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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 248 145 it is the complementary color RGB 114 7 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 248 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 248 145 shade: RGB 146 248 140, RGB 163 255 159, RGB 180 255 178, RGB 197 255 197 and RGB 214 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 248 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 248 145 shade: RGB 141 248 145, RGB 124 230 126, RGB 107 212 107, RGB 90 194 88 and RGB 73 176 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 248 145 shade: RGB 139 247 143, RGB 164 247 139, RGB 194 247 139, RGB 223 247 139 and RGB 247 243 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 248 145 shade: RGB 139 247 143, RGB 139 247 173, RGB 139 247 202, RGB 139 247 231 and RGB 139 235 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 248 145 shade matches the following richer shades: RGB 139 247 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 248 145 shade: RGB 139 247 143, RGB 149 237 153, RGB 159 227 162, RGB 169 217 171 and RGB 179 208 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 248 145 shade: RGB 193 247 139, RGB 165 247 139, RGB 139 247 143, RGB 139 247 172 and RGB 139 247 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 248 145 shade: RGB 62 242 69, RGB 101 245 106, RGB 139 247 143, RGB 178 250 181 and RGB 217 252 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 248 145 shade: RGB 141 248 145, RGB 139 222 247 and RGB 247 139 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 248 145 shade: RGB 141 248 145, RGB 143 139 247 and RGB 247 143 139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 248 145 shade: RGB 141 248 145, RGB 139 222 247, RGB 247 139 244 and RGB 247 165 139

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 248 145 shade: RGB 141 248 145, RGB 139 190 247, RGB 247 139 244 and RGB 247 197 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

Complementary color

CMYK 0 / 94 / 4 / 55

HEX #72076E

RGB 114 7 110

HSL 302.24, 0.88%, 0.24%

LAB 26.32, 52.29, -30.72

 

CMYK 41 / 0 / 44 / 3

HEX #92F88C

RGB 146 248 140

HSL 116.67, 0.89%, 0.76%

LAB 89.46, -50.52, 42.67

 

CMYK 36 / 0 / 38 / 0

HEX #A3FF9F

RGB 163 255 159

HSL 117.5, 1%, 0.81%

LAB 92.49, -45.68, 37.44

 

CMYK 29 / 0 / 30 / 0

HEX #B4FFB2

RGB 180 255 178

HSL 118.44, 1%, 0.85%

LAB 93.64, -37.52, 29.64

 

CMYK 23 / 0 / 23 / 0

HEX #C5FFC5

RGB 197 255 197

HSL 120, 1%, 0.89%

LAB 94.92, -29.01, 21.92

 

CMYK 16 / 0 / 15 / 0

HEX #D6FFD8

RGB 214 255 216

HSL 122.93, 1%, 0.92%

LAB 96.32, -20.27, 14.32

 

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

CMYK 46 / 0 / 45 / 10

HEX #7CE67E

RGB 124 230 126

HSL 121.13, 0.68%, 0.69%

LAB 83.12, -51.37, 41.26

 

CMYK 50 / 0 / 50 / 17

HEX #6BD46B

RGB 107 212 107

HSL 120, 0.55%, 0.63%

LAB 76.84, -51.42, 42.53

 

CMYK 54 / 0 / 55 / 24

HEX #5AC258

RGB 90 194 88

HSL 118.87, 0.46%, 0.55%

LAB 70.5, -51.33, 43.81

 

CMYK 59 / 0 / 61 / 31

HEX #49B045

RGB 73 176 69

HSL 117.76, 0.44%, 0.48%

LAB 64.08, -51.04, 45.03

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 34 / 0 / 44 / 3

HEX #A4F78B

RGB 164 247 139

HSL 106.11, 0.87%, 0.76%

LAB 89.99, -44.71, 44

 

CMYK 21 / 0 / 44 / 3

HEX #C2F78B

RGB 194 247 139

HSL 89.44, 0.87%, 0.76%

LAB 91.62, -34.56, 46.4

 

CMYK 10 / 0 / 44 / 3

HEX #DFF78B

RGB 223 247 139

HSL 73.33, 0.87%, 0.76%

LAB 93.48, -23.94, 49.13

 

CMYK 0 / 2 / 44 / 3

HEX #F7F38B

RGB 247 243 139

HSL 57.78, 0.87%, 0.76%

LAB 94.2, -12.82, 50.41

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 44 / 0 / 30 / 3

HEX #8BF7AD

RGB 139 247 173

HSL 138.89, 0.87%, 0.76%

LAB 89.41, -46.84, 26.1

 

CMYK 44 / 0 / 18 / 3

HEX #8BF7CA

RGB 139 247 202

HSL 155, 0.87%, 0.76%

LAB 89.99, -41.27, 12.01

 

CMYK 44 / 0 / 6 / 3

HEX #8BF7E7

RGB 139 247 231

HSL 171.11, 0.87%, 0.76%

LAB 90.68, -34.92, -2.04

 

