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Color name
RGB 142 172 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 172 23 it is the complementary color RGB 113 83 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 172 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 172 23 shade: RGB 147 172 18, RGB 164 190 37, RGB 181 208 56, RGB 198 226 75 and RGB 215 244 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 172 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 172 23 shade: RGB 142 172 23, RGB 125 154 4, RGB 108 136 0, RGB 91 118 0 and RGB 74 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 172 23 shade: RGB 140 170 23, RGB 170 160 23, RGB 170 120 23, RGB 170 81 23 and RGB 170 41 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 172 23 shade: RGB 140 170 23, RGB 101 170 23, RGB 61 170 23, RGB 23 170 24 and RGB 23 170 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 172 23 shade matches the following richer shades: RGB 140 170 23 and RGB 150 186 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 172 23 shade: RGB 140 170 23, RGB 131 154 38, RGB 122 139 54, RGB 112 123 70 and RGB 103 107 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 172 23 shade: RGB 170 121 23, RGB 170 160 23, RGB 141 170 23, RGB 101 170 23 and RGB 62 170 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 172 23 shade: RGB 80 97 13, RGB 110 134 18, RGB 140 170 23, RGB 170 206 28 and RGB 191 226 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 172 23 shade: RGB 142 172 23, RGB 23 170 82 and RGB 141 23 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 172 23 shade: RGB 142 172 23, RGB 23 141 170 and RGB 170 23 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 172 23 shade: RGB 142 172 23, RGB 23 170 82, RGB 52 23 170 and RGB 170 23 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 172 23 shade: RGB 142 172 23, RGB 23 170 126, RGB 52 23 170 and RGB 170 23 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

Complementary color

CMYK 51 / 64 / 0 / 9

HEX #7153E8

RGB 113 83 232

HSL 252.08, 0.76%, 0.62%

LAB 46.34, 49.35, -71.5

 

CMYK 15 / 0 / 90 / 33

HEX #93AC12

RGB 147 172 18

HSL 69.74, 0.81%, 0.37%

LAB 66.33, -26.62, 65.61

 

CMYK 14 / 0 / 81 / 25

HEX #A4BE25

RGB 164 190 37

HSL 70.2, 0.67%, 0.45%

LAB 72.79, -27.6, 67.24

 

CMYK 13 / 0 / 73 / 18

HEX #B5D038

RGB 181 208 56

HSL 70.66, 0.62%, 0.52%

LAB 79.17, -28.39, 67.75

 

CMYK 12 / 0 / 67 / 11

HEX #C6E24B

RGB 198 226 75

HSL 71.13, 0.72%, 0.59%

LAB 85.46, -29.02, 67.56

 

CMYK 12 / 0 / 61 / 4

HEX #D7F45E

RGB 215 244 94

HSL 71.6, 0.87%, 0.66%

LAB 91.67, -29.52, 66.98

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

CMYK 19 / 0 / 97 / 40

HEX #7D9A04

RGB 125 154 4

HSL 71.6, 0.95%, 0.31%

LAB 59.42, -27.5, 61.59

 

CMYK 21 / 0 / 100 / 47

HEX #6C8800

RGB 108 136 0

HSL 72.35, 1%, 0.27%

LAB 52.73, -26.1, 56.62

 

CMYK 23 / 0 / 100 / 54

HEX #5B7600

RGB 91 118 0

HSL 73.73, 1%, 0.23%

LAB 45.88, -24.61, 50.92

 

CMYK 26 / 0 / 100 / 61

HEX #4A6400

RGB 74 100 0

HSL 75.6, 1%, 0.2%

LAB 38.85, -23.09, 45.06

 

CMYK 18 / 0 / 86 / 33

HEX #8CAA17

RGB 140 170 23

HSL 72.24, 0.76%, 0.38%

LAB 65.27, -28.47, 63.54

 

CMYK 0 / 6 / 86 / 33

HEX #AAA017

RGB 170 160 23

HSL 55.92, 0.76%, 0.38%

LAB 64.76, -10.34, 64.08

 

CMYK 0 / 29 / 86 / 33

HEX #AA7817

RGB 170 120 23

HSL 39.59, 0.76%, 0.38%

LAB 54.07, 11.56, 55.29

 

CMYK 0 / 52 / 86 / 33

HEX #AA5117

RGB 170 81 23

HSL 23.67, 0.76%, 0.38%

LAB 44.93, 33.14, 47.68

 

CMYK 0 / 76 / 86 / 33

HEX #AA2917

RGB 170 41 23

HSL 7.35, 0.76%, 0.38%

LAB 38.19, 51.02, 41.97

 

CMYK 18 / 0 / 86 / 33

HEX #8CAA17

RGB 140 170 23

HSL 72.24, 0.76%, 0.38%

LAB 65.27, -28.47, 63.54

 

CMYK 41 / 0 / 86 / 33

HEX #65AA17

RGB 101 170 23

HSL 88.16, 0.76%, 0.38%

LAB 62.99, -43.61, 60.7

 

CMYK 64 / 0 / 86 / 33

HEX #3DAA17

RGB 61 170 23

HSL 104.49, 0.76%, 0.38%

LAB 61.48, -55.32, 58.79

 

CMYK 86 / 0 / 86 / 33

HEX #17AA18

RGB 23 170 24

HSL 120.41, 0.76%, 0.38%

LAB 60.78, -61.39, 57.66

 

CMYK 86 / 0 / 62 / 33

HEX #17AA40

RGB 23 170 64

HSL 136.73, 0.76%, 0.38%

LAB 61.05, -58.03, 43.57

 

