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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 40 147 it is the complementary color RGB 114 215 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 40 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 40 147 shade: RGB 146 40 142, RGB 163 58 161, RGB 180 76 180, RGB 197 94 199 and RGB 214 112 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 40 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 40 147 shade: RGB 141 40 147, RGB 124 22 128, RGB 107 4 109, RGB 90 0 90 and RGB 73 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 40 147 shade: RGB 142 40 148, RGB 148 40 125, RGB 148 40 96, RGB 148 40 67 and RGB 148 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 40 147 shade: RGB 142 40 148, RGB 113 40 148, RGB 84 40 148, RGB 55 40 148 and RGB 40 40 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 40 147 shade matches the following richer shades: RGB 142 40 148, RGB 155 25 163 and RGB 169 10 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 40 147 shade: RGB 142 40 148, RGB 128 55 132, RGB 114 71 117, RGB 101 86 102 and RGB 87 101 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 40 147 shade: RGB 83 40 148, RGB 112 40 148, RGB 140 40 148, RGB 148 40 126 and RGB 148 40 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 40 147 shade: RGB 79 22 83, RGB 111 31 115, RGB 142 40 148, RGB 173 49 180 and RGB 196 67 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 40 147 shade: RGB 141 40 147, RGB 148 54 40 and RGB 40 148 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 40 147 shade: RGB 141 40 147, RGB 148 140 40 and RGB 40 148 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 40 147 shade: RGB 141 40 147, RGB 148 54 40, RGB 47 148 40 and RGB 40 133 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 40 147 shade: RGB 141 40 147, RGB 148 87 40, RGB 47 148 40 and RGB 40 101 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

Complementary color

CMYK 47 / 0 / 50 / 16

HEX #72D76C

RGB 114 215 108

HSL 116.64, 0.57%, 0.63%

LAB 78.03, -50.55, 43.56

 

CMYK 0 / 73 / 3 / 43

HEX #92288E

RGB 146 40 142

HSL 302.26, 0.57%, 0.36%

LAB 37.08, 55.63, -33.38

 

CMYK 0 / 64 / 1 / 36

HEX #A33AA1

RGB 163 58 161

HSL 301.14, 0.48%, 0.43%

LAB 43.34, 56.03, -34.81

 

CMYK 0 / 58 / 0 / 29

HEX #B44CB4

RGB 180 76 180

HSL 300, 0.41%, 0.5%

LAB 49.7, 55.9, -35.84

 

CMYK 1 / 53 / 0 / 22

HEX #C55EC7

RGB 197 94 199

HSL 298.86, 0.48%, 0.57%

LAB 56.09, 55.47, -36.61

 

CMYK 2 / 49 / 0 / 15

HEX #D670DA

RGB 214 112 218

HSL 297.74, 0.59%, 0.65%

LAB 62.46, 54.88, -37.23

 

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

CMYK 3 / 83 / 0 / 50

HEX #7C1680

RGB 124 22 128

HSL 297.74, 0.71%, 0.29%

LAB 30.44, 54.06, -35.48

 

CMYK 2 / 96 / 0 / 57

HEX #6B046D

RGB 107 4 109

HSL 298.86, 0.93%, 0.22%

LAB 24.69, 51.37, -32.75

 

CMYK 0 / 100 / 0 / 65

HEX #5A005A

RGB 90 0 90

HSL 300, 1%, 0.18%

LAB 19.69, 45.94, -28.45

 

CMYK 0 / 100 / 3 / 71

HEX #490047

RGB 73 0 71

HSL 301.64, 1%, 0.14%

LAB 14.8, 39.49, -23.5

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 0 / 73 / 16 / 42

HEX #94287D

RGB 148 40 125

HSL 312.78, 0.57%, 0.37%

LAB 36.54, 53.41, -23.69

 

CMYK 0 / 73 / 35 / 42

HEX #942860

RGB 148 40 96

HSL 328.89, 0.57%, 0.37%

LAB 35.32, 49.5, -7.26

 

CMYK 0 / 73 / 55 / 42

HEX #942843

RGB 148 40 67

HSL 345, 0.57%, 0.37%

LAB 34.43, 46.57, 10.18

 

CMYK 0 / 73 / 73 / 42

HEX #942828

RGB 148 40 40

HSL 0, 0.57%, 0.37%

LAB 33.91, 44.79, 26.74

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 24 / 73 / 0 / 42

HEX #712894

RGB 113 40 148

HSL 280.56, 0.57%, 0.37%

LAB 32.18, 49.36, -45.19

 

CMYK 43 / 73 / 0 / 42

HEX #542894

RGB 84 40 148

HSL 264.44, 0.57%, 0.37%

LAB 28.22, 43.53, -51.8

 

CMYK 63 / 73 / 0 / 42

HEX #372894

RGB 55 40 148

HSL 248.33, 0.57%, 0.37%

LAB 25.16, 38.74, -56.93

 

CMYK 73 / 73 / 0 / 42

HEX #282894

RGB 40 40 148

HSL 240, 0.57%, 0.37%

LAB 24.02, 36.87, -58.85

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 5 / 85 / 0 / 36

HEX #9B19A3

RGB 155 25 163

HSL 296.52, 0.73%, 0.37%

LAB 38.39, 65.3, -43.96

 

