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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 232 28 it is the complementary color RGB 114 23 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 232 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 232 28 shade: RGB 146 232 23, RGB 163 250 42, RGB 180 255 61, RGB 197 255 80 and RGB 214 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 232 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 232 28 shade: RGB 141 232 28, RGB 124 214 9, RGB 107 196 0, RGB 90 178 0 and RGB 73 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 232 28 shade: RGB 141 232 27, RGB 196 232 27, RGB 232 213 27, RGB 232 158 27 and RGB 232 102 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 232 28 shade: RGB 141 232 27, RGB 85 232 27, RGB 30 232 27, RGB 27 232 79 and RGB 27 232 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 232 28 shade matches the following richer shades: RGB 141 232 27 and RGB 143 252 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 232 28 shade: RGB 141 232 27, RGB 138 212 47, RGB 136 192 68, RGB 134 171 88 and RGB 132 151 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 232 28 shade: RGB 232 212 27, RGB 198 232 27, RGB 143 232 27, RGB 89 232 27 and RGB 34 232 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 232 28 shade: RGB 96 161 15, RGB 119 199 19, RGB 141 232 27, RGB 159 236 65 and RGB 178 239 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 232 28 shade: RGB 141 232 28, RGB 27 232 157 and RGB 232 27 225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 232 28 shade: RGB 141 232 28, RGB 27 143 232 and RGB 232 27 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 232 28 shade: RGB 141 232 28, RGB 27 232 157, RGB 116 27 232 and RGB 232 27 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 232 28 shade: RGB 141 232 28, RGB 27 232 218, RGB 116 27 232 and RGB 232 27 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

Complementary color

CMYK 50 / 90 / 0 / 11

HEX #7217E3

RGB 114 23 227

HSL 266.76, 0.82%, 0.49%

LAB 37.36, 72.78, -83.39

 

CMYK 37 / 0 / 90 / 9

HEX #92E817

RGB 146 232 23

HSL 84.69, 0.82%, 0.5%

LAB 83.91, -53.25, 79.14

 

CMYK 35 / 0 / 83 / 2

HEX #A3FA2A

RGB 163 250 42

HSL 85.1, 0.95%, 0.57%

LAB 90.01, -54.1, 81.11

 

CMYK 29 / 0 / 76 / 0

HEX #B4FF3D

RGB 180 255 61

HSL 83.2, 1%, 0.62%

LAB 92.38, -49.43, 78.67

 

CMYK 23 / 0 / 69 / 0

HEX #C5FF50

RGB 197 255 80

HSL 79.89, 1%, 0.66%

LAB 93.44, -42.24, 73.83

 

CMYK 16 / 0 / 61 / 0

HEX #D6FF63

RGB 214 255 99

HSL 75.77, 1%, 0.69%

LAB 94.62, -34.61, 68.13

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

CMYK 42 / 0 / 96 / 16

HEX #7CD609

RGB 124 214 9

HSL 86.34, 0.92%, 0.44%

LAB 77.52, -53.79, 75.21

 

CMYK 45 / 0 / 100 / 23

HEX #6BC400

RGB 107 196 0

HSL 87.24, 1%, 0.38%

LAB 71.29, -52.48, 70.9

 

CMYK 49 / 0 / 100 / 30

HEX #5AB200

RGB 90 178 0

HSL 89.66, 1%, 0.35%

LAB 64.97, -50.95, 65.66

 

CMYK 54 / 0 / 100 / 37

HEX #49A000

RGB 73 160 0

HSL 92.63, 1%, 0.31%

LAB 58.56, -49.29, 60.35

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 16 / 0 / 88 / 9

HEX #C4E81B

RGB 196 232 27

HSL 70.54, 0.82%, 0.51%

LAB 86.76, -34.49, 82.03

 

CMYK 0 / 8 / 88 / 9

HEX #E8D51B

RGB 232 213 27

HSL 54.44, 0.82%, 0.51%

LAB 84.39, -10.41, 81.29

 

CMYK 0 / 32 / 88 / 9

HEX #E89E1B

RGB 232 158 27

HSL 38.34, 0.82%, 0.51%

LAB 70.66, 18.2, 70.55

 

CMYK 0 / 56 / 88 / 9

HEX #E8661B

RGB 232 102 27

HSL 21.95, 0.82%, 0.51%

LAB 58.73, 46.96, 61.36

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 63 / 0 / 88 / 9

HEX #55E81B

RGB 85 232 27

HSL 103.02, 0.82%, 0.51%

LAB 81.69, -70.35, 75.74

 

CMYK 87 / 0 / 88 / 9

HEX #1EE81B

RGB 30 232 27

HSL 119.12, 0.82%, 0.51%

LAB 80.78, -78.27, 74.6

 

CMYK 88 / 0 / 66 / 9

HEX #1BE84F

RGB 27 232 79

HSL 135.22, 0.82%, 0.51%

LAB 81.02, -75.06, 59.43

 

