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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 193 112 it is the complementary color RGB 114 62 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 193 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 193 112 shade: RGB 146 193 107, RGB 163 211 126, RGB 180 229 145, RGB 197 247 164 and RGB 214 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 193 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 124 175 93, RGB 107 157 74, RGB 90 139 55 and RGB 73 121 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 163 193 112, RGB 185 193 112, RGB 193 180 112 and RGB 193 158 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 119 193 112, RGB 112 193 126, RGB 112 193 149 and RGB 112 193 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 193 112 shade matches the following richer shades: RGB 141 193 112, RGB 136 210 95, RGB 132 226 79 and RGB 127 243 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 146 177 128, RGB 150 160 145, RGB 155 144 161 and RGB 160 127 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 193 112 shade: RGB 185 193 112, RGB 163 193 112, RGB 142 193 112, RGB 120 193 112 and RGB 112 193 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 193 112 shade: RGB 99 156 67, RGB 118 181 83, RGB 141 193 112, RGB 164 206 141 and RGB 187 218 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 112 193 180 and RGB 193 112 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 112 142 193 and RGB 193 112 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 112 193 180, RGB 163 112 193 and RGB 193 112 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 193 112 shade: RGB 141 193 112, RGB 112 182 193, RGB 163 112 193 and RGB 193 123 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

Complementary color

CMYK 20 / 57 / 0 / 44

HEX #723E8F

RGB 114 62 143

HSL 278.52, 0.4%, 0.4%

LAB 36, 37.53, -36.01

 

CMYK 24 / 0 / 45 / 24

HEX #92C16B

RGB 146 193 107

HSL 92.79, 0.41%, 0.59%

LAB 73.1, -30.58, 38.27

 

CMYK 23 / 0 / 40 / 17

HEX #A3D37E

RGB 163 211 126

HSL 93.88, 0.49%, 0.66%

LAB 79.55, -30.5, 37.1

 

CMYK 21 / 0 / 37 / 10

HEX #B4E591

RGB 180 229 145

HSL 95, 0.62%, 0.73%

LAB 85.9, -30.41, 35.96

 

CMYK 20 / 0 / 34 / 3

HEX #C5F7A4

RGB 197 247 164

HSL 96.14, 0.84%, 0.81%

LAB 92.16, -30.3, 34.86

 

CMYK 16 / 0 / 28 / 0

HEX #D6FFB7

RGB 214 255 183

HSL 94.17, 1%, 0.86%

LAB 95.68, -25.5, 30.21

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 29 / 0 / 47 / 31

HEX #7CAF5D

RGB 124 175 93

HSL 97.32, 0.34%, 0.53%

LAB 66.32, -31.84, 36.6

 

CMYK 32 / 0 / 53 / 38

HEX #6B9D4A

RGB 107 157 74

HSL 96.14, 0.36%, 0.45%

LAB 59.65, -31.9, 37.81

 

CMYK 35 / 0 / 60 / 45

HEX #5A8B37

RGB 90 139 55

HSL 95, 0.43%, 0.38%

LAB 52.86, -31.87, 38.96

 

CMYK 40 / 0 / 70 / 53

HEX #497924

RGB 73 121 36

HSL 93.88, 0.54%, 0.31%

LAB 45.93, -31.67, 39.83

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 16 / 0 / 42 / 24

HEX #A3C170

RGB 163 193 112

HSL 82.22, 0.4%, 0.6%

LAB 74.25, -23.61, 37.43

 

CMYK 4 / 0 / 42 / 24

HEX #B9C170

RGB 185 193 112

HSL 65.93, 0.4%, 0.6%

LAB 75.84, -15.01, 39.76

 

CMYK 0 / 7 / 42 / 24

HEX #C1B470

RGB 193 180 112

HSL 50.37, 0.4%, 0.6%

LAB 72.99, -5.06, 36.3

 

CMYK 0 / 18 / 42 / 24

HEX #C19E70

RGB 193 158 112

HSL 34.07, 0.4%, 0.6%

LAB 67.25, 6.73, 28.89

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 38 / 0 / 42 / 24

HEX #77C170

RGB 119 193 112

HSL 114.81, 0.4%, 0.6%

LAB 71.71, -39.15, 33.67

 

CMYK 42 / 0 / 35 / 24

HEX #70C17E

RGB 112 193 126

HSL 130.37, 0.4%, 0.6%

LAB 71.62, -39.06, 26.19

 

CMYK 42 / 0 / 23 / 24

HEX #70C195

RGB 112 193 149

HSL 147.41, 0.4%, 0.6%

LAB 72.06, -34.76, 14.52

 

CMYK 42 / 0 / 11 / 24

HEX #70C1AB

RGB 112 193 171

HSL 163.7, 0.4%, 0.6%

LAB 72.58, -30.02, 3.33

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 35 / 0 / 55 / 18

HEX #88D25F

RGB 136 210 95

HSL 98.61, 0.56%, 0.6%

LAB 77.37, -43.18, 49.16

 