CMYK 44 / 5 / 0 / 3

HEX #8BEBF7

RGB 139 235 247

HSL 186.67, 0.87%, 0.76%

LAB 87.79, -25.35, -14.69

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 37 / 0 / 35 / 7

HEX #95ED99

RGB 149 237 153

HSL 122.73, 0.71%, 0.76%

LAB 86.63, -43.02, 32.58

 

CMYK 30 / 0 / 29 / 11

HEX #9FE3A2

RGB 159 227 162

HSL 122.65, 0.55%, 0.76%

LAB 84.44, -33.97, 25.12

 

CMYK 22 / 0 / 21 / 15

HEX #A9D9AB

RGB 169 217 171

HSL 122.5, 0.39%, 0.76%

LAB 82.38, -24.43, 17.67

 

CMYK 14 / 0 / 13 / 18

HEX #B3D0B4

RGB 179 208 180

HSL 122.07, 0.24%, 0.76%

LAB 80.73, -14.99, 10.68

 

CMYK 22 / 0 / 44 / 3

HEX #C1F78B

RGB 193 247 139

HSL 90, 0.87%, 0.76%

LAB 91.56, -34.91, 46.32

 

CMYK 33 / 0 / 44 / 3

HEX #A5F78B

RGB 165 247 139

HSL 105.56, 0.87%, 0.76%

LAB 90.04, -44.39, 44.08

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 44 / 0 / 30 / 3

HEX #8BF7AC

RGB 139 247 172

HSL 138.33, 0.87%, 0.76%

LAB 89.39, -47.02, 26.59

 

CMYK 44 / 0 / 19 / 3

HEX #8BF7C8

RGB 139 247 200

HSL 153.89, 0.87%, 0.76%

LAB 89.94, -41.68, 12.99

 

CMYK 74 / 0 / 71 / 5

HEX #3EF245

RGB 62 242 69

HSL 122.33, 0.87%, 0.6%

LAB 84.46, -75.28, 66.94

 

CMYK 59 / 0 / 57 / 4

HEX #65F56A

RGB 101 245 106

HSL 122.08, 0.88%, 0.68%

LAB 86.56, -65.44, 54.63

 

CMYK 44 / 0 / 42 / 3

HEX #8BF78F

RGB 139 247 143

HSL 122.22, 0.87%, 0.76%

LAB 88.92, -51.69, 40.46

 

CMYK 29 / 0 / 28 / 2

HEX #B2FAB5

RGB 178 250 181

HSL 122.5, 0.88%, 0.84%

LAB 92.21, -35.4, 26.16

 

CMYK 14 / 0 / 13 / 1

HEX #D9FCDA

RGB 217 252 218

HSL 121.71, 0.85%, 0.92%

LAB 95.76, -17.49, 12.54

 

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

CMYK 44 / 10 / 0 / 3

HEX #8BDEF7

RGB 139 222 247

HSL 193.89, 0.87%, 0.76%

LAB 84.2, -18.91, -20.09

 

CMYK 0 / 44 / 28 / 3

HEX #F78BB3

RGB 247 139 179

HSL 337.78, 0.87%, 0.76%

LAB 70.52, 45.55, -2.74

 

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

CMYK 42 / 44 / 0 / 3

HEX #8F8BF7

RGB 143 139 247

HSL 242.22, 0.87%, 0.76%

LAB 62.52, 27.76, -53.7

 

CMYK 0 / 42 / 44 / 3

HEX #F78F8B

RGB 247 143 139

HSL 2.22, 0.87%, 0.76%

LAB 70.37, 38.83, 19.35

 

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

CMYK 44 / 10 / 0 / 3

HEX #8BDEF7

RGB 139 222 247

HSL 193.89, 0.87%, 0.76%

LAB 84.2, -18.91, -20.09

 

CMYK 0 / 44 / 1 / 3

HEX #F78BF4

RGB 247 139 244

HSL 301.67, 0.87%, 0.76%

LAB 72.74, 55.56, -35.29

 

CMYK 0 / 33 / 44 / 3

HEX #F7A58B

RGB 247 165 139

HSL 14.44, 0.87%, 0.76%

LAB 75.17, 27.37, 25.87

 

CMYK 43 / 0 / 42 / 3

HEX #8DF891

RGB 141 248 145

HSL 122.24, 0.88%, 0.76%

LAB 89.32, -51.24, 40.02

 

CMYK 44 / 23 / 0 / 3

HEX #8BBEF7

RGB 139 190 247

HSL 211.67, 0.87%, 0.76%

LAB 75.47, -2.14, -33.43

 

CMYK 0 / 44 / 1 / 3

HEX #F78BF4

RGB 247 139 244

HSL 301.67, 0.87%, 0.76%

LAB 72.74, 55.56, -35.29

 

CMYK 0 / 20 / 44 / 3

HEX #F7C58B

RGB 247 197 139

HSL 32.22, 0.87%, 0.76%

LAB 82.68, 10.55, 35.82

 

Description

Color code: RGB 141 248 145 | qconv.com Color code: RGB 141 248 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 248 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 248 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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