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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 184 185 it is the complementary color RGB 114 71 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 184 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 184 185 shade: RGB 146 184 180, RGB 163 202 199, RGB 180 220 218, RGB 197 238 237 and RGB 214 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 184 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 124 166 166, RGB 107 148 147, RGB 90 130 128 and RGB 73 112 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 141 172 185, RGB 141 160 185, RGB 141 148 185 and RGB 145 141 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 141 172 185, RGB 141 160 185, RGB 141 148 185 and RGB 141 141 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 184 185 shade matches the following richer shades: RGB 141 184 185, RGB 126 198 200, RGB 111 212 214, RGB 96 226 229 and RGB 81 240 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 156 170 170, RGB 170 155 155, RGB 185 141 140 and RGB 200 127 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 184 185 shade: RGB 141 185 162, RGB 141 185 174, RGB 141 184 185, RGB 141 172 185 and RGB 141 160 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 184 185 shade: RGB 92 149 151, RGB 115 168 169, RGB 141 184 185, RGB 166 200 200 and RGB 192 216 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 150 141 185 and RGB 185 168 141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 185 141 184 and RGB 184 185 141

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 150 141 185, RGB 185 141 141 and RGB 175 185 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 184 185 shade: RGB 141 184 185, RGB 163 141 185, RGB 185 141 141 and RGB 162 185 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

Complementary color

CMYK 0 / 38 / 39 / 55

HEX #724746

RGB 114 71 70

HSL 1.36, 0.24%, 0.36%

LAB 35.06, 18.3, 8.3

 

CMYK 21 / 0 / 2 / 28

HEX #92B8B4

RGB 146 184 180

HSL 173.68, 0.21%, 0.65%

LAB 72.02, -13.55, -2.18

 

CMYK 19 / 0 / 1 / 21

HEX #A3CAC7

RGB 163 202 199

HSL 175.38, 0.27%, 0.72%

LAB 78.55, -13.47, -2.78

 

CMYK 18 / 0 / 1 / 14

HEX #B4DCDA

RGB 180 220 218

HSL 177, 0.36%, 0.78%

LAB 84.97, -13.4, -3.36

 

CMYK 17 / 0 / 0 / 7

HEX #C5EEED

RGB 197 238 237

HSL 178.54, 0.55%, 0.85%

LAB 91.29, -13.35, -3.92

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 25 / 0 / 0 / 35

HEX #7CA6A6

RGB 124 166 166

HSL 180, 0.19%, 0.57%

LAB 65.21, -14.08, -4.62

 

CMYK 28 / 0 / 1 / 42

HEX #6B9493

RGB 107 148 147

HSL 178.54, 0.16%, 0.5%

LAB 58.43, -14.18, -4.02

 

CMYK 31 / 0 / 2 / 49

HEX #5A8280

RGB 90 130 128

HSL 177, 0.18%, 0.43%

LAB 51.49, -14.3, -3.39

 

CMYK 35 / 0 / 3 / 56

HEX #49706D

RGB 73 112 109

HSL 175.38, 0.21%, 0.36%

LAB 44.39, -14.42, -2.72

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 24 / 7 / 0 / 27

HEX #8DACB9

RGB 141 172 185

HSL 197.73, 0.24%, 0.64%

LAB 68.51, -7.63, -10.16

 

CMYK 24 / 14 / 0 / 27

HEX #8DA0B9

RGB 141 160 185

HSL 214.09, 0.24%, 0.64%

LAB 65.21, -1.06, -15.13

 

CMYK 24 / 20 / 0 / 27

HEX #8D94B9

RGB 141 148 185

HSL 230.45, 0.24%, 0.64%

LAB 61.95, 5.69, -20.06

 

CMYK 22 / 24 / 0 / 27

HEX #918DB9

RGB 145 141 185

HSL 245.45, 0.24%, 0.64%

LAB 60.4, 10.96, -22.4

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 24 / 7 / 0 / 27

HEX #8DACB9

RGB 141 172 185

HSL 197.73, 0.24%, 0.64%

LAB 68.51, -7.63, -10.16

 

CMYK 24 / 14 / 0 / 27

HEX #8DA0B9

RGB 141 160 185

HSL 214.09, 0.24%, 0.64%

LAB 65.21, -1.06, -15.13

 

CMYK 24 / 20 / 0 / 27

HEX #8D94B9

RGB 141 148 185

HSL 230.45, 0.24%, 0.64%

LAB 61.95, 5.69, -20.06

 

CMYK 24 / 24 / 0 / 27

HEX #8D8DB9

RGB 141 141 185

HSL 240, 0.24%, 0.64%

LAB 60.08, 9.69, -22.92

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 37 / 1 / 0 / 22

HEX #7EC6C8

RGB 126 198 200

HSL 181.62, 0.4%, 0.64%

LAB 75.45, -21.92, -8.13

 

CMYK 48 / 1 / 0 / 16

HEX #6FD4D6

RGB 111 212 214

HSL 181.17, 0.56%, 0.64%

LAB 79.23, -28.91, -10.12

 

