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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 183 95 it is the complementary color RGB 114 72 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 183 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 183 95 shade: RGB 146 183 90, RGB 163 201 109, RGB 180 219 128, RGB 197 237 147 and RGB 214 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 183 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 183 95 shade: RGB 141 183 95, RGB 124 165 76, RGB 107 147 57, RGB 90 129 38 and RGB 73 111 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 183 95 shade: RGB 142 183 96, RGB 165 183 96, RGB 183 178 96, RGB 183 154 96 and RGB 183 131 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 183 95 shade: RGB 142 183 96, RGB 118 183 96, RGB 96 183 98, RGB 96 183 121 and RGB 96 183 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 183 95 shade matches the following richer shades: RGB 142 183 96, RGB 143 202 78, RGB 143 220 59 and RGB 144 239 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 183 95 shade: RGB 142 183 96, RGB 141 165 115, RGB 140 146 133, RGB 139 128 152 and RGB 138 109 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 183 95 shade: RGB 183 178 96, RGB 166 183 96, RGB 143 183 96, RGB 119 183 96 and RGB 96 183 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 183 95 shade: RGB 100 136 61, RGB 121 165 74, RGB 142 183 96, RGB 162 196 125 and RGB 182 209 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 183 95 shade: RGB 141 183 95, RGB 96 183 154 and RGB 183 96 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 183 95 shade: RGB 141 183 95, RGB 96 143 183 and RGB 183 96 143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 183 95 shade: RGB 141 183 95, RGB 96 183 154, RGB 137 96 183 and RGB 183 96 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 183 95 shade: RGB 141 183 95, RGB 96 183 180, RGB 137 96 183 and RGB 183 96 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

Complementary color

CMYK 29 / 55 / 0 / 37

HEX #7248A0

RGB 114 72 160

HSL 268.64, 0.38%, 0.45%

LAB 39.16, 36.02, -41.26

 

CMYK 20 / 0 / 51 / 28

HEX #92B75A

RGB 146 183 90

HSL 83.87, 0.39%, 0.54%

LAB 69.98, -27.78, 42.88

 

CMYK 19 / 0 / 46 / 21

HEX #A3C96D

RGB 163 201 109

HSL 84.78, 0.46%, 0.61%

LAB 76.47, -27.85, 41.72

 

CMYK 18 / 0 / 42 / 14

HEX #B4DB80

RGB 180 219 128

HSL 85.71, 0.56%, 0.68%

LAB 82.87, -27.87, 40.56

 

CMYK 17 / 0 / 38 / 7

HEX #C5ED93

RGB 197 237 147

HSL 86.67, 0.71%, 0.75%

LAB 89.18, -27.86, 39.42

 

CMYK 16 / 0 / 35 / 0

HEX #D6FFA6

RGB 214 255 166

HSL 87.64, 1%, 0.83%

LAB 95.4, -27.84, 38.32

 

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

CMYK 25 / 0 / 54 / 35

HEX #7CA54C

RGB 124 165 76

HSL 87.64, 0.37%, 0.47%

LAB 63.11, -29.08, 41.19

 

CMYK 27 / 0 / 61 / 42

HEX #6B9339

RGB 107 147 57

HSL 86.67, 0.44%, 0.4%

LAB 56.38, -28.96, 42.26

 

CMYK 30 / 0 / 71 / 49

HEX #5A8126

RGB 90 129 38

HSL 85.71, 0.54%, 0.33%

LAB 49.51, -28.68, 43.01

 

CMYK 34 / 0 / 83 / 56

HEX #496F13

RGB 73 111 19

HSL 84.78, 0.71%, 0.25%

LAB 42.51, -28.17, 42.97

 

CMYK 22 / 0 / 48 / 28

HEX #8EB760

RGB 142 183 96

HSL 88.28, 0.38%, 0.55%

LAB 69.8, -28.63, 39.63

 

