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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 132 154 it is the complementary color RGB 113 123 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 132 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 132 154 shade: RGB 147 132 149, RGB 164 150 168, RGB 181 168 187, RGB 198 186 206 and RGB 215 204 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 132 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 132 154 shade: RGB 142 132 154, RGB 125 114 135, RGB 108 96 116, RGB 91 78 97 and RGB 74 60 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 132 154 shade: RGB 141 131 154, RGB 147 131 154, RGB 153 131 154, RGB 154 131 148 and RGB 154 131 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 132 154 shade: RGB 141 131 154, RGB 135 131 154 and RGB 131 131 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 132 154 shade matches the following richer shades: RGB 141 131 154, RGB 140 113 172, RGB 138 95 190, RGB 136 77 208 and RGB 135 58 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 132 154 shade: RGB 141 131 154, RGB 143 149 135, RGB 145 167 117, RGB 146 186 99 and RGB 148 204 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 132 154 shade: RGB 131 133 154, RGB 135 131 154, RGB 141 131 154, RGB 147 131 154 and RGB 153 131 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 132 154 shade: RGB 100 91 111, RGB 121 109 134, RGB 141 131 154, RGB 162 154 172 and RGB 183 176 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 132 154 shade: RGB 142 132 154, RGB 154 131 139 and RGB 131 154 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 132 154 shade: RGB 142 132 154, RGB 154 141 131 and RGB 131 154 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 132 154 shade: RGB 142 132 154, RGB 154 131 139, RGB 143 154 131 and RGB 131 154 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 132 154 shade: RGB 142 132 154, RGB 154 131 132, RGB 143 154 131 and RGB 131 154 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

Complementary color

CMYK 8 / 0 / 18 / 52

HEX #717B65

RGB 113 123 101

HSL 87.27, 0.1%, 0.44%

LAB 50.24, -8.03, 10.79

 

CMYK 1 / 11 / 0 / 42

HEX #938495

RGB 147 132 149

HSL 292.94, 0.07%, 0.55%

LAB 56.95, 8.9, -7.02

 

CMYK 2 / 11 / 0 / 34

HEX #A496A8

RGB 164 150 168

HSL 286.67, 0.09%, 0.62%

LAB 63.78, 8.55, -7.54

 

CMYK 3 / 10 / 0 / 27

HEX #B5A8BB

RGB 181 168 187

HSL 281.05, 0.12%, 0.7%

LAB 70.47, 8.22, -8.04

 

CMYK 4 / 10 / 0 / 19

HEX #C6BACE

RGB 198 186 206

HSL 276, 0.17%, 0.77%

LAB 77.03, 7.92, -8.53

 

CMYK 4 / 9 / 0 / 12

HEX #D7CCE1

RGB 215 204 225

HSL 271.43, 0.26%, 0.84%

LAB 83.48, 7.64, -9.01

 

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

CMYK 7 / 16 / 0 / 47

HEX #7D7287

RGB 125 114 135

HSL 271.43, 0.08%, 0.49%

LAB 49.67, 8.51, -9.94

 

CMYK 7 / 17 / 0 / 55

HEX #6C6074

RGB 108 96 116

HSL 276, 0.09%, 0.42%

LAB 42.48, 8.92, -9.51

 

CMYK 6 / 20 / 0 / 62

HEX #5B4E61

RGB 91 78 97

HSL 281.05, 0.11%, 0.34%

LAB 35.08, 9.39, -9.07

 

CMYK 5 / 23 / 0 / 69

HEX #4A3C4E

RGB 74 60 78

HSL 286.67, 0.13%, 0.27%

LAB 27.4, 9.94, -8.63

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 5 / 15 / 0 / 40

HEX #93839A

RGB 147 131 154

HSL 281.74, 0.1%, 0.56%

LAB 56.85, 10.49, -10.06

 

CMYK 1 / 15 / 0 / 40

HEX #99839A

RGB 153 131 154

HSL 297.39, 0.1%, 0.56%

LAB 57.4, 12.64, -9.18

 

CMYK 0 / 15 / 4 / 40

HEX #9A8394

RGB 154 131 148

HSL 315.65, 0.1%, 0.56%

LAB 57.31, 11.83, -5.85

 

CMYK 0 / 15 / 8 / 40

HEX #9A838E

RGB 154 131 142

HSL 331.3, 0.1%, 0.56%

LAB 57.13, 10.71, -2.65

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 12 / 15 / 0 / 40

HEX #87839A

RGB 135 131 154

HSL 250.43, 0.1%, 0.56%

LAB 55.8, 6.27, -11.74

 

CMYK 15 / 15 / 0 / 40

HEX #83839A

RGB 131 131 154

HSL 240, 0.1%, 0.56%

LAB 55.47, 4.89, -12.27

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 19 / 34 / 0 / 33

HEX #8C71AC

RGB 140 113 172

HSL 267.46, 0.26%, 0.56%

LAB 52.25, 22.59, -27.56

 

CMYK 27 / 50 / 0 / 25

HEX #8A5FBE

RGB 138 95 190

HSL 267.16, 0.42%, 0.56%

LAB 48.64, 36.82, -43.66

 

