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Color name
RGB 142 128 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 128 111 it is the complementary color RGB 113 127 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 128 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 128 111 shade: RGB 147 128 106, RGB 164 146 125, RGB 181 164 144, RGB 198 182 163 and RGB 215 200 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 128 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 128 111 shade: RGB 142 128 111, RGB 125 110 92, RGB 108 92 73, RGB 91 74 54 and RGB 74 56 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 128 111 shade: RGB 142 128 112, RGB 142 120 112, RGB 142 112 112 and RGB 142 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 128 111 shade: RGB 142 128 112, RGB 142 137 112, RGB 140 142 112, RGB 131 142 112 and RGB 123 142 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 128 111 shade matches the following richer shades: RGB 142 128 112, RGB 163 130 91, RGB 184 132 70, RGB 204 134 50 and RGB 225 136 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 128 111 shade: RGB 142 128 112, RGB 122 126 132, RGB 101 124 153, RGB 80 122 174 and RGB 60 121 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 128 111 shade: RGB 142 112 112, RGB 142 120 112, RGB 142 128 112, RGB 142 136 112 and RGB 140 142 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 128 111 shade: RGB 96 87 75, RGB 119 108 94, RGB 142 128 112, RGB 160 149 135 and RGB 179 169 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 128 111 shade: RGB 142 128 111, RGB 120 142 112 and RGB 116 112 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 128 111 shade: RGB 142 128 111, RGB 112 142 128 and RGB 128 112 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 128 111 shade: RGB 142 128 111, RGB 120 142 112, RGB 112 126 142 and RGB 134 112 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 128 111 shade: RGB 142 128 111, RGB 112 142 113, RGB 112 126 142 and RGB 142 112 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

Complementary color

CMYK 22 / 12 / 0 / 44

HEX #717F90

RGB 113 127 144

HSL 212.9, 0.12%, 0.5%

LAB 52.62, -1.23, -10.89

 

CMYK 0 / 13 / 28 / 42

HEX #93806A

RGB 147 128 106

HSL 32.2, 0.16%, 0.5%

LAB 54.74, 3.7, 14.63

 

CMYK 0 / 11 / 24 / 36

HEX #A4927D

RGB 164 146 125

HSL 32.31, 0.18%, 0.57%

LAB 61.59, 3.27, 13.59

 

CMYK 0 / 9 / 20 / 29

HEX #B5A490

RGB 181 164 144

HSL 32.43, 0.2%, 0.64%

LAB 68.31, 2.89, 12.62

 

CMYK 0 / 8 / 18 / 22

HEX #C6B6A3

RGB 198 182 163

HSL 32.57, 0.23%, 0.71%

LAB 74.89, 2.57, 11.73

 

CMYK 0 / 7 / 15 / 16

HEX #D7C8B6

RGB 215 200 182

HSL 32.73, 0.29%, 0.78%

LAB 81.36, 2.27, 10.88

 

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

CMYK 0 / 12 / 26 / 51

HEX #7D6E5C

RGB 125 110 92

HSL 32.73, 0.15%, 0.43%

LAB 47.35, 2.84, 12.2

 

CMYK 0 / 15 / 32 / 58

HEX #6C5C49

RGB 108 92 73

HSL 32.57, 0.19%, 0.35%

LAB 40.12, 3.34, 13.35

 

CMYK 0 / 19 / 41 / 64

HEX #5B4A36

RGB 91 74 54

HSL 32.43, 0.26%, 0.28%

LAB 32.67, 3.98, 14.65

 

CMYK 0 / 24 / 53 / 71

HEX #4A3823

RGB 74 56 35

HSL 32.31, 0.36%, 0.21%

LAB 24.97, 4.85, 16.15

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 0 / 15 / 21 / 44

HEX #8E7870

RGB 142 120 112

HSL 16, 0.12%, 0.5%

LAB 52.23, 7.18, 7.55

 

CMYK 0 / 21 / 21 / 44

HEX #8E7070

RGB 142 112 112

HSL 0, 0.12%, 0.5%

LAB 50.11, 11.82, 4.51

 

CMYK 0 / 21 / 21 / 44

HEX #8E7070

RGB 142 112 112

HSL 0, 0.12%, 0.5%

LAB 50.11, 11.82, 4.51

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 0 / 4 / 21 / 44

HEX #8E8970

RGB 142 137 112

HSL 50, 0.12%, 0.5%

LAB 56.89, -2.5, 14.1

 

CMYK 1 / 0 / 21 / 44

HEX #8C8E70

RGB 140 142 112

HSL 64, 0.12%, 0.5%

LAB 58.12, -6.07, 15.78

 

CMYK 8 / 0 / 21 / 44

HEX #838E70

RGB 131 142 112

HSL 82, 0.12%, 0.5%

LAB 57.41, -9.61, 14.68

 

CMYK 13 / 0 / 21 / 44

HEX #7B8E70

RGB 123 142 112

HSL 98, 0.12%, 0.5%

LAB 56.81, -12.68, 13.75

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 0 / 20 / 44 / 36

HEX #A3825B

RGB 163 130 91

HSL 32.5, 0.28%, 0.5%

LAB 56.59, 7.36, 25.9

 

