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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 202 65 it is the complementary color RGB 113 53 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 202 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 202 65 shade: RGB 147 202 60, RGB 164 220 79, RGB 181 238 98, RGB 198 255 117 and RGB 215 255 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 202 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 202 65 shade: RGB 142 202 65, RGB 125 184 46, RGB 108 166 27, RGB 91 148 8 and RGB 74 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 202 65 shade: RGB 141 201 64, RGB 178 201 64, RGB 201 187 64, RGB 201 150 64 and RGB 201 113 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 202 65 shade: RGB 141 201 64, RGB 104 201 64, RGB 67 201 64, RGB 64 201 97 and RGB 64 201 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 202 65 shade matches the following richer shades: RGB 141 201 64, RGB 143 220 44 and RGB 146 240 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 202 65 shade: RGB 141 201 64, RGB 138 181 83, RGB 136 161 103, RGB 133 141 123 and RGB 131 121 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 202 65 shade: RGB 201 187 64, RGB 178 201 64, RGB 141 201 64, RGB 105 201 64 and RGB 68 201 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 202 65 shade: RGB 97 142 40, RGB 119 174 49, RGB 141 201 64, RGB 160 210 96 and RGB 179 219 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 202 65 shade: RGB 142 202 65, RGB 64 201 150 and RGB 201 64 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 202 65 shade: RGB 142 202 65, RGB 64 141 201 and RGB 201 64 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 202 65 shade: RGB 142 202 65, RGB 64 201 150, RGB 123 64 201 and RGB 201 64 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 202 65 shade: RGB 142 202 65, RGB 64 201 192, RGB 123 64 201 and RGB 201 64 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

Complementary color

CMYK 41 / 72 / 0 / 25

HEX #7135BE

RGB 113 53 190

HSL 266.28, 0.56%, 0.48%

LAB 37.43, 53.46, -61.85

 

CMYK 27 / 0 / 70 / 21

HEX #93CA3C

RGB 147 202 60

HSL 83.24, 0.57%, 0.51%

LAB 75.31, -38.74, 61.81

 

CMYK 25 / 0 / 64 / 14

HEX #A4DC4F

RGB 164 220 79

HSL 83.83, 0.67%, 0.59%

LAB 81.64, -39.09, 61.34

 

CMYK 24 / 0 / 59 / 7

HEX #B5EE62

RGB 181 238 98

HSL 84.43, 0.8%, 0.66%

LAB 87.9, -39.33, 60.56

 

CMYK 22 / 0 / 54 / 0

HEX #C6FF75

RGB 198 255 117

HSL 84.78, 1%, 0.73%

LAB 93.8, -39.05, 59.29

 

CMYK 16 / 0 / 47 / 0

HEX #D7FF88

RGB 215 255 136

HSL 80.17, 1%, 0.77%

LAB 95.05, -30.99, 52.37

 

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

CMYK 32 / 0 / 75 / 28

HEX #7DB82E

RGB 125 184 46

HSL 85.65, 0.6%, 0.45%

LAB 68.63, -39.85, 59.76

 

CMYK 35 / 0 / 84 / 35

HEX #6CA61B

RGB 108 166 27

HSL 85.04, 0.72%, 0.38%

LAB 62.12, -39.23, 59.1

 

CMYK 39 / 0 / 95 / 42

HEX #5B9408

RGB 91 148 8

HSL 84.43, 0.9%, 0.31%

LAB 55.5, -38.32, 57

 

CMYK 43 / 0 / 100 / 49

HEX #4A8200

RGB 74 130 0

HSL 85.85, 1%, 0.25%

LAB 48.79, -37.03, 52.72

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 11 / 0 / 68 / 21

HEX #B2C940

RGB 178 201 64

HSL 70.07, 0.56%, 0.52%

LAB 77.05, -25.83, 62.72

 

CMYK 0 / 7 / 68 / 21

HEX #C9BB40

RGB 201 187 64

HSL 53.87, 0.56%, 0.52%

LAB 75.03, -9.19, 61.26

 

CMYK 0 / 25 / 68 / 21

HEX #C99640

RGB 201 150 64

HSL 37.66, 0.56%, 0.52%

LAB 65.44, 10.47, 51.28

 

CMYK 0 / 44 / 68 / 21

HEX #C97140

RGB 201 113 64

HSL 21.46, 0.56%, 0.52%

LAB 56.68, 30.59, 41.65

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 48 / 0 / 68 / 21

HEX #68C940

RGB 104 201 64

HSL 102.48, 0.56%, 0.52%

LAB 72.95, -52.62, 57.2

 

CMYK 67 / 0 / 68 / 21

HEX #43C940

RGB 67 201 64

HSL 118.69, 0.56%, 0.52%

LAB 71.78, -61.79, 55.61

 

CMYK 68 / 0 / 52 / 21

HEX #40C961

RGB 64 201 97

HSL 134.45, 0.56%, 0.52%

LAB 72.05, -58.47, 41.18

 

CMYK 68 / 0 / 33 / 21

HEX #40C986

RGB 64 201 134

HSL 150.66, 0.56%, 0.52%

LAB 72.62, -52.06, 23.05

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 35 / 0 / 80 / 14

HEX #8FDC2C

RGB 143 220 44

HSL 86.25, 0.72%, 0.52%

LAB 80.3, -48.76, 71.61

 