CMYK 5 / 94 / 0 / 30

HEX #A90AB2

RGB 169 10 178

HSL 296.79, 0.89%, 0.37%

LAB 41, 72.53, -48.59

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 3 / 58 / 0 / 48

HEX #803784

RGB 128 55 132

HSL 296.88, 0.41%, 0.37%

LAB 35.96, 42.79, -29.18

 

CMYK 3 / 39 / 0 / 54

HEX #724775

RGB 114 71 117

HSL 296.09, 0.24%, 0.37%

LAB 36.68, 26.53, -18.9

 

CMYK 1 / 16 / 0 / 60

HEX #655666

RGB 101 86 102

HSL 296.25, 0.09%, 0.37%

LAB 38.52, 9.35, -6.92

 

CMYK 14 / 0 / 14 / 60

HEX #576557

RGB 87 101 87

HSL 120, 0.07%, 0.37%

LAB 41.25, -8.36, 6.14

 

CMYK 44 / 73 / 0 / 42

HEX #532894

RGB 83 40 148

HSL 263.89, 0.57%, 0.37%

LAB 28.1, 43.34, -52

 

CMYK 24 / 73 / 0 / 42

HEX #702894

RGB 112 40 148

HSL 280, 0.57%, 0.37%

LAB 32.03, 49.15, -45.44

 

CMYK 5 / 73 / 0 / 42

HEX #8C2894

RGB 140 40 148

HSL 295.56, 0.57%, 0.37%

LAB 36.43, 55.29, -38.15

 

CMYK 0 / 73 / 15 / 42

HEX #94287E

RGB 148 40 126

HSL 312.22, 0.57%, 0.37%

LAB 36.59, 53.56, -24.24

 

CMYK 0 / 73 / 34 / 42

HEX #942861

RGB 148 40 97

HSL 328.33, 0.57%, 0.37%

LAB 35.35, 49.62, -7.84

 

CMYK 5 / 73 / 0 / 67

HEX #4F1653

RGB 79 22 83

HSL 296.07, 0.58%, 0.21%

LAB 19.48, 35.33, -24.2

 

CMYK 3 / 73 / 0 / 55

HEX #6F1F73

RGB 111 31 115

HSL 297.14, 0.58%, 0.29%

LAB 28.37, 45.88, -30.69

 

CMYK 4 / 73 / 0 / 42

HEX #8E2894

RGB 142 40 148

HSL 296.67, 0.57%, 0.37%

LAB 36.76, 55.74, -37.61

 

CMYK 4 / 73 / 0 / 29

HEX #AD31B4

RGB 173 49 180

HSL 296.79, 0.57%, 0.45%

LAB 44.77, 65, -43.71

 

CMYK 3 / 67 / 0 / 20

HEX #C443CB

RGB 196 67 203

HSL 296.91, 0.57%, 0.53%

LAB 51.91, 67.55, -45.51

 

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

CMYK 0 / 64 / 73 / 42

HEX #943628

RGB 148 54 40

HSL 7.78, 0.57%, 0.37%

LAB 36.15, 38.73, 29.32

 

CMYK 73 / 0 / 34 / 42

HEX #289461

RGB 40 148 97

HSL 151.67, 0.57%, 0.37%

LAB 54.55, -42.42, 18.49

 

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

CMYK 0 / 5 / 73 / 42

HEX #948C28

RGB 148 140 40

HSL 55.56, 0.57%, 0.37%

LAB 57.27, -8.97, 51.46

 

CMYK 73 / 0 / 5 / 42

HEX #28948C

RGB 40 148 140

HSL 175.56, 0.57%, 0.37%

LAB 55.61, -31.44, -4.47

 

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

CMYK 0 / 64 / 73 / 42

HEX #943628

RGB 148 54 40

HSL 7.78, 0.57%, 0.37%

LAB 36.15, 38.73, 29.32

 

CMYK 68 / 0 / 73 / 42

HEX #2F9428

RGB 47 148 40

HSL 116.11, 0.57%, 0.37%

LAB 53.96, -49.71, 46.24

 

CMYK 73 / 10 / 0 / 42

HEX #288594

RGB 40 133 148

HSL 188.33, 0.57%, 0.37%

LAB 51.11, -21.44, -15.84

 

CMYK 4 / 73 / 0 / 42

HEX #8D2893

RGB 141 40 147

HSL 296.64, 0.57%, 0.37%

LAB 36.53, 55.34, -37.36

 

CMYK 0 / 41 / 73 / 42

HEX #945728

RGB 148 87 40

HSL 26.11, 0.57%, 0.37%

LAB 43.16, 21.1, 37.08

 

CMYK 68 / 0 / 73 / 42

HEX #2F9428

RGB 47 148 40

HSL 116.11, 0.57%, 0.37%

LAB 53.96, -49.71, 46.24

 

CMYK 73 / 32 / 0 / 42

HEX #286594

RGB 40 101 148

HSL 206.11, 0.57%, 0.37%

LAB 41.05, -3.18, -31.4

 

Description

Color code: RGB 141 40 147 | qconv.com Color code: RGB 141 40 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 40 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 40 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 73 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 73% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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