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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 2 185 it is the complementary color RGB 114 253 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 2 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 2 185 shade: RGB 146 2 180, RGB 163 20 199, RGB 180 38 218, RGB 197 56 237 and RGB 214 74 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 2 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 2 185 shade: RGB 141 2 185, RGB 124 0 166, RGB 107 0 147, RGB 90 0 128 and RGB 73 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 2 185 shade: RGB 142 1 186, RGB 186 1 181, RGB 186 1 131, RGB 186 1 81 and RGB 186 1 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 2 185 shade: RGB 142 1 186, RGB 92 1 186, RGB 42 1 186 and RGB 1 1 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 2 185 shade matches the following richer shades: RGB 142 1 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 2 185 shade: RGB 142 1 186, RGB 134 17 171, RGB 126 32 156, RGB 118 47 141 and RGB 110 62 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 2 185 shade: RGB 41 1 186, RGB 91 1 186, RGB 140 1 186, RGB 186 1 183 and RGB 186 1 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 2 185 shade: RGB 80 1 105, RGB 111 1 145, RGB 142 1 186, RGB 173 2 227 and RGB 196 18 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 2 185 shade: RGB 141 2 185, RGB 186 1 11 and RGB 1 186 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 2 185 shade: RGB 141 2 185, RGB 186 140 1 and RGB 1 186 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 2 185 shade: RGB 141 2 185, RGB 186 1 11, RGB 48 186 1 and RGB 1 186 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 2 185 shade: RGB 141 2 185, RGB 186 48 1, RGB 48 186 1 and RGB 1 140 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

Complementary color

CMYK 55 / 0 / 72 / 1

HEX #72FD46

RGB 114 253 70

HSL 105.57, 0.98%, 0.63%

LAB 89.05, -68.46, 71.65

 

CMYK 19 / 99 / 0 / 29

HEX #9202B4

RGB 146 2 180

HSL 288.54, 0.98%, 0.36%

LAB 36.84, 70.22, -56.7

 

CMYK 18 / 90 / 0 / 22

HEX #A314C7

RGB 163 20 199

HSL 287.93, 0.82%, 0.43%

LAB 41.86, 73.77, -59.59

 

CMYK 17 / 83 / 0 / 15

HEX #B426DA

RGB 180 38 218

HSL 287.33, 0.71%, 0.5%

LAB 47.17, 76.16, -61.83

 

CMYK 17 / 76 / 0 / 7

HEX #C538ED

RGB 197 56 237

HSL 286.74, 0.83%, 0.57%

LAB 52.74, 77.53, -63.47

 

CMYK 16 / 71 / 0 / 0

HEX #D64AFF

RGB 214 74 255

HSL 286.41, 1%, 0.65%

LAB 58.43, 78, -64.23

 

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

CMYK 25 / 100 / 0 / 35

HEX #7C00A6

RGB 124 0 166

HSL 284.82, 1%, 0.33%

LAB 31.89, 64.93, -56.53

 

CMYK 27 / 100 / 0 / 42

HEX #6B0093

RGB 107 0 147

HSL 283.67, 1%, 0.29%

LAB 27.39, 59.06, -52.4

 

CMYK 30 / 100 / 0 / 50

HEX #5A0080

RGB 90 0 128

HSL 282.19, 1%, 0.25%

LAB 22.77, 53.05, -48.19

 

CMYK 33 / 100 / 0 / 57

HEX #49006D

RGB 73 0 109

HSL 280.18, 1%, 0.21%

LAB 18.01, 46.89, -43.88

 

CMYK 24 / 99 / 0 / 27

HEX #8E01BA

RGB 142 1 186

HSL 285.73, 0.99%, 0.37%

LAB 36.59, 70.86, -60.69

 

CMYK 0 / 99 / 3 / 27

HEX #BA01B5

RGB 186 1 181

HSL 301.62, 0.99%, 0.37%

LAB 43.94, 76.69, -45.49

 

CMYK 0 / 99 / 30 / 27

HEX #BA0183

RGB 186 1 131

HSL 317.84, 0.99%, 0.37%

LAB 41.37, 70.29, -19.36

 

CMYK 0 / 99 / 56 / 27

HEX #BA0151

RGB 186 1 81

HSL 334.05, 0.99%, 0.37%

LAB 39.67, 65.84, 9.61

 

CMYK 0 / 99 / 83 / 27

HEX #BA011F

RGB 186 1 31

HSL 350.27, 0.99%, 0.37%

LAB 38.83, 63.56, 39.62

 

CMYK 24 / 99 / 0 / 27

HEX #8E01BA

RGB 142 1 186

HSL 285.73, 0.99%, 0.37%

LAB 36.59, 70.86, -60.69

 

CMYK 51 / 99 / 0 / 27

HEX #5C01BA

RGB 92 1 186

HSL 269.51, 0.99%, 0.37%

LAB 29.01, 65.49, -73.42

 

CMYK 77 / 99 / 0 / 27

HEX #2A01BA

RGB 42 1 186

HSL 253.3, 0.99%, 0.37%

LAB 23.87, 62.85, -82.12

 

CMYK 99 / 99 / 0 / 27

HEX #0101BA

RGB 1 1 186

HSL 240, 0.99%, 0.37%

LAB 22.21, 62.25, -84.93

 

