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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 36 47 it is the complementary color RGB 113 219 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 36 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 36 47 shade: RGB 147 36 42, RGB 164 54 61, RGB 181 72 80, RGB 198 90 99 and RGB 215 108 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 36 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 36 47 shade: RGB 142 36 47, RGB 125 18 28, RGB 108 0 9, RGB 91 0 0 and RGB 74 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 36 47 shade: RGB 142 35 46 and RGB 142 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 36 47 shade: RGB 142 35 46, RGB 142 35 75, RGB 142 35 104, RGB 142 35 133 and RGB 123 35 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 36 47 shade matches the following richer shades: RGB 142 35 46, RGB 157 21 35 and RGB 171 6 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 36 47 shade: RGB 142 35 46, RGB 128 50 58, RGB 113 64 69, RGB 99 79 81 and RGB 85 93 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 36 47 shade: RGB 142 35 105, RGB 142 35 76, RGB 142 35 48, RGB 142 51 35 and RGB 142 80 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 36 47 shade: RGB 76 19 25, RGB 109 27 35, RGB 142 35 46, RGB 175 43 57 and RGB 205 55 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 36 47 shade: RGB 142 36 47, RGB 133 142 35 and RGB 35 91 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 36 47 shade: RGB 142 36 47, RGB 48 142 35 and RGB 35 48 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 36 47 shade: RGB 142 36 47, RGB 133 142 35, RGB 35 142 130 and RGB 44 35 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 36 47 shade: RGB 142 36 47, RGB 101 142 35, RGB 35 142 130 and RGB 76 35 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

Complementary color

CMYK 48 / 0 / 5 / 14

HEX #71DBD0

RGB 113 219 208

HSL 173.77, 0.6%, 0.65%

LAB 81.14, -33.32, -4.07

 

CMYK 0 / 76 / 71 / 42

HEX #93242A

RGB 147 36 42

HSL 356.76, 0.61%, 0.36%

LAB 33.2, 46.06, 24.6

 

CMYK 0 / 67 / 63 / 36

HEX #A4363D

RGB 164 54 61

HSL 356.18, 0.5%, 0.43%

LAB 39.36, 45.69, 21.1

 

CMYK 0 / 60 / 56 / 29

HEX #B54850

RGB 181 72 80

HSL 355.6, 0.43%, 0.5%

LAB 45.69, 44.88, 18.31

 

CMYK 0 / 55 / 50 / 22

HEX #C65A63

RGB 198 90 99

HSL 355, 0.49%, 0.56%

LAB 52.08, 43.9, 16.04

 

CMYK 0 / 50 / 45 / 16

HEX #D76C76

RGB 215 108 118

HSL 354.39, 0.57%, 0.63%

LAB 58.49, 42.87, 14.14

 

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

CMYK 0 / 86 / 78 / 51

HEX #7D121C

RGB 125 18 28

HSL 354.39, 0.75%, 0.28%

LAB 26.38, 44.24, 24.37

 

CMYK 0 / 100 / 92 / 58

HEX #6C0009

RGB 108 0 9

HSL 355, 1%, 0.21%

LAB 20.86, 42.77, 28.11

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 75 / 68 / 44

HEX #8E232E

RGB 142 35 46

HSL 353.83, 0.6%, 0.35%

LAB 32.15, 45.03, 20.53

 

CMYK 0 / 75 / 75 / 44

HEX #8E2323

RGB 142 35 35

HSL 0, 0.6%, 0.35%

LAB 31.98, 44.46, 27.27

 

CMYK 0 / 75 / 68 / 44

HEX #8E232E

RGB 142 35 46

HSL 353.83, 0.6%, 0.35%

LAB 32.15, 45.03, 20.53

 

CMYK 0 / 75 / 47 / 44

HEX #8E234B

RGB 142 35 75

HSL 337.57, 0.6%, 0.35%

LAB 32.83, 47.3, 2.54

 

CMYK 0 / 75 / 27 / 44

HEX #8E2368

RGB 142 35 104

HSL 321.31, 0.6%, 0.35%

LAB 33.88, 50.64, -14.65

 

CMYK 0 / 75 / 6 / 44

HEX #8E2385

RGB 142 35 133

HSL 305.05, 0.6%, 0.35%

LAB 35.29, 54.92, -30.7

 

CMYK 13 / 75 / 0 / 44

HEX #7B238E

RGB 123 35 142

HSL 289.35, 0.6%, 0.35%

LAB 32.63, 52.26, -40.71

 

CMYK 0 / 75 / 68 / 44

HEX #8E232E

RGB 142 35 46

HSL 353.83, 0.6%, 0.35%

LAB 32.15, 45.03, 20.53

 

CMYK 0 / 87 / 78 / 38

HEX #9D1523

RGB 157 21 35

HSL 353.82, 0.76%, 0.35%

LAB 33.62, 53.15, 29.96

 

CMYK 0 / 96 / 87 / 33

HEX #AB0617

RGB 171 6 23

HSL 353.82, 0.93%, 0.35%

LAB 35.69, 58.97, 39.92

 

