466

RGB 86 148 102

HSL 135.48, 0.26%, 0.46%

LAB 56.21, -30.48, 18.21

 

CMYK 60 / 0 / 45 / 35

HEX #43A75C

RGB 67 167 92

HSL 135, 0.43%, 0.46%

LAB 61.31, -45.76, 30.26

 

CMYK 10 / 36 / 0 / 44

HEX #805B8F

RGB 128 91 143

HSL 282.69, 0.22%, 0.46%

LAB 44.31, 25.03, -22.85

 

CMYK 1 / 36 / 0 / 44

HEX #8E5B8F

RGB 142 91 143

HSL 298.85, 0.22%, 0.46%

LAB 45.93, 29.74, -20.22

 

CMYK 0 / 36 / 9 / 44

HEX #8F5B82

RGB 143 91 130

HSL 315, 0.22%, 0.46%

LAB 45.54, 27.58, -12.99

 

CMYK 0 / 36 / 19 / 44

HEX #8F5B74

RGB 143 91 116

HSL 331.15, 0.22%, 0.46%

LAB 45.06, 25.12, -5.26

 

CMYK 0 / 36 / 29 / 44

HEX #8F5B66

RGB 143 91 102

HSL 347.31, 0.22%, 0.46%

LAB 44.63, 22.92, 2.63

 

CMYK 0 / 36 / 9 / 64

HEX #5C3B54

RGB 92 59 84

HSL 314.55, 0.22%, 0.3%

LAB 29.52, 18.98, -9.13

 

CMYK 0 / 36 / 9 / 54

HEX #754B6B

RGB 117 75 107

HSL 314.29, 0.22%, 0.38%

LAB 37.62, 23.2, -11.21

 

CMYK 0 / 36 / 10 / 44

HEX #8F5B81

RGB 143 91 129

HSL 316.15, 0.22%, 0.46%

LAB 45.51, 27.4, -12.45

 

CMYK 0 / 31 / 8 / 36

HEX #A37096

RGB 163 112 150

HSL 315.29, 0.22%, 0.54%

LAB 53.58, 26.35, -12.5

 

CMYK 0 / 23 / 6 / 30

HEX #B389A8

RGB 179 137 168

HSL 315.71, 0.22%, 0.62%

LAB 61.91, 21.19, -10.17

 

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

CMYK 0 / 20 / 36 / 44

HEX #8F725B

RGB 143 114 91

HSL 26.54, 0.22%, 0.46%

LAB 50.25, 7.98, 17.08

 

CMYK 36 / 0 / 6 / 44

HEX #5B8F87

RGB 91 143 135

HSL 170.77, 0.22%, 0.46%

LAB 55.7, -19.25, -1.25

 

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

CMYK 9 / 0 / 36 / 44

HEX #828F5B

RGB 130 143 91

HSL 75, 0.22%, 0.46%

LAB 57.22, -13.72, 26.14

 

CMYK 36 / 9 / 0 / 44

HEX #5B828F

RGB 91 130 143

HSL 195, 0.22%, 0.46%

LAB 52.03, -10.13, -11.34

 

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

CMYK 0 / 20 / 36 / 44

HEX #8F725B

RGB 143 114 91

HSL 26.54, 0.22%, 0.46%

LAB 50.25, 7.98, 17.08

 

CMYK 36 / 0 / 27 / 44

HEX #5B8F68

RGB 91 143 104

HSL 135, 0.22%, 0.46%

LAB 54.94, -26.08, 15.39

 

CMYK 36 / 17 / 0 / 44

HEX #5B778F

RGB 91 119 143

HSL 207.69, 0.22%, 0.46%

LAB 48.76, -3.82, -16.29

 

CMYK 0 / 36 / 9 / 44

HEX #8E5B81

RGB 142 91 129

HSL 315.29, 0.22%, 0.46%

LAB 45.38, 27.04, -12.64

 

CMYK 0 / 9 / 36 / 44

HEX #8F825B

RGB 143 130 91

HSL 45, 0.22%, 0.46%

LAB 54.62, -1.16, 22.93

 

CMYK 36 / 0 / 27 / 44

HEX #5B8F68

RGB 91 143 104

HSL 135, 0.22%, 0.46%

LAB 54.94, -26.08, 15.39

 

CMYK 36 / 27 / 0 / 44

HEX #5B688F

RGB 91 104 143

HSL 225, 0.22%, 0.46%

LAB 44.39, 5.16, -23.01

 

Description

Color code: RGB 142 91 129 | qconv.com Color code: RGB 142 91 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 91 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 91 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 9 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 9% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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