CMYK 18 / 0 / 86 / 33

HEX #8CAA17

RGB 140 170 23

HSL 72.24, 0.76%, 0.38%

LAB 65.27, -28.47, 63.54

 

CMYK 19 / 0 / 96 / 27

HEX #96BA07

RGB 150 186 7

HSL 72.07, 0.93%, 0.38%

LAB 70.61, -32.21, 70.58

 

CMYK 18 / 0 / 86 / 33

HEX #8CAA17

RGB 140 170 23

HSL 72.24, 0.76%, 0.38%

LAB 65.27, -28.47, 63.54

 

CMYK 15 / 0 / 75 / 40

HEX #839A26

RGB 131 154 38

HSL 71.9, 0.6%, 0.38%

LAB 59.96, -23.86, 54.3

 

CMYK 12 / 0 / 61 / 45

HEX #7A8B36

RGB 122 139 54

HSL 72, 0.44%, 0.38%

LAB 54.94, -19.03, 42.34

 

CMYK 9 / 0 / 43 / 52

HEX #707B46

RGB 112 123 70

HSL 72.45, 0.27%, 0.38%

LAB 49.56, -13.17, 27.57

 

CMYK 4 / 0 / 21 / 58

HEX #676B55

RGB 103 107 85

HSL 70.91, 0.11%, 0.38%

LAB 44.31, -5.76, 11.84

 

CMYK 0 / 29 / 86 / 33

HEX #AA7917

RGB 170 121 23

HSL 40, 0.76%, 0.38%

LAB 54.33, 11, 55.5

 

CMYK 0 / 6 / 86 / 33

HEX #AAA017

RGB 170 160 23

HSL 55.92, 0.76%, 0.38%

LAB 64.76, -10.34, 64.08

 

CMYK 17 / 0 / 86 / 33

HEX #8DAA17

RGB 141 170 23

HSL 71.84, 0.76%, 0.38%

LAB 65.34, -28.05, 63.62

 

CMYK 41 / 0 / 86 / 33

HEX #65AA17

RGB 101 170 23

HSL 88.16, 0.76%, 0.38%

LAB 62.99, -43.61, 60.7

 

CMYK 64 / 0 / 86 / 33

HEX #3EAA17

RGB 62 170 23

HSL 104.08, 0.76%, 0.38%

LAB 61.51, -55.09, 58.83

 

CMYK 18 / 0 / 87 / 62

HEX #50610D

RGB 80 97 13

HSL 72.14, 0.76%, 0.22%

LAB 38.35, -18.32, 41.27

 

CMYK 18 / 0 / 87 / 47

HEX #6E8612

RGB 110 134 18

HSL 72.41, 0.76%, 0.3%

LAB 52.3, -23.79, 52.87

 

CMYK 18 / 0 / 86 / 33

HEX #8CAA17

RGB 140 170 23

HSL 72.24, 0.76%, 0.38%

LAB 65.27, -28.47, 63.54

 

CMYK 17 / 0 / 86 / 19

HEX #AACE1C

RGB 170 206 28

HSL 72.13, 0.76%, 0.46%

LAB 77.74, -32.96, 73.74

 

CMYK 15 / 0 / 78 / 11

HEX #BFE231

RGB 191 226 49

HSL 71.86, 0.75%, 0.54%

LAB 84.84, -33.09, 75.4

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

CMYK 86 / 0 / 52 / 33

HEX #17AA52

RGB 23 170 82

HSL 144.08, 0.76%, 0.38%

LAB 61.26, -55.49, 35.15

 

CMYK 17 / 86 / 0 / 33

HEX #8D17AA

RGB 141 23 170

HSL 288.16, 0.76%, 0.38%

LAB 36.32, 64.47, -51.61

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

CMYK 86 / 17 / 0 / 33

HEX #178DAA

RGB 23 141 170

HSL 191.84, 0.76%, 0.38%

LAB 54.17, -20, -23.91

 

CMYK 0 / 86 / 17 / 33

HEX #AA178D

RGB 170 23 141

HSL 311.84, 0.76%, 0.38%

LAB 39.72, 65.39, -28.32

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

CMYK 86 / 0 / 52 / 33

HEX #17AA52

RGB 23 170 82

HSL 144.08, 0.76%, 0.38%

LAB 61.26, -55.49, 35.15

 

CMYK 69 / 86 / 0 / 33

HEX #3417AA

RGB 52 23 170

HSL 251.84, 0.76%, 0.38%

LAB 24.47, 53.29, -71.51

 

CMYK 0 / 86 / 35 / 33

HEX #AA176F

RGB 170 23 111

HSL 324.08, 0.76%, 0.38%

LAB 38.39, 61.74, -11.74

 

CMYK 17 / 0 / 87 / 33

HEX #8EAC17

RGB 142 172 23

HSL 72.08, 0.76%, 0.38%

LAB 66, -28.59, 64.2

 

CMYK 86 / 0 / 26 / 33

HEX #17AA7E

RGB 23 170 126

HSL 162.04, 0.76%, 0.38%

LAB 62.03, -46.6, 12.66

 

CMYK 69 / 86 / 0 / 33

HEX #3417AA

RGB 52 23 170

HSL 251.84, 0.76%, 0.38%

LAB 24.47, 53.29, -71.51

 

CMYK 0 / 86 / 61 / 33

HEX #AA1743

RGB 170 23 67

HSL 342.04, 0.76%, 0.38%

LAB 37.05, 57.93, 14.47

 

Description

Color code: RGB 142 172 23 | qconv.com Color code: RGB 142 172 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 172 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 172 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 87% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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