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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 71 30 it is the complementary color RGB 113 184 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 71 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 71 30 shade: RGB 147 71 25, RGB 164 89 44, RGB 181 107 63, RGB 198 125 82 and RGB 215 143 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 71 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 71 30 shade: RGB 142 71 30, RGB 125 53 11, RGB 108 35 0, RGB 91 17 0 and RGB 74 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 71 30 shade: RGB 143 71 30, RGB 143 41 30 and RGB 143 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 71 30 shade: RGB 143 71 30, RGB 143 101 30, RGB 143 132 30, RGB 123 143 30 and RGB 92 143 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 71 30 shade matches the following richer shades: RGB 143 71 30, RGB 157 67 16 and RGB 171 64 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 71 30 shade: RGB 143 71 30, RGB 129 75 44, RGB 114 79 58, RGB 100 82 72 and RGB 86 86 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 71 30 shade: RGB 143 30 51, RGB 143 39 30, RGB 143 69 30, RGB 143 99 30 and RGB 143 129 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 71 30 shade: RGB 74 37 15, RGB 109 54 23, RGB 143 71 30, RGB 177 88 37 and RGB 210 105 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 71 30 shade: RGB 142 71 30, RGB 81 143 30 and RGB 30 35 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 71 30 shade: RGB 142 71 30, RGB 30 143 69 and RGB 69 30 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 71 30 shade: RGB 142 71 30, RGB 81 143 30, RGB 30 103 143 and RGB 92 30 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 71 30 shade: RGB 142 71 30, RGB 47 143 30, RGB 30 103 143 and RGB 126 30 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

Complementary color

CMYK 50 / 18 / 0 / 12

HEX #71B8E1

RGB 113 184 225

HSL 201.96, 0.65%, 0.66%

LAB 71.71, -11.2, -27.42

 

CMYK 0 / 52 / 83 / 42

HEX #934719

RGB 147 71 25

HSL 22.62, 0.71%, 0.34%

LAB 39.21, 28.97, 40.4

 

CMYK 0 / 46 / 73 / 36

HEX #A4592C

RGB 164 89 44

HSL 22.5, 0.58%, 0.41%

LAB 45.93, 27.12, 38.67

 

CMYK 0 / 41 / 65 / 29

HEX #B56B3F

RGB 181 107 63

HSL 22.37, 0.48%, 0.48%

LAB 52.62, 25.49, 36.8

 

CMYK 0 / 37 / 59 / 22

HEX #C67D52

RGB 198 125 82

HSL 22.24, 0.5%, 0.55%

LAB 59.23, 24.07, 35.03

 

CMYK 0 / 33 / 53 / 16

HEX #D78F65

RGB 215 143 101

HSL 22.11, 0.59%, 0.62%

LAB 65.77, 22.83, 33.39

 

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

CMYK 0 / 58 / 91 / 51

HEX #7D350B

RGB 125 53 11

HSL 22.11, 0.84%, 0.27%

LAB 31.65, 29.01, 38.42

 

CMYK 0 / 68 / 100 / 58

HEX #6C2300

RGB 108 35 0

HSL 19.44, 1%, 0.21%

LAB 24.92, 31.03, 35.96

 

CMYK 0 / 81 / 100 / 64

HEX #5B1100

RGB 91 17 0

HSL 11.21, 1%, 0.18%

LAB 18.47, 32.48, 28.01

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 50 / 79 / 44

HEX #8F471E

RGB 143 71 30

HSL 21.77, 0.65%, 0.34%

LAB 38.62, 27.46, 37.21

 

CMYK 0 / 71 / 79 / 44

HEX #8F291E

RGB 143 41 30

HSL 5.84, 0.65%, 0.34%

LAB 32.96, 42.24, 31.4

 

CMYK 0 / 79 / 79 / 44

HEX #8F1E1E

RGB 143 30 30

HSL 0, 0.65%, 0.34%

LAB 31.49, 46.32, 29.83

 

CMYK 0 / 50 / 79 / 44

HEX #8F471E

RGB 143 71 30

HSL 21.77, 0.65%, 0.34%

LAB 38.62, 27.46, 37.21

 

CMYK 0 / 29 / 79 / 44

HEX #8F651E

RGB 143 101 30

HSL 37.7, 0.65%, 0.34%

LAB 45.96, 10.23, 44.38

 

CMYK 0 / 8 / 79 / 44

HEX #8F841E

RGB 143 132 30

HSL 54.16, 0.65%, 0.34%

LAB 54.49, -7.35, 52.31

 

CMYK 14 / 0 / 79 / 44

HEX #7B8F1E

RGB 123 143 30

HSL 70.62, 0.65%, 0.34%

LAB 56.04, -22.18, 53.11

 

CMYK 36 / 0 / 79 / 44

HEX #5C8F1E

RGB 92 143 30

HSL 87.08, 0.65%, 0.34%

LAB 54.04, -34.92, 50.53

 

CMYK 0 / 50 / 79 / 44

HEX #8F471E

RGB 143 71 30

HSL 21.77, 0.65%, 0.34%

LAB 38.62, 27.46, 37.21

 

CMYK 0 / 57 / 90 / 38

HEX #9D4310

RGB 157 67 16

HSL 21.7, 0.82%, 0.34%

LAB 39.95, 34.95, 45.4

 