CMYK 35 / 63 / 0 / 18

HEX #884DD0

RGB 136 77 208

HSL 267.02, 0.58%, 0.56%

LAB 45.77, 50.64, -58.66

 

CMYK 40 / 74 / 0 / 11

HEX #873AE2

RGB 135 58 226

HSL 267.5, 0.74%, 0.56%

LAB 43.75, 63.79, -72.23

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 4 / 0 / 9 / 42

HEX #8F9587

RGB 143 149 135

HSL 85.71, 0.06%, 0.56%

LAB 60.86, -4.84, 6.64

 

CMYK 13 / 0 / 30 / 35

HEX #91A775

RGB 145 167 117

HSL 86.4, 0.22%, 0.56%

LAB 65.7, -16.7, 23.4

 

CMYK 22 / 0 / 47 / 27

HEX #92BA63

RGB 146 186 99

HSL 87.59, 0.39%, 0.56%

LAB 70.96, -28.21, 39.62

 

CMYK 27 / 0 / 60 / 20

HEX #94CC51

RGB 148 204 81

HSL 87.32, 0.55%, 0.56%

LAB 76.12, -37.68, 54.19

 

CMYK 15 / 14 / 0 / 40

HEX #83859A

RGB 131 133 154

HSL 234.78, 0.1%, 0.56%

LAB 56.02, 3.74, -11.44

 

CMYK 12 / 15 / 0 / 40

HEX #87839A

RGB 135 131 154

HSL 250.43, 0.1%, 0.56%

LAB 55.8, 6.27, -11.74

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 5 / 15 / 0 / 40

HEX #93839A

RGB 147 131 154

HSL 281.74, 0.1%, 0.56%

LAB 56.85, 10.49, -10.06

 

CMYK 1 / 15 / 0 / 40

HEX #99839A

RGB 153 131 154

HSL 297.39, 0.1%, 0.56%

LAB 57.4, 12.64, -9.18

 

CMYK 10 / 18 / 0 / 56

HEX #645B6F

RGB 100 91 111

HSL 267, 0.1%, 0.4%

LAB 40.15, 7.89, -10.04

 

CMYK 10 / 19 / 0 / 47

HEX #796D86

RGB 121 109 134

HSL 268.8, 0.1%, 0.48%

LAB 47.91, 9.82, -12.04

 

CMYK 8 / 15 / 0 / 40

HEX #8D839A

RGB 141 131 154

HSL 266.09, 0.1%, 0.56%

LAB 56.32, 8.37, -10.92

 

CMYK 6 / 10 / 0 / 33

HEX #A29AAC

RGB 162 154 172

HSL 266.67, 0.1%, 0.64%

LAB 64.78, 6.4, -8.32

 

CMYK 4 / 8 / 0 / 25

HEX #B7B0BF

RGB 183 176 191

HSL 268, 0.1%, 0.72%

LAB 72.81, 5.31, -6.74

 

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

CMYK 0 / 15 / 10 / 40

HEX #9A838B

RGB 154 131 139

HSL 339.13, 0.1%, 0.56%

LAB 57.04, 10.16, -1.05

 

CMYK 15 / 0 / 14 / 40

HEX #839A84

RGB 131 154 132

HSL 122.61, 0.1%, 0.56%

LAB 61.31, -12.53, 8.86

 

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

CMYK 0 / 8 / 15 / 40

HEX #9A8D83

RGB 154 141 131

HSL 26.09, 0.1%, 0.56%

LAB 59.49, 3.09, 7.08

 

CMYK 15 / 0 / 8 / 40

HEX #839A8D

RGB 131 154 141

HSL 146.09, 0.1%, 0.56%

LAB 61.53, -10.77, 4.11

 

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

CMYK 0 / 15 / 10 / 40

HEX #9A838B

RGB 154 131 139

HSL 339.13, 0.1%, 0.56%

LAB 57.04, 10.16, -1.05

 

CMYK 7 / 0 / 15 / 40

HEX #8F9A83

RGB 143 154 131

HSL 88.7, 0.1%, 0.56%

LAB 62.16, -8.29, 10.75

 

CMYK 15 / 0 / 5 / 40

HEX #839A92

RGB 131 154 146

HSL 159.13, 0.1%, 0.56%

LAB 61.66, -9.75, 1.47

 

CMYK 8 / 14 / 0 / 40

HEX #8E849A

RGB 142 132 154

HSL 267.27, 0.1%, 0.56%

LAB 56.67, 8.14, -10.38

 

CMYK 0 / 15 / 14 / 40

HEX #9A8384

RGB 154 131 132

HSL 357.39, 0.1%, 0.56%

LAB 56.85, 8.93, 2.71

 

CMYK 7 / 0 / 15 / 40

HEX #8F9A83

RGB 143 154 131

HSL 88.7, 0.1%, 0.56%

LAB 62.16, -8.29, 10.75

 

CMYK 15 / 0 / 1 / 40

HEX #839A98

RGB 131 154 152

HSL 174.78, 0.1%, 0.56%

LAB 61.83, -8.49, -1.68

 

Description

Color code: RGB 142 132 154 | qconv.com Color code: RGB 142 132 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 132 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 132 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 14 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 14% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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