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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 25 111 it is the complementary color RGB 114 230 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 25 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 25 111 shade: RGB 146 25 106, RGB 163 43 125, RGB 180 61 144, RGB 197 79 163 and RGB 214 97 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 25 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 25 111 shade: RGB 141 25 111, RGB 124 7 92, RGB 107 0 73, RGB 90 0 54 and RGB 73 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 25 111 shade: RGB 143 25 112, RGB 143 25 80, RGB 143 25 49 and RGB 143 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 25 111 shade: RGB 143 25 112, RGB 141 25 143, RGB 109 25 143, RGB 78 25 143 and RGB 46 25 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 25 111 shade matches the following richer shades: RGB 143 25 112 and RGB 156 11 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 25 111 shade: RGB 143 25 112, RGB 129 38 106, RGB 115 52 99, RGB 102 66 92 and RGB 88 79 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 25 111 shade: RGB 109 25 143, RGB 141 25 143, RGB 143 25 113, RGB 143 25 82 and RGB 143 25 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 25 111 shade: RGB 72 12 57, RGB 107 19 84, RGB 143 25 112, RGB 178 31 140 and RGB 213 37 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 25 111 shade: RGB 141 25 111, RGB 143 78 25 and RGB 25 143 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 25 111 shade: RGB 141 25 111, RGB 113 143 25 and RGB 25 113 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 25 111 shade: RGB 141 25 111, RGB 143 78 25, RGB 25 143 54 and RGB 25 90 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 25 111 shade: RGB 141 25 111, RGB 143 113 25, RGB 25 143 54 and RGB 25 54 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

Complementary color

CMYK 50 / 0 / 37 / 10

HEX #72E690

RGB 114 230 144

HSL 135.52, 0.7%, 0.67%

LAB 83.01, -51.24, 32.07

 

CMYK 0 / 83 / 27 / 43

HEX #92196A

RGB 146 25 106

HSL 319.83, 0.71%, 0.34%

LAB 33.66, 54.95, -16.2

 

CMYK 0 / 74 / 23 / 36

HEX #A32B7D

RGB 163 43 125

HSL 319, 0.58%, 0.4%

LAB 39.57, 56.22, -18.79

 

CMYK 0 / 66 / 20 / 29

HEX #B43D90

RGB 180 61 144

HSL 318.15, 0.49%, 0.47%

LAB 45.71, 56.6, -20.71

 

CMYK 0 / 60 / 17 / 23

HEX #C54FA3

RGB 197 79 163

HSL 317.29, 0.5%, 0.54%

LAB 51.96, 56.48, -22.17

 

CMYK 0 / 55 / 15 / 16

HEX #D661B6

RGB 214 97 182

HSL 316.41, 0.59%, 0.61%

LAB 58.25, 56.06, -23.34

 

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

CMYK 0 / 94 / 26 / 51

HEX #7C075C

RGB 124 7 92

HSL 316.41, 0.89%, 0.26%

LAB 27.32, 51.79, -17.27

 

CMYK 0 / 100 / 32 / 58

HEX #6B0049

RGB 107 0 73

HSL 319.07, 1%, 0.21%

LAB 22.33, 47, -12.55

 

CMYK 0 / 100 / 40 / 65

HEX #5A0036

RGB 90 0 54

HSL 324, 1%, 0.18%

LAB 17.65, 40.84, -6.79

 

CMYK 0 / 100 / 52 / 71

HEX #490023

RGB 73 0 35

HSL 331.23, 1%, 0.14%

LAB 12.85, 34.57, -0.51

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 0 / 83 / 44 / 44

HEX #8F1950

RGB 143 25 80

HSL 332.03, 0.7%, 0.33%

LAB 32.07, 51.25, -1.83

 

CMYK 0 / 83 / 66 / 44

HEX #8F1931

RGB 143 25 49

HSL 347.8, 0.7%, 0.33%

LAB 31.25, 48.77, 17.47

 

CMYK 0 / 83 / 83 / 44

HEX #8F1919

RGB 143 25 25

HSL 0, 0.7%, 0.33%

LAB 30.89, 47.67, 32.17

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 1 / 83 / 0 / 44

HEX #8D198F

RGB 141 25 143

HSL 298.98, 0.7%, 0.33%

LAB 34.68, 59.27, -37.86

 

CMYK 24 / 83 / 0 / 44

HEX #6D198F

RGB 109 25 143

HSL 282.71, 0.7%, 0.33%

LAB 29.23, 53.13, -46.91

 

CMYK 45 / 83 / 0 / 44

HEX #4E198F

RGB 78 25 143

HSL 266.95, 0.7%, 0.33%

LAB 24.63, 47.99, -54.61

 

