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Color name
RGB 142 45 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 45 92 it is the complementary color RGB 113 210 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 45 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 45 92 shade: RGB 147 45 87, RGB 164 63 106, RGB 181 81 125, RGB 198 99 144 and RGB 215 117 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 45 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 45 92 shade: RGB 142 45 92, RGB 125 27 73, RGB 108 9 54, RGB 91 0 35 and RGB 74 0 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 45 92 shade: RGB 143 45 92, RGB 143 45 66 and RGB 143 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 45 92 shade: RGB 143 45 92, RGB 143 45 119, RGB 141 45 143, RGB 114 45 143 and RGB 88 45 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 45 92 shade matches the following richer shades: RGB 143 45 92, RGB 158 30 92 and RGB 173 14 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 45 92 shade: RGB 143 45 92, RGB 128 60 93, RGB 112 75 93, RGB 97 91 94 and RGB 82 106 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 45 92 shade: RGB 140 45 143, RGB 143 45 120, RGB 143 45 94, RGB 143 45 68 and RGB 143 48 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 45 92 shade: RGB 80 25 52, RGB 112 35 72, RGB 143 45 92, RGB 174 55 113 and RGB 197 73 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 45 92 shade: RGB 142 45 92, RGB 143 113 45 and RGB 45 133 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 45 92 shade: RGB 142 45 92, RGB 94 143 45 and RGB 45 94 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 45 92 shade: RGB 142 45 92, RGB 143 113 45, RGB 45 143 94 and RGB 45 74 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 45 92 shade: RGB 142 45 92, RGB 143 143 45, RGB 45 143 94 and RGB 45 45 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

Complementary color

CMYK 46 / 0 / 22 / 18

HEX #71D2A3

RGB 113 210 163

HSL 150.93, 0.52%, 0.63%

LAB 77.43, -39.39, 14.56

 

CMYK 0 / 69 / 41 / 42

HEX #932D57

RGB 147 45 87

HSL 335.29, 0.53%, 0.38%

LAB 35.53, 46.21, -1.19

 

CMYK 0 / 62 / 35 / 36

HEX #A43F6A

RGB 164 63 106

HSL 334.46, 0.44%, 0.45%

LAB 41.98, 45.92, -3.34

 

CMYK 0 / 55 / 31 / 29

HEX #B5517D

RGB 181 81 125

HSL 333.6, 0.4%, 0.51%

LAB 48.5, 45.32, -5.02

 

CMYK 0 / 50 / 27 / 22

HEX #C66390

RGB 198 99 144

HSL 332.73, 0.46%, 0.58%

LAB 55.01, 44.56, -6.37

 

CMYK 0 / 46 / 24 / 16

HEX #D775A3

RGB 215 117 163

HSL 331.84, 0.55%, 0.65%

LAB 61.49, 43.76, -7.5

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

CMYK 0 / 78 / 42 / 51

HEX #7D1B49

RGB 125 27 73

HSL 331.84, 0.64%, 0.3%

LAB 28.45, 44.87, -2.95

 

CMYK 0 / 92 / 50 / 58

HEX #6C0936

RGB 108 9 54

HSL 332.73, 0.85%, 0.23%

LAB 22.48, 43.21, 0.82

 

CMYK 0 / 100 / 62 / 64

HEX #5B0023

RGB 91 0 35

HSL 336.92, 1%, 0.18%

LAB 17.2, 39.32, 6.31

 

CMYK 0 / 100 / 78 / 71

HEX #4A0010

RGB 74 0 16

HSL 347.03, 1%, 0.15%

LAB 12.57, 33.43, 12.73

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5C

RGB 143 45 92

HSL 331.22, 0.52%, 0.37%

LAB 34.98, 45.55, -5.29

 

CMYK 0 / 69 / 54 / 44

HEX #8F2D42

RGB 143 45 66

HSL 347.14, 0.52%, 0.37%

LAB 34.21, 42.83, 10.37

 

CMYK 0 / 69 / 69 / 44

HEX #8F2D2D

RGB 143 45 45

HSL 0, 0.52%, 0.37%

LAB 33.79, 41.29, 23.25

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5C

RGB 143 45 92

HSL 331.22, 0.52%, 0.37%

LAB 34.98, 45.55, -5.29

 

CMYK 0 / 69 / 17 / 44

HEX #8F2D77

RGB 143 45 119

HSL 314.69, 0.52%, 0.37%

LAB 36.08, 49.26, -20.74

 

CMYK 1 / 69 / 0 / 44

HEX #8D2D8F

RGB 141 45 143

HSL 298.78, 0.52%, 0.37%

LAB 36.97, 52.73, -34.22

 

CMYK 20 / 69 / 0 / 44

HEX #722D8F

RGB 114 45 143

HSL 282.24, 0.52%, 0.37%

LAB 32.78, 46.26, -41.15

 

CMYK 38 / 69 / 0 / 44

HEX #582D8F

RGB 88 45 143

HSL 266.33, 0.52%, 0.37%

LAB 29.25, 40.39, -47.03

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5C

RGB 143 45 92

HSL 331.22, 0.52%, 0.37%

LAB 34.98, 45.55, -5.29

 

CMYK 0 / 81 / 42 / 38

HEX #9E1E5C

RGB 158 30 92

HSL 330.94, 0.68%, 0.37%

LAB 35.93, 55.08, -3.58

 