CMYK 39 / 0 / 90 / 6

HEX #92F018

RGB 146 240 24

HSL 86.11, 0.88%, 0.52%

LAB 86.25, -56.38, 80.92

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 24 / 0 / 54 / 29

HEX #8AB553

RGB 138 181 83

HSL 86.33, 0.4%, 0.52%

LAB 68.81, -30.62, 44.75

 

CMYK 16 / 0 / 36 / 37

HEX #88A167

RGB 136 161 103

HSL 85.86, 0.24%, 0.52%

LAB 63.1, -19.1, 27.4

 

CMYK 6 / 0 / 13 / 45

HEX #858D7B

RGB 133 141 123

HSL 86.67, 0.07%, 0.52%

LAB 57.53, -6.38, 8.61

 

CMYK 8 / 15 / 0 / 44

HEX #83798F

RGB 131 121 143

HSL 267.27, 0.09%, 0.52%

LAB 52.38, 8.28, -10.53

 

CMYK 0 / 7 / 68 / 21

HEX #C9BB40

RGB 201 187 64

HSL 53.87, 0.56%, 0.52%

LAB 75.03, -9.19, 61.26

 

CMYK 11 / 0 / 68 / 21

HEX #B2C940

RGB 178 201 64

HSL 70.07, 0.56%, 0.52%

LAB 77.05, -25.83, 62.72

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 48 / 0 / 68 / 21

HEX #69C940

RGB 105 201 64

HSL 102.04, 0.56%, 0.52%

LAB 72.99, -52.32, 57.25

 

CMYK 66 / 0 / 68 / 21

HEX #44C940

RGB 68 201 64

HSL 118.25, 0.56%, 0.52%

LAB 71.81, -61.59, 55.64

 

CMYK 32 / 0 / 72 / 44

HEX #618E28

RGB 97 142 40

HSL 86.47, 0.56%, 0.36%

LAB 54.07, -31.91, 47

 

CMYK 32 / 0 / 72 / 32

HEX #77AE31

RGB 119 174 49

HSL 86.4, 0.56%, 0.44%

LAB 65.29, -37.47, 55.29

 

CMYK 30 / 0 / 68 / 21

HEX #8DC940

RGB 141 201 64

HSL 86.28, 0.56%, 0.52%

LAB 74.7, -40.26, 59.57

 

CMYK 24 / 0 / 54 / 18

HEX #A0D260

RGB 160 210 96

HSL 86.32, 0.56%, 0.6%

LAB 78.7, -34.58, 50.58

 

CMYK 18 / 0 / 42 / 14

HEX #B3DB80

RGB 179 219 128

HSL 86.37, 0.56%, 0.68%

LAB 82.81, -28.24, 40.46

 

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

CMYK 68 / 0 / 25 / 21

HEX #40C996

RGB 64 201 150

HSL 157.66, 0.56%, 0.52%

LAB 72.93, -48.66, 14.98

 

CMYK 0 / 68 / 2 / 21

HEX #C940C4

RGB 201 64 196

HSL 302.19, 0.56%, 0.52%

LAB 51.92, 68.63, -41.42

 

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

CMYK 68 / 30 / 0 / 21

HEX #408DC9

RGB 64 141 201

HSL 206.28, 0.56%, 0.52%

LAB 56.44, -4.42, -37.96

 

CMYK 0 / 68 / 30 / 21

HEX #C9408D

RGB 201 64 141

HSL 326.28, 0.56%, 0.52%

LAB 49.51, 60.82, -12.8

 

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

CMYK 68 / 0 / 25 / 21

HEX #40C996

RGB 64 201 150

HSL 157.66, 0.56%, 0.52%

LAB 72.93, -48.66, 14.98

 

CMYK 39 / 68 / 0 / 21

HEX #7B40C9

RGB 123 64 201

HSL 265.84, 0.56%, 0.52%

LAB 41.37, 52.8, -61.82

 

CMYK 0 / 68 / 43 / 21

HEX #C94072

RGB 201 64 114

HSL 338.1, 0.56%, 0.52%

LAB 48.63, 57.85, 2.22

 

CMYK 30 / 0 / 68 / 21

HEX #8ECA41

RGB 142 202 65

HSL 86.28, 0.56%, 0.52%

LAB 75.06, -40.26, 59.57

 

CMYK 68 / 0 / 4 / 21

HEX #40C9C0

RGB 64 201 192

HSL 176.06, 0.56%, 0.52%

LAB 73.98, -38.14, -6.21

 

CMYK 39 / 68 / 0 / 21

HEX #7B40C9

RGB 123 64 201

HSL 265.84, 0.56%, 0.52%

LAB 41.37, 52.8, -61.82

 

CMYK 0 / 68 / 64 / 21

HEX #C94049

RGB 201 64 73

HSL 356.06, 0.56%, 0.52%

LAB 47.71, 54.58, 25.83

 

Description

Color code: RGB 142 202 65 | qconv.com Color code: RGB 142 202 65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 202 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 202 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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