CMYK 10 / 0 / 48 / 28

HEX #A5B760

RGB 165 183 96

HSL 72.41, 0.38%, 0.55%

LAB 71.36, -19.66, 41.9

 

CMYK 0 / 3 / 48 / 28

HEX #B7B260

RGB 183 178 96

HSL 56.55, 0.38%, 0.55%

LAB 71.39, -9.75, 42.26

 

CMYK 0 / 16 / 48 / 28

HEX #B79A60

RGB 183 154 96

HSL 40, 0.38%, 0.55%

LAB 64.98, 3.06, 34.34

 

CMYK 0 / 28 / 48 / 28

HEX #B78360

RGB 183 131 96

HSL 24.14, 0.38%, 0.55%

LAB 59.11, 15.77, 26.81

 

CMYK 22 / 0 / 48 / 28

HEX #8EB760

RGB 142 183 96

HSL 88.28, 0.38%, 0.55%

LAB 69.8, -28.63, 39.63

 

CMYK 36 / 0 / 48 / 28

HEX #76B760

RGB 118 183 96

HSL 104.83, 0.38%, 0.55%

LAB 68.43, -37.23, 37.64

 

CMYK 48 / 0 / 46 / 28

HEX #60B762

RGB 96 183 98

HSL 121.38, 0.38%, 0.55%

LAB 67.45, -43.85, 35.19

 

CMYK 48 / 0 / 34 / 28

HEX #60B779

RGB 96 183 121

HSL 137.24, 0.38%, 0.55%

LAB 67.82, -40.06, 23.64

 

CMYK 48 / 0 / 21 / 28

HEX #60B791

RGB 96 183 145

HSL 153.79, 0.38%, 0.55%

LAB 68.31, -35.27, 11.32

 

CMYK 22 / 0 / 48 / 28

HEX #8EB760

RGB 142 183 96

HSL 88.28, 0.38%, 0.55%

LAB 69.8, -28.63, 39.63

 

CMYK 29 / 0 / 61 / 21

HEX #8FCA4E

RGB 143 202 78

HSL 88.55, 0.54%, 0.55%

LAB 75.22, -38.87, 54.42

 

CMYK 35 / 0 / 73 / 14

HEX #8FDC3B

RGB 143 220 59

HSL 88.7, 0.7%, 0.55%

LAB 80.37, -47.99, 67.13

 

CMYK 40 / 0 / 83 / 6

HEX #90EF28

RGB 144 239 40

HSL 88.64, 0.86%, 0.55%

LAB 85.91, -56.19, 77.63

 

CMYK 22 / 0 / 48 / 28

HEX #8EB760

RGB 142 183 96

HSL 88.28, 0.38%, 0.55%

LAB 69.8, -28.63, 39.63

 

CMYK 15 / 0 / 30 / 35

HEX #8DA573

RGB 141 165 115

HSL 88.8, 0.22%, 0.55%

LAB 64.81, -17.49, 23.24

 

CMYK 4 / 0 / 9 / 43

HEX #8C9285

RGB 140 146 133

HSL 87.69, 0.06%, 0.55%

LAB 59.73, -4.68, 6.13

 

CMYK 9 / 16 / 0 / 40

HEX #8B8098

RGB 139 128 152

HSL 267.5, 0.1%, 0.55%

LAB 55.27, 8.97, -11.35

 

CMYK 19 / 36 / 0 / 33

HEX #8A6DAA

RGB 138 109 170

HSL 268.52, 0.26%, 0.55%

LAB 50.97, 23.84, -28.39

 

CMYK 0 / 3 / 48 / 28

HEX #B7B260

RGB 183 178 96

HSL 56.55, 0.38%, 0.55%

LAB 71.39, -9.75, 42.26

 

CMYK 9 / 0 / 48 / 28

HEX #A6B760

RGB 166 183 96

HSL 71.72, 0.38%, 0.55%

LAB 71.43, -19.26, 42.01

 