CMYK 42 / 0 / 65 / 11

HEX #84E24F

RGB 132 226 79

HSL 98.37, 0.72%, 0.6%

LAB 81.76, -52.65, 60.99

 

CMYK 48 / 0 / 74 / 5

HEX #7FF33E

RGB 127 243 62

HSL 98.45, 0.88%, 0.6%

LAB 86.48, -61.9, 71.88

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 18 / 0 / 28 / 31

HEX #92B180

RGB 146 177 128

HSL 97.96, 0.24%, 0.6%

LAB 68.83, -19.75, 21.69

 

CMYK 6 / 0 / 9 / 37

HEX #96A091

RGB 150 160 145

HSL 100, 0.07%, 0.6%

LAB 64.7, -6.43, 6.59

 

CMYK 4 / 11 / 0 / 37

HEX #9B90A1

RGB 155 144 161

HSL 278.82, 0.08%, 0.6%

LAB 61.21, 7.34, -7.48

 

CMYK 10 / 29 / 0 / 30

HEX #A07FB2

RGB 160 127 178

HSL 278.82, 0.25%, 0.6%

LAB 57.91, 22.32, -22.12

 

CMYK 4 / 0 / 42 / 24

HEX #B9C170

RGB 185 193 112

HSL 65.93, 0.4%, 0.6%

LAB 75.84, -15.01, 39.76

 

CMYK 16 / 0 / 42 / 24

HEX #A3C170

RGB 163 193 112

HSL 82.22, 0.4%, 0.6%

LAB 74.25, -23.61, 37.43

 

CMYK 26 / 0 / 42 / 24

HEX #8EC170

RGB 142 193 112

HSL 97.78, 0.4%, 0.6%

LAB 72.93, -31.37, 35.48

 

CMYK 38 / 0 / 42 / 24

HEX #78C170

RGB 120 193 112

HSL 114.07, 0.4%, 0.6%

LAB 71.76, -38.83, 33.74

 

CMYK 42 / 0 / 35 / 24

HEX #70C17D

RGB 112 193 125

HSL 129.63, 0.4%, 0.6%

LAB 71.6, -39.23, 26.7

 

CMYK 37 / 0 / 57 / 39

HEX #639C43

RGB 99 156 67

HSL 98.43, 0.4%, 0.44%

LAB 58.82, -35.12, 40.18

 

CMYK 35 / 0 / 54 / 29

HEX #76B553

RGB 118 181 83

HSL 98.57, 0.4%, 0.52%

LAB 67.67, -37.92, 43.12

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 20 / 0 / 32 / 19

HEX #A4CE8D

RGB 164 206 141

HSL 98.77, 0.4%, 0.68%

LAB 78.44, -25.65, 27.95

 

CMYK 14 / 0 / 22 / 15

HEX #BBDAA9

RGB 187 218 169

HSL 97.96, 0.4%, 0.76%

LAB 83.74, -19.09, 20.79

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 42 / 0 / 7 / 24

HEX #70C1B4

RGB 112 193 180

HSL 170.37, 0.4%, 0.6%

LAB 72.81, -27.91, -1.23

 

CMYK 0 / 42 / 10 / 24

HEX #C170AE

RGB 193 112 174

HSL 314.07, 0.4%, 0.6%

LAB 58.02, 40.78, -19.33

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 42 / 26 / 0 / 24

HEX #708EC1

RGB 112 142 193

HSL 217.78, 0.4%, 0.6%

LAB 58.64, 2.77, -29.84

 

CMYK 0 / 42 / 26 / 24

HEX #C1708E

RGB 193 112 142

HSL 337.78, 0.4%, 0.6%

LAB 56.96, 35.77, -2.4

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 42 / 0 / 7 / 24

HEX #70C1B4

RGB 112 193 180

HSL 170.37, 0.4%, 0.6%

LAB 72.81, -27.91, -1.23

 

CMYK 16 / 42 / 0 / 24

HEX #A370C1

RGB 163 112 193

HSL 277.78, 0.4%, 0.6%

LAB 55.3, 35.06, -34.71

 

CMYK 0 / 42 / 35 / 24

HEX #C1707D

RGB 193 112 125

HSL 350.37, 0.4%, 0.6%

LAB 56.49, 33.5, 6.83

 

CMYK 27 / 0 / 42 / 24

HEX #8DC170

RGB 141 193 112

HSL 98.52, 0.4%, 0.6%

LAB 72.87, -31.73, 35.39

 

CMYK 42 / 6 / 0 / 24

HEX #70B6C1

RGB 112 182 193

HSL 188.15, 0.4%, 0.6%

LAB 70, -19.15, -12.51

 

CMYK 16 / 42 / 0 / 24

HEX #A370C1

RGB 163 112 193

HSL 277.78, 0.4%, 0.6%

LAB 55.3, 35.06, -34.71

 

CMYK 0 / 36 / 42 / 24

HEX #C17B70

RGB 193 123 112

HSL 8.15, 0.4%, 0.6%

LAB 58.67, 25.98, 17.39

 

Description

Color code: RGB 141 193 112 | qconv.com Color code: RGB 141 193 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 193 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 193 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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