CMYK 58 / 1 / 0 / 10

HEX #60E2E5

RGB 96 226 229

HSL 181.35, 0.72%, 0.64%

LAB 83.2, -34.55, -12.23

 

CMYK 67 / 2 / 0 / 4

HEX #51F0F4

RGB 81 240 244

HSL 181.47, 0.88%, 0.64%

LAB 87.29, -39.23, -14.05

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 8 / 0 / 0 / 33

HEX #9CAAAA

RGB 156 170 170

HSL 180, 0.08%, 0.64%

LAB 68.55, -4.89, -1.69

 

CMYK 0 / 9 / 9 / 33

HEX #AA9B9B

RGB 170 155 155

HSL 0, 0.08%, 0.64%

LAB 65.24, 5.5, 1.99

 

CMYK 0 / 24 / 24 / 27

HEX #B98D8C

RGB 185 141 140

HSL 1.33, 0.24%, 0.64%

LAB 62.72, 16.53, 7

 

CMYK 0 / 37 / 38 / 22

HEX #C87F7D

RGB 200 127 125

HSL 1.6, 0.41%, 0.64%

LAB 60.73, 28.04, 12.94

 

CMYK 24 / 0 / 12 / 27

HEX #8DB9A2

RGB 141 185 162

HSL 148.64, 0.24%, 0.64%

LAB 71.53, -19.42, 6.92

 

CMYK 24 / 0 / 6 / 27

HEX #8DB9AE

RGB 141 185 174

HSL 165, 0.24%, 0.64%

LAB 71.84, -16.93, 0.8

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 24 / 7 / 0 / 27

HEX #8DACB9

RGB 141 172 185

HSL 197.73, 0.24%, 0.64%

LAB 68.51, -7.63, -10.16

 

CMYK 24 / 14 / 0 / 27

HEX #8DA0B9

RGB 141 160 185

HSL 214.09, 0.24%, 0.64%

LAB 65.21, -1.06, -15.13

 

CMYK 39 / 1 / 0 / 41

HEX #5C9597

RGB 92 149 151

HSL 182.03, 0.24%, 0.48%

LAB 58.04, -18.09, -6.96

 

CMYK 32 / 1 / 0 / 34

HEX #73A8A9

RGB 115 168 169

HSL 181.11, 0.24%, 0.56%

LAB 65.37, -17.11, -6.11

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 17 / 0 / 0 / 22

HEX #A6C8C8

RGB 166 200 200

HSL 180, 0.24%, 0.72%

LAB 78.22, -11.28, -3.78

 

CMYK 11 / 0 / 0 / 15

HEX #C0D8D8

RGB 192 216 216

HSL 180, 0.24%, 0.8%

LAB 84.63, -7.96, -2.72

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 19 / 24 / 0 / 27

HEX #968DB9

RGB 150 141 185

HSL 252.27, 0.24%, 0.64%

LAB 60.81, 12.56, -21.74

 

CMYK 0 / 9 / 24 / 27

HEX #B9A88D

RGB 185 168 141

HSL 36.82, 0.24%, 0.64%

LAB 69.64, 1.82, 16.2

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 0 / 24 / 1 / 27

HEX #B98DB8

RGB 185 141 184

HSL 301.36, 0.24%, 0.64%

LAB 64.02, 24.03, -16

 

CMYK 1 / 0 / 24 / 27

HEX #B8B98D

RGB 184 185 141

HSL 61.36, 0.24%, 0.64%

LAB 74.07, -7.62, 22.28

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 19 / 24 / 0 / 27

HEX #968DB9

RGB 150 141 185

HSL 252.27, 0.24%, 0.64%

LAB 60.81, 12.56, -21.74

 

CMYK 0 / 24 / 24 / 27

HEX #B98D8D

RGB 185 141 141

HSL 0, 0.24%, 0.64%

LAB 62.75, 16.68, 6.46

 

CMYK 5 / 0 / 24 / 27

HEX #AFB98D

RGB 175 185 141

HSL 73.64, 0.24%, 0.64%

LAB 73.37, -11.05, 21.22

 

CMYK 24 / 1 / 0 / 27

HEX #8DB8B9

RGB 141 184 185

HSL 181.36, 0.24%, 0.64%

LAB 71.86, -14, -5.19

 

CMYK 12 / 24 / 0 / 27

HEX #A38DB9

RGB 163 141 185

HSL 270, 0.24%, 0.64%

LAB 61.95, 16.81, -19.91

 

CMYK 0 / 24 / 24 / 27

HEX #B98D8D

RGB 185 141 141

HSL 0, 0.24%, 0.64%

LAB 62.75, 16.68, 6.46

 

CMYK 12 / 0 / 24 / 27

HEX #A2B98D

RGB 162 185 141

HSL 91.36, 0.24%, 0.64%

LAB 72.43, -15.89, 19.78

 

Description

Color code: RGB 141 184 185 | qconv.com Color code: RGB 141 184 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 184 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 184 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 1 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 1% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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