CMYK 24 / 99 / 0 / 27

HEX #8E01BA

RGB 142 1 186

HSL 285.73, 0.99%, 0.37%

LAB 36.59, 70.86, -60.69

 

CMYK 24 / 99 / 0 / 27

HEX #8E01BA

RGB 142 1 186

HSL 285.73, 0.99%, 0.37%

LAB 36.59, 70.86, -60.69

 

CMYK 22 / 90 / 0 / 33

HEX #8611AB

RGB 134 17 171

HSL 285.58, 0.82%, 0.37%

LAB 34.82, 64.75, -54.7

 

CMYK 19 / 79 / 0 / 39

HEX #7E209C

RGB 126 32 156

HSL 285.48, 0.66%, 0.37%

LAB 33.71, 56.67, -47.51

 

CMYK 16 / 67 / 0 / 45

HEX #762F8D

RGB 118 47 141

HSL 285.32, 0.5%, 0.37%

LAB 33.58, 45.85, -38.61

 

CMYK 12 / 50 / 0 / 51

HEX #6E3E7D

RGB 110 62 125

HSL 285.71, 0.34%, 0.37%

LAB 34.48, 32.23, -27.35

 

CMYK 78 / 99 / 0 / 27

HEX #2901BA

RGB 41 1 186

HSL 252.97, 0.99%, 0.37%

LAB 23.8, 62.82, -82.23

 

CMYK 51 / 99 / 0 / 27

HEX #5B01BA

RGB 91 1 186

HSL 269.19, 0.99%, 0.37%

LAB 28.88, 65.41, -73.64

 

CMYK 25 / 99 / 0 / 27

HEX #8C01BA

RGB 140 1 186

HSL 285.08, 0.99%, 0.37%

LAB 36.26, 70.6, -61.25

 

CMYK 0 / 99 / 2 / 27

HEX #BA01B7

RGB 186 1 183

HSL 300.97, 0.99%, 0.37%

LAB 44.06, 76.98, -46.48

 

CMYK 0 / 99 / 28 / 27

HEX #BA0186

RGB 186 1 134

HSL 316.86, 0.99%, 0.37%

LAB 41.5, 70.62, -21.01

 

CMYK 24 / 99 / 0 / 59

HEX #500169

RGB 80 1 105

HSL 285.58, 0.98%, 0.21%

LAB 19, 46.76, -39.59

 

CMYK 23 / 99 / 0 / 43

HEX #6F0191

RGB 111 1 145

HSL 285.83, 0.99%, 0.29%

LAB 27.97, 59.05, -50.19

 

CMYK 24 / 99 / 0 / 27

HEX #8E01BA

RGB 142 1 186

HSL 285.73, 0.99%, 0.37%

LAB 36.59, 70.86, -60.69

 

CMYK 24 / 99 / 0 / 11

HEX #AD02E3

RGB 173 2 227

HSL 285.6, 0.98%, 0.45%

LAB 44.9, 82.1, -70.7

 

CMYK 22 / 93 / 0 / 1

HEX #C412FC

RGB 196 18 252

HSL 285.64, 0.98%, 0.53%

LAB 50.92, 87.98, -74.84

 

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

CMYK 0 / 99 / 94 / 27

HEX #BA010B

RGB 186 1 11

HSL 356.76, 0.99%, 0.37%

LAB 38.7, 63.21, 48.96

 

CMYK 99 / 0 / 65 / 27

HEX #01BA42

RGB 1 186 66

HSL 141.08, 0.99%, 0.37%

LAB 66.15, -64.04, 48.4

 

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

CMYK 0 / 25 / 99 / 27

HEX #BA8C01

RGB 186 140 1

HSL 45.08, 0.99%, 0.37%

LAB 60.96, 7.33, 65.63

 

CMYK 99 / 0 / 25 / 27

HEX #01BA8C

RGB 1 186 140

HSL 165.08, 0.99%, 0.37%

LAB 67.29, -50.6, 12.34

 

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

CMYK 0 / 99 / 94 / 27

HEX #BA010B

RGB 186 1 11

HSL 356.76, 0.99%, 0.37%

LAB 38.7, 63.21, 48.96

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 99 / 0 / 5 / 27

HEX #01BAB1

RGB 1 186 177

HSL 177.08, 0.99%, 0.37%

LAB 68.24, -40.59, -6.59

 

CMYK 24 / 99 / 0 / 27

HEX #8D02B9

RGB 141 2 185

HSL 285.57, 0.98%, 0.37%

LAB 36.38, 70.43, -60.44

 

CMYK 0 / 74 / 99 / 27

HEX #BA3001

RGB 186 48 1

HSL 15.24, 0.99%, 0.37%

LAB 42.09, 53.39, 54.1

 

CMYK 74 / 0 / 99 / 27

HEX #30BA01

RGB 48 186 1

HSL 104.76, 0.99%, 0.37%

LAB 66.33, -63.62, 66.1

 

CMYK 99 / 25 / 0 / 27

HEX #018CBA

RGB 1 140 186

HSL 194.92, 0.99%, 0.37%

LAB 54.35, -14.77, -32.8

 

Description

Color code: RGB 141 2 185 | qconv.com Color code: RGB 141 2 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 2 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 2 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 99 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 99% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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