CMYK 0 / 75 / 68 / 44

HEX #8E232E

RGB 142 35 46

HSL 353.83, 0.6%, 0.35%

LAB 32.15, 45.03, 20.53

 

CMYK 0 / 61 / 55 / 50

HEX #80323A

RGB 128 50 58

HSL 353.85, 0.44%, 0.35%

LAB 32.2, 34.45, 12.37

 

CMYK 0 / 43 / 39 / 56

HEX #714045

RGB 113 64 69

HSL 353.88, 0.28%, 0.35%

LAB 33.15, 21.94, 6.23

 

CMYK 0 / 20 / 18 / 61

HEX #634F51

RGB 99 79 81

HSL 354, 0.11%, 0.35%

LAB 35.67, 8.72, 1.99

 

CMYK 9 / 0 / 1 / 64

HEX #555D5C

RGB 85 93 92

HSL 172.5, 0.04%, 0.35%

LAB 38.78, -3.34, -0.5

 

CMYK 0 / 75 / 26 / 44

HEX #8E2369

RGB 142 35 105

HSL 320.75, 0.6%, 0.35%

LAB 33.93, 50.77, -15.22

 

CMYK 0 / 75 / 46 / 44

HEX #8E234C

RGB 142 35 76

HSL 337.01, 0.6%, 0.35%

LAB 32.86, 47.4, 1.93

 

CMYK 0 / 75 / 66 / 44

HEX #8E2330

RGB 142 35 48

HSL 352.71, 0.6%, 0.35%

LAB 32.18, 45.15, 19.29

 

CMYK 0 / 64 / 75 / 44

HEX #8E3323

RGB 142 51 35

HSL 8.97, 0.6%, 0.35%

LAB 34.48, 37.66, 30.08

 

CMYK 0 / 44 / 75 / 44

HEX #8E5023

RGB 142 80 35

HSL 25.23, 0.6%, 0.35%

LAB 40.59, 22.18, 36.66

 

CMYK 0 / 75 / 67 / 70

HEX #4C1319

RGB 76 19 25

HSL 353.68, 0.6%, 0.19%

LAB 15.86, 27.23, 11.17

 

CMYK 0 / 75 / 68 / 57

HEX #6D1B23

RGB 109 27 35

HSL 354.15, 0.6%, 0.27%

LAB 24.18, 36.4, 16.3

 

CMYK 0 / 75 / 68 / 44

HEX #8E232E

RGB 142 35 46

HSL 353.83, 0.6%, 0.35%

LAB 32.15, 45.03, 20.53

 

CMYK 0 / 75 / 67 / 31

HEX #AF2B39

RGB 175 43 57

HSL 353.64, 0.61%, 0.43%

LAB 39.81, 53.23, 24.58

 

CMYK 0 / 73 / 65 / 20

HEX #CD3747

RGB 205 55 71

HSL 353.6, 0.6%, 0.51%

LAB 47.19, 59.04, 26.52

 

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

CMYK 6 / 0 / 75 / 44

HEX #858E23

RGB 133 142 35

HSL 65.05, 0.6%, 0.35%

LAB 56.54, -17.02, 52.16

 

CMYK 75 / 36 / 0 / 44

HEX #235B8E

RGB 35 91 142

HSL 208.6, 0.6%, 0.35%

LAB 37.47, 0.08, -33.45

 

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

CMYK 66 / 0 / 75 / 44

HEX #308E23

RGB 48 142 35

HSL 112.71, 0.6%, 0.35%

LAB 51.95, -47.77, 46.11

 

CMYK 75 / 66 / 0 / 44

HEX #23308E

RGB 35 48 142

HSL 232.71, 0.6%, 0.35%

LAB 25.03, 29.01, -53.5

 

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

CMYK 6 / 0 / 75 / 44

HEX #858E23

RGB 133 142 35

HSL 65.05, 0.6%, 0.35%

LAB 56.54, -17.02, 52.16

 

CMYK 75 / 0 / 8 / 44

HEX #238E82

RGB 35 142 130

HSL 173.27, 0.6%, 0.35%

LAB 53.29, -32.15, -2.13

 

CMYK 69 / 75 / 0 / 44

HEX #2C238E

RGB 44 35 142

HSL 245.05, 0.6%, 0.35%

LAB 22.62, 38.23, -57.43

 

CMYK 0 / 75 / 67 / 44

HEX #8E242F

RGB 142 36 47

HSL 353.77, 0.6%, 0.35%

LAB 32.3, 44.72, 20.08

 

CMYK 29 / 0 / 75 / 44

HEX #658E23

RGB 101 142 35

HSL 82.99, 0.6%, 0.35%

LAB 54.27, -30.66, 49.2

 

CMYK 75 / 0 / 8 / 44

HEX #238E82

RGB 35 142 130

HSL 173.27, 0.6%, 0.35%

LAB 53.29, -32.15, -2.13

 

CMYK 46 / 75 / 0 / 44

HEX #4C238E

RGB 76 35 142

HSL 262.99, 0.6%, 0.35%

LAB 25.84, 42.95, -52.03

 

Description

Color code: RGB 142 36 47 | qconv.com Color code: RGB 142 36 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 36 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 36 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 67 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 67% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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