CMYK 0 / 92 / 47 / 32

HEX #AD0E5B

RGB 173 14 91

HSL 330.94, 0.85%, 0.37%

LAB 37.76, 62.06, 0.1

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5C

RGB 143 45 92

HSL 331.22, 0.52%, 0.37%

LAB 34.98, 45.55, -5.29

 

CMYK 0 / 53 / 27 / 50

HEX #803C5D

RGB 128 60 93

HSL 330.88, 0.36%, 0.37%

LAB 35.22, 33.43, -5.83

 

CMYK 0 / 33 / 17 / 56

HEX #704B5D

RGB 112 75 93

HSL 330.81, 0.2%, 0.37%

LAB 36.49, 18.67, -4.18

 

CMYK 0 / 6 / 3 / 62

HEX #615B5E

RGB 97 91 94

HSL 330, 0.03%, 0.37%

LAB 39.3, 3.02, -0.86

 

CMYK 23 / 0 / 11 / 58

HEX #526A5E

RGB 82 106 94

HSL 150, 0.13%, 0.37%

LAB 42.63, -11.62, 3.83

 

CMYK 2 / 69 / 0 / 44

HEX #8C2D8F

RGB 140 45 143

HSL 298.16, 0.52%, 0.37%

LAB 36.81, 52.48, -34.49

 

CMYK 0 / 69 / 16 / 44

HEX #8F2D78

RGB 143 45 120

HSL 314.08, 0.52%, 0.37%

LAB 36.12, 49.42, -21.29

 

CMYK 0 / 69 / 34 / 44

HEX #8F2D5E

RGB 143 45 94

HSL 330, 0.52%, 0.37%

LAB 35.05, 45.79, -6.47

 

CMYK 0 / 69 / 52 / 44

HEX #8F2D44

RGB 143 45 68

HSL 345.92, 0.52%, 0.37%

LAB 34.26, 43.01, 9.15

 

CMYK 0 / 66 / 69 / 44

HEX #8F302D

RGB 143 48 45

HSL 1.84, 0.52%, 0.37%

LAB 34.28, 39.96, 23.85

 

CMYK 0 / 69 / 35 / 69

HEX #501934

RGB 80 25 52

HSL 330.55, 0.52%, 0.21%

LAB 18.58, 28.78, -4.18

 

CMYK 0 / 69 / 36 / 56

HEX #702348

RGB 112 35 72

HSL 331.17, 0.52%, 0.29%

LAB 27.06, 37.58, -4.61

 

CMYK 0 / 69 / 36 / 44

HEX #8F2D5C

RGB 143 45 92

HSL 331.22, 0.52%, 0.37%

LAB 34.98, 45.55, -5.29

 

CMYK 0 / 68 / 35 / 32

HEX #AE3771

RGB 174 55 113

HSL 330.76, 0.52%, 0.45%

LAB 42.65, 53.28, -6.51

 

CMYK 0 / 63 / 32 / 23

HEX #C54985

RGB 197 73 133

HSL 330.97, 0.52%, 0.53%

LAB 49.89, 55.05, -7.48

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

CMYK 0 / 21 / 69 / 44

HEX #8F712D

RGB 143 113 45

HSL 41.63, 0.52%, 0.37%

LAB 49.3, 4.09, 41

 

CMYK 69 / 7 / 0 / 44

HEX #2D858F

RGB 45 133 143

HSL 186.12, 0.52%, 0.37%

LAB 51.06, -22.31, -13

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

CMYK 34 / 0 / 69 / 44

HEX #5E8F2D

RGB 94 143 45

HSL 90, 0.52%, 0.37%

LAB 54.25, -33.14, 45.09

 

CMYK 69 / 34 / 0 / 44

HEX #2D5E8F

RGB 45 94 143

HSL 210, 0.52%, 0.37%

LAB 38.81, 0.15, -31.92

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

CMYK 0 / 21 / 69 / 44

HEX #8F712D

RGB 143 113 45

HSL 41.63, 0.52%, 0.37%

LAB 49.3, 4.09, 41

 

CMYK 69 / 0 / 34 / 44

HEX #2D8F5E

RGB 45 143 94

HSL 150, 0.52%, 0.37%

LAB 52.96, -40.13, 18.04

 

CMYK 69 / 48 / 0 / 44

HEX #2D4A8F

RGB 45 74 143

HSL 222.24, 0.52%, 0.37%

LAB 32.79, 13.22, -41.5

 

CMYK 0 / 68 / 35 / 44

HEX #8E2D5C

RGB 142 45 92

HSL 330.93, 0.52%, 0.37%

LAB 34.8, 45.24, -5.58

 

CMYK 0 / 0 / 69 / 44

HEX #8F8F2D

RGB 143 143 45

HSL 60, 0.52%, 0.37%

LAB 57.73, -12.55, 49.77

 

CMYK 69 / 0 / 34 / 44

HEX #2D8F5E

RGB 45 143 94

HSL 150, 0.52%, 0.37%

LAB 52.96, -40.13, 18.04

 

CMYK 69 / 69 / 0 / 44

HEX #2D2D8F

RGB 45 45 143

HSL 240, 0.52%, 0.37%

LAB 25.01, 32.61, -54.12

 

Description

Color code: RGB 142 45 92 | qconv.com Color code: RGB 142 45 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 45 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 45 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 35 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 35% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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