CMYK 68 / 83 / 0 / 44

HEX #2E198F

RGB 46 25 143

HSL 250.68, 0.7%, 0.33%

LAB 21.05, 44.04, -60.63

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 0 / 93 / 24 / 39

HEX #9C0B77

RGB 156 11 119

HSL 315.31, 0.87%, 0.33%

LAB 35.28, 61.56, -21.79

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 0 / 71 / 18 / 49

HEX #81266A

RGB 129 38 106

HSL 315.16, 0.54%, 0.33%

LAB 32.02, 46.25, -19

 

CMYK 0 / 55 / 14 / 55

HEX #733463

RGB 115 52 99

HSL 315.24, 0.38%, 0.33%

LAB 31.81, 34.22, -15.03

 

CMYK 0 / 35 / 10 / 60

HEX #66425C

RGB 102 66 92

HSL 316.67, 0.21%, 0.33%

LAB 32.91, 20.09, -9.05

 

CMYK 0 / 10 / 2 / 65

HEX #584F56

RGB 88 79 86

HSL 313.33, 0.05%, 0.33%

LAB 34.68, 5.16, -2.76

 

CMYK 24 / 83 / 0 / 44

HEX #6D198F

RGB 109 25 143

HSL 282.71, 0.7%, 0.33%

LAB 29.23, 53.13, -46.91

 

CMYK 1 / 83 / 0 / 44

HEX #8D198F

RGB 141 25 143

HSL 298.98, 0.7%, 0.33%

LAB 34.68, 59.27, -37.86

 

CMYK 0 / 83 / 21 / 44

HEX #8F1971

RGB 143 25 113

HSL 315.25, 0.7%, 0.33%

LAB 33.41, 55.15, -21.1

 

CMYK 0 / 83 / 43 / 44

HEX #8F1952

RGB 143 25 82

HSL 331.02, 0.7%, 0.33%

LAB 32.13, 51.45, -3.04

 

CMYK 0 / 83 / 65 / 44

HEX #8F1932

RGB 143 25 50

HSL 347.29, 0.7%, 0.33%

LAB 31.27, 48.84, 16.84

 

CMYK 0 / 83 / 21 / 72

HEX #480C39

RGB 72 12 57

HSL 315, 0.71%, 0.16%

LAB 15.15, 32.76, -13.1

 

CMYK 0 / 82 / 21 / 58

HEX #6B1354

RGB 107 19 84

HSL 315.68, 0.7%, 0.25%

LAB 24.42, 43.94, -16.74

 

CMYK 0 / 83 / 22 / 44

HEX #8F1970

RGB 143 25 112

HSL 315.76, 0.7%, 0.33%

LAB 33.36, 55.02, -20.54

 

CMYK 0 / 83 / 21 / 30

HEX #B21F8C

RGB 178 31 140

HSL 315.51, 0.7%, 0.41%

LAB 41.75, 65.27, -24.43

 

CMYK 0 / 83 / 22 / 16

HEX #D525A7

RGB 213 37 167

HSL 315.68, 0.7%, 0.49%

LAB 49.81, 74.99, -27.64

 

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

CMYK 0 / 45 / 83 / 44

HEX #8F4E19

RGB 143 78 25

HSL 26.95, 0.7%, 0.33%

LAB 40.18, 23.33, 41.08

 

CMYK 83 / 0 / 13 / 44

HEX #198F7D

RGB 25 143 125

HSL 170.85, 0.7%, 0.33%

LAB 53.31, -35.17, 0.76

 

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

CMYK 21 / 0 / 83 / 44

HEX #718F19

RGB 113 143 25

HSL 75.25, 0.7%, 0.33%

LAB 55.3, -26.7, 53.7

 

CMYK 83 / 21 / 0 / 44

HEX #19718F

RGB 25 113 143

HSL 195.25, 0.7%, 0.33%

LAB 44.23, -14.03, -23.48

 

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

CMYK 0 / 45 / 83 / 44

HEX #8F4E19

RGB 143 78 25

HSL 26.95, 0.7%, 0.33%

LAB 40.18, 23.33, 41.08

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 83 / 37 / 0 / 44

HEX #195A8F

RGB 25 90 143

HSL 206.95, 0.7%, 0.33%

LAB 36.93, -0.14, -34.92

 

CMYK 0 / 82 / 21 / 45

HEX #8D196F

RGB 141 25 111

HSL 315.52, 0.7%, 0.33%

LAB 32.93, 54.41, -20.6

 

CMYK 0 / 21 / 83 / 44

HEX #8F7119

RGB 143 113 25

HSL 44.75, 0.7%, 0.33%

LAB 49.15, 3.11, 49.22

 

CMYK 83 / 0 / 62 / 44

HEX #198F36

RGB 25 143 54

HSL 134.75, 0.7%, 0.33%

LAB 51.97, -50.13, 37.84

 

CMYK 83 / 62 / 0 / 44

HEX #19368F

RGB 25 54 143

HSL 225.25, 0.7%, 0.33%

LAB 26.24, 24.25, -52.15

 

Description

Color code: RGB 141 25 111 | qconv.com Color code: RGB 141 25 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 25 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 25 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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