CMYK 22 / 0 / 48 / 28

HEX #8FB760

RGB 143 183 96

HSL 87.59, 0.38%, 0.55%

LAB 69.86, -28.25, 39.73

 

CMYK 35 / 0 / 48 / 28

HEX #77B760

RGB 119 183 96

HSL 104.14, 0.38%, 0.55%

LAB 68.48, -36.89, 37.72

 

CMYK 48 / 0 / 48 / 28

HEX #60B760

RGB 96 183 96

HSL 120, 0.38%, 0.55%

LAB 67.43, -44.14, 36.17

 

CMYK 26 / 0 / 55 / 47

HEX #64883D

RGB 100 136 61

HSL 88.8, 0.38%, 0.39%

LAB 52.57, -25.95, 35.82

 

CMYK 27 / 0 / 55 / 35

HEX #79A54A

RGB 121 165 74

HSL 89.01, 0.38%, 0.47%

LAB 62.9, -30.44, 41.88

 

CMYK 22 / 0 / 48 / 28

HEX #8EB760

RGB 142 183 96

HSL 88.28, 0.38%, 0.55%

LAB 69.8, -28.63, 39.63

 

CMYK 17 / 0 / 36 / 23

HEX #A2C47D

RGB 162 196 125

HSL 88.73, 0.38%, 0.63%

LAB 75.23, -23.78, 32

 

CMYK 13 / 0 / 27 / 18

HEX #B6D199

RGB 182 209 153

HSL 88.93, 0.38%, 0.71%

LAB 80.65, -18.87, 24.87

 

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

CMYK 48 / 0 / 16 / 28

HEX #60B79A

RGB 96 183 154

HSL 160, 0.38%, 0.55%

LAB 68.52, -33.27, 6.69

 

CMYK 0 / 48 / 3 / 28

HEX #B760B2

RGB 183 96 178

HSL 303.45, 0.38%, 0.55%

LAB 53.65, 46.7, -28.47

 

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

CMYK 48 / 22 / 0 / 28

HEX #608FB7

RGB 96 143 183

HSL 207.59, 0.38%, 0.55%

LAB 57.61, -4.83, -25.84

 

CMYK 0 / 48 / 22 / 28

HEX #B7608F

RGB 183 96 143

HSL 327.59, 0.38%, 0.55%

LAB 52.3, 40.91, -10.04

 

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

CMYK 48 / 0 / 16 / 28

HEX #60B79A

RGB 96 183 154

HSL 160, 0.38%, 0.55%

LAB 68.52, -33.27, 6.69

 

CMYK 25 / 48 / 0 / 28

HEX #8960B7

RGB 137 96 183

HSL 268.28, 0.38%, 0.55%

LAB 48.39, 34.25, -40.01

 

CMYK 0 / 48 / 32 / 28

HEX #B7607D

RGB 183 96 125

HSL 340, 0.38%, 0.55%

LAB 51.74, 38.37, -0.21

 

CMYK 23 / 0 / 48 / 28

HEX #8DB75F

RGB 141 183 95

HSL 88.64, 0.38%, 0.55%

LAB 69.72, -29.12, 40.03

 

CMYK 48 / 0 / 2 / 28

HEX #60B7B4

RGB 96 183 180

HSL 177.93, 0.38%, 0.55%

LAB 69.22, -26.91, -6.6

 

CMYK 25 / 48 / 0 / 28

HEX #8960B7

RGB 137 96 183

HSL 268.28, 0.38%, 0.55%

LAB 48.39, 34.25, -40.01

 

CMYK 0 / 48 / 46 / 28

HEX #B76063

RGB 183 96 99

HSL 357.93, 0.38%, 0.55%

LAB 51.08, 35.3, 14.3

 

Description

Color code: RGB 141 183 95 | qconv.com Color code: RGB 141 183 95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 183 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 183 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 48 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 48% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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