CMYK 88 / 0 / 42 / 9

HEX #1BE887

RGB 27 232 135

HSL 151.61, 0.82%, 0.51%

LAB 81.67, -67.18, 34.51

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 43 / 0 / 97 / 1

HEX #8FFC07

RGB 143 252 7

HSL 86.69, 0.98%, 0.51%

LAB 89.62, -62.17, 85.32

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 35 / 0 / 78 / 17

HEX #8AD42F

RGB 138 212 47

HSL 86.91, 0.66%, 0.51%

LAB 77.69, -47.06, 68.28

 

CMYK 29 / 0 / 65 / 25

HEX #88C044

RGB 136 192 68

HSL 87.1, 0.5%, 0.51%

LAB 71.79, -37.81, 54.81

 

CMYK 22 / 0 / 49 / 33

HEX #86AB58

RGB 134 171 88

HSL 86.75, 0.33%, 0.51%

LAB 65.67, -26.8, 38.47

 

CMYK 13 / 0 / 28 / 41

HEX #84976C

RGB 132 151 108

HSL 86.51, 0.17%, 0.51%

LAB 60, -14.7, 20.48

 

CMYK 0 / 9 / 88 / 9

HEX #E8D41B

RGB 232 212 27

HSL 54.15, 0.82%, 0.51%

LAB 84.13, -9.91, 81.08

 

CMYK 15 / 0 / 88 / 9

HEX #C6E81B

RGB 198 232 27

HSL 69.95, 0.82%, 0.51%

LAB 86.9, -33.69, 82.19

 

CMYK 38 / 0 / 88 / 9

HEX #8FE81B

RGB 143 232 27

HSL 86.05, 0.82%, 0.51%

LAB 83.77, -54.18, 78.34

 

CMYK 62 / 0 / 88 / 9

HEX #59E81B

RGB 89 232 27

HSL 101.85, 0.82%, 0.51%

LAB 81.79, -69.48, 75.88

 

CMYK 85 / 0 / 88 / 9

HEX #22E81B

RGB 34 232 27

HSL 117.95, 0.82%, 0.51%

LAB 80.81, -77.95, 74.65

 

CMYK 40 / 0 / 91 / 37

HEX #60A10F

RGB 96 161 15

HSL 86.71, 0.83%, 0.35%

LAB 59.9, -41.86, 59.58

 

CMYK 40 / 0 / 90 / 22

HEX #77C713

RGB 119 199 19

HSL 86.67, 0.83%, 0.43%

LAB 72.77, -49.35, 70.05

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81B

RGB 141 232 27

HSL 86.63, 0.82%, 0.51%

LAB 83.68, -54.84, 78.23

 

CMYK 33 / 0 / 72 / 7

HEX #9FEC41

RGB 159 236 65

HSL 87.02, 0.82%, 0.59%

LAB 85.88, -48.72, 70.79

 

CMYK 26 / 0 / 57 / 6

HEX #B2EF66

RGB 178 239 102

HSL 86.72, 0.81%, 0.67%

LAB 88.04, -40.51, 58.95

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

CMYK 88 / 0 / 32 / 9

HEX #1BE89D

RGB 27 232 157

HSL 158.05, 0.82%, 0.51%

LAB 82.04, -62.88, 23.82

 

CMYK 0 / 88 / 3 / 9

HEX #E81BE1

RGB 232 27 225

HSL 302.05, 0.82%, 0.51%

LAB 55.46, 88.11, -52.05

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

CMYK 88 / 38 / 0 / 9

HEX #1B8FE8

RGB 27 143 232

HSL 206.05, 0.82%, 0.51%

LAB 57.76, 1.76, -53.3

 

CMYK 0 / 88 / 38 / 9

HEX #E81B8F

RGB 232 27 143

HSL 326.05, 0.82%, 0.51%

LAB 51.75, 78.34, -10.06

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

CMYK 88 / 0 / 32 / 9

HEX #1BE89D

RGB 27 232 157

HSL 158.05, 0.82%, 0.51%

LAB 82.04, -62.88, 23.82

 

CMYK 50 / 88 / 0 / 9

HEX #741BE8

RGB 116 27 232

HSL 266.05, 0.82%, 0.51%

LAB 38.42, 73.18, -84.49

 

CMYK 0 / 88 / 56 / 9

HEX #E81B66

RGB 232 27 102

HSL 338.05, 0.82%, 0.51%

LAB 50.57, 75.06, 13.07

 

CMYK 39 / 0 / 88 / 9

HEX #8DE81C

RGB 141 232 28

HSL 86.76, 0.82%, 0.51%

LAB 83.68, -54.82, 78.06

 

CMYK 88 / 0 / 6 / 9

HEX #1BE8DA

RGB 27 232 218

HSL 175.9, 0.82%, 0.51%

LAB 83.45, -47.92, -6.17

 

CMYK 50 / 88 / 0 / 9

HEX #741BE8

RGB 116 27 232

HSL 266.05, 0.82%, 0.51%

LAB 38.42, 73.18, -84.49

 

CMYK 0 / 88 / 82 / 9

HEX #E81B29

RGB 232 27 41

HSL 355.9, 0.82%, 0.51%

LAB 49.62, 72.35, 47.8

 

Description

Color code: RGB 141 232 28 | qconv.com Color code: RGB 141 232 28 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 232 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 232 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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