CMYK 0 / 28 / 62 / 28

HEX #B88446

RGB 184 132 70

HSL 32.63, 0.45%, 0.5%

LAB 59.1, 13.38, 40.79

 

CMYK 0 / 34 / 75 / 20

HEX #CC8632

RGB 204 134 50

HSL 32.73, 0.61%, 0.5%

LAB 61.76, 19.79, 53.79

 

CMYK 0 / 40 / 87 / 12

HEX #E1881D

RGB 225 136 29

HSL 32.76, 0.77%, 0.5%

LAB 64.73, 26.97, 65

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 8 / 5 / 0 / 48

HEX #7A7E84

RGB 122 126 132

HSL 216, 0.04%, 0.5%

LAB 52.65, -0.24, -3.77

 

CMYK 34 / 19 / 0 / 40

HEX #657C99

RGB 101 124 153

HSL 213.46, 0.2%, 0.5%

LAB 51.25, -1.01, -18.31

 

CMYK 54 / 30 / 0 / 32

HEX #507AAE

RGB 80 122 174

HSL 213.19, 0.37%, 0.5%

LAB 50.31, 0.82, -32.07

 

CMYK 69 / 38 / 0 / 24

HEX #3C79C2

RGB 60 121 194

HSL 212.69, 0.53%, 0.5%

LAB 50.13, 4.39, -43.94

 

CMYK 0 / 21 / 21 / 44

HEX #8E7070

RGB 142 112 112

HSL 0, 0.12%, 0.5%

LAB 50.11, 11.82, 4.51

 

CMYK 0 / 15 / 21 / 44

HEX #8E7870

RGB 142 120 112

HSL 16, 0.12%, 0.5%

LAB 52.23, 7.18, 7.55

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 0 / 4 / 21 / 44

HEX #8E8870

RGB 142 136 112

HSL 48, 0.12%, 0.5%

LAB 56.61, -1.94, 13.71

 

CMYK 1 / 0 / 21 / 44

HEX #8C8E70

RGB 140 142 112

HSL 64, 0.12%, 0.5%

LAB 58.12, -6.07, 15.78

 

CMYK 0 / 9 / 22 / 62

HEX #60574B

RGB 96 87 75

HSL 34.29, 0.12%, 0.34%

LAB 37.5, 1.45, 8.3

 

CMYK 0 / 9 / 21 / 53

HEX #776C5E

RGB 119 108 94

HSL 33.6, 0.12%, 0.42%

LAB 46.25, 1.82, 9.4

 

CMYK 0 / 10 / 21 / 44

HEX #8E8070

RGB 142 128 112

HSL 32, 0.12%, 0.5%

LAB 54.41, 2.58, 10.62

 

CMYK 0 / 7 / 16 / 37

HEX #A09587

RGB 160 149 135

HSL 33.6, 0.12%, 0.58%

LAB 62.27, 1.62, 8.85

 

CMYK 0 / 6 / 12 / 30

HEX #B3A99E

RGB 179 169 158

HSL 31.43, 0.12%, 0.66%

LAB 69.77, 1.67, 6.95

 

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

CMYK 15 / 0 / 21 / 44

HEX #788E70

RGB 120 142 112

HSL 104, 0.12%, 0.5%

LAB 56.59, -13.82, 13.42

 

CMYK 18 / 21 / 0 / 44

HEX #74708E

RGB 116 112 142

HSL 248, 0.12%, 0.5%

LAB 48.58, 8.13, -15.81

 

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

CMYK 21 / 0 / 10 / 44

HEX #708E80

RGB 112 142 128

HSL 152, 0.12%, 0.5%

LAB 56.44, -13.59, 3.98

 

CMYK 10 / 21 / 0 / 44

HEX #80708E

RGB 128 112 142

HSL 272, 0.12%, 0.5%

LAB 49.65, 12.3, -14.08

 

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

CMYK 15 / 0 / 21 / 44

HEX #788E70

RGB 120 142 112

HSL 104, 0.12%, 0.5%

LAB 56.59, -13.82, 13.42

 

CMYK 21 / 11 / 0 / 44

HEX #707E8E

RGB 112 126 142

HSL 212, 0.12%, 0.5%

LAB 52.2, -1.47, -10.37

 

CMYK 6 / 21 / 0 / 44

HEX #86708E

RGB 134 112 142

HSL 284, 0.12%, 0.5%

LAB 50.23, 14.43, -13.15

 

CMYK 0 / 10 / 22 / 44

HEX #8E806F

RGB 142 128 111

HSL 32.9, 0.12%, 0.5%

LAB 54.38, 2.43, 11.17

 

CMYK 21 / 0 / 20 / 44

HEX #708E71

RGB 112 142 113

HSL 122, 0.12%, 0.5%

LAB 56.07, -16.58, 12.04

 

CMYK 21 / 11 / 0 / 44

HEX #707E8E

RGB 112 126 142

HSL 212, 0.12%, 0.5%

LAB 52.2, -1.47, -10.37

 

CMYK 0 / 21 / 1 / 44

HEX #8E708D

RGB 142 112 141

HSL 302, 0.12%, 0.5%

LAB 50.99, 17.1, -11.33

 

Description

Color code: RGB 142 128 111 | qconv.com Color code: RGB 142 128 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 128 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 128 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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