CMYK 0 / 63 / 99 / 33

HEX #AB4002

RGB 171 64 2

HSL 22.01, 0.98%, 0.34%

LAB 41.73, 41.63, 52.08

 

CMYK 0 / 50 / 79 / 44

HEX #8F471E

RGB 143 71 30

HSL 21.77, 0.65%, 0.34%

LAB 38.62, 27.46, 37.21

 

CMYK 0 / 42 / 66 / 49

HEX #814B2C

RGB 129 75 44

HSL 21.88, 0.49%, 0.34%

LAB 37.63, 19.84, 27.94

 

CMYK 0 / 31 / 49 / 55

HEX #724F3A

RGB 114 79 58

HSL 22.5, 0.33%, 0.34%

LAB 36.88, 11.96, 18.25

 

CMYK 0 / 18 / 28 / 61

HEX #645248

RGB 100 82 72

HSL 21.43, 0.16%, 0.34%

LAB 36.39, 5.76, 8.67

 

CMYK 0 / 0 / 0 / 66

HEX #565656

RGB 86 86 86

HSL 0, 0%, 0.34%

LAB 36.57, 0, -0

 

CMYK 0 / 79 / 64 / 44

HEX #8F1E33

RGB 143 30 51

HSL 348.85, 0.65%, 0.34%

LAB 31.82, 47.38, 16.92

 

CMYK 0 / 73 / 79 / 44

HEX #8F271E

RGB 143 39 30

HSL 4.78, 0.65%, 0.34%

LAB 32.67, 43.05, 31.09

 

CMYK 0 / 52 / 79 / 44

HEX #8F451E

RGB 143 69 30

HSL 20.71, 0.65%, 0.34%

LAB 38.18, 28.56, 36.77

 

CMYK 0 / 31 / 79 / 44

HEX #8F631E

RGB 143 99 30

HSL 36.64, 0.65%, 0.34%

LAB 45.44, 11.4, 43.88

 

CMYK 0 / 10 / 79 / 44

HEX #8F811E

RGB 143 129 30

HSL 52.57, 0.65%, 0.34%

LAB 53.64, -5.7, 51.53

 

CMYK 0 / 50 / 80 / 71

HEX #4A250F

RGB 74 37 15

HSL 22.37, 0.66%, 0.17%

LAB 19.28, 15.4, 21.7

 

CMYK 0 / 50 / 79 / 57

HEX #6D3617

RGB 109 54 23

HSL 21.63, 0.65%, 0.26%

LAB 29.29, 21.89, 29.62

 

CMYK 0 / 50 / 79 / 44

HEX #8F471E

RGB 143 71 30

HSL 21.77, 0.65%, 0.34%

LAB 38.62, 27.46, 37.21

 

CMYK 0 / 50 / 79 / 31

HEX #B15825

RGB 177 88 37

HSL 21.86, 0.65%, 0.42%

LAB 47.57, 32.77, 44.42

 

CMYK 0 / 50 / 79 / 18

HEX #D2692D

RGB 210 105 45

HSL 21.82, 0.65%, 0.5%

LAB 56.08, 37.51, 50.7

 

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

CMYK 43 / 0 / 79 / 44

HEX #518F1E

RGB 81 143 30

HSL 92.92, 0.65%, 0.34%

LAB 53.48, -38.93, 49.8

 

CMYK 79 / 76 / 0 / 44

HEX #1E238F

RGB 30 35 143

HSL 237.35, 0.65%, 0.34%

LAB 21.8, 37.18, -59.43

 

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

CMYK 79 / 0 / 52 / 44

HEX #1E8F45

RGB 30 143 69

HSL 140.71, 0.65%, 0.34%

LAB 52.23, -47.29, 30.66

 

CMYK 52 / 79 / 0 / 44

HEX #451E8F

RGB 69 30 143

HSL 260.71, 0.65%, 0.34%

LAB 24.25, 44.51, -55.28

 

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

CMYK 43 / 0 / 79 / 44

HEX #518F1E

RGB 81 143 30

HSL 92.92, 0.65%, 0.34%

LAB 53.48, -38.93, 49.8

 

CMYK 79 / 28 / 0 / 44

HEX #1E678F

RGB 30 103 143

HSL 201.24, 0.65%, 0.34%

LAB 41.15, -7.63, -28.27

 

CMYK 36 / 79 / 0 / 44

HEX #5C1E8F

RGB 92 30 143

HSL 272.92, 0.65%, 0.34%

LAB 27.26, 48.27, -50.23

 

CMYK 0 / 50 / 79 / 44

HEX #8E471E

RGB 142 71 30

HSL 21.96, 0.65%, 0.34%

LAB 38.47, 27.03, 37.01

 

CMYK 67 / 0 / 79 / 44

HEX #2F8F1E

RGB 47 143 30

HSL 110.97, 0.65%, 0.34%

LAB 52.22, -48.72, 48.16

 

CMYK 79 / 28 / 0 / 44

HEX #1E678F

RGB 30 103 143

HSL 201.24, 0.65%, 0.34%

LAB 41.15, -7.63, -28.27

 

CMYK 12 / 79 / 0 / 44

HEX #7E1E8F

RGB 126 30 143

HSL 290.97, 0.65%, 0.34%

LAB 32.58, 54.81, -41.36

 

Description

Color code: RGB 142 71 30 | qconv.com Color code: RGB 142 71 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 71 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 71 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 79 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 79% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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